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Lot 13
A collection of silver, to include a silver match box holder by John Newton Mappin (forerunner to Mappin & Webb), assayed London 1891-92, silver decanter label, by Cocks & Bettridge, assayed Birmingham 1814-15, crescent-esque form, inscribed ‘Sherry’, another silver decanter label, by Thomas Phipps & Edward Robinson, assayed London 1806, rectangular form with chamfered corners, inscribed ‘Sherry’, silver coffee spoon, by Thomas Northcote, assayed London 1794-95, silver backed comb, by Daniel Manufacturing Company, assayed Birmingham 1902, in original leather case, together with three mustard spoons, silver topped scent bottle, silver mounted spoon, silver sovereign case, silver propelling pencil? And silver Swizzle-Stick by Deakin & Francis, in original manufacturing box. (gross weight 159g)
Lot 20
A collection of gold jewellery, to include; A yellow metal bar brooch with central seed pearl with two sapphires flanked either side, decorated by wirework (wirework A/F), impressed ‘W. Bros’ (yellow metal assessed as 9 carat gold) (2.7g), Edwardian yellow metal earrings lacking poles (yellow metal assessed as 9 carat gold) (4.2g), 9ct. gold stick pin with central diamond to face, impressed ‘9ct’ (gross weight 1.2g), 9ct. gold band (0.8g), 10ct. box link chain (A/F) (2.2g), 9.ct gold pair of shirt studs with seed pearl backs (1.6g), two 9ct. gold chains and other 9ct. items. Total Gross Weight 18.8g
Lot 21
A collection of gold jewellery, to include; A 15ct. gold safety pin, impressed ‘15ct’ (2.5g), another 15ct. gold safety pin, hallmarked for 15 carat gold (2.2g), A yellow metal love knot brooch, (yellow metal assessed as 9 carat gold) (5.4g), A 9ct. gold solitaire diamond ring flanked by two diamonds either side, hallmarked ‘375’ & ‘D.S& CO’ (Gross weight 1.6g), A yellow metal and green agate oval shaped brooch (yellow metal assed as 14 carat gold) (Gross weight 3.6g) and a yellow metal stick pin fashioned as a spider, (yellow metal asses as 9 carat gold) (gross weight 1.3g). Total Gross weight 16.8g. (6)
Lot 23
A yellow metal, amethyst and seed pearl pendent, of oval form with central pendeloque cut amethyst drop with terminals of three seed pearl ‘leaf’ mounts, impressed ‘T&S’ on reverse (yellow metal assessed as gold, one seed pearl lacking) (gross weight 2.1g), together with a 9ct. miniture compass, fashioned as a pendent, impressed ‘9ct’ to bail, attached to unrelated yellow metal box chain (chain af) (gross weight 5.1g), a 14ct. yellow gold bar brooch, having elongated oval form, light blue enamel, impressed ‘14k’ to clasp (gross weight 3.1g), 9ct. white gold stick pin, central diamond having souriding engine turned decoration to face, impressed ‘9ct’ on reverse of face, having fitted case (gross weight 1.4g), yellow metal and paste set brooch (yellow metal assessed as 9 carat gold), silver gilt pendent, having wirework decoration and central cabochon purple stone, impressed ‘silver’ to bail, 9ct. gold and blue topaz ring, central stone fashioned as a heart, flanked by two stone either side, impressed ‘9k’ (gross weight 2.2g) , two 9ct. chains, both impressed ‘9ct’ (5.3g) and a yellow metal chain, having unrelated crude clasp (yellow metal assessed as 9 carat gold) (gross weight 1.7g), total gross weight 26.5g.
Lot 238
Cap badges and other army uniform decorations to include thirteen cap badges, sweetheart brooch, 1935 Royal Jubilee medallion, three bags of buttons, two pin back aeroplanes, Third Reich fire brigade honour medal, and 1942 Demjanste Middlesex regiment swagger stick top, a pair of police overcoat buckles, Yuma Guard badge
![[§] WILLIAM TURNBULL (BRITISH, 1922-2012)MALE AND FEMALE, 1954 signed and dated (to reverse), oil and sand on canvas90cm x 71](https://cdn.globalauctionplatform.com/3460b8af-433f-4d78-b36b-a9eb00a441df/8076c431-7e2a-428c-9791-aa0900c7acf0/468x382.jpg)
Lot 94
[§] WILLIAM TURNBULL (BRITISH, 1922-2012)MALE AND FEMALE, 1954 signed and dated (to reverse), oil and sand on canvas90cm x 71cm (35.4in x 28in)Note:'Male & Female' depicts an abstracted and exaggerated interpretation of the figural form, and is representative of Turnbull's work both in sculpture and paintings in the mid-1950s. The composition is closely related to the 'Acrobat and Female' monotype in the Tate Gallery Collection, London with thin stick-like figures in the manner of Giacometti, whose studio he had visited whilst living in Paris between 1948-50.Captivated by 'primitive' works, and in particular the cave paintings at Lascaux in France, with their immediacy and rawness of the early human form, Turnbull explored similar notions in the present lot. The skeletal figures in 'Male & Female' are fragile beings, stripped to only that which was necessary - and it belongs to the same grouping of works described by the critic Herbert Read as part of 'the geometry of fear' as Kenneth Armitage's Lying Figure (Lot 90).
Lot 3
A SMALL COLLECTION OF GARNET SET JEWELLERY, comprising a garnet and diamond set panel brooch, of scrolled openwork design, a single stone pendant, the oval cabochon garnet in foiled closed-back setting, with wirework border, two cluster brooches, and a stick pin, (pin broken), first brooch length 2.7cm (5)
Lot 587
AN EARLY 20TH CENTURY BRIAR WALKING STICK, the antler handle with silver mount inscribed 'Cut from The Turret, Severn Hill, Shrewsbury, Empire Day 1908' 91.5cm long; a late 19th Century silver topped malacca walking cane, and an Edwardian ebonised cane, with silver mounted ivory handle carved as a greyhound's head (3)
Lot 608
A COLLECTION OF SILVER, comprising a pierce decorated pedestal bowl, weighted base, Birmingham 1931, a sauce boat, a miniature taper stick, a purse, a posy holder, a white metal filigree posy holder, a cruet set, a Victorian three piece christening set, cased, a set of six pastry forks, a set of six coffee spoons, both cased, and other small items (qty)
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