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Lot 107
RENÉ LALIQUE (FRENCH, 1860-1945)A Pre-War 'Sirènes' Scent Burner, design introduced in 1920opalescent glass, mould-blown, frosted and polished with remnants of grey staining; Marcilhac no. 2651 (replacement clear glass cover and modern glass perfume stick); and two other pre-war 'Sirènes' scent burners (both with replacement covers and one with a modern stopper)each approxiamtely 17.2cm high, two moulded 'R.LALIQUE' and the other engraved 'R.LALIQUE' (3)
Lot 293
A good early 16th century beech carving of St. Luke Painting the Virgin, Flemish, circa 1500-1520St. Luke wearing a close-fitting cap and voluminous robes, and seated on a seat with a curved end fitted with a parchemin-type panel above a trefoil-headed apron, and holding an artist's palette and mahl stick, his right hand raised and holding a paint brush to the arched canvas on the easel before him, the ox and banner behind his easel, traces of polychrome, on a later velvet-covered base, the figure 33cm wide x 15cm deep x 48cm high, (12 1/2in wide x 5 1/2in deep x 18 1/2in high)Footnotes:Provenance:Purchased from Beedham Antiques Ltd., Hungerford, Berkshire.Saint Luke painting the Virgin is a devotional subject in art showing Luke the Evangelist painting the Virgin Mary with the Child Jesus. Such paintings were often created during the Renaissance for chapels of Saint Luke in European churches. Saint Luke was the patron saint of artists and painters' guilds. The painting from which this carving derives has not been identified. Some of its features, including the overall composition, and the shape of the chair on which St. Luke sits, are similar to a triptych panel of the same subject in the National Gallery, attributed to the workshop of Quinten Massys (Antwerp, 1465/6-1530). The shape of the canvas St. Luke is using in this carving, and the style of his cap and clothes, suggests a date in the first half of the 16th century.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.
Lot 588
A Victorian unmarked rose gold relief carved lava cameo stick pin, foliate engraved surround, overall length 72.1mm, 3.5g, and a similar lava cameo stud, gilt metal frame, length 21.1mm, (2) Both in good overall condition, stick pin cameo has a few small chips, including one at top of hair, settings lightly surface scratched. Stud cameo has a few minor surface abrasions, both unmarked.
Lot 362
Gloeden, Wilhelm von 2 portraits comprising Male Nude beside pots of plants on terrace. Albumen print, late 19th century, 200 x 155mm., framed and glazed; Male nude holding stick and copper bowl, numbered "180" in the negative, albumen print, late 19th century, 200 x 155mm., framed and glazed (2)
Lot 397
A group of German military badges and cap badges:, including a wound badge, a Minesweeper stick pin, a DRL badge, a belt buckle and others.* Notes- Due to the high number of sophisticated reproductions and forgeries of these items, buyers must satisfy themselves to the age/era of production prior to bidding at auction.
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