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Tennants Auctioneers
Lot 5097

A Wood Brisé Autograph Fan, with links to Switzerland, later 19th century, the thirteen inner sticks attractively pierced, the guards lightly varnished and incised. A paper fragment or label has been applied to each inner stick, bearing the ends of handwritten letters with signatures, or just signatures. Interestingly, on the verso, each stick bears the name of a Swiss location: Vevey, Geneve, Lausanne, Mer de Glace, Chillon, Glion, Lucerne, Brienz, Hotel and Pension Baur au lac, Zurich, Zurich, Interlaken, Trubbach, Righi-Staffel, and Rütli. Guard length approx. 9.75 inches or 25cm.. Signatures hard to read, and some lacking.

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Tennants Auctioneers
Lot 5099

Militaria: Two Scarce French Miniature Brisé Fans from the Great War, WWI. The first, dated left to right 1914, 1915 and 1916, is painted on bone with the flags of the allies, and ribboned with laurel leaves. Both guards, when seen open on the recto, and the verso, are painted with the Lebel gun and the blue French Kepi cap. On the verso, a painted battlefield attack scene, the French wearing the ''bleu horizon'' uniform, with buildings. This is one of three fans known to show an attack in an urban environment. Guard approx. 3.1/8 inches or 8cm. The second fan, painted on wood, is ribboned with the French tri-color. The recto shows two French flags with crossed arms on their flag stand, within a wreath of laurels. Above the ribbon each stick tip is painted with flowers and berries, blue, white and red, again the tri-color. The verso is painted with a field canon ''Notre 75'' (75 mm gun, well detailed on this fan) and is dated 1914/1915 and 1916, and signed Teoda. Guard approx. 3.1/8 inches or 8cm. See ''Fans: War and Peace'' published following an exhibition at the Fan Museum, Greenwich, in 2009, for other examples, and the comprehensive research on the subject of WWI miniature fans by FCI member Ondine Pavy-Pluvinage., in particular Bulletins numbers 99 and 101. Good. The first fan needs new ribbon.

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Tennants Auctioneers
Lot 5114

An Early 19th Century Tortoiseshell Brisé Fan, barrel head, the twenty inner sticks and two guards all with pointed tips. The recto is intricately and vibrantly painted in gold in chinoiserie fashion, showing a large palace to the left, two figures visible in the tower, and perhaps a small animal on the roof. One man smokes a pipe on the terrace whilst another throws a rope to a small boat crossing the water. On the other bank another grand pagoda is facing the scene. Within this cartouche, the sky is filled with birds in flight, and stylised trees. The reserves are painted with tiny stars within a formal border, and in the lower gorge. The stick tips and upper gorge areas feature quite classical arches and trellis. Black silk ribbon. The verso is also painted, with a single figure amidst vegetation, and a large bird. Guard length 6.25 inches or 15.5cm.. Generally, very good, save for some rubbing to the paint in places. The paint on the verso is dull.

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Tennants Auctioneers
Lot 5115

An Early 19th Century Ivory Brisé Fan, the gothic stick tips painted gold, beneath which are painted a selection of small flowers or birds, the birds with applied feathers. Below the ribbon, a horizontal painted band, a gold flower on each alternate stick, between delicate and colourful floral sprays. A similar band of the colourful flowers is painted at a lower point, just above the shaped gorge. Plain guards. Guard length approx. 7.25 inches or 18.5cm. Together with A Later Ivory Fan, circa 1860's, the wide sticks shaped and pierced, the cream fabric leaf embroidered to one side in the Chinese fashion, with brightly coloured flowers, birds and butterflies, the verso painted in the Macau fashion with exotic birds and flowers. Fitted with a double silk tassel Guard length approx. 10.5 inches or 26cm (2). Ribbon defective on the brisé. The leaf on the embroidered fan is foxed with some damage to the lower border edge.

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Tennants Auctioneers
Lot 5116

A Small Pierced Wood Brisé Fan, circa 1820's, with barrel head, the sticks with pointed tips, the main body pierced in horizontal bands, the recto painted with floral swags and leaves in pink, white and turquoise, the verso in a similar fashion but in turquoise, light blue, and white, with green leaves. Contained in an early 19th century fan tube with pink exterior and light green interior. Lid present. Guard length approx. 6 and 1/8 inches or 15.5cm. Together with A Small Cream Celluloid Brisé Fan, the side of the sticks undulating, the recto painted with a colourful pheasant in the undergrowth. The verso is plain. Guard length approx. 6 inches or 15cm. Contained in a larger unattributed cream card fan box with pale pink silk lining. (2). The wood fan has a split to one inner stick with a repair under the blue flowers, the tube is in good order and the ribbon sound. The second brisé is sound.

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Tennants Auctioneers
Lot 5117

An Early 19th Century Gothic Horn Brisé Fan, the stick tips pointed and the head a trefoil shape. Very finely pierced sticks, complex design. The recto is painted with a harbour or estuary scene at sunset with ships on the water, and small figures at work in the foreground. To each side, a decorative panel painted in white on black ground, with couples, in the manner of Wedgwood. The verso is a similar scene with the stone tower portrayed from a different aspect. 19 inner sticks and two guards. Guard length approx. 7.5 inches or 19cm.. Damage/loss to both guard tips and at least four inner stick tips.

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Tennants Auctioneers
Lot 5135

An Attractive Floral Black Lace Fan, most likely Chantilly, circa 1900, the leaf incorporating a central painted gauze panel painted with a fairy-like maiden in blue flowing gown, large wings unfolded, these being highlighted with minute silver sequins. The monture, quite plain, is of resin or ''blonde tortoiseshell''. Guard length 9.5 inches or 24cm. Together with A White Mother-of-Pearl Fan, the monture carved, gilded and silvered. The Brussels Mixed Lace Leaf features a Point de Gaze needle lace flower spray applied to net to the centre, the remaining leaf worked with typical Belgian bobbin lace flowers and leaves. Guard length 8.5 inches or 21.5cm (2). In good order, slightly rubbed gorge and the shoulder of one stick has slight wear. A one-inch split noted to the ground, to the lower left near the first stick in. Break to the loop. The lace leaf on fan 2 has most likely been remounted after washing.

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Tennants Auctioneers
Lot 5145

A Late 19th Century White Mother-of-Pearl Fan with bone ribs, the leaf of Brussels Bobbin Appliqué, the design featuring three large roses, small and medium flowers and leaves filling the background, made to feel light and airy with the addition of tiny dots. The simple silver metal loop is finished with a cotton cord leading to a knotted silk tassel. Guard length 11 inches or 28cm.Together with A Later White Mother-of-Pearl Fan, the monture carved, gilded and silvered, the leaf of Brussels Point de Gaze needle lace with a few unusual features. Six roses of a similar design feature across the leaf. To the top and bottom right, three small roses have raised petals. The lower section of the leaf is worked more openly, and here and there bands of roundels with complex fillings fill in between top and bottom borders. Guard length 9.5 inches or 24cm. (2). First fan, one gorge stick needs to be re-secured. Tiny dent in the upper guard near the shoulder. Second fan, the upper guard is broken an inch above the rivet but the overlap is there for repair. A sliver of MOP missing, but a repair would most likely be feasible. The leaf has possibly been washed.

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Tennants Auctioneers
Lot 5160

Two Late 19th/Early 20th Century Fans, the first a small pink mother-of-pearl example, a Brussels/Bruges bobbin lace leaf mounted on bone ribs. The second fan, much larger, the monture of shaped wood painted matt white, and silvered, is to be noted for the intricacy of the upper leaf. Each stick runs the full height of the fan, and has slots made to thread the narrow cream ribbon which forms seventeen horizontal bands. The ribbon ends are trapped between each guard and the final stick each side. Backed with a lightweight cream gauze. When closed, the looped ribbons lie proud of the backing, to the recto. Guard length 13.75 inches or 35cm.. The ribbon work fan has a slightly ragged upper edge on the gauze and a few areas where the fabric has had some repair.

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Tennants Auctioneers
Lot 5164

A Good Late 19th/Early 20th Century Brussels Point De Gaze Needle Lace Fan, the leaf mounted à l'Anglaise on mother of pearl ribs, the strong design featuring sunflowers with raised stamens. The monture, a pretty shade of green/pink, probably burgau, is also gilded, with small flowers and leaves on the guards and shoulders of the gorge, a line of foliage also passing down the length of each stick to the left side. Guard length approx. 10 and 5/8 inches or 27cm.. Very good, clean, firm. Note imperfections to the MOP to the rear of the gorge sticks.

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Tennants Auctioneers
Lot 5165

A Good Late 19th Century Brussels Needle Lace Fan Leaf with geometric design, mounted on mother-of-pearl ribs, on green/pink mother-of-pearl (burgau) with piercing to the upper guard, a panel left bare for initials. The form of the repeated lace design is reminiscent of an open brisé fan. The inner designs are a complex creation by the lace designer, with multiple fillings, and in the centre are entwined initials, ''S?''. Guard length 11 inches or 28cm.. One rib and gorge stick have parted company but are present, breaks and some loss to ribs.

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Tennants Auctioneers
Lot 5169

A Good Tortoiseshell and Black Bobbin Lace Fan, late 19th century, the monture with foliate design, both upper guards with a cherub, the gorge with leaves and scrolling surrounding a winged cherub with outstretched arms, holding laurel wreaths. The deep lace leaf is worked with detailed flowers and leaves, backed with black net and mounted on tortoiseshell ribs. Shaped tortoiseshell loop, and shaped head. Guard length 12.5 inches or 32cm.. Very light nibbling to the tortoiseshell as seen on the stick edges. The very top edge of the lace leaf has a very narrow black silk border at the verso, this is missing in some places.

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Tennants Auctioneers
Lot 5181

A Last Quarter 19th Century Pheasant Feather Fan, the monture of tortoiseshell, the gorge sticks mottled giving an attractive colour when held to the light. The feathers have been carefully applied so that the top border presents three levels of white specks against a dark brown background, the more mottled and irregular lower feathers a lighter brown with smaller white speckles. Seen from the verso, these feathers are set against a black feather, giving edged detail to each stick and covering the ribs. Cream silk ribbon. Tortoiseshell loop. Guard length 8.3/8 inches or 21.5 cm with the feathers protruding past the guard by a further 1.25 inches or 3cm.. Some slight loss to the feathers, mainly to those applied to both guards. The silk ribbon is strong. The upper guard has a line just below the gorge shoulder, which may indicate a repair, but nothing obvious when examined from the verso.

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Tennants Auctioneers
Lot 5200

Two 19th Century Advertising Fans, the first for a restaurant in CAEN, in the Place du Marché au Bois, run by Fabre Succr, named ''Ancien Restaurant Bourdeux'' and said to be an establishment recommended to tourists for the reputation of its wine cellar and excellent food. To the left of the advertising is a drawing of the ''Eglise St Pierre de Caen''. Also noted ''Lith L. Palmé, Caen''. The recto is printed with an elegant spray of red roses in bud, and an orange butterfly in flight. Plain, light wood monture. Guard length 10 inches or 25cm; and a circa 1900 advertising fan with double paper leaf, promoting the Casinos de Biarritz, the recto printed with two contemporary images of the casino buildings, but also showing motor cars, bicycles, and fashions of the period as it features the access roads and the beaches. The verso, with gentle classical gold border detail, notes ''Event. Chambrelent 7 Croix, Paris - Déposé''.. Interestingly, the first fan's recto/leaf paper has not been fully trimmed back and overhangs. It looks like damage but is actually surplus to requirements, as seen from the verso. Fan 2 lacks the very bottom of the lower guard and first stick in. Note the substituted washer on the rivet which is rectifying the matter!

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Tennants Auctioneers
Lot 5201

Three 20th Century French Advertising Fans, the first advertising the Hotel des Réservoirs in Versailles, the verso printed with a crest and motto ''Ancien Hôtel de la Mar se de Pompadour''. Built in 1751 as a (hôtel particulier) private mansion (in this case ''Hôtel in French does not mean ''hotel'' as we use in the UK) in the Notre-Dame district of Versailles. Built for Madame de Pompadour, the building linked to the Palace of Versailles by means of a covered corridor. In the 1870's it became a hotel. In 1934 the State bought it back. Since 1936 it has been classified as a historical monument. The recto, printed in soft colours, shows wealthy 18th century gentry relaxing or taking exercise beside a lake. The design is signed to the top right ''L. Galloit''; a smaller advertising fan with double paper leaf, for the Casino Municipal at Enghien. The verso in soft green and cream, depicts a young lady with her spaniel, a suitor in attendance; the final fan, in ballon form, is printed to the recto with stylised leaves, cream, tinged with gold, on a turquoise background. Advertising ''Le Masséna'' In Nice. Printed by E. Chambrelent, Société A. E.T.I.O.P PARIS Modèle Déposé. * L. Gallait (1810-1887) was a Belgian engraver and painter who exhibited in Paris.. The first fan has rubbing to the folds and some nicks to the top. One gorge stick is present but loose. Small brown stain centre front, and a lot of brown marking on the verso. Fan 2 is in good used condition. Fan 3 has slight tears to the upper folds and black marking and scuffing to the right-hand fold.

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Tennants Auctioneers
Lot 5203

A 20th Century Advertising Fan for Scott's Restaurant designed with two printed panels of an 18th century couple in silhouette, the reserves with flowers. Very slender monture in dark brown wood; A Printed Fan with double paper leaf, mounted on bone, advertising ''Sherry's''. No other attribution. The leaf is printed with early 19th century couples in a garden, outside a stone country house, gentlemen calling on their ladies; and A Third Advertising Fan, of fontange form, the single paper leaf mounted à l'Anglaise on simple pale wood sticks, advertising the aperitif ''Stick'', a rich aperitif produced by CH.Jobit et CIE, Cognac (France) founded in 1833. The verso is plain. Printed by Chambrelent, 11, rue de l'hopital St. Louis, Paris (3). Scott's is amongst the five oldest restaurants in London. Originally opened as an oyster warehouse in 1851 and is now a famous seafood restaurant and oyster bar. Initially in Haymarket, it is now in Mount Street, Mayfair.. All in used condition but sound: The Scott's fan has rubbing to the upper folds and two very small areas where a tear could be repaired. The Sherry's fan has nicks to the upper folds, as does the Stick fan. None of these advertising fans are common.

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Tennants Auctioneers
Lot 5210

Japan, 19th Century, A Large Wood Brisé Fan painted to the recto with a distant view of Mount Fuji, workers in the fields to the foreground, one carrying paniers on a pole across his shoulders, another fishing, others preparing refreshments, a kettle and bag of provisions being laid out. The verso is painted with large blossom, generally in cream with pink tinges, dark green leaves, and a small bird swooping in to land. Strung with the traditional threads. The guards, slightly darker than the 34 inner sticks, have light gold painted foliage, a bird to the tip on the recto, a butterfly on the verso. Shaped metal loop. Guard approx. 14.25 inches or 36 cm*. Together with A Second Japanese Fan, circa 1870's, the recto boldly painted with figures in traditional kimonos undertaking various activities: two ladies preparing to take tea; two men seated and playing drafts, and finally a lone man, holding an open fan, having perhaps just finished his ablutions. Signed by the artist to the left. The verso of the double paper leaf shows a crane flying low over a garden, exquisitely painted Iris in lilac and blue in full flower, bamboo leaves mixing with wildflowers in pink and lilac. Signed and stamped by the artist. Simple bamboo monture. Guard length approx. 10 inches or 25.5 cm (2) See Neville Irons ''Fans of Imperial Japan'' pages 78/79 for a wood brisé fan with similar features, stated to be circa 1800, Edo period.. The large fan is generally good but at one side the first stick in is stuck to the guard. One inner stick has a split tip and two others lack minute side slivers. At one end a small piece of tape holds the thread to the guard, just needs to be re-glued. The smaller fan has a split almost the length of one fold, some loss to the lower border of the leaf, centrally, grubby folds at each side of the guards, and general rubbing to most folds.

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Tennants Auctioneers
Lot 5228

A Good Chinese Fan, 19th century, Qing Dynasty, the slender sticks with black lacquer and detailed gold decoration, the guards particularly finely worked in alternating bands of flowers and more foliate designs. The gorge sticks are decorated in three of four horizontal bands, two with lattice type designs and the central band similar but not identical to the central panel on the guards. Both sides of the double cream silk leaf are covered in calligraphy, perhaps reproducing a story or poems.. One central gorge stick lacking. Slight foxing to the silk.

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Tennants Auctioneers
Lot 5231

A Very Elegant Early 19th Century Chinese Carved Ivory Brisé Fan, Qing Dynasty, with twenty-three inner sticks and two guards. The guards, gorge and stick tips are carved, the tips with swags and pendulant flowers, the main body of the fan with borders of Greek key designs, and a band of flower heads. Just beneath the ribbon, a small oval cartouche is carved with entwined initials ''MC''. The verso is uncarved. Guard length approx. 6.25 inches or 16cm.. Very fine carving. Some small dark marks to the ivory. Ribbon sound.

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Tennants Auctioneers
Lot 5237

A Large 19th Century Chinese Mandarin Fan with carved ivory monture, and fitted box. The guards are deeply carved, the gorge sticks less so. The double paper leaf shows scenes of leisure and social gatherings, some with indoor water features, the figures dressed in applied silk robes, with applied painted ivory faces. Fitted with a slim double silk tassel in ruby and lilac. The fitted fan box is lined in blue, the inner lid with silk panel painted with vibrant peonies, butterflies and soft fruits, with a central label for ''Sunshing, Hong Kong''. The black lacquer box, shaped, is painted in gold with foliage to the sides, and people and shrubs in the outdoors. Guard length approx. 11 inches or 28cm. Together with Another Carved Ivory Fan, similar, but fitted with a much later European replacement leaf with Japanese designs. Guard length approx. 11 inches or 28cm; and A Much Later Chinese Fan, the gauze leaf embroidered with flowers in white, with two birds and a butterfly approaching. Guard length approx. 9.25 inches or 23.5cm (3). The monture is clean and sound. The folds are rubbed in places and some short splits are noted to the top border. The box is a little battered, with many chips to the lacquer, and the hinges are defective. The catch does however work. The second fan has a broken guard, section present. The leaf is defective and damaged. The third fan has a break at the bottom of one guard and a section of one gorge stick, although present, has broken away.

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Tennants Auctioneers
Lot 5238

A Good Carved Ivory Chinese Fan with finely embroidered cream silk leaf, the gorge sticks plain, each guard carved from the tip to mid stick with a gnarled tree covered in flowering blossom and hosting a bird. The recto is delicately and elaborately embroidered in silk with a scene of birds, butterflies and insects, grouped around a blossoming tree, each flower, each bird, each insect worked with fine detail and colour. A grasshopper to the left, pairs of birds, different species suited to the proximity to water. The verso, also embroidered but more simply, includes the grasshopper and small butterflies, gathering around a branch of small pink flowers. A simple metal loop is fitted with a double cream silk tassel and also a cream silk label with Chinese characters. The black lacquered box with simple but elegant gold border to the lid exterior, is lined in cerise and mid blue, the inner lid padded, the cream silk painted with a pair of colourful birds amidst flowers, one with an exceptional tail. Guard length approx. 13 inches or 33cm.. Very good, clean, sound. Box hinges and clasp in good working order.

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Tennants Auctioneers
Lot 5242A

A Fine and Slender 19th Century Chinese Carved Tortoiseshell Brisé Fan, the intricate design covering the 24 inner sticks and two guards. The rounded sticks tips are each carved with delicate flowers or birds. The guards feature tiny flowers and buildings. Centrally, the carving features a shield, above which two small birds are in flight. To each side, a roundel, carved with a beast, then contained in a second, undulating border. Beneath the pale blue silk ribbon, down the sides and along the bottom, the sticks feature a chain effect, the carved borders formed of delicate leaves, and any other available space is filled with flowers and birds in flight. The lower gorge also contains a carved oval. The verso is not carved. Contained in a part fan tube, formed of strong card covered in red paper. Guard length 8 1/8 inches or 20. cm.. Some very slight nibbles to the sides of some sticks and one stick tip. Small losses in the vertical carving noted on three sticks. Repair to lower guard. Good mottling to the shell. Ribbon strong.

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Tennants Auctioneers
Lot 5244

A Chinese Filigree Metal Mandarin Fan, the monture also enamelled, with flowers, foliage and figures seated under stylized trees. The recto shows figures wearing robes of applied silk, painted faces of applied ivory. The verso is scenic, locations not identified. Contained in the original silk covered cardboard box, applied with cut-out decoration. Some hand written oriental script is visible on the underside. Guard length 11 and 3/8 inches or 29cm.. Old repair to one stick. The loop and rivet have been replaced. Some restoration to the leaf.

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Hansons Auctioneers and Valuers
Lot 5437

WW2 Third Reich DRL Stick pin, maker marked Wernstein, Jena and a cased Treuewerk der Betriebsgemeinschaften der Luftfahrt, Treuewerkabzeichen / Loyalty of the aviation associations, loyalty badges stick pin

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Hansons Auctioneers and Valuers
Lot 5317

WW2 British Royal Artillery Swagger Stick. White metal top with RA insignia impressed. Cap to end. 63cm in length.

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Hansons Auctioneers and Valuers
Lot 5167

WW2 Third Reich DRL 1941 Membership stick pin. Maker marked L/58.

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Arthur Johnson & Sons Auctioneers
Lot 730

A horn handled walking stick with silver band, other sticks and two reproduction fencing swords

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Arthur Johnson & Sons Auctioneers
Lot 784

A hallmarked silver 'swizzle' stick and a silver letter opener, personalised

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Dreweatts 1759
Lot 260

Jim Denomie Four Days and Four Nites, 2020 Ball Point Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) As a painter and an artist, I find I am constantly evolving. I develop images from my imagination, my memories, my dreams, and from the world around me, as I perceive it. I try to discover something new or different with each painting. I like to explore new subject matter. Employing rich colours, I tell original stories that are completely of my own creation and visual style. Over time, I have developed several series that are distinct yet related. Subject matter may
include but is not limited to social, political, and historical narrative, creative portraiture, dreams, spirituality and eroticism. I also work with found object mask making, printmaking, ink drawings, mixed media oil stick, and photography. I sketch almost daily developing spontaneous ideas, documenting current
thoughts or issues, and exploring and working out ideas for paintings. Jim Denomie was born in Hayward, Wisconsin on July 6, 1955 and is a member of the Lac Court Oreilles Band of Ojibwe. He grew up in Minneapolis, MN since the age of 5 and currently lives and works in Franconia, MN. In 1995 he received a Bachelor of Fine Arts degree in visual arts from the University of Minnesota and since has shown in over 130 exhibitions throughout the U.S. and internationally.     Primarily a painter, he also works in printmaking, photography, ink drawings and found object sculpture. His narrative paintings focus mainly on political, social, cultural and personal events (both current and historical) pertaining to Native American issues and his personal identity. His most recent body of political work (2018-19) documented the North Dakota Access Pipeline protests at the Standing Rock Reservation in 2016. The nine paintings debuted at Bockley Gallery in Minneapolis, MN in 2019 and a number of then have since or will be exhibited in Sao Paulo, Brazil, Mexico City and Vienna, Austria. His intelligent and courageous work has garnered him numerous prestigious fellowships (a Bush Fellowship, McKnight Fellowships (2) a Joan Mitchell Fellowship, and most recently, a McKnight Distinguished Artist Award (2019) among others. His work is also in the permanent collections of numerous museums including the Minneapolis Institute of Art, the Walker Art Center, the Westphalien Museum of History and Life, the Denver Art Museum, Eiteljorg Museum of Western and American Art as well as many other public and private collections.    

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Dreweatts 1759
Lot 261

Jim Denomie Two Spirits, 2020 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) As a painter and an artist, I find I am constantly evolving. I develop images from my imagination, my memories, my dreams, and from the world around me, as I perceive it. I try to discover something new or different with each painting. I like to explore new subject matter. Employing rich colours, I tell original stories that are completely of my own creation and visual style. Over time, I have developed several series that are distinct yet related. Subject matter may
include but is not limited to social, political, and historical narrative, creative portraiture, dreams, spirituality and eroticism. I also work with found object mask making, printmaking, ink drawings, mixed media oil stick, and photography. I sketch almost daily developing spontaneous ideas, documenting current
thoughts or issues, and exploring and working out ideas for paintings. Jim Denomie was born in Hayward, Wisconsin on July 6, 1955 and is a member of the Lac Court Oreilles Band of Ojibwe. He grew up in Minneapolis, MN since the age of 5 and currently lives and works in Franconia, MN. In 1995 he received a Bachelor of Fine Arts degree in visual arts from the University of Minnesota and since has shown in over 130 exhibitions throughout the U.S. and internationally.     Primarily a painter, he also works in printmaking, photography, ink drawings and found object sculpture. His narrative paintings focus mainly on political, social, cultural and personal events (both current and historical) pertaining to Native American issues and his personal identity. His most recent body of political work (2018-19) documented the North Dakota Access Pipeline protests at the Standing Rock Reservation in 2016. The nine paintings debuted at Bockley Gallery in Minneapolis, MN in 2019 and a number of then have since or will be exhibited in Sao Paulo, Brazil, Mexico City and Vienna, Austria. His intelligent and courageous work has garnered him numerous prestigious fellowships (a Bush Fellowship, McKnight Fellowships (2) a Joan Mitchell Fellowship, and most recently, a McKnight Distinguished Artist Award (2019) among others. His work is also in the permanent collections of numerous museums including the Minneapolis Institute of Art, the Walker Art Center, the Westphalien Museum of History and Life, the Denver Art Museum, Eiteljorg Museum of Western and American Art as well as many other public and private collections.    

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Dreweatts 1759
Lot 262

Jim Denomie Beautiful Witches, 2020 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) As a painter and an artist, I find I am constantly evolving. I develop images from my imagination, my memories, my dreams, and from the world around me, as I perceive it. I try to discover something new or different with each painting. I like to explore new subject matter. Employing rich colours, I tell original stories that are completely of my own creation and visual style. Over time, I have developed several series that are distinct yet related. Subject matter may
include but is not limited to social, political, and historical narrative, creative portraiture, dreams, spirituality and eroticism. I also work with found object mask making, printmaking, ink drawings, mixed media oil stick, and photography. I sketch almost daily developing spontaneous ideas, documenting current
thoughts or issues, and exploring and working out ideas for paintings. Jim Denomie was born in Hayward, Wisconsin on July 6, 1955 and is a member of the Lac Court Oreilles Band of Ojibwe. He grew up in Minneapolis, MN since the age of 5 and currently lives and works in Franconia, MN. In 1995 he received a Bachelor of Fine Arts degree in visual arts from the University of Minnesota and since has shown in over 130 exhibitions throughout the U.S. and internationally.     Primarily a painter, he also works in printmaking, photography, ink drawings and found object sculpture. His narrative paintings focus mainly on political, social, cultural and personal events (both current and historical) pertaining to Native American issues and his personal identity. His most recent body of political work (2018-19) documented the North Dakota Access Pipeline protests at the Standing Rock Reservation in 2016. The nine paintings debuted at Bockley Gallery in Minneapolis, MN in 2019 and a number of then have since or will be exhibited in Sao Paulo, Brazil, Mexico City and Vienna, Austria. His intelligent and courageous work has garnered him numerous prestigious fellowships (a Bush Fellowship, McKnight Fellowships (2) a Joan Mitchell Fellowship, and most recently, a McKnight Distinguished Artist Award (2019) among others. His work is also in the permanent collections of numerous museums including the Minneapolis Institute of Art, the Walker Art Center, the Westphalien Museum of History and Life, the Denver Art Museum, Eiteljorg Museum of Western and American Art as well as many other public and private collections.    

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Dreweatts 1759
Lot 263

Jim Denomie Spiritual Nite, 2020 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) As a painter and an artist, I find I am constantly evolving. I develop images from my imagination, my memories, my dreams, and from the world around me, as I perceive it. I try to discover something new or different with each painting. I like to explore new subject matter. Employing rich colours, I tell original stories that are completely of my own creation and visual style. Over time, I have developed several series that are distinct yet related. Subject matter may
include but is not limited to social, political, and historical narrative, creative portraiture, dreams, spirituality and eroticism. I also work with found object mask making, printmaking, ink drawings, mixed media oil stick, and photography. I sketch almost daily developing spontaneous ideas, documenting current
thoughts or issues, and exploring and working out ideas for paintings. Jim Denomie was born in Hayward, Wisconsin on July 6, 1955 and is a member of the Lac Court Oreilles Band of Ojibwe. He grew up in Minneapolis, MN since the age of 5 and currently lives and works in Franconia, MN. In 1995 he received a Bachelor of Fine Arts degree in visual arts from the University of Minnesota and since has shown in over 130 exhibitions throughout the U.S. and internationally.     Primarily a painter, he also works in printmaking, photography, ink drawings and found object sculpture. His narrative paintings focus mainly on political, social, cultural and personal events (both current and historical) pertaining to Native American issues and his personal identity. His most recent body of political work (2018-19) documented the North Dakota Access Pipeline protests at the Standing Rock Reservation in 2016. The nine paintings debuted at Bockley Gallery in Minneapolis, MN in 2019 and a number of then have since or will be exhibited in Sao Paulo, Brazil, Mexico City and Vienna, Austria. His intelligent and courageous work has garnered him numerous prestigious fellowships (a Bush Fellowship, McKnight Fellowships (2) a Joan Mitchell Fellowship, and most recently, a McKnight Distinguished Artist Award (2019) among others. His work is also in the permanent collections of numerous museums including the Minneapolis Institute of Art, the Walker Art Center, the Westphalien Museum of History and Life, the Denver Art Museum, Eiteljorg Museum of Western and American Art as well as many other public and private collections.    

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Dreweatts 1759
Lot 264

Jim Denomie Rabbit Spirit, 2020 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) As a painter and an artist, I find I am constantly evolving. I develop images from my imagination, my memories, my dreams, and from the world around me, as I perceive it. I try to discover something new or different with each painting. I like to explore new subject matter. Employing rich colours, I tell original stories that are completely of my own creation and visual style. Over time, I have developed several series that are distinct yet related. Subject matter may
include but is not limited to social, political, and historical narrative, creative portraiture, dreams, spirituality and eroticism. I also work with found object mask making, printmaking, ink drawings, mixed media oil stick, and photography. I sketch almost daily developing spontaneous ideas, documenting current
thoughts or issues, and exploring and working out ideas for paintings. Jim Denomie was born in Hayward, Wisconsin on July 6, 1955 and is a member of the Lac Court Oreilles Band of Ojibwe. He grew up in Minneapolis, MN since the age of 5 and currently lives and works in Franconia, MN. In 1995 he received a Bachelor of Fine Arts degree in visual arts from the University of Minnesota and since has shown in over 130 exhibitions throughout the U.S. and internationally.     Primarily a painter, he also works in printmaking, photography, ink drawings and found object sculpture. His narrative paintings focus mainly on political, social, cultural and personal events (both current and historical) pertaining to Native American issues and his personal identity. His most recent body of political work (2018-19) documented the North Dakota Access Pipeline protests at the Standing Rock Reservation in 2016. The nine paintings debuted at Bockley Gallery in Minneapolis, MN in 2019 and a number of then have since or will be exhibited in Sao Paulo, Brazil, Mexico City and Vienna, Austria. His intelligent and courageous work has garnered him numerous prestigious fellowships (a Bush Fellowship, McKnight Fellowships (2) a Joan Mitchell Fellowship, and most recently, a McKnight Distinguished Artist Award (2019) among others. His work is also in the permanent collections of numerous museums including the Minneapolis Institute of Art, the Walker Art Center, the Westphalien Museum of History and Life, the Denver Art Museum, Eiteljorg Museum of Western and American Art as well as many other public and private collections.  

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David Lay FRICS
Lot 281

A cane Loyal Regiment swagger stick, length 71cm, together with a bayonet and a silver mounted ebony cane (3).

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David Lay FRICS
Lot 282

A brass four section umbrella or stick stand with turned finials and black painted base. Height 61cm.Condition report: No condition issues.

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David Lay FRICS
Lot 2907

A black lacquered and brass mounted marine mercury stick barometer, by F Darton & Co Ltd, London, with cylindrical silvered scale with Vernier adjustable slide, engraved brass plate and gimbal mount, height 92cm.

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David Lay FRICS
Lot 2911

A William III style walnut mercury stick barometer, circa 1900, the brass scale bears signature H. Wynne Londini fc, the case with architectual pediment supported by ebonised twist supports and with applied brass mounts. Overall height 131cm.

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David Lay FRICS
Lot 3205

An Ercol beech framed daybed/studio couch, with detachable elm back rest and stick ends, original upholstered cushion cover, length 210cm.Condition report: No condition issues. No cushion for the back.

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David Lay FRICS
Lot 53

A bronze walking stick handle cast as a dog's head. Height 7cm.

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David Lay FRICS
Lot 559

An Indian ebony walking stick, circa 1900, the finial carved as the head of an elephant, the shaft carved with foliage, and spiral fluting, height 94cm.

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David Lay FRICS
Lot 80

A gnarled hawthorn walking stick, with gilt collar, together with a three foot brass tipped measuring stick (2).

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David Lay FRICS
Lot 98

A carved and painted walking stick, the handle in the form of a swan's head, height 142cm, together with another similar, carved as a duck, shepherds crook and a collection of six books on the subject of walking sticks.

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Featonby's Auctioneers & Valuers
Lot 229

FIRE TV STICK WITH ALEXA VOICE REMOTE IN BOX

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Matthew Barton Ltd.
Lot 348

AN EDWARDIAN SILVER THREE-LIGHT CANDELABRUM, THOMAS BRADBURY & SONS LTD., LONDON, 1905 in George II style, the loaded stick with cut-cornered square base rising to an octagonal shaped stem and urn-shaped sconce, the detachable branch with two scroll arms terminating in drip pans and scones, the central light with conforming stem, complete with three detachable nozzles 37.5cm high; branch 740gr (23oz)

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Mellors & Kirk
Lot 655

A JOHN JACQUES AND SON LIMITED CROQUET SET, COMPRISING FOUR MALLETS, SIX WHITE PAINTED IRONS, HOOPS, BALLS AND STICK, IN MAKER'S DEAL BOX WITH PRINTED PAPER LABEL AND STENCILLED NAME, 110CM L Second hand condition but basically complete and useable, box locally wormed

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Mellors & Kirk
Lot 592

A BRITISH MILITARY OFFICER'S BRASS AND VARNISHED LIGHT WOOD PACE STICK, FIRST HALF 20TH C, 91CM Good quality and condition

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Mellors & Kirk
Lot 43

A STICK PIN, THE TERMINAL SET WITH A WEDGWOOD JASPER CAMEO, 19TH C, TERMINAL 15 X 22MM Pin re-attached

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Mellors & Kirk
Lot 101

AN EDWARDIAN GOLD STICK PIN WITH DIAMOND AND GREY CULTURED PEARL CLUSTER TERMINAL, C1900, DEMOUNTABLE FOR WEAR AS A STUD, TERMINAL 8.5MM DIAM, WITH SEPARATE GOLD STUD, UNMARKED, SILK LINED PLUSH CASE SIGNED FOR GARARD & CO LTD, 3G Complete and in good, practically as new condition. Case, which is the original, also in good condition

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Mellors & Kirk
Lot 102

A VICTORIAN STICK PIN WITH ROSE DIAMOND AND OPAL BEAD TERMINAL, TERMINAL 11MM, PLUSH LINED MAROON MOROCCO CASE, 1.3G Opal of fine polish, diamonds all present. Pin very slightly bent out of true. Case also in good condition

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A & C Auctions of Pendle
Lot 10

Numerous good quality collectables including a Merrythought teddy, 2 tankards, white metal candle-stick & 2 car memorabilia items etc

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A & C Auctions of Pendle
Lot 188

vintage Clarice Cliff (no 927) candle-stick,18 cm high

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Lyon & Turnbull
Lot 233

SCOTTISH MAHOGANY STICK BAROMETER, ADIE, EDINBURGH EARLY 19TH CENTURY the swan neck pediment with ivory roundels above a silvered Vernier scale signed A. Adie/ Edinburgh, above a plain shaft terminating in a semispherical cistern cover(95cm high)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

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Lyon & Turnbull
Lot 397

VICTORIAN OAK AND BRASS HALL STAND MID 19TH CENTURY the open frame back with twelve turned knob coat/hat pegs above a stick stand with a brass rail, on a platform base with block feet and a green painted liner(123cm wide, 226cm high, 38cm deep)

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Bleasdales Ltd
Lot 101

A good Tunbridge ware rosewood pin wheel, in the form of a miniature circular table, probably Thomas Barton, the top in stick ware on a turned baluster pedestal and circular base, 8cm dia.                                                                                                                      From the Hamlin Collection of Tunbridge ware

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Bleasdales Ltd
Lot 104

A good Tunbridge ware rosewood fitted sewing box, of sarcophagol form, the lid with a fine mosaic panel of Eridge Castle (post spire) within triple geometric mosaic borders, the sides with a broad band of leaf scroll mosaic below a band of geometric mosaic, raised on four stick ware bun feet. The interior with a ruched crimson silk panel over a white wood compartmentalised and lidded tray with six rosewood stick ware topped reels, a set of four geometric mosaic cross form winders, a set of four circular stick ware winders, a combination stick ware waxer/pin cushion, a cylinder form rosewood tape measure with stick ware top, the complete silk tape inked in nails, a geometric mosaic needle book, a white wood box form pin cushion and a tool card with gilt handled scissors and three other tools. The tray with crimson silk lids and internally covered in gilt star crimson paper, 23.5 x 18.5 x 12.5cms.                                                                                                                       From the Hamlin Collection of Tunbridge ware

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Bleasdales Ltd
Lot 106

Tunbridge ware – sewing, three pieces, comprising a needle book one cover in mosaic of a dog at rest, the other a panel of flowers, complete with flannels and ties, 5.6 x 3.5cms, a stick ware barrel form thimble case, 3cms, and a sarcophagol form pin cushion, 6cms.    (3)                                                                                                                     From the Hamlin Collection of Tunbridge ware

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Bleasdales Ltd
Lot 107

Tunbridge ware – sewing, four pieces, comprising a stick ware barrel form waxer, 3.2cms, a stick ware pin dish, 5cms, a circular stick ware pin cushion, the base with a printed label ‘A Trifle from Torquay’, 4.2cms dia., and a stiletto with mosaic handle, 10cms.     (4)                                                                                                                     From the Hamlin Collection of Tunbridge ware

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Bleasdales Ltd
Lot 108

Tunbridge ware – sewing, three pieces, comprising a mosaic pin wheel on rosewood table base, 5.2cms dia., a double ended girdle form pin cushion, 3.2cms, and a combination stick ware waxer/pin cushion, 4.2cms.    (3)                                                                                                                     From the Hamlin Collection of Tunbridge ware

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Bleasdales Ltd
Lot 109

Tunbridge ware – sewing, three pieces, comprising a stick ware barrel form tape measure, printed tape repaired, 3cms, a miniature urn form stick ware pin cushion, 3.5cms, and a stick ware egg form thimble case, 4cms.     (3)                                                                                                                     From the Hamlin Collection of Tunbridge ware

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Bleasdales Ltd
Lot 110

Tunbridge ware – sewing, a good pin wheel, probably Thomas Barton, each side in variant stick ware, 5.2cms dia.                                                                                                                      From the Hamlin Collection of Tunbridge ware

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