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A cased U.S.A. James Warner second model first type pocket model revolver c1857-late 1960's total production approx 9,500 (this model just a few hundred), six shot with a .28 bore, top strap marked James Warner Springfield Mass U.S.A., the fitted rosewood case has cap tin, flask and an oiler (N.B. the revolver and case may have been a later marriage)
An Italian maiolica tapering rectangular armorial flask, first half 17th centuryProbably Faenza, each side painted with the Medici arms below a coronet, the base and shoulder with rectangular lugs, 24.5cm high (minor restoration)Footnotes:Provenance:Italian private collection since the 1960s;Thence by descentThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Ferrari spirit flask, in green patterned leather flask, Motoring Spirits flask for the classic Ferrari Sports Car owner, approx 9.2 cms together with a Ferrari black leather wallet approx 10 x 7.5 cms together with a Ferrari Showroom green onyx pen holder with the original and correct pen and two North American Racing Team Ferrari 'Prancing Horse' fender stickers. (5)-
A NORTH AFRICAN FLASK, A CHARGE FLASK AND A POWDER MEASURE, ALGERIA OR MOROCCO, 19TH CENTURY the first circular, of stitched leather, the inner face with a loop for suspension and the outer decorated with a six-point star, with red suspension cord; the second with curved horn body brass basal cap (stopper missing), brass nozzle and spring cut-off, with a lop for suspension and with its cords, the third with faceted tubular body sliding measure, with suspension loop the first: 24.0 cm; 9 ½ in high (3)
‡ A LARGE CARVED OTTOMAN FLASK, TURKEY, 19TH CENTURYwith heart-shaped body fitted on the inside with an iron ring, the inner face decorated with a pattern of concentric lines, and the outer carved with elaborate scrollwork and panels of chevron, with engraved gilt collar, and turned wooden stopper26.0 cm; 10 1/4 in
A PERSIAN POWDER-FLASK, LATE 18TH/19TH CENTURYformed entirely of fine steel, of curved horn-shaped form, fitted with spring lever cut-off decorated with gold scrollwork (losses), the basal terminal with a pierced cover retained by a threaded bolt with pierced hinged plate for opening, and with a leather strap for suspension13.0 cm; 5 1/8 in overall
‡ PROPERTY FROM AN INSTITUTIONAL COLLECTION A FINE AND EXCEPTIONALLY RARE NORTH GERMAN PARADE CUIRASS WITH EMBOSSED AND CHASED DECORATION, LATE 16TH CENTURY, PROBABLY BRUNSWICK formed of steel borders overlain with gilt brass, its breastplate, of |peascod| fashion, constructed of two plates joined medially by a riveted overlap (the left plate patched at its outer edge), and fitted within its later-cut lower edge with a moderately deep waist-flange added during early working life, its backplate, connected to the breastplate by shoulder-straps (the left lost and the right incomplete) and a waist-belt covered with crimson velvet, constructed like the latter of two medially-overlapped plates and fitted within its later-cut lower edge with a short culet added, like the fauld, during early working life; both elements formed at their main edges with file-roped inward turns and embossed overall in low relief and chased between vertical bands of stylised scallops, with panels of classical ornament, involving the allegorical figures of the Cardinal virtues comprising Prudence, Justice, Fortitude as the figure of Hercules with the pillars of Samson, Temperance, and David facing Goliath, various warriors, female figures, trophies-of-arms and masks amid scrolling foliage, all on a stippled ground, the overlays of the fauld and culet in each case engraved with running asymmetrical foliage occupied by stippling; both elements fitted internally with linings of tow quilted between layers of canvas and crimson velvet in lozenge-shaped panels, and decorated around their scalloped edges (partly detached at the lower right edge of the breastplate) with braided cord of silver-gilt wire 44.0 cm; 17 3/8 in high Provenance Sotheby~s New York, 25th November 1986, lot 505 The use of brass in the manufacture of arms and armour in Brunswick and nearby Wolfenbûttel is well documented in the reign of Julius, Duke of Brunswick-Wolfenbûttel (1528-1568-1590) (See von Rohr 1989, parts 1 & 2, pp. 110-16). Among the one hundred or so items of brass listed as being sold from the ducal manufactory at Wolfenbûttel around 1580-90 was |a short brass armour for use on horseback and foot, with shaffron and crinet| (Rohr 1989, p. 110). In 1577 the Duke had ordered Landsknecht armours of brass for mounted use with shaffrons and crinets, from the Brunswick armourer Wulf Gabriel, then serving, in the period 1572 to 1581, as |Ducal body-armour-maker| in the arsenal at Wolfenbûttel (ibid., p. 110 ). Earlier, in 1572, the Brunswick armourer Peter Philipp had received from the Duke an order for fifty-five brass armours equipped with matching burgonets and morions (ibid., p. 110). A brass burgonet of the period is preserved in the Städtishes Museum, Brunswick, Cma No. 3 (ibid., p. 111, fig. 1). Mention is to be found, moreover, in the series of records cited above, of a purchase from the Helmstedt goldsmith Witte of seventy embossed brass burgonets (ibid., p. 110). A coin of 1576 shows Duke Julius wearing a burgonet with just such decoration (ibid., p. 113-14, fig. 5). Of particular significance in the present context is a circular shield or target in the Royal Armouries, Leeds, Inv. No. V. 53, bearing the date 1579, which like the cuirass under discussion is formed of two pieces of steel joined medially, overlain with brass and decorated with embossing and chasing on a stippled ground (Rohr 1989, p. 113, fig. 4; and Stadt im Wandel, Landesmuseum (Vieweghaus), Brunswick, Vol. 2, 1985, p. 769, cat. no. 681). The decoration of the two pieces is strikingly similar both in regard to design and execution, with the labours of Hercules and his pillars featuring in both. References to armour of brass or copper occur with some frequency in Brunswick records of the 1580s and ~90s (ibid., p, 112). They were still to be found in inventories of the ducal armoury at Wolfenbûttel in the following decades. One of 1667 mentions a brass armour extending to the knees, a fore- and hind-piece with arms of copper, and |88 yellow burgonets with embossed work| (ibid., p. 113). A later inventory of 1732 refers to a complete armour of brass of Duke Julius mounted on a black horse of wood; mentioned again in a sale-catalogue of 1789 (ibid., p. 113). The inventory of 1732 notes that there were then also to be found in the Julius Cabinet of the armoury, |6 German flat guns, their barrels etched, with full brass stocks, the figures on the stocks finely embossed.| (ibid., p. 113). Several guns and pistols of about 1575-85, bearing the monograms and devices of Duke Julius, have their stocks of sheet-brass embossed with decoration of the same character as that found on the cuirass under discussion (Rohr 1989, pp. 11-12, figs, 2 -3; Stadt im Wandel, 1985, Vol. 2, pp. 760-1, cat. nos. 671-3; and Wolfgang Glage, Das Kunstwerk der Bûchsenmacher in Land Landesmuseum, Brunswick, 1987, pp. 47-57). Their embossing shows the same very distinctive stippled ground as that of the cuirass under discussion. Pistols of the group can be recorded in the Landesmusmuseum, Brunswick, the Kestner Museum, Hanover (WMI. 227), the collection of Her Majesty the Queen, Windsor Castle, (RCIN 61967), and the Royal Armouries Museum, Leeds, Inv. No. XII.1076; while the much rarer guns of the group can be recorded in Herzog Anton-Ulrich Museum, Brunswick (Inv. No. Waf.1), and the Tøjhusmuseet Copenhagen (Inv. Nos B70 and B71). Similar embossed ornament is to be seen on Brunswick patrons and powder-flasks of the same period. A powder flask can be recorded in the Metropolitan Museum of Art, New York (Acc. No. 2014.214); while patrons can be recorded in the Royal Armouries Museum, Leeds (Inv. No. XIII.37), and the former Hanoverian Royal Collection, sold Sotheby~s, Hildesheim, 5 October 2005, lots 335-342. A further example was sold in this room 8th December 2010, lot 360.
[GP] A VERY RARE ENGLISH ENAMELLED AND GILT COPPER-ALLOY CIRCULAR PLAQUE, LONDON, CIRCA 1660-70, WORKSHOP OF STEPHEN PILCHERD, PROBABLY FOR THE ROYAL COACH OF CHARLES II cast in one piece, the outer face decorated in high relief with the royal initials ~CIIR~, the full crested mantled Royal arms enclosed by the Most Noble Order of the Garter with supporters and motto, on a ground of scrolling foliage with a pair of flowers at the base and a frame of conventional foliage and fruit, all enriched with blue and white enamel and the arms with further red enamel, pierced with a pair of stitch-holes on each side at the top, for attaching a lining-strap, fitted with original hinged bracket, its lower half integral to the casting, and the outer surface with much early bright gilding 15.5 cm; 6 in diameter The high quality styling and finish of the relief ornament are distinctive within the recorded examples which comprise this school of work. Augmented by the particularly bright tones of both the gilding and of the predominant enamels, this armorial plaque compares very closely with a pair of massive firedogs in the Victoria and Albert Museum (inv. no. 868 & 868A-1901). See Blair and Patterson, 2005, p.3, fig.2 and 2006, p.14. Shortly after the Restoration of The Monarchy in 1660, the Royal Wardrobe accounts on 25th March 1661, relating to works on the refurbishment of the royal coaches, record a payment to the royalist brasier Stephen Pilcherd (d.1670) for ~.....making enamelling and gilding our Armes in foure large and eight smaller pieces of brasse.....~. It has been suggested that the smaller plaques include those preserved in the Royal Collection (RCIN 62105), the Victoria and Albert Museum (inv. no. 4920-1901) and two further examples illustrated by Sir James Mann in Country Life 1943 now made into a flask. The smaller plaques are around three quarters the size of the present example. The decoration is strikingly similar, thus presenting a very strong case for it being the only extant larger plaque from the commission. See Blair and Patterson, Ibid., pp. 2-9 and 2006, 10-21. Part proceeds to benefit The Grange Festival
A GERMAN ENGRAVED STAGHORN POWDER-FLASK, LATE 16TH CENTURY of bifurcated form, the inner face decorated with a vertical band of scrolling foliage, the outer with the robed standing figured of Justice holding her sword and scales beneath a canopy of foliage and standing on a meadow ground, iron mounts comprising two etched basal caps, one with pivot cover for ball and the other with spring cut-off for charging, belt hook, suspension ring, and nozzle with spring cut-off (areas of pitting), with a later green cord 25.5 cm; 10 in
A GERMAN CIRCULAR INLAID POWDER-FLASK, THIRD QUARTER OF THE 17TH CENTURY with turned fruitwood body of doughnut form, fitted with a pierced bone plug in the centre, profusely inlaid over its entire surface with circular arrangements of horn rondels with central brass pellets, all enclosed within staghorn frames on a ground sown with further pellets of differing size (small repairs), and iron nozzle with spring cut-off 14.5 cm; 5 3/4 in
A GERMAN ENGRAVED COW HORN POWDER-FLASK, EARLY 17TH CENTURY with curved flattened body, the inner face engraved with a pattern of concentric circles, the outer face decorated with a centrally divided woodland scene, the left showing a warrior in contemporary dress and the right with a similar figure, holding a hound at bay and reclining against a demon mask, iron mounts including long belt hook, nozzle with pivot closure and two suspension rings 37.0 cm; 14 1/2 in
A LARGE SOUTH GERMAN POWDER-FLASK, SECOND HALF OF THE 19TH CENTURY with carved staghorn body, the inner face left natural and the outer decorated with an extensive cameo woodland hunting scene involving a mounted hunter and a stag set upon by hounds, fitted with brass pivot nozzle with cut-off closed by a blued steel spring and four brass suspension rings, and later multi-coloured cord 21.0 cm; 8 1/4 in
A POWDER FLASK, PROBABLY GERMAN LAST QUARTER OF THE 16TH CENTURY formed entirely of steel, of bifurcated form in imitation of antler, the base with two moulded terminals, the top fitted with moulded tubular nozzle and cut-off with turned knob and filed spring, with no evidence of a belt hook (chemically cleaned) 17.0 cm; 6 3/4 in high
A SOUTH GERMAN FLASK, SECOND HALF OF THE 19TH CENTURY with carved staghorn body decorated with a woodland scene enclosing cameo panels of three stag on the outer face and three doe on the inner, fitted with two natural staghorn basal caps, threaded bone nozzle, and four silver mounts with acorn leaves and rings for suspension, and later green cord 18.0 cm; 7 in high
A NORTH ITALIAN CUIR BOUILLI POWDER-FLASK, LAST QUARTER OF THE 16TH CENTURY with bulbous body formed with a series of vertical ribs at the base and a horizontal panel of foliage above, iron nozzle with moulded lever for a cut-off (incomplete, the leather with areas of wear and crazing) 21.0 cm; 8 1/4 in
‡ A THREE-WAY POWDER-FLASK, A SMALL POWDER-FLASK, SECOND QUARTER OF THE 19TH CENTURY AND A FRENCH PISTOL FLASK, EARLY 19TH CENTURY the first with embossed copper body decorated with a scrollwork frame and foliage on each face, brass basal cap with two swivelling circular covers, and brass nozzle with spring cut-off; the second with embossed brass body and threaded brass top with graduated nozzle and spring cut-off; the third with brass-bound horn body, and moulded brass nozzle (cap missing) the first: 12.0 cm; 4 3/4 in (3)
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48831 item(s)/page