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Lot 984
Three early 20th Century walking sticks, comprising embossed 8 ct yellow metal crook handle in the form of a swan's head with glass eyes, marked '8 ct', on a cane shaft, an 'L' handled stick, and a knob handled sectional vulcanite stick, having a pewter collar, 90 cm, 87 cm and 93 cm respectively
Lot 986
Two early 20th Century crook handled silver mounted walking sticks, comprising ebonised and ebony shafted, respectively Chester, 1913 and London, 1904, together with a hardwood stick having a vulcanite pommel, the top inset with a French one Franc coin, respectively 89 cm, 90 cm, and 95.5 cm
Lot 988
An Edwardian walking stick, having an electroplated crook handle modelled with a lurcher's head terminal on an ebony shaft, a crutch handled Indian ebony stick, profusely carved with floral bands and having a white metal collar to the base, and a cane shafted stick having a later cast brass bird's head handle with glass eyes, 94 cm, 91 cm and 81 cm respectively, (Indian stick a/f)
Lot 992A
An early 20th Century Indian white metal mounted ebonised walking stick, the pommel being repoussé decorated with a hunting scene of an elephant, hounds and a stag, the top set with a British shilling coin, together with a hardwood stick having a Vulcanite pommel set with an Indian coin, respectively 90 cm and 84 cm
Lot 284
A WWII Second World War Third Reich Nazi German SA / SS Leipzig marching championship breast badge along with an enamel SS stick pin marked to the reverse Hoffstatter Bonn Ges Gesch 800.Note; from a large private collection of militaria. Due to the nature of the items, buyers are reminded for the need to satisfy themselves as to condition / originality / authenticity prior to bidding. All lots remains sold strictly 'as is' irrespective of any description.
Lot 386
A collection of WWII Second World War Third Reich Nazi German Luftwaffe Officers items comprising a small Luftwaffe Regiment Control flag (46x33cm) a uniform shield and stick pin.Note; from a large private collection of militaria. Due to the nature of the items, buyers are reminded for the need to satisfy themselves as to condition / originality / authenticity prior to bidding. All lots remains sold strictly 'as is' irrespective of any description.
Lot 279
A pair of Chinese egg and spinach glazed Dogs of Fo incense (jos stick) holders, Qing Dynasty (18th/19th Century), the female with pup and the male with brocaded ball, female 21cm high, male 20.5cm high (2) Further details: Female - chips to petals on jos holder, several small chips and pup rear left leg missingMale- nossle of jo stick holder, heavily restored, small chips and grazes throughout
Lot 114
OSCAR MURILLO (B. 1986)Untitled (Fried Chick) 2012 oil, oil stick, spray paint and dirt on canvas 248 by 181 cm.97 5/8 by 71 1/4 in.This work was executed in 2012.Footnotes:ProvenancePrivate Collection, LAPrivate Collection, UK (acquired directly from the above in 2013) Sale: Bonhams, London, Modern & Contemporary Art, 27 June 2019, Lot 33Acquired directly from the above by the present ownerCompelling, spirited and grand in scale, Untitled (Fried Chick) (2012) is foundational work by the Colombian-born, Turner Prize nominated artist Oscar Murillo; exhibiting all the hallmarks of his energetic and spontaneous style that combines raw panels of canvas, flashes of text and colour with aggregated dirt and impressions from the studio floor. Rising to artistic maturity and institutional acclaim in monumental fashion, his inclusion in such major exhibitions as The Forever Now: Contemporary Painting in an Atemporal World at the Museum of Modern Art, New York, in 2014, in addition to solo exhibitions at the Centro Cultural Daoíz y Velarde, Madrid and the Institute of Contemporary Arts, London, has cemented Murillo's international standing as one of the foremost contemporary painters currently working; culminating in his nomination for the Turner Prize in 2019 for his exhibition Violent Amnesia at Kettle's Yard, Cambridge. Untitled (Fried Chick) is an elegant example of Murillo's collaging of surfaces and techniques that flaunts the dirt from the artist's studio floor, bringing the painting to life through its closeness to the 'authentic' detritus and rubble of Murillo's workspace. In the present work, the raw support of the canvas plays host to an almost performative mark-making, suffused with a palpable energy that channels the automatic motions of Jackson Pollock, complemented by a revisionist ideology that Murillo credits to the Neo-concretism of Lygia Clark, Lygia Pape and Hélio Oiticica. The present work comes to market following Murillo's nomination for the Turner Prize in 2019 – a significant recognition of the artist's distinguished practice and place amongst his contemporaries. An exemplary early work by Murillo, Untitled (Fried Chick) is an immense painting of masterful austerity, eliciting all of the methods and conceptual hooks that has made Murillo such an internationally lauded artist.Activating the more static, Modernist modes of abstract painting through installations, social gatherings and interactive artworks, Murillo's multifaceted practice has continued to express the artist's experiences of displacement and multiculturalism, demonstrated in the present work with a bravura charm and dynamic materiality. For Murillo, the process of painting provides a method of accumulation; composing his works through a build-up of material, of folds, marks and daubs of paint that illustrate the artist's own relationship to his itinerant lifestyle and 'layering' of identity. Born in La Paila in South East Colombia, Murillo remains deeply influenced by his roots and his arrival in London as an immigrant at the age of ten. The present work represents a superbly nuanced evocation of these themes, employing single words or phrases that encourage a reading of Murillo's paintings through the lens of cultural critique. Where words such as 'pollo,' 'yoga,' 'milk' and 'mango' appear across Murillo's oeuvre, they become aesthetic devices in tandem with their implicit meaning – impactful hand-sketched lines of text that divide the canvas in a similar vein to the paintings of Jean-Michel Basquiat. Murillo interprets his own unique style thusly: 'the words are very displaced. Like cultural displacement with performance, in painting it's material displacement, object displacement [...] I also like to think that these paintings also imply a displacement of time. They're like rugs. An unstretched painting is a kind of abstract thing, one that suggests that it perhaps has been found or comes from some other space or time. But while it has this aura of being a historical thing when placed out of context, it just comes from the studio' (the artist in conversation with Legacy Russell, 'Bomb Magazine', www.bombmagazine.org, 1 Jan 2013).This lot is subject to the following lot symbols: AR TP â–²AR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.â–² 'Bonhams' owns the 'Lot' either wholly or partially or may otherwise have an economic interest.For further information on this lot please visit Bonhams.com
Lot 135
ABDOULAYE DIARRASSOUBA 'ABOUDIA' (B. 1983)Untitled circa 2017 signedacrylic, spray paint, oil stick and paper collage on canvas149 by 149 cm.58 11/16 by 58 11/16 in. This work was executed in circa 2017. Footnotes:ProvenanceGalerie Santa Maria, Ivory Coast Private Collection, SwitzerlandAcquired from the above by the present ownerThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 136
ABDOULAYE DIARRASSOUBA 'ABOUDIA' (B. 1983)Untitled circa 2017 signedacrylic, spray paint, oil stick and paper collage on canvas98.9 by 99.8 cm.38 15/16 by 39 5/16 in.This work was executed circa 2017.Footnotes:ProvenanceGalerie Santa Maria, Ivory Coast Private Collection, SwitzerlandAcquired from the above by the present ownerThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 2079
Early 20th century 15ct gold diamond set 'D' and white enamel buckle, pair of 9ct gold opal stud earrings, 9ct gold opal stick pin, three silver marcasite West Highland terrier brooches, 9ct gold links and a tiger's eye pendantCondition Report:9ct earrings approx 1.8gm, 15ct approx 2.05gm, opal pin approx.2.15gm (mount 9ct only - pin not gold) 9ct links approx 0.8gm
Lot 2132
Large silver enamel butterfly brooch and a smaller blue enamel butterfly brooch, both by J Aitkin & Son, Victorian silver heart box brooch Birmingham 1895, two gold stick pins and a gold shirt pin, all 9ct, silver jewellery including butterfly wing pendant and ring and a gilt swivel fobCondition Report:Larger brooch 67mm, good condition, smaller blue brooch some rusting, 9ct pin approx 0.9gm, stick pins approx 2gm (base pins not gold)
Lot 2143
22ct gold 'Fidelity' wedding band, Birmingham 1939, 18ct gold white paste stone set ring, 9ct gold keepers ring, Chester 1896, silver and gold ring and a gold paste stone set stick pinCondition Report:22ct approx 1.85gm, size N-O, 18ct approx 3.55gm, size S-T, 9ct approx 2.3gm, stick pin tested approx 7-8ct approx 2.45gm
Lot 293
A RARE POTTERY FIGURE OF A FEMALE, WESTERN HANChina, Western Han Dynasty (206 BC-8 AD). A rare female figure, which corresponds to the so-called 'Stickmen' from the area of the Yangling tomb of Emperor Jingdi (157 - 141) in Xi'an, these stick-shaped human sculptures formed the army and the court in the shafts, whilst male "stickmen" figures are more frequently found in the art trade, female figures are much rarer. The wooden arms and clothes made of fabric have now deteriorated and are missing. The present figure shows accurately represented sexual characteristics and small breast, the hair tied on a topknot and painted black, the skin painted in flesh color. Set into a modern metal and plexiglass base. Condition: Good condition, commensurate with age, with repairs as expected from Han dynasty excavations. Wear to the pigments, encrustations, and minor chips. Provenance: From an Austrian private collection, acquired at Galerie Zacke around 2005. Weight: 4960 g Dimensions: Height 54 cmLiterature comparison: For a related pottery figure of a female see The Victoria & Albert Museum, accession number FE.45-2008.
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