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Lot 357
A collection of Victorian and Edwardian jewellery including an 18ct gold sapphire and diamond ring, size M, an 18ct gold ruby and diamond ring, size N, combined total gross weight approx 4.2gms along with a 9ct gold paste set ring, total gross weight approx 2.6gms a platinum wedding band, weight approx 2.9gms, a 9ct gold fob medallion and 9ct gold and gilt metal stick pin, combined total gross weight approx 3.5gms Condition report some abrasions to stones, wear and tear scratches and marks to metals commensurate with age
Lot 388
A collection of early 20th century jewellery to include a 9ct gold glazed locket, 9ct gold and diamond set stick pin with coffee bean finial, various other stick pins including glass versions, brooches, gilt metal locket, silver paste set brooch, swallow brooch, carnelian pendant with gilt metal chain, six enamel and silver floral buttons, Birmingham 1908, loose carbuncle garnets, cased metal thimble a Victorian mourning pendant with blue enamel and hair compartment, assessed as 9ct gold, total gross weight approx. 8.4gms, two Victorian gilt metal dress studs and gilt metal locket (1 bag)
Lot 393
A 9ct gold swivel fob, set with bloodstone and carnelian, approx 9.7gms; a 9ct gold Masonic fob, approx 2.9gms; a yellow metal fob, set with hardstone, unmarked assessed as approx 9ct gold, gross weight approx 6.6gms; two 22ct gold rings (one damaged), total gross weight approx 8.8gms; three 9ct studs, approx 1.9gms; an 18ct gold stud, approx 1gms; four yellow metal stick pins, one stamped 15ct; a 9ct gold bar brooch, approx 3.5gms gross; together with yellow metal studs; Birkenhead Working Men's badge; etc
Lot 410
A collection of costume jewellery to include a 9ct gold oval locket, pair of knot stud earrings, creole earrings, along with unmarked stick pin, chain a/f combined total gross weight approx 10gms along with a black and white pearl 9ct chain necklace, total gross weight approx 3.8gms together with silver jewellery to include horse pendant, Scottish Luckenbooth smoky quartz brooch, enamel floral brooch, locket, pendant etc along with various costume jewellery including paste set jewellery, Radley leather purse, etc in red jewellery case
Lot 17
Andalusian School, XVIII century."Saint Rosalia".Oil on canvas.Measurements: 51,5 x 52 cm; 83 x 65 cm (frame).Devotional painting representing St. Rosalia of Palermo, wearing a crown of flowers and taking in his hands a stick with lilies that approaches his heart. With her gaze looking upwards, her rounded features are ecstatic. From the whiteness of her face, slightly flushed on her cheeks, emanates a light that turns into golden shades projecting on the background, so that her flesh seems to radiate divine light. The robe has been skillfully draped, contributing to the dynamism of the portrait. The palette is rich in carmine, ochre and mauve tones that accompany the soft shades of the flesh tones and the gilding of some details.Rosalia of Palermo was an Italian saint of the 12th century, whose cult was promoted by the Benedictines. She is considered a protector against infectious diseases, such as the plague, and is also invoked to seek her protection in difficult times. Rosalia lived in solitude, poverty and penance, and according to her hagiography she performed miracles such as the extinction of the plague that ravaged her native Sicily. Patroness of Palermo, she enjoys great devotion in Sicily. Saint Rosalia was an important subject in Italian Renaissance and Baroque painting, particularly in the sacre conversazioni (group images of saints flanking the Virgin Mary) of artists such as Riccardo Quartararo, Mario di Laurito, Vincenzo La Barbara and possibly Antonello da Messina. But it was the Flemish master Anthony Van Dyck (1599-1637), who was caught in Palermo during the plague of 1624, who produced the largest number of paintings of her. Saint Rosalia is usually depicted as a young woman with flowing hair, wearing a Franciscan hood or a crown of flowers and leaning toward the city of Palermo in her peril.
Lot 519
A JOSEPH HOLDCROFT MAJOLICA STICK STAND, CIRCA 1880 modelled as a heron with a fish in its beak standing on one leg beside a clump of bulrushes forming the stick or umbrella container, almost circular naturalistic mound base 83cm high, some losses Holdcroft"s, from their Sunderland Pottery works at Longton, produced two patterns of bird stick stands in majolica at this period, the heron seen here and a stork with an eel in its beak. These models were also produced as spill vases. Although the stork stand may be found on occasion, the heron version as a stand (rather than as a spill vase) is very rare.
Lot 378
Royal ephemera related to Edward VIII, comprising a signed portrait print by Van Dyke, in a silver mounted easel back frame, together with a further silver topped walking stick with Royal cipher, and Christmas card tags to Kenneth Crisp, signed by Edward, and a press cutting relating to Horace Crisp. Provenance: Horace Crisp was a valet to Edward VIII and items passed to his son and on to the current owner. Length of walking stick 85cm long
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122897 item(s)/page