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Lot 85
A single stone old cut diamond bar brooch, stamped '14', together with a diamond set horseshoe bar brooch, not stamped, an openwork seed pearl set bar brooch, stamped '15c', a seed pearl set 'A' bar brooch, stamped '9c', a cabochon garnet bar brooch, not stamped, a rose cut diamond set stock pin and two seed pearl set stick pins (8)
Lot 89
A small collection of jewellery and costume jewellery, to include; a 9ct gold mounted oval shell cameo brooch, a further oval shell cameo brooch within yellow metal mount, stamped '9ct', a yellow metal stick pin stamped '9ct', weight approx 0.9g, a yellow metal bar brooch stamped '9ct', weight approx 1.8g, a broken yellow metal expandable watch bracelet stamped '9ct', weight approx 3.5g, a Norwegian sterling silver and white enamel brooch, a silver gilt bangle, a gold plated cigarette case, wristwatches etc (a lot)
Lot 182
A World War One pair of medals, comprising Great War and Victory medals, named for 2.Cpl F Doughty, Royal Engineers 181664, together with a framed portrait of the same gentleman, embroidered souvenir of Egypt again showing a portrait, oak framed, 49cm x 38cm, a photograph of Doughty with others in Egypt, bracelet comprised of Egyptian coinage, Royal Engineers swagger stick, and a bamboo walking cane with silver collar.
Lot 949
A late 19th century large and impressive Regency-style silver plated candelabra, three light twist with vase-shaped sconces embellished with acanthus leaf detail, on single stick base of tapered form and acanthus covered knop, to circular base with floral and ribbon border, impressed mark for Thomas Wilkinson & Co, height 48cm.
Lot 188
A late 19th early 20th century blackthorn walking stick with carved wooden handle in the form of a snarling hound's head, with glass eyes and metal collar, length 91cm. CONDITION REPORT There is a fang missing form the bottom mouth, some knocks and grazes, marks to the head, head wobbles and spins around, metal collar is broken in places, several splits throughout the cane.
Lot 261
MINTON; a quantity of 'Haddon Hall' pattern dinner ware to include teapot, six teacups and saucers, twelve side plates, diameter 16cm, six dessert bowls, diameter 16cm, sugar basin, two tureens, diameter 29cm, gravy boat and stand, two napkin rings, six dinner plates, diameter 27cm, six dessert plates, diameter 20cm, milk jug, three serving plates, cocktail stick holder, dish and lid, etc (approx 57 pieces).
Lot 588
A silver watch Albert chain, fitted with a silver T-bar and a silver swivel, Birmingham 1896, length 35cm, and a silver fob medal, total weight 40g, a pair of oval mosaic cufflinks, ten stick and hat pins, a silver and colourless paste lady's bracelet wristwatch, import mark London 1938, and a Baume & Mercier lady's wristwatch movement.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 458
Small low table with bobbin turned legs, and a small elm bergere seated chair and another stick back chair; AND a rustic wooden console style table; and a wooden Indian style table base; Vintage rattan, folding butlers tray and stand, some wear & leather holding straps broken and a modern demi lune table with single leg stand
Lot 17
András Nagy-Sándor Keep The Band Back Together, 2022 Ink and Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Andras Nagy-Sandor (1993) is a Hungarian artist and curator based in London, UK. The main focus of Andras' practice is unpicking the aspirations and ambivalences within his masculinity through the symbolism of armours as a link between painterly, emotional and conceptual dichotomies. The aesthetic of Andras' armours are narrative, in some cases pseudo-folkloric, however they do not need to be read as armours as they are the results of an intuitive design process, an embodied sensemaking approach that is based on Andras' imagination and memories. They are gestures, edges, shapes, colours, patterns, paint, materials with a conscience enveloping figurative moments, interactions between body parts, characters, groups, anthropomorphic multiheaded beings that float between cultures and identities, folklore and sci-fi. Andras has recently had his first solo exhibition at Fest; Tisztit Gallery in Budapest, Hungary and is the co-runner of ongoing initiative "project hu", which created a collaborative residency, artist talks and a touring exhibition over the past four years. Education 2019-2022, MFA Fine Art Painting, Slade School of Fine Art, UK 2015-2018, BA (Hons) Fine Art, Newcastle University, UK Select Exhibitions/Awards Solo Exhibitions Feb. 2022, Bizz bennem/Trust me, Fest; Tisztit Gallery, Budapest, HU Sept. 2020, Narrow Boat Exhibition, Narrow Gallery, London Mar. 2018, Studies, Culture Lab, Newcastle Selected Group Exhibitions Apr. 2022 Emergence, The Room, London Feb. 2022, Dream Baby Dream, The Fitzrovia Gallery, London Feb. 2022, I'll Be Your Mirror, Boisdale of Bishopgate, London Jan. 2022, Why Don't You Dance, ASC Gallery, London Jan. 2022, Assemble, VO Curations, London Dec. 2021, Paint Talk presentsWith Love II, online Aug. 2021, Flirting with the Border Guards, Terrace Gallery, London Nov. 2020, Paint Talk presents With Love, online Nov. 2020, ING Discerning Eye Exhibition, online due to COVID-19 Aug. 2020, Material Figures, with Grace Mattingly and Lindsey Jean McLean, VO Curations, London Jan. 2020, Slade Runner, ASC Gallery, London Feb. 2019, hu, Hungarian Traveling Exhibition, White Conduit Projects, London Jan. 2019, hu, Hungarian Traveling Exhibition, Abject Gallery, Newcastle Nov. 2018, hu, Hungarian Traveling Exhibition, GENERATORporjects, Dundee Nov. 2018, Young Contemporary Talent 2018, Ingram Collection, The Cello Factory, London Sep. 2018, Art & Liberation, The Holy Biscuit, Newcastle Aug. 2018, Newcastle University Printmakers, R.K. Burts Gallery, London Jun., Jul. 2018 Newcastle University Degree Show, Newcastle University and Unit 8 at Copeland Park, London Mar. 2018, Newcastle University Printmakers, Long Gallery, Newcastle University, Newcastle Mar. 2018, Your Space, Jane Doe Gallery, Newcastle University, Newcastle (group) June 2017, Page 1, Marjorie Robinson Library, Newcastle Apr. 2017, Something Black, Cultivate Gallery and Organ Thing, Online Mar. 2017, Fancy a Cuppa?, Vane Gallery, Newcastle Dec. 2016, The Parade, Newcastle University, Newcastle May 2016 Narrative, Newbridge Project, Newcastle May 2016, Testing Grounds, Hoults Yard, Newcastle Statement about AOAP Submitted Artwork "Facing forward" is an abstract shape. It is part of an ongoing series that anthropomorphize elements of car designs, while remaining non-figurative, results of an intuitive process. "Stick together" is a more narrative piece, on the verge of figuration. It deals with questions around companionship and identity. "Keep the band back together" is a painting about losing parts of ourselves and fetishizing them. "Don't get stuck, but go deep" is a drawing that deals with wanting to become something bigger than ourselves. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 19
András Nagy-Sándor Facing Forward, 2022 Pen, Ink and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Andras Nagy-Sandor (1993) is a Hungarian artist and curator based in London, UK. The main focus of Andras' practice is unpicking the aspirations and ambivalences within his masculinity through the symbolism of armours as a link between painterly, emotional and conceptual dichotomies. The aesthetic of Andras' armours are narrative, in some cases pseudo-folkloric, however they do not need to be read as armours as they are the results of an intuitive design process, an embodied sensemaking approach that is based on Andras' imagination and memories. They are gestures, edges, shapes, colours, patterns, paint, materials with a conscience enveloping figurative moments, interactions between body parts, characters, groups, anthropomorphic multiheaded beings that float between cultures and identities, folklore and sci-fi. Andras has recently had his first solo exhibition at Fest; Tisztit Gallery in Budapest, Hungary and is the co-runner of ongoing initiative "project hu", which created a collaborative residency, artist talks and a touring exhibition over the past four years. Education 2019-2022, MFA Fine Art Painting, Slade School of Fine Art, UK 2015-2018, BA (Hons) Fine Art, Newcastle University, UK Select Exhibitions/Awards Solo Exhibitions Feb. 2022, Bizz bennem/Trust me, Fest; Tisztit Gallery, Budapest, HU Sept. 2020, Narrow Boat Exhibition, Narrow Gallery, London Mar. 2018, Studies, Culture Lab, Newcastle Selected Group Exhibitions Apr. 2022 Emergence, The Room, London Feb. 2022, Dream Baby Dream, The Fitzrovia Gallery, London Feb. 2022, I'll Be Your Mirror, Boisdale of Bishopgate, London Jan. 2022, Why Don't You Dance, ASC Gallery, London Jan. 2022, Assemble, VO Curations, London Dec. 2021, Paint Talk presentsWith Love II, online Aug. 2021, Flirting with the Border Guards, Terrace Gallery, London Nov. 2020, Paint Talk presents With Love, online Nov. 2020, ING Discerning Eye Exhibition, online due to COVID-19 Aug. 2020, Material Figures, with Grace Mattingly and Lindsey Jean McLean, VO Curations, London Jan. 2020, Slade Runner, ASC Gallery, London Feb. 2019, hu, Hungarian Traveling Exhibition, White Conduit Projects, London Jan. 2019, hu, Hungarian Traveling Exhibition, Abject Gallery, Newcastle Nov. 2018, hu, Hungarian Traveling Exhibition, GENERATORporjects, Dundee Nov. 2018, Young Contemporary Talent 2018, Ingram Collection, The Cello Factory, London Sep. 2018, Art & Liberation, The Holy Biscuit, Newcastle Aug. 2018, Newcastle University Printmakers, R.K. Burts Gallery, London Jun., Jul. 2018 Newcastle University Degree Show, Newcastle University and Unit 8 at Copeland Park, London Mar. 2018, Newcastle University Printmakers, Long Gallery, Newcastle University, Newcastle Mar. 2018, Your Space, Jane Doe Gallery, Newcastle University, Newcastle (group) June 2017, Page 1, Marjorie Robinson Library, Newcastle Apr. 2017, Something Black, Cultivate Gallery and Organ Thing, Online Mar. 2017, Fancy a Cuppa?, Vane Gallery, Newcastle Dec. 2016, The Parade, Newcastle University, Newcastle May 2016 Narrative, Newbridge Project, Newcastle May 2016, Testing Grounds, Hoults Yard, Newcastle Statement about AOAP Submitted Artwork "Facing forward" is an abstract shape. It is part of an ongoing series that anthropomorphize elements of car designs, while remaining non-figurative, results of an intuitive process. "Stick together" is a more narrative piece, on the verge of figuration. It deals with questions around companionship and identity. "Keep the band back together" is a painting about losing parts of ourselves and fetishizing them. "Don't get stuck, but go deep" is a drawing that deals with wanting to become something bigger than ourselves. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 348
Hunter Potter Sunshine Daydream, 2022 Oil Stick, Spray and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About b. 1990 Syracuse, NY Lives and works in Brooklyn, NY Education 2013 University of Vermont - Burlington, VT BA with Honors, Studio Art Presidential Scholarship recipient Select Exhibitions/Awards 2022 Godspeed - Primary Projects; Miami, FL 2021 Gimme Shelter - Ross+Kramer Gallery; East Hampton, NY I'll Wake Up Older - Richard Heller Gallery; Los Angeles, CA 2020 I Ain't Half The Man I Wanted To Be - Public Gallery; London, UK 2019 Happy To Be Here - Deli Grocery New York; Brooklyn, NY It's a New Life For Me - ChaShaMa Port Authority; New York, NY You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Lot 54
Ben Crawford Tell My Sister, 2022 Oil, Acrylic, Oil Stick, Charcoal on Gesso Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ben Crawford is a figurative painter. He mostly paints about his life, exploring the story telling possibilities of distorted memories and dreams. Surreal elements transform the landscapes he paints into somewhat mystical realms, bursting with colour and charged with mystery. Figures, architecture and landmarks drawn from his life imbue Ben's paintings with a sense of narrative, anchoring his work tentatively to reality. Education Born in Cork, Ireland, Ben studied painting at The Crawford College of Art & Design and graduated with a first class honours degree in fine art in 2007. Select Exhibitions/Awards The Unwritten Places Solo show with Boom Gallery Geelong AUS. February 2022 Darlings Group show with Curatorial and Co, Sydney AUS. December 2021. Natura Morta Group show with Boom Gallery Geelong AUS. December 2021 Art for Charity Collective Online art auction. November 2021 Big Boom Selection of works alongside other Boom artists, Boom Gallery Geelong AUS. October 2021. An Outlaw for My Love Solo show with Curatorial and Co, Sydney AUS. August 2021. Top 100 Group show with The Auction Collective, London UK. June 2021. Bucolia Group show with Blue Shop Cottage, London UK. June 2021. A Space Between, Online art auction with Art For Charity Collective, UK. March 2021. Darlings Group Show with Curatorial and Co, Sydney AUS. December 2020. Eighty Eight Miles Per Hour Solo show with Boom Gallery, Victoria AUS. November 2020 Art For Charity Online Art Auction, Instagram September 2020 Gallery Representation Boom Gallery Australia. Curatorial and co. Australia. Statement about AOAP Submitted Artwork These paintings are little vignettes from my life: 'Tell my sister' is about my mother and aunt, but by extension it's also about my two daughters and that special bond siblings have. 'History repeating itself'. The house in this painting is referencing a lot of the houses I grew up in. My parents enjoyed renovating, and as a kid these old crumbling structures had a warm association with the idea of home. These buildings were homes to many generations before us and will be for a long time to come, so that idea of layers of history in a place really intrigues me. 'Starting line' is based on a photo from my primary school. It's sports day and the kids are lining up to start a race. The 'starting line' refers to this event, but also to this time in our lives when we're so young and impressionable. 'Short cut' is about walking back to a friend's house after school. It always seemed to take ages and there would always be elaborate 'short cuts' through fields and convents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 55
Ben Crawford Short Cut, 2022 Oil, Acrylic, Oil Stick, Charcoal on Gesso Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ben Crawford is a figurative painter. He mostly paints about his life, exploring the story telling possibilities of distorted memories and dreams. Surreal elements transform the landscapes he paints into somewhat mystical realms, bursting with colour and charged with mystery. Figures, architecture and landmarks drawn from his life imbue Ben's paintings with a sense of narrative, anchoring his work tentatively to reality. Education Born in Cork, Ireland, Ben studied painting at The Crawford College of Art & Design and graduated with a first class honours degree in fine art in 2007. Select Exhibitions/Awards The Unwritten Places Solo show with Boom Gallery Geelong AUS. February 2022 Darlings Group show with Curatorial and Co, Sydney AUS. December 2021. Natura Morta Group show with Boom Gallery Geelong AUS. December 2021 Art for Charity Collective Online art auction. November 2021 Big Boom Selection of works alongside other Boom artists, Boom Gallery Geelong AUS. October 2021. An Outlaw for My Love Solo show with Curatorial and Co, Sydney AUS. August 2021. Top 100 Group show with The Auction Collective, London UK. June 2021. Bucolia Group show with Blue Shop Cottage, London UK. June 2021. A Space Between, Online art auction with Art For Charity Collective, UK. March 2021. Darlings Group Show with Curatorial and Co, Sydney AUS. December 2020. Eighty Eight Miles Per Hour Solo show with Boom Gallery, Victoria AUS. November 2020 Art For Charity Online Art Auction, Instagram September 2020 Gallery Representation Boom Gallery Australia. Curatorial and co. Australia. Statement about AOAP Submitted Artwork These paintings are little vignettes from my life: 'Tell my sister' is about my mother and aunt, but by extension it's also about my two daughters and that special bond siblings have. 'History repeating itself'. The house in this painting is referencing a lot of the houses I grew up in. My parents enjoyed renovating, and as a kid these old crumbling structures had a warm association with the idea of home. These buildings were homes to many generations before us and will be for a long time to come, so that idea of layers of history in a place really intrigues me. 'Starting line' is based on a photo from my primary school. It's sports day and the kids are lining up to start a race. The 'starting line' refers to this event, but also to this time in our lives when we're so young and impressionable. 'Short cut' is about walking back to a friend's house after school. It always seemed to take ages and there would always be elaborate 'short cuts' through fields and convents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 56
Ben Crawford Starting Line, 2022 Oil, Acrylic, Oil Stick, Charcoal on Gesso Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ben Crawford is a figurative painter. He mostly paints about his life, exploring the story telling possibilities of distorted memories and dreams. Surreal elements transform the landscapes he paints into somewhat mystical realms, bursting with colour and charged with mystery. Figures, architecture and landmarks drawn from his life imbue Ben's paintings with a sense of narrative, anchoring his work tentatively to reality. Education Born in Cork, Ireland, Ben studied painting at The Crawford College of Art & Design and graduated with a first class honours degree in fine art in 2007. Select Exhibitions/Awards The Unwritten Places Solo show with Boom Gallery Geelong AUS. February 2022 Darlings Group show with Curatorial and Co, Sydney AUS. December 2021. Natura Morta Group show with Boom Gallery Geelong AUS. December 2021 Art for Charity Collective Online art auction. November 2021 Big Boom Selection of works alongside other Boom artists, Boom Gallery Geelong AUS. October 2021. An Outlaw for My Love Solo show with Curatorial and Co, Sydney AUS. August 2021. Top 100 Group show with The Auction Collective, London UK. June 2021. Bucolia Group show with Blue Shop Cottage, London UK. June 2021. A Space Between, Online art auction with Art For Charity Collective, UK. March 2021. Darlings Group Show with Curatorial and Co, Sydney AUS. December 2020. Eighty Eight Miles Per Hour Solo show with Boom Gallery, Victoria AUS. November 2020 Art For Charity Online Art Auction, Instagram September 2020 Gallery Representation Boom Gallery Australia. Curatorial and co. Australia. Statement about AOAP Submitted Artwork These paintings are little vignettes from my life: 'Tell my sister' is about my mother and aunt, but by extension it's also about my two daughters and that special bond siblings have. 'History repeating itself'. The house in this painting is referencing a lot of the houses I grew up in. My parents enjoyed renovating, and as a kid these old crumbling structures had a warm association with the idea of home. These buildings were homes to many generations before us and will be for a long time to come, so that idea of layers of history in a place really intrigues me. 'Starting line' is based on a photo from my primary school. It's sports day and the kids are lining up to start a race. The 'starting line' refers to this event, but also to this time in our lives when we're so young and impressionable. 'Short cut' is about walking back to a friend's house after school. It always seemed to take ages and there would always be elaborate 'short cuts' through fields and convents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 57
Ben Crawford History Repeating Itself, 2022 Oil, Acrylic, Oil Stick, Charcoal on Gesso Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ben Crawford is a figurative painter. He mostly paints about his life, exploring the story telling possibilities of distorted memories and dreams. Surreal elements transform the landscapes he paints into somewhat mystical realms, bursting with colour and charged with mystery. Figures, architecture and landmarks drawn from his life imbue Ben's paintings with a sense of narrative, anchoring his work tentatively to reality. Education Born in Cork, Ireland, Ben studied painting at The Crawford College of Art & Design and graduated with a first class honours degree in fine art in 2007. Select Exhibitions/Awards The Unwritten Places Solo show with Boom Gallery Geelong AUS. February 2022 Darlings Group show with Curatorial and Co, Sydney AUS. December 2021. Natura Morta Group show with Boom Gallery Geelong AUS. December 2021 Art for Charity Collective Online art auction. November 2021 Big Boom Selection of works alongside other Boom artists, Boom Gallery Geelong AUS. October 2021. An Outlaw for My Love Solo show with Curatorial and Co, Sydney AUS. August 2021. Top 100 Group show with The Auction Collective, London UK. June 2021. Bucolia Group show with Blue Shop Cottage, London UK. June 2021. A Space Between, Online art auction with Art For Charity Collective, UK. March 2021. Darlings Group Show with Curatorial and Co, Sydney AUS. December 2020. Eighty Eight Miles Per Hour Solo show with Boom Gallery, Victoria AUS. November 2020 Art For Charity Online Art Auction, Instagram September 2020 Gallery Representation Boom Gallery Australia. Curatorial and co. Australia. Statement about AOAP Submitted Artwork These paintings are little vignettes from my life: 'Tell my sister' is about my mother and aunt, but by extension it's also about my two daughters and that special bond siblings have. 'History repeating itself'. The house in this painting is referencing a lot of the houses I grew up in. My parents enjoyed renovating, and as a kid these old crumbling structures had a warm association with the idea of home. These buildings were homes to many generations before us and will be for a long time to come, so that idea of layers of history in a place really intrigues me. 'Starting line' is based on a photo from my primary school. It's sports day and the kids are lining up to start a race. The 'starting line' refers to this event, but also to this time in our lives when we're so young and impressionable. 'Short cut' is about walking back to a friend's house after school. It always seemed to take ages and there would always be elaborate 'short cuts' through fields and convents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 1333
A collection of silver and silver plate, to include a silver toast rack by William Neale & Son Ltd, Birmingham, 1937; silver shell butter dish by Lee & Wigfull, Sheffield, 1899; Continental silver urn dish; silver lid with penquin finial (a/f); Continental silver spoon with scallop shell bowl, 800; pair of silver sugar tongs; swizzle stick; miniature spoon, together with a Continental silver mounted magnifying glass, brush and silver plated dishes etc, weighable silver 14.6 tr.oz. (quantity) * Varying conditions, mostly good.
Lot 2293
A Japanese Imari cylindrical stick stand, probably late 19th century, typically decorated in traditional pallet, depicting pheasants amidst flowering prunus between broad floral decorated blue ground borders, 24 5/8in. (62.5cm.) high. * No chips or cracks found, some rubbing to foot area, overall good.
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