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A Birmingham made 5 shot 120 bore closed wedge frame self cocking percussion revolver, 8" overall, octagonal barrel 3", B'ham proved, the frame, cylinder and top strap engraved with scroll work panels, the metal work close silver plated overall, the grips chequered, shell carved and inset with silver pique studs. Basically GC (action requires attention, external safety spring missing, some wear to plating), in a fitted mahogany case with trade label of "Robert Jones, Patent Breech Loading Gun Maker, Liverpool", containing a brass pincer ball mould, (AF), cleaning rod, pewter oil bottle, a tin for caps, and a brass flask. £250-400
A Chinese Liao dynasty (907-1125) green-glazed stoneware flask. The tall cylindrical body leading to a narrow cylindrical spout with curved finger-pinched handle, covered with white slip stopping short of the foot with a final green glaze covering the upper section of the flask. Height 30cm Provenance: From a private collection in Buckinghamshire
A SILVER GILT CHOCOLATE POTProbably European 20th century, the body decorated with scrolling bands, the circular foot with a foliate band above a beaded rim, the body monogram engraved with a replacement angular handle, the detachable cover having a bud finial, height 23.5cm, gross weight 1063 gms.Condition Report: There are no apparent marks to the chocolate pot, which appears to be in good condition. There are two screws. One to the front below the spout, the other at the back by the handle, we are uncertain as to the purpose of these but they may serve as part of an insulation process ie. like a thermos flask. The pin that holds the sliding top of the lid where the stirring rod would be inserted has been replaced. Otherwise good condition.
WILLIAM WRIGHT & FREDERICK DAVIES; a military issued Victorian hallmarked silver and clear glass hip flask with screw-off cap and engine turned decoration to the cup body, both cap and body with engraved stylised initials beneath a crest of an arm, retailed by Jenner & Knewstub of 33 St. James St., London 1871, height 13cm.Additional InformationThe glass is a little dirty and the silver has some light tarnishing, but good clear hallmarks, no damage at all. The screw thread works well, just a couple of small dents just beneath the rim of the cap.
DREW & SONS; a late Victorian hallmarked silver and clear glass hip flask with screw off cap and detachable cup, both cap and cup engraved with a crest and initials, London 1897, height 15cm.Additional InformationLedgible hallmarks, tiny dent or two to the cover, the screw action to the cap works well and it retains the cork to the inside, some tarnishing and toning, but basically in good order.
WILLIAM NEAL LTD; an Edwardian hallmarked silver hip flask with screw cap and solid silver body, London 1909, height 13.25cm.Additional InformationA couple of small dents to the body and a couple of small dents to the cap, one noticeable at the back, the screw action works well with cork retaining to the interior, free from any engraving or inscription, some light surface scratches throughout.
WILLIAM HUTTON & SONS LTD; a George V hallmarked silver sauce boat with scalloped edge, raised on three hoof feet, Birmingham 1912, also a case of six hallmarked silver seal top teaspoons, a pair of hallmarked silver napkin rings, six cased Queen Elizabeth II Silver Wedding crowns and a modern hip flask, weighable 4.94ozt/153g.Additional InformationTarnishing, the sauce boat with numerous dents, slightly misshapen.
A George V hallmarked silver trinket box and hinged cover on four circular feet, Birmingham 1914, length 7cm, together with a hallmarked silver inkwell, a hallmarked silver trumpet vase and a white metal mounted spirit flask (4).Additional InformationThe silver trinket box does have hallmarks but they are heavily worn, the hinge does not close fully and it is tired in appearance. The silver vase has knocks and some splits to the rim and other knocks to the central section. There is also a split to the silver where it meets the base section, the hallmarks are worn. The inkwell is somewhat tired, the white metal mounted spirit flask is generally ok, just with general age wear patina to the metal and to the leather.
An Edwardian silver hip flask, Chester 1910, together with a silver vesta case, two silver Rat Tail pattern dessert spoons, a Victorian silver Scottish spoon with a Continental white metal and gilt tea strainer, two Continental white metal spoons and a pair of plated sugar tongs and three plated condiment spoons, weighable silver approx 9.2ozt/286g.Additional InformationThe hip flask with many knocks and dents throughout and with a large repair to the seam, on the underside of the base, vesta case closes flush just with general light tarnishing throughout, both of the Rattail spoons with general wear to the tips of the bowls and patination throughout, the Scottish spoon also with wear to the bowl and also with patination, the small Continental spoons with general tarnishing and the plated condiment spoons with tarnishing and the one spoon with heavy wear to the bowl.
A collection of 19th century and later silver and mostly plated items, to include two hallmarked silver cigarette cases, 4ozt/124g, napkin rings, knife rests, a spirit flask, toilet jars, etc (quantity).PROVENANCE: The Raymond Rush Collection. Mr Rush was an engineer, farmer and lay preacher who lived at Golden Cross Farm in Siddington, Cheshire. He was also a historian, broadcaster, author and speaker who regularly gave talks on local history, agricultural history and historic curios. In addition, he was also an accomplished maker of corn dollies.
TRANTER PATENT; a 19th century six shot percussion cap revolver with chequered walnut stock, matching no's 12110 and with 12.5cm octagonal barrel, .44 calibre, overall length 29.5cm and presented in an oak box with later Manton and Company label and a large quantity of tools and accessories including a Bartram & Co powder flask, bullet mould, etc.Additional InformationBore size, as stated, is .44 calibre. Some light rusting to the inside of the barrel, some light pitting to the metalwork throughout, some rubbing to the points of the nipples on the barrel. Overall a good example in good condition although it has lost its original finish. There are lots of accessories with the gun, some are associated and therefore there are too many to fit within the box. The label to the inside of the box is a later reprinted copy.
ROYAL WORCESTER; a reticulated blush ivory moon flask in the manner of George Owen, with turquoise and white jewelled decoration, green marks to the underside, height 16cm.Additional InformationGood condition, with minimal signs of wear, there is a small flea bite/glaze loss to the foot rim, otherwise good.
A Chinese Moon flask shaped vase decorated with polychrome panels of traditional scenes, surrounded by different coloured dragons in blue orange and red, flying through the clouds, 2 dragon 'handles' in relief in reds and golds, seal mark to base surrounded by polychrome decoration, height 36.5cm Good condition with minor wear to enamels
GIOVANNI BATTISTA TIEPOLO (ITALIAN 1696-1770) A LARGE GROUP OF PUNCHINELLI Pen, ink and wash 23.9 x 37.5cm (9¼ x 14¾ in.) Provenance: The Henry Oppenheimer Collection Sale, Christie's, The Henry Oppenheimer Collection, 14th September, 1936, lot 185 (A) (part lot) Where purchased by Sir Osbert Sitwell, 5th Bt. And thence by descent. Literature: G. Knox, 'Domenico Tiepolo's Punchinello Drawings: Satire, or Labor of Love?' in Satire in the Eighteenth Century, (J.D. Browning Ed.) New York, 1983, p. 138, fig. 5. G. Knox, 'The Punchinello drawings of Giambattista Tiepolo', in Interpretazioni Veneziane studi de storia dell'arte in oncore di Michelangelo Muraro, (D. Rosand Ed.) Venezia 1984, p. 441, fig.5. V. Sears Goldman, April 2012, 'The Most Beautiful Punchinelli in the World': A comprehensive Study of the Punchinello Drawings of Giovanni Battista Tiepolo, (unpublished doctoral dissertation), Princeton University, New Jersey, pp. 390-393, no. 4, fig. 4. We are grateful for Professor Bernard Aikema for confirming the authenticity of this work from a photograph. Catalogue Note: This drawing is from a distinctive group of documented Punchinello drawings by Giovanni Battista Tiepolo (1696-1770); related drawings by Tiepolo of the same period, depicting large groups of Punchinelli include: A large group of Punchinelli cooking (École des Beaux-Arts, Paris, no. 393); A large group of Punchinelli (private collection, Zurich); Punchinelli preparing a meal of gnocchi and parmesan cheese (Baron Dominique-Vivant Denon; Vivant-Denon sale, Pérignon, Paris, 1-19 May 1826, lot 543; most recently, Christie's, New York, 31 January 2013, lot 75, USD 542,500 inc. premium) (Sears Goldman, op. cit., pp. 393-397, no. 5; pp. 420-422, no. 10; pp. 423-429, no. 11). Punchinello was the buffoon character of the 17th century commedia dell'arte, a subject that Tiepolo embraced from the late 1720s through to the early 1760s, primarily in drawings, executing about thirty-six, but also in at least two paintings, and etchings. Tiepolo's interest in Punchinello was most likely stimulated when he was in Verona working on the illustrations for Scipione Maffei's Verona Illustrata (c. 1725). The drawing offered here dates from the early 1730s; it retains the fine delicate line of the earlier drawings but includes two tones of painterly wash, the wash less evenly applied than in slightly later drawings (Sears Goldman, op. cit., p. 376). Tiepolo, in contrast to his son Domenico, who shows Punchinelli engaged in everyday activities in his Divertimento per li Regazzi, portrays his Punchinelli making and eating gnocchi, and suffering from the excesses of overindulgence. The subject derives from a regional festival, venerdì gnoccolare, which took place in Verona on the last Friday of Carnival. Young boys from the poorest district of San Zeno, dressed up in costume, and gathered at the Palazzo del Podestà to invite the mayor to the town square for a glass of wine and a plate of gnocchi, followed by a town fiesta of eating and drinking until dawn. This drawing depicts a jumbled group of Punchinelli; two figures on the right are engaged in the cooking and presentation of gnocchi, but most have surrendered to the gnoccolonità that affects unlucky Punchinelli after the feast - several are drunken or ill (Sears Goldman, op. cit., p. 390). Some of the figures in this drawing can be found in other Tiepolo Punchinello drawings. For example, to the left of the drawing is a prostrate Punchinello with a protruding stomach lying on top of his hat; a similar Punchinello is depicted in Drunken Punchinello in the Musée de Picardie, Amiens (M.P. 975-6) and Two Punchinelli in the Fondazione Giorgio Cini, Venice (30.082). The Punchinello slumped over on the ground in the centre of the present drawing has its counterpart in Punchinelli cooking gnocchi (formerly Tito Miotti, Udine) and Three Punchinelli gathered around a gnocchi pot (Kennedy Onassis estate sale, Sotheby's, New York, 24 April 1996, lot 250). The composition of the present drawing is additionally related to a disegno di Pulcinella senza Pulcinella (c. 1724) by Tiepolo in the Staatliche Museen zu Berlin (inv. 11772). A toppled gnocchi pot or Punchinello hat, a wine flask, and a walking stick lie in the foreground. The use of scattered objects in the front appears in other Tiepolo drawings, for example, La folla e i serpenti, but in the world of Punchinello these symbols of the venerdì gnoccolare are represented differently: Punchinello's hat, a fallen quiver of arrows; the wine flask, a ceramic pot with a grotesque carved mask, Punchinello's walking stick suggesting a makeshift caduceus, a serpent-encircled staff (A. Rizzi, Mostra del Tiepolo: disegni e acqueforti, Milan, 1971, p. 17, no. 9; G. Vigni, Disegni del Tiepolo, 2nd ed., Trieste, 1972, pp. 53-54, no. 6). George Knox, the Tiepolo art historian, suggests that this drawing is among the earliest of the Punchinello drawings because of its fine line and delicate, even use of wash (Knox, op. cit., p. 441; G. Knox, Tiepolo: A Bicentenary Exhibition, no. 6). He further proposes that this drawing may be linked stylistically with the studies for the Villa Loschi at Biron, executed around 1734 (Knox, op. cit., p. 441). The present drawing, and others of this period, undoubtedly mark the moment that Tiepolo's draftsmanship assumes its mature form (G. Knox, Tiepolo: A Bicentenary Exhibition, 1770-1970; Drawings, mainly from American Collections, by Giambattista Tiepolo and the Members of His Circle, Cambridge, Mass., Fogg Art Museum, Harvard University, 1970, no. 13). Scipione Maffei (1675-1755), a Veronese writer, art critic and collector, was possibly the patron of the Punchinello works (Knox, op. cit., pp. 439-446). Tiepolo visited Verona twice, around 1730 when he worked with Maffei on Verona Illustrata, and nearly thirty years later in 1760 to paint the ceiling of the Palazzo Canossa. By the middle of the 18th century, however, Punchinelli drawings were collected outside Verona; in 1761, Count Francesco Algarotti's wrote to Pierre-Jean Mariette that he had 'les plus belles polichinelles du monde de la main de notre célèbre Tiepoletto' (Knox, 1984, op. cit., p. 444). Moreover, many artists made copies after Tiepolo's drawings, whether in pen and ink or as prints. Some of these were direct copies; others, such as the artist Georg Friedrich Schmidt's (1712-1775) 1751 etching, after Three Punchinellis cooking gnocchi, was based principally on the drawing but contributed new elements as well (Sears Goldman, op. cit., p. 364). Henry Oppenheimer, F.S.A. Click here for full description.
A small group of silver smalls, including a Scottish George III table spoon, Edinburgh 1810, maker's mark rubbed, later Victorian berry spoon decoration; a Continental bark effect silver patch box, London import marks 1973; a silver mounted cut glass heart shaped scent flask, marks rubbed, faults; and two other silver mounted bottles, weighable silver 2.85 tr.oz . (5)
A late Victorian silver hip flask, William Hutton & Sons, London 1900, hallmarked in three places, typical plain curved cushion form with bayonet mushroom cap, lightly inscribed initials, 5¾in. (14.7cm.) long, weight 5.5 tr.oz. * All three maker's marks rubbed, very small shallow dent to main body, bayonet cap works well.
An Edwardian silver scent bottle case, M. Bros, Birm. 1901, the hinged two-part body of flask form with hinged cover and repoussé portrait of a flower maiden, 7.2cm. high; together with a miniature silver scent moon flask, Douglas Pell Silverware, London 1994 with matching funnel, 1995; another scent funnel; two modern silver overlaid glass scents; and a pewter overlaid red glass scent. (7)
A Victorian silver mounted painted milk glass scent bottle, C C May & Sons, Birm. 1889, 4.2cm. high; together with an early 20th century Murano glass scent flask, ovoid form with marbled polychrome and gold aventurine decoration, crown stopper; plus two other antique scent bottles; plus an antique Indian silvered brass compact with painted and mother-of-pearl decoration to the lift-off cover, 5.7cm. diameter. (5)
A small Chinese blue and white moon flask, four character Kangxi mark but later, 19th century, with ruyi sceptre handles, painted with figures in fenced gardens, within floral and foliate borders and a lappet border to foot, pendant and diaper decoration to neck, 6 1/8in. (15.7cm.) high, chips to handles. * Chip to bottom of both handles. Glaze chips to rim and glaze loss to raised edge around one of the main circular reserves.
Victorian Doulton Lambeth stoneware spirit flask, the square-bodied flagon with broad shoulders, narrow spout and incised Art Nouveau decoration, the handled marked 'R' for rum, impressed marks to the base including 'Doulton Lambeth 1882' and a lozenge registration mark, signed with the maker's initials 'ES', 21cm high.
A BOX OF MISCELLANEOUS ITEMS, to include a carved malachite trinket box, two ceramic trinket boxes, a Bakelite and silver mounted manicure case with four manicure tools, a miniature cased Nepro clock keyring, a silver bladed fruit knife fitted with a mother of pearl handle, hallmarked Birmingham, together with various pendants, buttons, badges, a stainless steel 1oz hip flask, a bangle, a large ceramic pendant necklace and matching ring etc

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52449 item(s)/page