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A set of four George III silver candlesticks, John Schofield, London 1783, with beaded borders, 28.5 high approximately 2110gm Condition Report: The candlesticks are numbered by notches in the bottom edge of the socket part of the drip tray which correspond to engraved lines in the upper part of the nozzle. There may be a second numbering system, crude lines scratched in the underside of the sticks, these numbers do not correspond to those on the sconces/drip trays.Each drip tray has scratches to the upper surface, they are quite bad particularly to 3 and 4 where the scratches can be seen ghosted under the trays. Trays 1-3 have lion passant and maker only, tray 4 has lion passant only. There are a few minor dents here and there to the sticks. Each has faintly inscribed numbers to the outer edge for the foot (scratchweight?) Each hallmarked to inner edge of foot, marks crisp. Each has a crudely scratched line(s) under l-llll. Stick 1 has two circular marks to outswept section beneath nozzle. Stick 3 has a bulge under the bottom knop where it has been pushed down on. Stick 4 has slight bend to rim of nozzle, small bend to foot rim and the whole stick leans a bit, from bottom knop where there must be a small bend. There are no crests or armorials.
A pair of silver candlesticks, Thomas Bradbury, London, 1919 with decorative capitals and swags on square bases with beaded borders, 26cm high Condition Report: 1456:This is a matched pair, one London 1919, one Sheffield 1919.The London stick has a few dents and is slightly leaning as a consequence. Otherwise condition in line with age and usage.
An Art Deco diamond set bar brooch,with a central daisy cluster of old European and eight cut diamonds, the diamonds milligrain set to the centre of a tapering bar with a Swiss cut diamond to each side. A flat section lobed outer frame, all in gold faced with platinum, 51mm long, 4.12g,together with an Art Deco diamond set stick pin,marked 15ct, 1.64g (2)
A large collection of stick pins,to include Victorian and Edwardian examples, a gold putto with rose cut diamond set silver wings holding a synthetic ruby, a rose cut diamond set initial 'A' with pearl above, a ruby and diamond set horseshoe with pearl above, a bouton coral, 16.5mm diameter, and a diamond star in agate (qty.)
Pair tall George III silver Corinthian Column candlesticks with fluted columns and pierced capitals, on square floral festooned and leaf decorated bases with gadrooned borders, separate sconces (London 1766), maker - P. W. (with star), 30cm overall height CONDITION REPORT Overall general condition good, some surface wear, scratching and minor denting. No evidence of major damage or repair. Both bases have minor distortion. One stick has slight lean. Marks slightly rubbed but clear. Sconces good, one has minor repair to inner plate below rim
A 1960s gentleman's steel cased Mark III Enicar Sherpa Graph (Jim Clark) chronograph wristwatchThe signed black dial with "pie tin" sub dials with stick pointers, the main hands paddle, the second hand with red lolly pop dot, within a tachymeter bezel to 300, with 300 bayonet Seapearl back. The dial 3.5 cm diameter. CONDITION REPORTS: Some scratching to bezel, some general surface scratching/wear, general wear, winder detaches, movement unexamined, also with a black leather strap.
19th century AD. A group of silver amulets comprising: a salamander, body bent into S-shape and with detailing of the scales; a key with scrolled floral head; a hand holding a wreath with snake below; a hand holding a snake with deer in front and with dog on its back; a dog running on a stick with leaves below and facing a rearing snake. Cf. Berry, V. Neapolitan Charms Against the Evil Eye, in Folklore, Vol. 79, no. 4 (Winter 1968), pp.250–56. 15 grams total, 32-46mm (1 1/4 - 1 3/4"). English private collection; acquired in the 1970s. In South Italy there is still a strong belief in the powers of the Evil Eye, or malocchio, and amulets have been made since Roman times to ward off the negative powers. During the 18th and 19th centuries silver amulets were made in the region of Naples to protect against the powers of stregha, or witches. In Italy it was believed that children are especially weak against the forces of the Evil Eye. The high infant mortality rate was more likely due to poor hygiene and diet, but it was attributed to the Evil Eye being cast on them by a jettatore. Jettatore is an Italian word of Neaopolitan origin, and was used to refer to one who has the powers of the Evil Eye. [5, No Reserve] Very fine condition.
A fine and important pair of embroidered velvet lady's shoes, English, circa 1650, the blue velvet uppers embroidered in high relief with silver and gold thread flower-heads and leaves, edged in blue ribbon, straights with tapering square over-hanging toes, white rands and brown/black morocco covered heels, lined in white kid, 25cm, 10in long (2)These shoes are believed are to have been worn by Mary Radcliffe, daughter of Sir John Radcliffe, of Ordsall, Lancashire, widow of Sir John Stanhope of Elvaston, Derbyshire, (d.1638) and second wife of Sir John Gell of Hopton (1593-1671). Mary died in 1653. She had one son by her first marriage (John Stanhope) who died in 1662.Purchased at Christie's, July 16th 1985, lot 12 for £8000.For a similarly embroidered mule slipper which belonged to Queen Henrietta Maria (d.1669) see 'Shoes' by June Swan, published by Batsford, p19, fig 16. CONDITION REPORT: Both are faded, the silk ribbon bindings are now pastel shades. First shoe: Rubbing to embroidery on heel and to very tip of toe, the sole and heel base show signs of heavy use. Second shoe: Leather on toe tip is rubbed and reveals the linen below. There is a crack in the leather along one side of the large embroidered carnation on the upper. In the leaf motif at the side of the shoe - just above the rand there is a 4cm split which is partially concealed by the embroidery. There is a glue repair to re-stick the base of the sole to the heel and sole. The embroidery on the heel upper is rubbed as with its matching shoe.
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122897 item(s)/page