We found 122897 price guide item(s) matching your search
There are 122897 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
122897 item(s)/page
Lot 192A
A pair of Georg Jensen 'Sterling' round baton-twist cufflink, model 25A. Each link in the form of a domed bosse with a beaded border and a fixed back bar with a chased oval twist panel, maker's mark and 'Sterling Denmark', 13.9g gross, in a Georg Jensen pale-green card box; together with a small stick pin with a gilt terminal in the form of a figure of eight; and a pale blue synthetic-spinel single stone bar brooch with marcasite details, stamped 'Sterling', in a Hamilton & Inches, Edinburgh, brown leather case
Lot 202
Thee Victorian and later gold brooches and a stick pin. Comprising; a gold-mounted cut-corner rectangular pale smokey quartz brooch, 21mm wide, 3.8g gross; a 9ct rose gold, garnet and half-pearl three stone scroll and twin-bar brooch, hallmarks for Birminghgam 1901, 48mm long, 2.1g gross (steel pin); a rose gold and oval shell cameo brooch depicting an unknown female profile, applied panel '9ct', 28mm high overall, 5.7g gross; and a coral and half-pearl flower-head cluster stick pin, unmarked, 50mm long, 1.3g gross
Lot 94
SUPER SPIDER-MAN #285 COMIC & ACTUAL BLACK AND WHITE ARTWORK BOARD (6 in Lot) - The MARVEL US office would use a Zipatone process to add grey/shadow contrast to the black and white pages produced for Marvel UK & the UK office would then decide which pages and panels of the story to use in the UK version. This lot includes various Thor pages used in Super Spider-Man issue #285. The UK office would also cut out small sections from panels to add contrast and stick them at the bottom of the page as seen on some pages - PROVENANCE: The vendor worked as Art Director at MARVEL UK during the 1970's - Flat/Unfolded
Lot 95
SUPER SPIDER-MAN #286 COMIC & ACTUAL BLACK AND WHITE ARTWORK BOARD (7 in Lot) - The MARVEL US office would use a Zipatone process to add grey/shadow contrast to the black and white pages produced for Marvel UK & the UK office would then decide which pages and panels of the story to use in the UK version. This lot includes various Thor pages used in Super Spider-Man issue #286. The UK office would also cut out small sections from panels to add contrast and stick them at the bottom of the page as seen on some pages - PROVENANCE: The vendor worked as Art Director at MARVEL UK during the 1970's - Flat/Unfolded
Lot 97
AVENGERS #34 COMIC & ACTUAL BLACK AND WHITE ARTWORK BOARD (used for scanning and printing during the production) (9 in Lot) - The MARVEL US office would use a Zipatone process to add grey/shadow contrast to the black and white pages produced for Marvel UK & the UK office would then decide which pages and panels of the story to use in the UK version. This lot includes the Doctor Strange pages used in Marvel UK's Avengers issue #34. The UK office would also cut out small sections from panels to add contrast and stick them at the bottom of the page as seen on some pages - PROVENANCE: The vendor worked as Art Director at MARVEL UK during the 1970's - Flat/Unfolded
Lot 159
A humorous Victorian carved antler and silver mounted malacca walking stick, 1882, the handle formed from the cornet of an antler, retaining stag fur (as hair) of a caricatured man's face, a tine forming his vast nose, silver collar inscribed "E.LI. Pease-Pierremont, Darlington", on tapering stem terminating in brass cap, length 90cm. Provenance: Tennants, 20th November 2008, £647 inc. premium.
Lot 211
A. R. Penck (d.i. Ralf Winkler) 1939 Dresden - 2017 Zürich From the devil's kitchen. 1994. Acryl auf Leinwand. Unten mittig signiert. Auf dem Keilrahmen signiert, datiert und betitelt. 60 x 79,5 cm (23,6 x 31,2 in). [CH]. • Die Logik und die Systematik in A. R. Pencks Zeichensprache sind solitär in der deutschen Nachkriegskunst. • Seine zum Markenzeichen mutierten Strichmännchen mit großen Penissen und die simplifizierten, klaren Formen, Zeichen und Symbole rufen eine archaische Bildwirkung hervor, die Penck u. a. den Beinamen 'Höhlenmaler der Postmoderne' einbringt (A. Jürgs, Stern Magazin, 2007). • Die Biografie und auch das künstlerische Schaffen des Künstlers ist geprägt von der deutschen Teilung, der Auseinandersetzung mit der DDR-Regierung und dem Leben in zwei gegensätzlichen Gesellschaften. • Den Titel [übers. 'aus Teufels Küche'] mag Penck als Kommentar zu der politischen Situation der noch jungen vereinigten Bundesrepublik gewählt haben. • 1992 stellt Penck nach 1972 und 1982 zum dritten Mal auf der documenta in Kassel aus. PROVENIENZ: Privatsammlung Nordrhein-Westfalen. Aufrufzeit: 08.12.2023 - ca. 15.28 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONA. R. Penck (d.i. Ralf Winkler) 1939 Dresden - 2017 Zürich From the devil's kitchen. 1994. Acrylic on canvas. Signed in bottom center. Stretcher signed, dated and titled. 60 x 79.5 cm (23.6 x 31.2 in). [CH]. • The logic and systematics of A. R. Penck's sign language are unique in post-war German art. • His stick figures with large penises, which have become his trademark, and the simplified, clear forms, signs and symbols evoke an archaic pictorial effect that has earned Penck the nickname 'cave painter of postmodernism' (A. Jürgs, Stern Magazine, 2007). • The artist's biography and artistic work are shaped by the division of Germany, the confrontation with the GDR government and life in two conflicting societies. • Penck may have chosen the title as a commentary on the political situation in the still young unified Federal Republic. • In 1992, Penck exhibited at the documenta in Kassel for the third time after 1972 and 1982. PROVENANCE: Private collection North Rhine-Westphalia. Called up: December 8, 2023 - ca. 15.28 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Lot 83
A late 19thc Mintons terracotta cylinder stick stand in the Japanese taste with bands to top and base with stylized flower heads and lattice roundels and gilt elephant ring mask handles to sides, the central section painted with white Jacobin pigeons and roses by Mintons artist William Mussill, signed, chips to rim and the base has been damaged and repaired by lower foot rim, (H x 47 cm x D x 19.5 cm)
Lot 2218A
French silver mounted violoncello bow by and stamped Bausch, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 72gm (without hair); also a nickel mounted violoncello bow, unstamped, 68gm (2) - * Ivory Sale Submission Reference P97CWNZJ
Loading...-
122897 item(s)/page