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Lot 89
Tunbridge ware – four pieces, comprising a circular rosewood box, the lid in mixed geometric mosaic and stick ware, 6cms, a cylinder box with stick ware lid and containing a stick ware counter, 3cms, a turned rosewood box with domed stick ware cover, 4cms, and a rosewood go to bed the octagonal body in geometric mosaic below a similar top, 6.5cms. (4) From the Hamlin Collection of Tunbridge ware
Lot 98
Sale Item: TAILORS MEASURING STICK Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 181
EUSEBIUS AUS DEM 'RUSSISCHEN BALLETT'. EUSEBIUS AUS DEM 'RUSSISCHEN BALLETT'. Meissen. Meister/Entwerfer: Modelle P. Scheurich. Technik: Porzellan, farbig staffiert. Beschreibung: Eusebius aus dem Ballett 'Karneval' auf ovalem Sockel mit rechteckiger Stütze, um die ein Tuch drapiert ist. Der Tänzer macht einen tiefen Ausfallschritt, fasst sich mit seiner Linken an die Brust und hebt die rechte Hand hinter sich zum Schwur. Er trägt einen blauen Gehrock mit Rose am Revers, eine himmelblaue Fliege und eine karierte Hose. Auf dem stark geschminkten Gesicht liegt ein theatralischer Ausdruck. Zu seinen Füßen ein Zylinder, eine Maske, ein Spazierstock und ein Hut. Maße: Höhe 21,5cm. Marke: Schwertermarke, D284, Bossierernr. 121, Malernr. 27. Literatur: - Jedding, Hermann. Meißener Porzellan des 19. und 20. Jahrhunderts 1800-1933, München 1981, vgl. S.128-129. - Just, Johannes: Meissener Jugendstil Porzellan, Gütersloh 1983, vgl. Abb. 77. - Bröhan, Karl H. (Hrsg.): Porzellan. Kunst und Design 1889 bis 1939. Vom Jugendstil zum Funktionalismus, Berlin 1996, vgl. S.125ff.; zu Paul Scheurich siehe S.123ff. - Hakenjos, Bernd / Grolman, Dorothea: Um 1900. Porzellan aus Berlin, Meissen und Nymphenburg, Düsseldorf 1999, Modelle vgl. Kat. Nr.122-127. Paul Scheurich, 1883 als Sohn eines berliner Photographen in New York geboren, gehörte zu den bedeutendsten Porzellanplastikern des Jugendstils. Ursprünglich als Graphiker und Illustrator tätig, wurde sein Talent für den Werkstoff von Max Adolf Pfeiffer entdeckt und gefördert. Zwischen 1913 und 1938 entwarf Scheurich über 100 Modelle für die Meissner Porzellanmanufaktur und trug maßgeblich zu ihren Erfolgen bei. So stammten bei der Pariser Weltausstellung 1937, bei der die Manufaktur mit dem 'Grand Prix' ausgezeichnet wurde, sechs von sieben preisgekrönten Entwürfen von ihm. Auch mit dem 'Russischen Ballett', dem ersten von Meissen produzierten Entwurf Scheurichs, feierte er einen grandiosen Triumph. Erstmals im Jahr 1914 auf der deutschen Werkbundausstellung in Köln präsentiert, wurden die Modelle nach dem 1. Weltkrieg zum Verkaufsschlager. Die grazilen Tänzer, mit kokettem, theatralischen Mienenspiel, illustrieren auf gekonnte Weise das 'Russische Ballett' der kaiserlichen Theater in Moskau und Sankt Petersburg, das in den Jahren vor dem 1. Weltkrieg in den Metropolen Europas für Furore sorgte. Die von dem berühmten Impresario Sergej Djagilews gegründete Ballettkompanie, gastierte in London, Paris und auch Berlin, wo der junge Scheurich bei einer Aufführung des Stückes 'Karneval' im Publikum saß. Bereits 1912 erschien eine Folge von sechs Radierungen mit dem Titel 'Pierrot' im Verlag der angesehenen Berliner Kunsthandlung Gurlitt, in der Scheurich sich auf die Inszenierung bezieht. Die Ballettpantomime zu einer Orchesterfassung von Robert Schumanns Klavierzyklus ' Le Carnaval' erfreute sich beim Publikum großer Beliebtheit und wurde in Berlin insgesamt 14 mal aufgeführt. Die Hauptrollen waren dabei mit Startänzern wie Tamara Karsawina und Waslaw Nijinski besetzt, die Scheurich auch in seinen Figuren porträtiert haben soll. Erläuterungen zum Katalog Meissen Deutschland Jugendstil / Art Déco 20. Jahrhundert Tänzer Scheurich, Paul EUSEBIUS AUS DEM 'RUSSISCHEN BALLETT'. PORCELAIN FIGURINE OF EUSEBIUS FROM THE 'RUSSIAN BALLET'. Meissen. Maker/Designer: Model P. Scheurich. Technique: Porcelain, enriched in colours. Description: Eusebius from the ballet 'Carnival' on an oval base with rectangular support covered partially by a draped cloth. The dancer makes a deep lunge, grabs his chest with his left and raises his right hand behind him, swearing an oath. He wears a blue frock coat with a rose on the revers, a sky-blue bow tie and checked trousers. On his face with heavy make up lies a theatrical expression. At his feet a tophat, a mask and a walking stick. Measurement: Height 21,5cm. Mark: Swordsmark, D284, porcelain former no. 121, painter no. 27. Literature: -Jedding, Hermann. Meißener Porzellan des 19. und 20. Jahrhunderts 1800-1933, Munich 1981, comp. p.128-129. -Just, Johannes: Meissener Jugendstil Porzellan, Gütersloh 1983, comp. fig. 77. -Bröhan, Karl H. (ed.): Porzellan. Kunst und Design 1889 bis 1939. Vom Jugendstil zum Funktionalismus, Berlin 1996, comp. p.125ff.; regarding Paul Scheurich see p.123ff. -Hakenjos, Bernd / Grolman, Dorothea: Um 1900. Porzellan aus Berlin, Meissen und Nymphenburg, Düsseldorf 1999, Models comp. cat. no.122-127. Paul Scheurich, born in New York in 1883 as the son of a photographer from Berlin, was one of the most important porcelain sculptors of the art nouveau. Originally working as a graphic artist and illustrator, his talent for the material was discovered and encouraged by Max Adolf Pfeiffer. Between 1913 and 1938 Scheurich designed more than 100 models for the Meissen Porcelain Manufactory and contributed significantly to its success. At the 1937 World Exhibition in Paris, where the manufactory was awarded the 'Grand Prix', six of the seven prize-winning objects were designed by him. The 'Russian Ballet', Scheurich's first design produced by Meissen, also was his first great success. First presented in 1914 at the German Werkbund Exhibition in Cologne, the models became a bestseller after World War 1. The graceful dancers, with their coquettish, theatrical facial expressions, skilfully illustrate the 'Russian Ballet' of the imperial theatres in Moscow and St. Petersburg. In the years before the first World War the corps de ballet, founded by the famous impresario Sergei Djagilev, caused sensation all over Europe. The dancers gave guest performances in London, Paris and also Berlin, where the young Scheurich sat in the audience during a performance of the play 'Carnival'. As early as 1912 a series of six etchings entitled 'Pierrot' was published by the renowned Berlin art dealer Gurlitt, in which Scheurich takes reference to the production. The ballet pantomime to an orchestral version of Robert Schumann's piano cycle ' Le Carnaval' enjoyed great popularity with the audience and was performed a total of 14 times in Berlin. The leading roles were played by star dancers such as Tamara Karsawina and Waslaw Nijinski, whom Scheurich is said to have portrayed in his figurines. Explanations to the Catalogue Meissen Germany Art Nouveau 20th century dancer Scheurich, Paul
Lot 50
Three diamond set stick pins,to include a diamond and seed pearl naval crown and anchor, with a rose cut diamond set anchor, overlaid with a crown, both grain set with graduated rose cut diamonds and seed pearls, 2.45ga ruby and diamond pennant stick pin with a row of calibré cut rubies, milligrain set above a row of rose cut diamonds, 1.61g,together with a two stone synthetic ruby and old European cut diamond stick pin, 1.16g (3)Condition report: 1 and 2 tested as approximately 18ct gold.3 tested as approximately 18ct gold and pin 9ct gold.Possible repair to pennant example as the pin joins the head.3 open bubbles visible under 10x magnification to the synthetic ruby.Tarnished.
Lot 51
A cased diamond set fleur-de-lys stick pin, early 20th century,with a pear cut diamond, claw set to the top, a pair of old Swiss cut diamonds, claw set below with a rose cut diamond grain set below, 2.58g, case by 'George H Clapham, 141 High Street, Brixton Road, S.W.', together with a single stone bouton pearl stick pin, 2.11g, a turquoise and pearl stick pin, 0.81g, anda single stone diamond stick pin, 0.98g,pearls untested (4)Condition report: Fleur-de-lis with slight bend to the pin.Tarnished.Bouton pearl loose on the peg.Diamond single stone pin with different carat pin and collet.Damage to the nacre of the pearl and turquoise pin.Fleur de lys pin tests as 18ct gold. Pear cut diamonds - 5.12 x 2.49mm approximately.The pin obscures - unable to get a depth.Perhaps 0.12ct - 0.15ct range.The pear cut diamond is an old cut and original to the pin. Elongated pear - assessed as approximately colour I/J, clarity SI1-SI2 range. Mount limitations apply.Please view additional images.
Lot 52
A Georgian glazed memorial plaque mounted as a stick pin,a navette-shaped plaque, painted en grisaille, with a lady holding a goblet, 1.55g,together with a posy form garnet and split pearl brooch or lace pin, a repoussé hand holding a posy of two split pearl and rose cut garnet blooms, with a 'C' catch and long pin, 1.89g.Both tested as approximately 9ct gold (2)Condition report: Scratches to the glazing. Lifting of paint in one area visible under 10x magnification.A safety pin holding the pin to the front of the garnet pin. Repair to the reverse.Soft solder repair at the wrist.
Lot 53
A diamond set daisy cluster stick pin, c.1915,with graduated old European and old Swiss cut diamonds, milligrain set to a white setting with yellow scalloped gallery and pin, 1.45g,accompanied by two Victorian gemstone and diamond crescent stick pins, one with a swivel head, 2.14g and 1.58g, anda carved coral bead stick pin,2.96g (4)Condition report: Daisy cluster tested as approximately PLATINUM 18ct and 9ct gold.The other two as 14-15ct gold.
Lot 54
A collection of 19th century stick pins and a bar brooch,to include a demantoid garnet, ruby and diamond set leaping frog stick pin, in a later case by S J Phillips, a gold snipe stick pin of naturalistic form with a rose cut diamond set eye and textured feathers, marked 15ct in a case by 'S.J. Phillips', together with amethyst, diamond, coral and woven hair examples (qty.)
Lot 56
A single stone pearl stick pin,with a drop-shaped pearl, peg set to a plain pin. Tested as approximately 9ct gold. Pearl untested. 8.90 x 7.05mm, 1.34gCondition report: Light cream body colourGood lusterGreen and pink overtonesOne ripple and a couple of pinpoint indentations all to the one area.
Lot 57
A gold donkey or ass novelty stick pin, late 19th century or early 20th century,with a naturalistic donkey's head with textured fur to a plain gold pin. Tested as approximately 9ct gold. Head 29 x 12mm, 8.29gCondition report: Light surface marks throughout.Tarnish to the reverse.Slight kinks to the pin.
Lot 59
Three Art Deco diamond set stick pins, to include a French platinum pentagonal example, with a tapered hexagonal black glass tablet, with a trapezoid cut diamond, milligrain set above and Swiss cut diamond grain set below, maker's mark possibly that of George Thibault, 2.51g,a ruby and diamond set hoop example with pairs of calibré cut rubies, channel set between grain set eight cut diamonds, to a milligrain edge, 1.54g,together with a sapphire and diamond eliptical example with a seed pearl, peg set to the centre, 1.17g (3)Condition report: No. 1 tested as platinum and 2 as 18ct gold and platinum.No. 3 tested as 9ct pin, 15ct head.No obvious faults or issues.
Lot 249
A turned mahogany hall stand with integrated oak four division circular stick standPlease note that all lots are second hand and may include faults, damage, chips etc. Due to the nature of this auction it is impossible to record individual condition reports and buyers must remember this when bidding.
Lot 394
A quantity of copper and brassware including fire curb, stick stand, warming pan, hot water canister, fire irons, trivet, kettle on stand etcPlease note that all lots are second hand and may include faults, damage, chips etc. Due to the nature of this auction it is impossible to record individual condition reports and buyers must remember this when bidding.
Lot 357
A fine 19th century gold ruby emerald and diamond Blackamoor stick pin. The pin depicting the head of a regal woman. The figure wearing crown set with ruby cabochons and rose cut diamonds together with diamond set earrings and ruby and emerald and diamond set choker on a gold mount with screw fitting pin. Measures approx 4 1/2 inches. Weight 9.6g.
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