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Lot 16
Arts and Crafts Oak, four division stick stand with metal drip tray, unmarked, 30cm x 68cm x 25cmCondition report:Overall marks and small scratches, consistent with age and use. Some signs of wear, use and rust to the tray. This is contained to the tray and does not affect the frame of the stick stand. Otherwise ok.
Lot 7
Possibly Welsh vernacular painted stick back Windsor chair, on four splayed legs, 75.5cm high overallCondition report: Please note we are not sure of the age of this chair. We are happy to provide additional images on request to assist with this. Overall wear, crazing and loss to the painted surface, some small splits, overall wear. Stands well and is sturdy. Please contact us if you require further information.
Lot 357
Rossi of Norwich walnut framed 19th century aneroid barometer with stick thermometer, inlaid with mother of pearl, H: 95 cm, some losses to brass inlay, some cracks to the veneer but no visible losses, appears complete. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133
Lot 191
A GEORGE III SILVER CHAMBERSTICK, maker's mark possibly IL, London 1788, the spool socket issuing from a dished base engraved with an armorial (worn) within a gadrooned rim and raised upon three plain supports, 5" diameter, together with a helmet jug, maker's mark RJ, duty mark and lion only, wrigglework engraved with swags enclosing a shield panel engraved "JM" in script, on a square foot, 5 1/2" high overall, 8ozs 17dwts total (2) (Est. plus 21% premium inc. VAT)Stick good, clear marks but no loose drip pan. Armorial unreadable. Jug has solder to reinforce foot corners
Lot 207
A GEORGE III SILVER TAPER STICK, maker Ebenezer Coker, London 1761, the unmarked detachable sconce in a spool socket on knopped stem and floriform foot engraved with an armorial, with anthemion angles, 5" high, 5ozs 6dwts (Illustrated) (Est. plus 21% premium inc. VAT)Sconce unmarked but does fit and appears to be original (untested), armorial very worn. Clear marks to base
Lot 229
A VICTORIAN SILVER DESK STANDISH, maker Dixon & Sons, Sheffield 1866, of quatrefoil form with cast and applied scroll rim with escallop shell and leaf angles enclosing two heavy clear glass inkwells with silver mounts and lift-off covers, flanking a central taper stick, raised upon four open escallop shell supports, 8 3/4" long, 10ozs 15dwts total weighable silver (Est. plus 21% premium inc. VAT)All matching marks including nut and mounts, scratch weight 11ozs 14dwts, sadly lacks snuffer (there is a small hook on taperstick)
Lot 369
A BAMBOO HORSE MEASURING STICK with silver plated and brass mounts, the grip with knot finial and brass tip, 35" long, together with a ringed specimen wood, bone and horn stick, with brass tip, 35 1/4" long, an ebonised reeded cane with gilt metal grip, 34 3/4" long, and a novelty case containing a drinking glass (4) (Est. plus 21% premium inc. VAT)Generally very good bar blemish to gilding of reeded cane. Levelling bubble of measuring cane intact
Lot 760
A VALE OF YORK ASH AND ELM STICK BACK WINDSOR ARMCHAIR, hooped top rail, barrelled turned and split lath under arm supports, raised on turned tapering splayed legs joined by an H stretcher, remnants of old paint, 20 1/4" x 14 1/4" x 44 1/2" (Illustrated) (Est. plus 21% premium inc. VAT)Old split and some loss to arm bow - sound, otherwise good, joints tight
Lot 271
Adelaide Cioni Go Easy On Me - One Blue with Yellow Stick Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Adelaide Cioni works at the intersection of textile, painting, and performance. The constant elements at the core of her practice are drawing and an absence of narration. Her research plays with physical perception and mnemonic reactions, to question the conventions that are built around the body and the difficulty to cope with having a specific sex, and to consider what it might mean to translate ourselves beyond our bodies. Cioni's work also utilises decorative patterns to engage with a form of shared non-verbal communication that has existed throughout human history. Education Studied drawing at UCLA, Los Angeles, and holds a BA in Sculpture from the Academy of Fine Arts in Rome (2015). With an MA in contemporary history and a master's degree in Literary Translation, for ten years she translated American literature (John Cheever, David Foster Wallace, Lydia Davis, among others). Select Exhibitions/Awards Her recent projects include: Io dico io (I say I), Galleria Nazionale, Rome; And the flowers too, Museo orto botanico, Rome; 141. Un secolo di disegno in Italia, Fondazione del Monte di Bologna e Ravenna, Bologna; Painting stone, Villa Lontana, Rome; Tout court. Un aperçu de l'art italien, Istituto Italiano di Cultura, Paris; Dante. Un'epopea pop, MAR, Ravenna; Mirabilia, Casa Italia, XXXII Olimpycs, Tokyo; (all 2021); Ab ovo, solo stand for P420 in the curated section, Pittura XXI, Artefiera, Bologna (2020); Shape, color, taste, smell and sound, double solo show with Guy Mees, P420; Six or seven, Madonna del Pozzo, Spoleto (both 2019). She is currently in residence at Gasworks, London. Some of her works will been on view in the upcoming group show "An incomplete A to Z for Art & Poetry", curated by Rachael Allen and Guy Robertson, 30 Burlington Street, London W1S 3AP running February 11th to 27th Gallery Representation P420, Bologna, Italy Statement about AOAP Submitted Artwork These are drawings from two series, "Go Easy on Me" and "To Be Naked". They both are linked with my personal belief that art has nothing to do with being righteous, and all to do with being human. And being human involves a lot of contradiction and desire.
Lot 62
WALKING CANE- SILVER TIPPED BELONGING TO MICHAEL COLLINS. THIS PARTICULAR CANE HAS BEEN ON LOAN TO THE MICHAEL COLLINS MUSEUM FOR THE PAST TWO YEARS. THERE IS A PHOTOGRAPH SHOWING THE LORD MAYOR OF CORK AND THE GENERAL MANAGER OF THE MUSEUM HOLDING THE STICK. THERE IS ALSO A LETTER OF PROVENANCE AND STATUTORY DECLARATION FROM THE PREVIOUS OWNER REGARDING ITS PROVENANCE.
Lot 79
A swagger sword stick, late 19th early 20th century, by Swaine & Aneney, London, the blade acid etched with makers marks and scrolling foliate decoration, the reverse stamped, made in Sheffield, in stitched leather parquet scabbard the blade 34cm in lengthCondition report: Minor tarnishing to blade, and some surface wear, but good for ageLeather all still present, but quite worn in places, especially at the two ends
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