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A Dresden porcelain table centrepiece, the pierced bowl raised on a pedestal decorated with cherubs, a large modern chinese porcelain moon flask, a large collection of Satsuma vases, a pair of chinese cloisonne vases, a modern chinese porcelain tureen, cover and stand, a small bronze censer, a figure of an elephant, brass bell, etc
A box of miscellaneous items to include a brass bust of Adolf Hitler, a miniature chamber pot inscribed "Jerry No.1", an Eastern terracotta flask, two Oriental vases, a glass etched W Staples 1890, etc, together with a box of metal wares to include plated vases, brass tray, etc, together with a vintage style ceiling light fitting with opaque glass shade and wooden turned handle CONDITION REPORTS Please note that there is also a light fitting in this lot.
A 6 Shot .36” Metropolitan Arms Co Single Action Navy Revolver No. 6369 (matching), octagonal barrel 5” stamped with New York maker, cylinder roll-engraved with naval engagement scene (worn), brass trigger guard and grip strap, one piece wooden grip, some wear overall, fore-sight replaced, good condition. Contained in an adapted brass bound mahogany box, green felt lined and fitted, with copy trade label, containing card cap box and original tinned shell embossed powder flask, good condition.
A chromium plated travelling flask set, the leather double ended fitted case containing a rectangular flask, flanked by two curved flasks to the one end and the other fitted with six shot cups, a funnel and strap extensions, all stamped PHV & Co, together with a leather wallet containing tools
A 19th century Meissen porcelain square pounce pot, with flower finial and flowers to the sides, width 1.75ins, together with an oval cloisonne pot decorated with a chicken and flowers to a blue ground, width 2.5ins and a Victorian glass lachrymatory flask in blue with white decoration, length 8ins
An 18th century club shaped ribbed flask, foliate engraved with peacocks and fruiting vine decoration. Height 24 cm. CONDITION REPORT: This flask has one chip to the outside edge of the top rim. There is one small chip to one of the pinched ribs. Other than this the piece is in generally very good condition.
A modern German vase, by Jakob Grimminger, Schwabisch Gmund, of flask shape with tongue and dart girdle below a spool-shaped neck, 17.5cm together with modern specimen vase by Gebruder Kuhn, Schwabisch Gmund, with circular foot, the base of the stem with applied beaded collar, 20.5cm and a small sweetmeat bowl to match, 7.5cm diameter, 12.24oz (3) All stamped 925 Sterling
A selection of silver plated items to include a champagne bucket, four tankards, a sugar pig and mik jug, an oval dish, a cake stand, a hot plate with burner, four vegetable serving collars, a Mappin & Webb covered dish, a hip flask, four ladles and two pairs of sugar tongs. One of the chased tankards by Elkington & Co. (Qty).
A triangular Nazi vehicle pennant, a leather European holster, a glass hunting flask in a leather case and a selection of buttons. CONDITION REPORT; Pennant is worn with freyed edges and splits. Discoloured, but emblem is clear. The holster is worn throughout with cleaning required, but no visible damage. The flask appears to be in good order with good pattina to the leather case
DU MAURIER DAPHNE: (1907-1989) British Author. T.L.S., Daphne, four pages, 8vo, Menabilly, Par, Cornwall, 24th August 1960, to 'My dear' (Foy Quiller-Couch). Du Maurier states that she has been invited to watch her correspondent unveil the Long Stone at Four Turnings ('Or rather, unveil the plaque that has recently been placed there for all the world to see - the Guardsman [her husband, Frederick Browning] and I have been wondering how many accidents will occur, when approaching motorists suddenly stop and stare….') and confirming that she will be present, 'bearing in my pocket a flask of brandy - knowing your fluttering heart on these occasions'. Du Maurier continues to write of the guests and nannies currently in her home, explaining that the children are as quiet as mice and commenting 'Nevertheless I notice the Guardsman has developed your father's good old strategy of murmuring something about matches and leaving the drawing-room for periods of time. It is an excellent dodge, but I myself mutter words about "catching the post" which stands in equal stead. (Also, I seem to think, a trick of your father's, but working even better for him because he could actually take a package down to the Post Office, whereas we have no such excuse but must wait for the Mail van to call.)' She also sends news of her current work, 'Branwell is safely at the printers, and I am having a quiet moment (when I can snatch it) going through Castle Dor and roughing down snatches of dialogue between Dr. Carfax and Monsieur Ledru where slight elaboration seems to be necessary (I feel it is taken to much for granted at present that the reader knows his Tristan) and I must say I enjoy myself seeing how I can keep the pair in character…..Still feel the 1914 war is an error, and would much prefer to set the story about 1860 (just after the railway line was finished between Plymouth and Penzance) and keep it there. Your father's fashion of telling the tale, and his dialogue, suits that period so much better….' A small tape stain appears to the head of the first and final pages, only very slightly affecting two words of text, but not the signature, otherwise VG Foy Quiller-Couch - daughter of British writer Arthur Quiller-Couch (1863-1944), and a life-long friend of Du Maurier. Indeed, Du Maurier was accompanied by Foy Quiller-Couch when she became inspired with the storyline for her novel Jamaica Inn. In 1930 the two ladies were staying at Jamaica Inn and went riding on Bodmin Moor. They became lost in bad weather conditions and apparently sheltered for some time in a derelict cottage on the moor but were eventually led back to Jamaica Inn by their horses. The work which Du Maurier refers to in the present letter is Castle Dor, a historical novel based around the legend of Tristan and Iseult, but set in 19th century Cornwall. The main characters are a Breton onion seller, Amyot Trestane, and the newly wed Linnet Lewarne. Published in 1961, Du Maurier completed the unfinished manuscript of Sir Arthur Quiller-Couch's last novel. Quiller-Couch's daughter, Foy, had given her blessing for Du Maurier to complete the work.
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48831 item(s)/page