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Lot 127
An ash and elm Windsor armchair. 19th century, with stick back and figured seat on turned legs, height 112cm, width 61.5cm, depth 50cm.The height of the seat is 45cm.The chair is firm and stable although one leg appears a little uneven (it rocks very slightly on a level floor). Otherwise just a few knocks and marks.
Lot 128
An ash, beech and elm Windsor armchair. 19th century, with stick back and figured broad arms, on turned legs, height 113cm, width 66cm, depth 46cm.The chair is firm and stable. There appears to have been a little strengthening of some of the joints on the underside. One spindle has a little historic worm and there is a repair at the back top of another spindle. The height of the seat is 47cm.
Lot 174
A West country green painted stick back Windsor armchair. 20th century, with solid seat on turned legs, height 99cm, width 63cm, depth 53cm.On the right side there has been a repair where the hoop joins the arm. Also some fading in the paint on the arms. please see additional photos for the repair.
Lot 19
A set of six ash, beech and elm Utility chairs. With hooped stick backs and turned legs (6).The height to the seat is 44cm, total height is 88.5cm, width 41cm, total depth 45cm.One chair has a slight wobble. One chair has small movement to the back. One chair has a small crack, images of this now on our website.
Lot 80
A Cornish fruitwood and ash Windsor armchair. 19th century, with plain hoop and stick back, on turned front legs, height 114cm, width 57cm, depth 52cm.The seat height is 46cm.The chair is reasonably firm and stable. There is a little historic worm, especially on the underside of the seat. There are a few minor splits on the hoop and evidence of a repair at the base of one of the spindles and a little strengthening on the join of one of the stretchers. Please see additional images.
Lot 184
A Chubb and Sons jewellery box containing two chains, tested as 18ct gold, and a wedding band tested as 18ct gold, gross weight 12.4g, a moonstone ring tested as 9ct gold, a split pearl brooch hallmarked 9ct gold and a 9ct gold bracelet gross weight 8g, together with multiple stick pins and other items
Lot 879
A late 19th to early 20th Century French violin labelled Chipot-Vuillaume, Gendre J-B Vuillaume, A Paris, with spruce soundboard and two-piece maple back, length of back 36cm (excluding button), overall length 59cm, complete with bow, with octagonal stick, ebonised frog with mother of pearl and abalone shell inlay and nickel plated mounts, stamped Tourte, length of bow 75cm, all contained in a plush lined hard case with zipped outer cover. NB - 2018 Ivory Act application submission reference 52WFK24W Subject to CITES regulations and due to the ivory content of the bow, this lot will require a re-export permit if shipped outside the mainland UK.
Lot 334
A collection of gold jewellery to include an unmarked yellow metal band possibly 22ct, weight approx 2.4gms an 18ct gold engraved ring, weight approx 4.2gms, two 9ct gold rings both a/f along with two 9ct gold chains, 9ct gold sapphire and diamond pendant and unmarked yellow metal stick pin, combined total gross weight approx 10.4gms Further details: wear and tear commensurate with age
Lot 279
A collection of Jewellery to include 9ct gold bar brooches one set sapphire and pearl the other pearl and ruby a/f both with replacement base pins, a 9ct gold blood stone mounted signet, size K, weighable 9ct gold ring and brooch, fox stick pin, various brooches (1 bag)Further details: replacement pins, marks and scratches, wear and tear commensurate with age
Lot 684
An Ashford Marble baluster candle stick, turned with central girdle and knopped socle, dished circular base and inlaid in white and green with flowering stems, silver plated sconce and drip pan, 27cm high; an Ashford Marble rounded rectangular ink stand, the ogee moulded base inlaid with Lily of the valley and Forget Me Nots, stepped rectangular clear glass inkwell with faceted hinged cover, bun feet, 25cm wide, 15.5cm deep; an Ashford Marble rectangular easel photograph frame or mirror frame, inlaid with flowering stems, otherwise quite plain, 20.5cm high, 16cm wide
Lot 488
A George III mahogany and checquer strung stick barometer, the broken triangular pediment with an urn finial above a 3.75" brass dial signed 'P.Garof & Co, No 8 Hanover Street, Edinburgh', with a thermometer, some damage and restoration, 98cm highSome damage, including chips, including bottom right of door - lacking section on the face and an old patinated chip on the side.Some restoration, including reservoir cover, as hairline crack visible along the top.
Lot 74
A small collection of jewellery, comprising; a pair of 9ct gold cufflinks, a yellow metal chain with swivel fob stamped '9ct', a split seed pearl set Lyre bar brooch stamped '9ct' and a further bar brooch stamped '9ct', total weight approx 19.5g, a 9ct gold single stone diamond ring with diamond set shoulders, weight approx 2g, a yellow metal diamond set stick pin, a 19th century garnet and seed pearl mourning brooch, an enamel and seed pearl heart shaped locket, a plated scroll brooch and a marcasite brooch
Lot 241
Collection of Victorian and later walking canesand riding crops, comprising of: a Sinhalese example, with lacquered decoration, 98cm overall, a Victorian silver topped ebonised cane, 91cm overall, a 19th Century walking stick with a bone pommel carved as a clenched fist and snake, 81cm overall etc (6)At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.
Lot 184
§ THE CONNOR BROTHERS (BRITISH 1968-) I TRIED TO DROWN MY SORROWS - 2021 Hand-coloured pigment print with acrylic and oil stick, SP 1/5, signed, dated and numbered in pencil to margin, signed to an artist's label versoDimensions:the sheet 100cm x 68 cm (39.5in x 26.75in)Provenance:Provenance: To be offered to support The House of St Barnabas (Registered Charity 207242)Based in a Grade 1 listed townhouse in Soho, The House of St Barnabas has helped Londoners affected by homelessness since 1862. In 2013 the building became a members’ club with a difference; combining a not-for-profit creative and cultural space at No. 1 Greek Street with an Employment Academy for people affected by homelessness. Participants learn their craft in front of house, in the kitchen, the bar, or in the charity’s offices: since opening, 254 participants have graduated from the 12-week programme, many of which have secured lasting employment after graduation.The House of St Barnabas’ cultural events, music, and the generosity of members are key to the success of the charity, but the building also showcases work by both established and emerging contemporary artists. The permanent collection of visual art includes the works of Banksy and Tracey Emin alongside a programme of temporary exhibitions supporting emerging artists.The House have kindly been donated 11 works for sale, ranging from sculpture to paintings to support the charity's work. Most of the pieces have been donated by the artists themselves or by the galleries who represent them. Below we take a closer look at the works featuring in our January 2023 sale.2023 is the year of the house’s 10th anniversary. With your support and dedication, the charity hopes to continue to break the cycle of homelessness.Note: Note: It is the paradox of art that artifice is often the best way to depict reality, fiction the best way to challenge conventional ideas of what we think of as ‘the truth’. Most people are happy to think that this is the way it is. But it really isn’t. Who knows the truth of anything? - Mike SnelleThis obsession with truth and fiction is the golden thread that runs throughout the life and work of The Connor Brothers and is particularly relevant in the current climate of fake news, post-truth and social media. The brothers create retro style figurative images which encourage us to challenge our assumptions and preconceptions, and as a result to perhaps see the world a little differently. Their interest in undermining our assumptions and casual acceptance of cultural norms is reflected in their extraordinary background.They themselves started out as a fiction as in reality they are British artists Mike Snelle and James Golding. The fictional identity of Mike and James was designed to cloak their personal reality, and such was its success that it captured the imagination of the art world. The Connor Brothers were presented as innocent twins who had emerged traumatised from a Californian cult and were struggling to make sense of the world through their art – an interesting background no doubt, but the truth is more interesting still. After coping with some challenging personal issues for many years the two became great friends and started experimenting with making art as a way of looking at the world through a more positive lens. Their intelligence, humour and creativity gave their work enormous appeal, but when it was suggested to them that they might choose to exhibit it one day, both resisted the idea, unwilling to expose their artworks and themselves to the public gaze.
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