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Ferrari spirit flask, in green patterned leather flask, Motoring Spirits flask for the classic Ferrari Sports Car owner, approx 9.2 cms together with a Ferrari black leather wallet approx 10 x 7.5 cms together with a Ferrari Showroom green onyx pen holder with the original and correct pen and two North American Racing Team Ferrari 'Prancing Horse' fender stickers. (5)-
A NORTH AFRICAN FLASK, A CHARGE FLASK AND A POWDER MEASURE, ALGERIA OR MOROCCO, 19TH CENTURY the first circular, of stitched leather, the inner face with a loop for suspension and the outer decorated with a six-point star, with red suspension cord; the second with curved horn body brass basal cap (stopper missing), brass nozzle and spring cut-off, with a lop for suspension and with its cords, the third with faceted tubular body sliding measure, with suspension loop the first: 24.0 cm; 9 ½ in high (3)
‡ A LARGE CARVED OTTOMAN FLASK, TURKEY, 19TH CENTURYwith heart-shaped body fitted on the inside with an iron ring, the inner face decorated with a pattern of concentric lines, and the outer carved with elaborate scrollwork and panels of chevron, with engraved gilt collar, and turned wooden stopper26.0 cm; 10 1/4 in
A PERSIAN POWDER-FLASK, LATE 18TH/19TH CENTURYformed entirely of fine steel, of curved horn-shaped form, fitted with spring lever cut-off decorated with gold scrollwork (losses), the basal terminal with a pierced cover retained by a threaded bolt with pierced hinged plate for opening, and with a leather strap for suspension13.0 cm; 5 1/8 in overall
‡ PROPERTY FROM AN INSTITUTIONAL COLLECTION A FINE AND EXCEPTIONALLY RARE NORTH GERMAN PARADE CUIRASS WITH EMBOSSED AND CHASED DECORATION, LATE 16TH CENTURY, PROBABLY BRUNSWICK formed of steel borders overlain with gilt brass, its breastplate, of |peascod| fashion, constructed of two plates joined medially by a riveted overlap (the left plate patched at its outer edge), and fitted within its later-cut lower edge with a moderately deep waist-flange added during early working life, its backplate, connected to the breastplate by shoulder-straps (the left lost and the right incomplete) and a waist-belt covered with crimson velvet, constructed like the latter of two medially-overlapped plates and fitted within its later-cut lower edge with a short culet added, like the fauld, during early working life; both elements formed at their main edges with file-roped inward turns and embossed overall in low relief and chased between vertical bands of stylised scallops, with panels of classical ornament, involving the allegorical figures of the Cardinal virtues comprising Prudence, Justice, Fortitude as the figure of Hercules with the pillars of Samson, Temperance, and David facing Goliath, various warriors, female figures, trophies-of-arms and masks amid scrolling foliage, all on a stippled ground, the overlays of the fauld and culet in each case engraved with running asymmetrical foliage occupied by stippling; both elements fitted internally with linings of tow quilted between layers of canvas and crimson velvet in lozenge-shaped panels, and decorated around their scalloped edges (partly detached at the lower right edge of the breastplate) with braided cord of silver-gilt wire 44.0 cm; 17 3/8 in high Provenance Sotheby~s New York, 25th November 1986, lot 505 The use of brass in the manufacture of arms and armour in Brunswick and nearby Wolfenbûttel is well documented in the reign of Julius, Duke of Brunswick-Wolfenbûttel (1528-1568-1590) (See von Rohr 1989, parts 1 & 2, pp. 110-16). Among the one hundred or so items of brass listed as being sold from the ducal manufactory at Wolfenbûttel around 1580-90 was |a short brass armour for use on horseback and foot, with shaffron and crinet| (Rohr 1989, p. 110). In 1577 the Duke had ordered Landsknecht armours of brass for mounted use with shaffrons and crinets, from the Brunswick armourer Wulf Gabriel, then serving, in the period 1572 to 1581, as |Ducal body-armour-maker| in the arsenal at Wolfenbûttel (ibid., p. 110 ). Earlier, in 1572, the Brunswick armourer Peter Philipp had received from the Duke an order for fifty-five brass armours equipped with matching burgonets and morions (ibid., p. 110). A brass burgonet of the period is preserved in the Städtishes Museum, Brunswick, Cma No. 3 (ibid., p. 111, fig. 1). Mention is to be found, moreover, in the series of records cited above, of a purchase from the Helmstedt goldsmith Witte of seventy embossed brass burgonets (ibid., p. 110). A coin of 1576 shows Duke Julius wearing a burgonet with just such decoration (ibid., p. 113-14, fig. 5). Of particular significance in the present context is a circular shield or target in the Royal Armouries, Leeds, Inv. No. V. 53, bearing the date 1579, which like the cuirass under discussion is formed of two pieces of steel joined medially, overlain with brass and decorated with embossing and chasing on a stippled ground (Rohr 1989, p. 113, fig. 4; and Stadt im Wandel, Landesmuseum (Vieweghaus), Brunswick, Vol. 2, 1985, p. 769, cat. no. 681). The decoration of the two pieces is strikingly similar both in regard to design and execution, with the labours of Hercules and his pillars featuring in both. References to armour of brass or copper occur with some frequency in Brunswick records of the 1580s and ~90s (ibid., p, 112). They were still to be found in inventories of the ducal armoury at Wolfenbûttel in the following decades. One of 1667 mentions a brass armour extending to the knees, a fore- and hind-piece with arms of copper, and |88 yellow burgonets with embossed work| (ibid., p. 113). A later inventory of 1732 refers to a complete armour of brass of Duke Julius mounted on a black horse of wood; mentioned again in a sale-catalogue of 1789 (ibid., p. 113). The inventory of 1732 notes that there were then also to be found in the Julius Cabinet of the armoury, |6 German flat guns, their barrels etched, with full brass stocks, the figures on the stocks finely embossed.| (ibid., p. 113). Several guns and pistols of about 1575-85, bearing the monograms and devices of Duke Julius, have their stocks of sheet-brass embossed with decoration of the same character as that found on the cuirass under discussion (Rohr 1989, pp. 11-12, figs, 2 -3; Stadt im Wandel, 1985, Vol. 2, pp. 760-1, cat. nos. 671-3; and Wolfgang Glage, Das Kunstwerk der Bûchsenmacher in Land Landesmuseum, Brunswick, 1987, pp. 47-57). Their embossing shows the same very distinctive stippled ground as that of the cuirass under discussion. Pistols of the group can be recorded in the Landesmusmuseum, Brunswick, the Kestner Museum, Hanover (WMI. 227), the collection of Her Majesty the Queen, Windsor Castle, (RCIN 61967), and the Royal Armouries Museum, Leeds, Inv. No. XII.1076; while the much rarer guns of the group can be recorded in Herzog Anton-Ulrich Museum, Brunswick (Inv. No. Waf.1), and the Tøjhusmuseet Copenhagen (Inv. Nos B70 and B71). Similar embossed ornament is to be seen on Brunswick patrons and powder-flasks of the same period. A powder flask can be recorded in the Metropolitan Museum of Art, New York (Acc. No. 2014.214); while patrons can be recorded in the Royal Armouries Museum, Leeds (Inv. No. XIII.37), and the former Hanoverian Royal Collection, sold Sotheby~s, Hildesheim, 5 October 2005, lots 335-342. A further example was sold in this room 8th December 2010, lot 360.
[GP] A VERY RARE ENGLISH ENAMELLED AND GILT COPPER-ALLOY CIRCULAR PLAQUE, LONDON, CIRCA 1660-70, WORKSHOP OF STEPHEN PILCHERD, PROBABLY FOR THE ROYAL COACH OF CHARLES II cast in one piece, the outer face decorated in high relief with the royal initials ~CIIR~, the full crested mantled Royal arms enclosed by the Most Noble Order of the Garter with supporters and motto, on a ground of scrolling foliage with a pair of flowers at the base and a frame of conventional foliage and fruit, all enriched with blue and white enamel and the arms with further red enamel, pierced with a pair of stitch-holes on each side at the top, for attaching a lining-strap, fitted with original hinged bracket, its lower half integral to the casting, and the outer surface with much early bright gilding 15.5 cm; 6 in diameter The high quality styling and finish of the relief ornament are distinctive within the recorded examples which comprise this school of work. Augmented by the particularly bright tones of both the gilding and of the predominant enamels, this armorial plaque compares very closely with a pair of massive firedogs in the Victoria and Albert Museum (inv. no. 868 & 868A-1901). See Blair and Patterson, 2005, p.3, fig.2 and 2006, p.14. Shortly after the Restoration of The Monarchy in 1660, the Royal Wardrobe accounts on 25th March 1661, relating to works on the refurbishment of the royal coaches, record a payment to the royalist brasier Stephen Pilcherd (d.1670) for ~.....making enamelling and gilding our Armes in foure large and eight smaller pieces of brasse.....~. It has been suggested that the smaller plaques include those preserved in the Royal Collection (RCIN 62105), the Victoria and Albert Museum (inv. no. 4920-1901) and two further examples illustrated by Sir James Mann in Country Life 1943 now made into a flask. The smaller plaques are around three quarters the size of the present example. The decoration is strikingly similar, thus presenting a very strong case for it being the only extant larger plaque from the commission. See Blair and Patterson, Ibid., pp. 2-9 and 2006, 10-21. Part proceeds to benefit The Grange Festival
A GERMAN ENGRAVED STAGHORN POWDER-FLASK, LATE 16TH CENTURY of bifurcated form, the inner face decorated with a vertical band of scrolling foliage, the outer with the robed standing figured of Justice holding her sword and scales beneath a canopy of foliage and standing on a meadow ground, iron mounts comprising two etched basal caps, one with pivot cover for ball and the other with spring cut-off for charging, belt hook, suspension ring, and nozzle with spring cut-off (areas of pitting), with a later green cord 25.5 cm; 10 in
A GERMAN CIRCULAR INLAID POWDER-FLASK, THIRD QUARTER OF THE 17TH CENTURY with turned fruitwood body of doughnut form, fitted with a pierced bone plug in the centre, profusely inlaid over its entire surface with circular arrangements of horn rondels with central brass pellets, all enclosed within staghorn frames on a ground sown with further pellets of differing size (small repairs), and iron nozzle with spring cut-off 14.5 cm; 5 3/4 in
A GERMAN ENGRAVED COW HORN POWDER-FLASK, EARLY 17TH CENTURY with curved flattened body, the inner face engraved with a pattern of concentric circles, the outer face decorated with a centrally divided woodland scene, the left showing a warrior in contemporary dress and the right with a similar figure, holding a hound at bay and reclining against a demon mask, iron mounts including long belt hook, nozzle with pivot closure and two suspension rings 37.0 cm; 14 1/2 in
A LARGE SOUTH GERMAN POWDER-FLASK, SECOND HALF OF THE 19TH CENTURY with carved staghorn body, the inner face left natural and the outer decorated with an extensive cameo woodland hunting scene involving a mounted hunter and a stag set upon by hounds, fitted with brass pivot nozzle with cut-off closed by a blued steel spring and four brass suspension rings, and later multi-coloured cord 21.0 cm; 8 1/4 in
A POWDER FLASK, PROBABLY GERMAN LAST QUARTER OF THE 16TH CENTURY formed entirely of steel, of bifurcated form in imitation of antler, the base with two moulded terminals, the top fitted with moulded tubular nozzle and cut-off with turned knob and filed spring, with no evidence of a belt hook (chemically cleaned) 17.0 cm; 6 3/4 in high
A SOUTH GERMAN FLASK, SECOND HALF OF THE 19TH CENTURY with carved staghorn body decorated with a woodland scene enclosing cameo panels of three stag on the outer face and three doe on the inner, fitted with two natural staghorn basal caps, threaded bone nozzle, and four silver mounts with acorn leaves and rings for suspension, and later green cord 18.0 cm; 7 in high
A NORTH ITALIAN CUIR BOUILLI POWDER-FLASK, LAST QUARTER OF THE 16TH CENTURY with bulbous body formed with a series of vertical ribs at the base and a horizontal panel of foliage above, iron nozzle with moulded lever for a cut-off (incomplete, the leather with areas of wear and crazing) 21.0 cm; 8 1/4 in
‡ A THREE-WAY POWDER-FLASK, A SMALL POWDER-FLASK, SECOND QUARTER OF THE 19TH CENTURY AND A FRENCH PISTOL FLASK, EARLY 19TH CENTURY the first with embossed copper body decorated with a scrollwork frame and foliage on each face, brass basal cap with two swivelling circular covers, and brass nozzle with spring cut-off; the second with embossed brass body and threaded brass top with graduated nozzle and spring cut-off; the third with brass-bound horn body, and moulded brass nozzle (cap missing) the first: 12.0 cm; 4 3/4 in (3)
An nineteenth century green and white transfer-printed dedicated pilgrim flask, c. 1830. It is decorated within and all-over sheet pattern. The face has the painted initials of 'W & P', these are also inscribed into the clay on both sides. 18 cm wide. (1) Condition: Professional restoration to a chip to the spout.
An Art Deco silver hip flask, James Carr, Birmingham 1939, of engine turned slightly faceted form with screw and hinge cap, 10.5cm high, weight approx 5.4ozCondition report: Hallmarks clear, cap in good working order, some small dings/dents to the body, general wear and light scratches, refer to inages
A 19th Century porcelain flask and stopper, (possibly Coalport), having foliate spray painted cartouche on a green ground, the stopper with gilt finial; a Cornucopia posy vase with gilt hand terminal raised on marble plinth; and a 19th Century pottery jug with cherub decoration and mask spout (3)
A small group of silver items, comprising a spirit flask, Birmingham 1901, two rectangular vesta cases, Birmingham 1911 and Chester 1914, and a circular pill box, Birmingham 1917, total weight 112.7g.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Four Egyptian hardstone amulets and a miniature alabaster pilgrim flask Third Intermediate Period-Late Period, circa 1069-332 B.C.Comprising a granodiorite frog amulet, sacred to Heqat; a red jasper Horus amulet, the falcon deity wearing the double crown; a lapis lazuli udjat eye amulet; a carnelian djed pillar, and an alabaster scoop-shaped pilgrim flask, 1.2cm-3.5cm; together with a black stone amulet, 3.5cm (6)Footnotes:Provenance:Private collection, UK, formed from the 1970s onwards.For further information on this lot please visit Bonhams.com
Four Roman glass vessels Circa 2nd-5th Century A.D.Comprising a sprinkler flask, the mould blown body with repeat chevron decoration; a green glass flask with funnel neck, twin trail handles and lentoid body; a double balsamarium with chevron trail decoration; a glass jug, the trail handle with folded thumbrest, 7.5cm-14.5cm high and a glass flask, the body mould blown with bud and frond decoration, 14.5cm high (5)Footnotes:Provenance:Sprinkler flask: with Fortuna Fine Arts Ltd, New York (Shining Vessels, 1991, no. 108). Flask with twin handles: with Barakat Galleries, Beverly Hills. Balsamarium: with Asprey Antiques Ltd., London, 7 May 1997. Jug: with Fortuna Fine Arts Ltd, New York, 4 September 1991. Private collection, USA, formed from the 1980s onwards and acquired from the above.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Roman green glass grape amphoriskos Western Empire, circa 2nd-3rd Century A.D.The body mould blown in the form of a naturalistic bunch of grapes, with two vine leaves at the shoulder, with cylindrical neck, everted lip and trail handles, 13cm highFootnotes:Provenance:Arpot Wilma collection, Maastricht. with Harmakhis Archeologie, Brussels, March 2018.Mould blown vessels in the form of bunches of grapes were made both in the Eastern and Western parts of the Roman Empire, but bottles found in the west usually have two handles while those in the east have none. This type of two-handled mould-blown flask decorated with a realistic bunch of grapes is more typical of production in the western part of the Roman Empire and, more specifically, Gaul and Germania, with Cologne as one of several different possible sources. As a grape-flask this lot belongs to Isings' Form 91a although here the form of the bunch of grapes is more trilobed than piriform, and with a vestigial leaf to each side (C. Isings, Roman Glass from Dated Finds, Groningen/Djakarta, 1957, pp. 108-9). For a longer discussion around a group of these grape-flasks with looped handles found in the vicinity of Poitiers, cf. D. Simon-Hiernard, Verres d'époque romaine. Collection des Musées de Poitiers, Poitiers, 2000, pp. 363-70. Other examples include a similarly-coloured darker green two-handled flask from a tomb in the necropolis at Épiais-Rhus dated to the second half of the 2nd Century (N. Vanpeene, Verrerie de la Nécropole d'Épiais-Rhus (Val-d'Oise), Guiry-en-Vexin, 1993, pp. 40-1, no. 042, illus. front cover) and a colourless example from Arles (D. Foy, Les verres antiques d'Arles, la collection du Musée départmental Arles antique, Paris, 2010, pp. 286-7, no. 509). Although very rare as a type, these grape-flasks are well-known and much desired by collectors as the first example was found in 1770 in a mid-2nd to early 3rd Century sarcophagus in the rue de la Tranchée in Poitiers. Furthermore, this example is similarly decorated like the Bonham's example, with a representation of a vine leaf at the top in the middle of both sides, rather than on the edges. The Bonhams' example is a more restrained version, where the body resembles more the bunch of grapes found on footed examples (Isings Form 91b, ibid. p. 109) from Cologne, and the handles are more simple, without the additional loops at the top. This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Roman aubergine glass flask Circa 3rd-4th Century A.D.The funnel shaped mouth with infolded rim, the piriform body with diagonal ribbing, 8.4cm highFootnotes:Provenance:with Fortuna Fine Arts Ltd, New York. Private collection, USA, formed from the 1980s onwards and acquired from the above.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Four Roman glass vessels Late Roman-Early Byzantine, circa 1st-6th Century A.D.Comprising a pilgrim flask, the cylindrical neck with cut-off rim, 13.5cm high; a blue glass jar, 5.8cm high; an unguentarium, 13.8cm high; and a juglet with trefoil lip, 10.5cm high (4)Footnotes:Provenance:Pilgrim flask: with Fortuna Fine Arts Ltd, New York. Blue jar: with Antiquarium Ltd, New York, 10 March 1992. Unguentarium: with Sheppard and Cooper Ltd, London, 6 October 1990. Juglet: with Barakat Galleries, Beverly Hills (A Catalogue of the Collection, vol. 1, 1985, G60). Private collection, USA.There is a similar lentoid flask in the Metropolitan Museum of Art, New York, acc. no. 17.194.93.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Roman blue-green glass pilgrim flask Circa 4th Century A.D.Of lentoid shape, the cylindrical neck with flared mouth and infolded rim, the short applied handles extending down the body in undulating ribbon trailing, 17.8cm high Footnotes:Provenance:with Fortuna Fine Arts Ltd, New York. Private collection, USA, formed from the 1980s onwards and acquired from the above.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Roman pale green glass feeder flask Circa 2nd-3rd Century A.D.The body modelled in the shape of a bird, the extended tubular spout forming the tail, pinched in at the base of the neck, with a folded-in rim, 7.7cm high, 10cm longFootnotes:Provenance:German art market.Anonymous sale; Christie's, London, 25 November 1997, lot 71. Private collection, USA, acquired at the above sale.There is another example of a feeder/pourer flask of similar proportions in the Metropolitan Museum, New York, acc. no. 74.51.81.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Roman pale green glass grape flask Circa 3rd Century A.D.The funnel mouth with infolded rim, the cylindrical neck with tooled flange at the shoulders, the ovoid body mould-blown with ten rows of stylised grape pattern and two opposing triangular leaves below the shoulder, 13.3cm highFootnotes:Provenance:London art market.Anonymous sale; Christie's, London, 25 November 1997, lot 73. Private collection, USA, acquired from the above sale.For a similar purple grape flask with distinctive collar see S. Matheson, Ancient Glass in the Yale University Art Gallery, New Haven, 1980, p.104, no. 279. The usual choice of green or purple glass for these mould-blown flasks was intended to emulate the natural grape colours. The above lot belongs to the Stylised Grape Bottle Series A classification, which is typified by ten rows of stylised grapes and a triangular leaf in the centre of each mould half. For a discussion of the stylised grape bottle classification and a type A example cf. E. Marianne Stern, The Toledo Museum of Art, Roman Mold-blown Glass, Toledo, 1995, p.191, fig. 120.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Four Cypriot pottery vessels Iron Age-Byzantine, circa 750 B.C.-14th Century A.D.Comprising a bichrome ware trefoil-lipped jug, with overlapping rings of concentric decoration, 23.3cm high; an Iron Age white painted ware flask, with cylindrical ridged neck and single handle, with encircling umber bands and a criss-crossed linear motif at the neck, the base marked in black ink R.D.A. 1152 and in fainter ink SR12934844(?), 21cm high; a Hellenistic terracotta spindle-shaped unguentarium, 15.5cm; and a Byzantine polychrome sgraffito ware chalice, glazed in ochre and green on cream with incised chevron motifs, 8cm high, 10.7cm diam. (4)Footnotes:Provenance:Private collection UK, inherited from Mr and Mrs Hector Thompson, acquired in the early 1940s.For further information on this lot please visit Bonhams.com
A Roman green glass janiform head flask Circa 3rd Century A.D.The body blown into a two-part mould, with two similar cherubic faces with knobby-curly hair, on a flattened ovoid base with a cylindrical neck and flaring folded rim, 7.8cm highFootnotes:Provenance:with Antiquarium Ltd, New York. Private collection, USA, acquired from the above 13 October 1993.For a discussion on the different types of double headed jars see E. Stern, The Toledo Museum of Art, Roman Mold-blown Glass, the First through Sixth Centuries, Toledo, 1995, pp. 201-215. Stern notes that double-headed jars featuring child-like faces such as this example were popular in the Eastern Mediterranean (p. 203).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Seven Islamic glass vessels Circa 7th-11th Century A.D.Comprising a blue glass unguentarium, the conical body tapering to a point, a pronounced ribbed collar at the base of the funnel neck, 13cm high; four miniature Islamic glass bottles, 4.3cm-6cm high; a miniature blue beaked flask, 8.7cm high; and a small glass jar with five trail handles and dimpled body, 5.2cm high (7)Footnotes:Provenance:Alabstron: Property of Muriel Katz; Sotheby's, New York, 12-13 December 1991, lot 359 (part). Bottle with facet-cut neck: with Antiquarium Ltd, New York, 14 July 1995. Spherical bottle: with Antiquarium Ltd, New York, 9 November 1991. Beaked flask: with Fortuna Fine Arts, New York. Private collection, USA, formed from the 1980s onwards and acquired from the above.Lot to be sold without reserve.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Roman pale blue-green glass pilgrim flask and a Roman green glass amphoriskos Circa 2nd-4th Century A.D.The flask with circular flattened body blown into a mould with faint diagonal ribs, with long tapering neck and flaring rim, an applied trail wrapping around the rim to the top of the applied handles, 14.5cm high; the amphoriskos with spiral trail decoration around the funnel mouth and twin trail handles, the elongated piriform body with fluted vertical indentations, 17.5cm high (2)Footnotes:Provenance:Flask: Property from the Collection of Gerd Lester; Sotheby's, New York, 25 June 1992, lot 390 (part). Amphoriskos: with Barakat Galleries, Beverly Hills, 1980s.Private collection, USA.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Vampire Slaying Set - an interesting Vampire slaying set, the interior with various divided sections, made up comprising a crucifix, bible, mallet and stakes, pinfire pistol, powder flask, poison bottles etc, drawer to base with further accessories, contained in an oak canteen box with a brass crosses on the lid
Lalique'Faisans et cabochons' box and cover, designed 1926, executed after 1947Glass, enamel decoration.13.8 cm diameterComprising a clock, small bowl and flask with stopper. Each engraved Lalique ® France.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945: Maître-Verrier Analyse de L'Å’uvre et Catalogue Raisonné, Paris, 1989, cat. no. 75 for the box with coverFor further information on this lot please visit Bonhams.com

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52452 item(s)/page