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Click here to subscribeLate 18th century F. Watkins oak cased stick barometer, having a shaped top with two ball finials over an arched cornice supported on brass-mounted column over a long trunk with visible tube beneath moulded floral rosettes, silvered dial in two divisions engraved with seven weather conditions to either side and a manual 28 to 31" scale, approx 96 x 16 cms. Provenance: Glympton Park, Oxfordshire and thus by descent to the present owner.
Jean-Léon Gérôme (French, 1824-1904)The Nile in flood, Thebes signed 'J.L.GEROME.' (lower left)oil on canvas78.1 x 116.9cm (30 3/4 x 46in).Footnotes:ProvenanceWith Vose Galleries. Private collection, Canada. ExhibitedParis, Salon, 1901 (according to Ackerman).Vose Galleries, Boston Sale, New York 7-8 March 1929, no. 168. LiteratureOeuvres de J.-L. Gérôme (Bibliothèque nationale, Paris), XXIII, 14 b. Gerald M. Ackerman, The Life and Works of Jean-Léon Gérôme, London, 1986, no. 468, p. 285 (illustrated, dated 1901 and catalogued as lost).Gerald M. Ackerman, Jean-Léon Gérôme, Monographie révisée, catalogue raisonné mis à jour, Paris, 2000, no. 468, p. 354 (illustrated, dated ca. 1900-1904 and catalogued as La Plaine de Thèbes pendant l'inondation du Nil, and catalogued as lost).Gérôme's interest in recording ancient Egyptian monuments was sporadic, and these subjects are rare within his oeuvre. His fascination with the Colossi of Memnon, however, was more enduring. The focus of at least six compositions in various media, these storied statues of the 18th-dynasty pharaoh Amenhotep III (1386-1353 BCE) form a distinctive subgroup of Gérôme's Orientalist works produced between 1856 and 1904. These images yield important information about archaeology, conservation, and tourism, Egypt's pharaonic and classical past, its natural history and changes in its agricultural practices, and Gérôme's understanding and experiences of them all. In the present work, exhibited at the Paris Salon in 1901 and likely based on on-the-spot sketches made during Gérôme's first trip to Egypt in 1856-7 (including a sketch dedicated to Gérôme's mentor, Paul Delaroche; fig. 1), the artist depicts the Colossi at sunrise, at the beginning or, perhaps more likely, at the end of the annual Nile flood. The view is to the approximate north; today, this would position the artist on the modern road on Luxor's West Bank, which connects the Nile ferry docks to some of Egypt's most-trafficked tourist sites. This particular stretch of road lies atop an old berm built around the hawd or irrigated field around the Colossi, which helped to contain the rising waters of the flood. The artistic liberties that Gérôme has taken with the siting of the statues is readily apparent; nevertheless, the basic conception of the Theban hills in the background, with the statues at the entrance to the ancient mortuary temple of Amenhotep III on the floodplain nearer the Nile, is accurate. (In addition to his sketches, Gérôme may also have used contemporary photographs as an aide-mémoire, notably those taken by his friend and traveling companion during that first Egyptian journey, Auguste Bartholdi; fig. 2.) Contemporary viewers would have known Gérôme's subject by the time of the painting's exhibition in 1901, both from his earlier visual examples, including widely circulated prints made by Gérôme's dealer and father-in-law, Adolphe Goupil, and related literary texts. Describing a photogravure made after one of Gérôme's Colossi scenes, one 19th-century author penned, 'Now, the ruined statues of King Memnon, fabled of old to sing at sunrise, form the conspicuous heroes of this wide desert scene, where all seems colossal, strange, adapted to another scale that that of humanity ... Other lands tempt by their beauty, by their capacity of improvement; Egypt fascinates by its stability of ruin, and by its story of a splendid past, written in granite. Of all the artists whom genius has given a mission to penetrate into this place of awe, and bring back the record of its desolation, none equals Gérôme in the tangible distinctness of the impression he leaves; he seems to carve his national types in adamant, and fetch them up to the eye as a series of images that can be weighted, felt, and estimated.' Théophile Gautier's laudatory words about Gérôme's Colossi subjects had first been published in 1856, to the great interest of French visitors to the Salon. They were transcribed into English by the artist's American biographer, Fanny Field Hering, in 1892, making them as well-known in that country as abroad: With a sigh and a shudder, we move on beside the great critic [Gautier] and pause before the Memnon and Sesostris. / 'Two mountains sculptured in the form of man which neither time, nor tremblings of the earth, nor conquerors much more terrible, have been able to move from their base. They are there, their colossal hands crushing their knees, shapeless, monstrous, flat-nosed, returning slowly to rock, standing out against the arid background of the Lybian [sic] range which lies barren beneath a scorching sun - rosy in the light, blue in the shadow. Memnon has lost his voice, and, since the Roman Emperor essayed its restoration, no longer salutes Aurora. The inscriptions on the pedestal seem to-day untrue, but the phenomenon of his melodious vibration is established by history in the most incontrovertible manner. At the foot of these gigantic statues, a group of men and camels may serve as a scale of comparison; they scarcely attain the height of the base-plate. To relieve this landscape of limestone and granite, M. Gérôme has placed in the foreground several clumps of green herbs, which the summer will soon change into tawny tufts, resembling a lion's mane ... / The Plain of Thebes is the reverse side of the picture we have just described. The foreground consists of fragments of enormous columns, in scattered blocks, on one of which is carved the image of a god; it is the debris of a ruined palace, probably that of Amenophis; beyond the ruins stretches a plain subject to inundations, crossed by a road along which a caravan of dromedaries is passing ...The two colossi, with great difficulty diminished by the distance, reappear, seen from the back, their royal tresses gathered and knotted behind their heads like a queue à la prussienne. Farther on, the eye discovers blackish lands, besprinkled with trees and palms, and to the right hillocks, or rather mounds formed of ruins, fragments of which stick up through the ground. In the background a chain of distant mountains, rosy and purple; over them a sky mixed with heat, which seems to lie far above and behind the shimmering, luminous atmosphere, and on which a flock of wandering storks make microscopic points,' (quoted in Fanny Field Hering, Gérôme: The Life and Works of Jean Léon Gérôme, New York, 1892, pp. 66-7; Gautier's original French text appeared in L'Artiste, 28 December 1856, p. 23). The 'shimmering, luminous' atmosphere that Gautier describes in the Plain of Thebes is repeated in the present work.
Biedermeier-Parure im Originaletui. Armreif Silber geprüft, vergoldet. Schaumgoldbrosche und -ohrhänger. Armreif Ø 6 cm. Brosche 5 x 3,3 cm. Ohrhänger 4 x 1,7 cm. 21,4/9,8/4,1 g. Reliefierter Armreif, Brosche und Ohrhängerpaar mit Montierungen, Abhängungen und kleinen roten Cabochons (3 durch rotes Email ersetzt). Kastenschloss mit Sicherheitskette, Hakenverschluss, Federbügel. In schwarzem Etui. Armreifschloss repariert, partielle Anlaufstellen.| Nachtrag 24.10.23: Sensenstab fehltAufrufzeit 25. | Okt 2023 | voraussichtlich 13:00 Uhr (CET)Biedermeier parure in original case. Bangle silver tested, gold plated. Foam gold brooch and earrings. Bangle Ø 6 cm. Brooch 5 x 3.3 cm. Earrings 4 x 1,7 cm. 21,4/9,8/4,1 g. Relief bangle, brooch and pair of earrings with mounts, suspensions and small red cabochons (3 replaced by red enamel). Box lock with safety chain, hook clasp, spring bail. In black case. Bracelet lock repaired, partial tarnishing.| Addendum 24.10.23: Scythe stick missingCall time 25 | Oct 2023 | expected 13:00 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MOLITOR, Mathieu(1873 Pickließem - 1929 Leipzig) Friedrich der Große, König von PreußenBronze patiniert, Tauerngrün-Plinthe. Bezeichnet, Gießermarke Lauchhammer Bildguss mit Nr. "26" (Marke ab 1925). H 28 / 30 cm. Vollplastische Standfigur von Friedrich II., auch der "Alte Fritz" genannt. Der König in Uniform mit dem Adlerorden stützt sich leicht vorgebeugt auf seinen Stock. Plinthe gering bestoßen. Studium an der Kunstschule Weimar bei Thedy. Literatur : Thieme/Becker. Aufrufzeit 26. | Okt 2023 | voraussichtlich 12:46 Uhr (CET) MOLITOR, Mathieu(1873 Pickließem - 1929 Leipzig) Friedrich the Great, King of PrussiaBronze patinated, Tauern green plinth. Inscribed, foundry mark Lauchhammer Bildguss with no. "26" (mark from 1925). H 28 / 30 cm. Full-size standing figure of Frederick II, also called the "Old Fritz". The king in uniform with the Order of the Eagle leans slightly forward on his stick. Plinthe slightly bumped. Studied at the Weimar School of Art with Thedy. Literature : Thieme/Becker. Call time 26 | Oct 2023 | probably 12:46 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Noch einen?"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". Im Druck datiert: 20.2.62. Blatt: 54 x 43,7 cm. Nach einem Holzschnitt der 1920er Jahre, einer Federzeichnung für das Titelblatt eines geplanten, aber nicht gedruckten Eulenspiegel-Buches sowie einer Kreidelithografie für die Neufassung der Illustrationen desselben Projektes, das Motiv befindet sich ebenso als Ölbild in Privatbesitz. Blatt beschnitten, oberer Rand etwas lichtgebräunt, Ecke unten rechts etwas bestoßen. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Dorsch WVZ 1818. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:45 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Another one?"Lithograph on laid paper. Signed in print, purple stamp on verso "Estate A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan Press". Dated in print: 20.2.62. Sheet: 54 x 43.7 cm. After a woodcut of the 1920s, a pen and ink drawing for the title page of a planned but not printed Eulenspiegel book and a chalk lithograph for the new version of the illustrations of the same project, the motif is also as an oil painting in private ownership. Sheet trimmed, upper margin somewhat light browned, corner lower right somewhat bumped. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Dorsch WVZ 1818. Call time 26th | Oct 2023 | probably 17:45 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der Sammler"Lithografie auf Bütten. Bleistiftsignatur. [1950]. Blatt: 63,4 x 48,7 cm. Das Motiv wurde als Signet der Griffelkunst-Vereinigung Hamburg für Postkarten, Briefpapier, Stempel und Wasserzeichen verwendet. Randbereich leicht griffspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 2087. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:46 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "The Collector"Lithograph on laid paper. Pencil signature. [1950]. Sheet: 63.4 x 48.7 cm. The motif was used as a signet of the Griffelkunst-Vereinigung Hamburg for postcards, stationery, stamps and watermarks. Margin slightly grip-marked. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 2087. Call time 26 | Oct 2023 | probably 17:46 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der Schachspieler (II)"Lithografie auf Bütten. Bleistiftsignatur, roter Stempel "Clan-Presse". Blatt: 64,5 x 50 cm. Minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 2114. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:46 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "The Chess Player (II)"Lithograph on laid paper. Pencil signature, red stamp "Clan Press". Sheet: 64.5 x 50 cm. Minimally creased. German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 2114. Call time 26 | Oct 2023 | probably 17:46 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Das Spiel beginnt"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [1977]. Druckplatte: 19 x 16 cm. Gerahmt & hinter Glas : 45,5 x 35,5 cm. auch "Trau, schau wem". Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : vgl. Dorsch WVZ 2268. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:47 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "The game begins"Lithograph. Pencil signature, red stamp "Clan Press". [1977]. Print plate: 19 x 16 cm. Framed & behind glass : 45.5 x 35.5 cm. also "Trau, schau wem". German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : cf. Dorsch WVZ 2268. Call time 26 | Oct 2023 | probably 17:47 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "... und segne, was du uns bescheret hast"Aquarellierte Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [1970]. Druckplatte: 24 x 21 cm. Gerahmt & hinter Glas : 45,5 x 35,5 cm. vgl. Dorsch WVZ 2481. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:48 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "... und segne, was du uns bescheret hast"Aquarelle lithograph. Pencil signature, red stamp "Clan Press." [1970]. Print plate: 24 x 21 cm. Framed & behind glass : 45.5 x 35.5 cm. cf. Dorsch WVZ 2481. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Call time 26 | Oct 2023 | expected 17:48 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Schabernack (I)"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [1974?]. Blatt: 52,7 x 64 cm. Minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 2099. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:48 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Schabernack (I)"Lithograph on laid paper. Signed in print, purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber" on verso, red stamp "Clan-Presse". [1974?]Sheet: 52.7 x 64 cm. Minimally creased. German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 2099. Call time 26 | Oct 2023 | probably 17:48 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Die Angst regiert"Lithografie auf Bütten. Bleistiftsignatur, roter Stempel "Clan-Presse". [1971]. Blatt: 64,2 x 76, 5cm. Nach Zeichnungen von 1955 "Die Spinne und "Der Lauscher", mit Bleistiftvermerken "aus den ersten X Drucken", "von Schartel erworben 2000 DM 11.11.91". Randbereich minimal fleckig durch frühere Rahmung, verso Klebespuren. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).. Literatur : Vgl. Dorsch WVZ 143. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:49 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Fear rules"Lithograph on laid paper. Pencil signature, red stamp "Clan Press". [1971]. Sheet: 64,2 x 76, 5cm. After drawings of 1955 "The Spider and "The Eavesdropper", with pencil notes "from the first X prints", "acquired from Schartel 2000 DM 11.11.91". Marginal area minimally stained by earlier framing, traces of glue on verso. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html)... Literature : Cf. Dorsch WVZ 143. Call time 26th | Oct 2023 | probably 17:49 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Ohm Krüger und die Queen"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [1976]. Blatt: 53,5 x 65,5 cm. Nach einer Zeichnung von vor 1947 aus der "Schach-Serie". Oberer Rand minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 1857. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:49 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Ohm Krüger and the Queen"Lithograph on laid paper. Signed in print, purple stamp on verso "Estate A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan Press". [1976]. Sheet: 53.5 x 65.5 cm. After a drawing from before 1947 from the "Chess Series". Upper margin minimally creased. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 1857. Call time 26 | Oct 2023 | probably 17:49 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Rom und Karthago (Scipio und Hannibal)"Lithografie. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". Blatt: 51,6 x 64,3 cm. Minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 2072. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:50 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Rome and Carthage (Scipio and Hannibal)"Lithograph. Signed in print, purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber" on verso, red stamp "Clan-Presse". Sheet: 51.6 x 64.3 cm. Minimally creased. German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 2072. Call time 26 | Oct 2023 | probably 17:50 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Hammerschläge"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [1971]. Blatt: 76,5 x 64,2 cm. Nach Zeichnungen von 1946. Blatt minimal knickspuirg. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 1021. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:50 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Hammer blows"Lithograph on laid paper. Signed in print, purple stamp on verso "Estate A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan Press". [1971]. Sheet: 76.5 x 64.2 cm. After drawings from 1946. Sheet minimally knickspuirg. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 1021. Call time 26 | Oct 2023 | probably 17:50 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Das Schreckgespenst"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [1977]. Blatt: 76 x 63,7 cm. Blatt etwas knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 2197. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:51 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Das Schreckgespenst"Lithograph on laid paper. Signed in print, purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber" on verso, red stamp "Clan Press". [1977]. Sheet: 76 x 63.7 cm. Sheet somewhat creased. German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 2197. Call time 26 | Oct 2023 | probably 17:51 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der Regreß"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [1971]. Druckplatte: 23 x 18,5 cm. Gerahmt & hinter Glas : 69 x 54,5 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : vgl. Dorsch WVZ 2032. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:51 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der Regreß"Lithograph. Pencil signature, red stamp "Clan Press". [1971]. Print plate: 23 x 18.5 cm. Framed & behind glass : 69 x 54.5 cm. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : cf. Dorsch WVZ 2032. Call time 26 | Oct 2023 | probably 17:51 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Rückgrat raus"Faksimiledruck, 1993. Im Druck signiert. [1960]. Abbildung: 38,5 x 50 cm. Gerahmt & hinter Glas : 50,5 x 70,5 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. WVZ Dorsch 2076. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:52 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Backbone out"Facsimile print, 1993. Signed in print. [1960]. Image: 38.5 x 50 cm. Framed & behind glass : 50.5 x 70.5 cm. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. WVZ Dorsch 2076. Call time 26th | Oct 2023 | probably 17:52 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der müde Mars"Lithografie. Bleistiftsignatur, Stempel "Clan-Presse". [1953]. Blatt: 48,8 x 68,5 cm. Gerahmt & hinter Glas : 57 x 76,6 cm. Nach einer Zeichnung von 1949/50. Blatt griff- und knickspurig, Randbereich rissig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 1699. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:52 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "The tired Mars"Lithograph. Pencil signature, stamp "Clan Press". [1953]. Sheet: 48.8 x 68.5 cm. Framed & behind glass : 57 x 76.6 cm. After a drawing from 1949/50. Sheet grip and crease, marginal cracking. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 1699. Call time 26 | Oct 2023 | probably 17:52 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bugholz-Kleiderständer. 20. Jh. Buche, mahagonifarben gebeizt. H ca. 182 cm, Ø ca. 49 cm. Jugendstil-Kleiderstock mit drehbarer Krone und Schirmständer mit Abtropfplatte, auf 4 gebogten Beinen. Restauriert, leichte Alters-/Gebrauchsspuren. Bugholz wird durch ein von Michael Thonet um 1830 entwickeltes Verfahren unter Wasserdampf gebogen. Nachdem das 1856 erteilte Privileg zur "Herstellung von Möbeln aus massiv gebogenem Holz" 1869 annulliert wurde, entstanden zahlreiche Möbelfabriken - darunter auch J. & J. Kohn, die das Verfahren so weiterentwickelten, dass ebenso kantige Holzstäbe verarbeitet werden konnten. Versand nicht verfügbar.Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:59 Uhr (CET)Bentwood clothes rack. 20th century Beech, stained mahogany. H approx 182 cm, Ø approx 49 cm. Art Nouveau dressing stick with rotating crown and umbrella stand with drip plate, on 4 curved legs. Restored, slight signs of age/use. Bent wood is bent by a process developed by Michael Thonet around 1830 under steam. After the privilege granted in 1856 to "manufacture furniture from solid bent wood" was cancelled in 1869, numerous furniture factories sprang up - including J. & J. Kohn, who further developed the process so that edged wood rods could be processed as well. Shipping not available.Call time 26 | Oct 2023 | expected 19:59 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Gärtnerin mit Früchtekorb. Würzburg. Ungemarkt, unterseitig glasurfreier "Daumenfleck", um 1775/80. Polychrom bemalt, goldstaffiert. H 14,5 cm. Frau mit Apfelkorb, Pflaumen und Stab. Linker Arm ergänzt, Hals, Füße und Stock restauriert. Aufrufzeit 27. | Okt 2023 | voraussichtlich 10:33 Uhr (CET)Gardener with fruit basket. Würzburg. Unmarket, glaze-free "thumb spot" on the underside, around 1775/80. Polychrome painted, gold decorated. H 14.5 cm. Woman with apple basket, plums and staff. Left arm added, neck, feet and stick restored. Call time 27 | Oct 2023 | expected 10:33 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Braunschweiger Schäfer. Meissen. 1910. Modell-Nr. Q 190 o. Höhe: 17 cm. Modell von Hugo Spieler 1897-1898. Aus einer Serie von 25 Trachtenfiguren. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke, Jubiläumsmarke. Stock minimal bestoßen, Knauf restauriert. Spieler, Bildhauer, studierte an der Akademie in München. Seit 1880 in Dresden tätig, 1891 Professor. Meissen erwarb 1890-1899 etwa 30 Modelle * Partnerauktion Bergmann. Literatur : Bergmann (2010) Katalog-Nr. 212. Provenienz : Hessische Privatsammlung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 11:56 Uhr (CET)Braunschweiger shepherd. Meissen. 1910. model no. Q 190 o. Height: 17 cm. Model by Hugo Spieler 1897-1898. From a series of 25 traditional costume figures. Painted in colors, painted in gold. Incised mark, press mark, painter's mark, sword mark, anniversary mark. Stick minimally bumped, pommel restored. Player, sculptor, studied at the Academy in Munich. Since 1880 active in Dresden, 1891 professor. Meissen acquired about 30 models in 1890-1899 * Partner auction Bergmann. Literature : Bergmann (2010) catalog no. 212. Provenance : Hessian private collection. Call time 27 | Oct 2023 | expected 11:56 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
13 Porzellane mit Strohblumenmalerei. Rauenstein. Fähnchenmarke Rn, um 1900. Unterglasurblaue, ausgetuschte Strohblumenmalerei. Überwiegend mit dem Reliefdekor "Gebrochener Stab". Kaffeekanne (H 24 cm), Wasserkännchen (H 11,5 cm), Milchkännchen, Teekanne (H 10,5 cm), 3 Tassen (H 5,5 cm) mit 3 Untertassen (Ø 14,5 cm), Kredenzteller (Ø 25 cm), Tafelaufsatz (H 10 cm) und Zuckerdose (H 11,5 cm). Haarriss in 1 Untertasse. Aufrufzeit 27. | Okt 2023 | voraussichtlich 14:27 Uhr (CET)13 porcelains with straw flower painting. Rauenstein. flag mark Rn, circa 1900. Underglaze blue, inked straw flower painting. Mainly with the relief decoration "Broken stick". Coffee pot (H 24 cm), water jug (H 11.5 cm), milk jug, teapot (H 10.5 cm), 3 cups (H 5.5 cm) with 3 saucers (Ø 14.5 cm), credenza plate (Ø 25 cm), centerpiece (H 10 cm) and sugar bowl (H 11.5 cm). Hairline crack in 1 saucer. Call time 27 | Oct 2023 | expected 14:27 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kostümgruppe "1850". Fraureuth. Stempelmarke, 1919-1926. Bezeichnet "E.W." (= Eigene Werkstatt). Entwurf: 1922. WOHL BERWINSKY SEN., Paul Polychrom bemalt, goldstaffiert. H 24,5 cm. Vor einem kleinen Baum stehende Biedermeierfamilie mit Windhund. Gehstock restauriert. Aufrufzeit 27. | Okt 2023 | voraussichtlich 19:06 Uhr (CET)Costume group "1850". Fraureuth. stamp mark, 1919-1926. Inscribed "E.W." (= own workshop). Design: 1922. WOHL BERWINSKY SEN., Paul Polychrome painted, gold-studded. H 24.5 cm. In front of a small tree standing Biedermeier family with greyhound. Restored walking stick. Call time 27 | Oct 2023 | expected 19:06 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
4 französische Modeschmuckbroschen LEA STEIN. Laminiertes Celluloseacetat. LEA STEIN PARIS signiert. 4,6 x 4,8/6,5 x 5,5/7,7 x 4,8/7 x 2,7 cm. 8,5/9,8/8,1/6,5 g. Modedame, Mädchen mit Hut, Fächer und Stock mit Hut auf signierten Broschierungen. Aufrufzeit 25. | Okt 2023 | voraussichtlich 15:37 Uhr (CET)4 French costume jewelry brooches LEA STEIN. Laminated cellulose acetate. LEA STEIN PARIS signed. 4.6 x 4.8/6.5 x 5.5/7.7 x 4.8/7 x 2.7 cm. 8,5/9,8/8,1/6,5 g. Fashion lady, girl with hat, fan and stick with hat on signed brooches. Call time 25 | Oct 2023 | expected 15:37 CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MOUCHERON, Frederik(1633 Emden - 1686 Amsterdam) Capriccio mit reicher FigurenstaffageSepia-Zeichnung. 27,5 x 40 cm. Gerahmt & hinter Glas : 46 x 59 cm. Sehr fein und detailreich gemalte Szenerie. Rückseitig signiert, Front-Passepartout, neuwertiger verglaster Goldrahmen. Stockfleckig, am oberen Rand montiert. Moucheron, Maler, Zeichner, Vater von Isaac, Schüler von Jan Asselijn in Amsterdam. Bereiste Italien und Frankreich, Werke in zahlreichen internationalen Museen * Partnerauktion Bergmann. Literatur : De Gruyter (2016), Thieme-Becker (1907-1950), Wurzbach (1909), Benezit (2006). Aufrufzeit 28. | Okt 2023 | voraussichtlich 12:08 Uhr (CET) MOUCHERON, Frederik(1633 Emden - 1686 Amsterdam) Capriccio with rich figure staffageSepia drawing. 27.5 x 40 cm. Framed & behind glass : 46 x 59 cm. Very fine and detailed painted scenery. Signed on the reverse, front mount, as new glazed gold frame. Stick spotted, mounted on the upper edge. Moucheron, painter, draftsman, father of Isaac, pupil of Jan Asselijn in Amsterdam. Traveled Italy and France, works in numerous international museums * Partner auction Bergmann. Literature : De Gruyter (2016), Thieme-Becker (1907-1950), Wurzbach (1909), Benezit (2006). Call time 28 | Oct 2023 | expected 12:08 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
FISCH, Klaus(1893 Sehlem/Mosel - 1975 Düren) Bildnis eines alten MannesÖl/Leinwand. Links unten signiert. 1928. 95 x 76 cm. Gerahmt : 111 x 92 cm. Sitzender Mann mit Gehstock und Vollbart an einem Tisch. Deutscher Maler, ansässig in Düren. Mehrere Studienreisen durch die Schweiz, Italien, Finnland, Schweden, Norwegen, Frankreich, Belgien, Holland und Portugal. Literatur : Vollmer. Aufrufzeit 28. | Okt 2023 | voraussichtlich 12:29 Uhr (CET) FISH, Klaus(1893 Sehlem/Mosel - 1975 Düren) Picture of an old manOil / canvas. Signed lower left. 1928. 95 x 76 cm. Framed : 111 x 92 cm. Sitting man with walking stick and full beard at a table. German painter, based in Düren. Several study trips through Switzerland, Italy, Finland, Sweden, Norway, France, Belgium, Holland and Portugal. Literature : Vollmer. Call time 28 | Oct 2023 | expected 12:29 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
LANGE, J. Betende KinderÖl/Leinwand. Rechts in der Mauer signiert. 2. H. 19. Jh. 52,5 x 40,5 cm. Gerahmt : 64 x 53 cm. Zwei Mädchen in südlicher Kleidung mit Wanderstab und Rosenkranz beim Gebet an einem kleinen Marienaltar auf einem Berg. Altersspuren. Wenn Julius Lange, dann: Deutscher Landschaftsmaler (1817 Darmstadt - 1878 München), Schüler Schirmers in Düsseldorf und Rottmanns in München. Bayerischer Hofmaler und Ehrenmitglied der Akademien Mailand und Venedig. Literatur : Thieme/Becker. Aufrufzeit 28. | Okt 2023 | voraussichtlich 13:30 Uhr (CET) LANGE, J. Praying ChildrenOil / canvas. Signed in the wall on the right. 2nd h. 19th c. 52.5 x 40.5 cm. Framed : 64 x 53 cm. Two girls in southern dress with walking stick and rosary praying at a small Marian altar on a mountain. Traces of age. If Julius Lange, then: German landscape painter (1817 Darmstadt - 1878 Munich), student of Schirmer in Düsseldorf and Rottmann in Munich. Bavarian court painter and honorary member of the Academies of Milan and Venice. Literature : Thieme/Becker. Call time 28 | Oct 2023 | probably 13:30 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KEITH MCBRIDE, MR FOX collage on card album cover, signed31cm x 31cm Born in South Shields and inspired by London, Keith McBride transformed his medium from oils, watercolours and inks to collages using Vogue and Tatler. Keith’s work offers something of fascination, he refers to his collages as “a massive jigsaw puzzle in reverse.” Research is a massive part of the process, Keith will spend hours and hours turning the pages of magazines until his hands hurt to find the best snippets for these bespoke collages. These striking pieces of artwork begin with a sketch of stick men, which Keith allows to develop unknowingly: "it is as much as a surprise to me how it will finish as it is to anyone else." His contemporary and unique collages are eye-catching and there is always something new to find in them. Instagram: keithmcbride
JAN LEENDERS, FELT CUTE, MIGHT DELETE LATER 33 oil stick on card album cover, signed31cm x 31cm Jan Leenders is a Belgian based fine artist whose works riff on social media, selfie culture and the traditional application of the human figure in art, these playful and eye-catching works bring much humour and energy to any wall. Most recently Jan’s work has been shown in The Netherlands, Belgium and Germany and the UK. His work has been attracting attention from notable collectors and art institutions. Instagram: jnlndrs
CHRIS BOYLE, 12" SUPER HEROS pen, ink, collage and pencil on card album cover, signed31cm x 31cm Brought up on dangerous building site playgrounds, eating dirt on his bmx, parachuting from trees, digging up coffins and stealing sweets to keep his sugar habit in check. From the early 80's he has been drawing & making things not knowing it would lead to his 'mid life crisis' career choice. Chris Boyle creates in many formats but is best known for his mixed media artworks on dollar bills. He doesn't stick to one style or medium he loves to vary what he does as much as possible, creating new and exciting artworks as he moves along the conveyor belt of life.Instagram: cboyleart
ADAM HANDLER, MID-SUMMER BLOOM GHOST oil stick and pencil on card album cover, signed31cm x 31cm Childlike simplicity, quirky, colorful, primitive––these are just a few words to describe the extraordinary talent of New York-born painter Adam Handler. His recognizable characters such as bats, ghosts, and wide-eyed girls embody innocence and adolescent energy that the very best of artists will tell you is close to impossible to render with fresh authenticity. Using acrylic paint, oil stick, pencil, and markers, Handler’s child-like and passionate drawing technique produces distinctive outlined characters which almost appear flat, with little to no depth of field. Handler studied Life Drawing in Italy and later graduated from Purchase College with a degree in Art History. Handler’s work has been exhibited internationally, namely throughout the United States, Europe, Asia, Africa, and the Middle East. Instagram: adamhandlerstudio
ERIC STEFANSKI, CRYING AND DANCING oil stick on enamel paint on card album cover, signed31cm x 31cmEric Stefanski lives and works in Chicago. He studied at the School of the Art Institute of Chicago and received his MFA at the School of the Museum of Fine Arts Boston. His work is a reflection on the failure, humour, and sincerity that comes with being an artist. He explores themes of modern society and art history while reflecting on his own personal history through large-scale abstract work that incorporates text. Instagram: ericstefanski
NON XVI, ViBE acrylic, neon paint and ink on card album cover, signed verso31cm x 31cm For Nonxvi/ViBE art is his life. He loves colour and stark silhouettes. Influences on his work include LS Lowry, Maggie Hambling, Richard Hambleton, Banksy, the photographs of Matt Smith, festival music, free party movement, and political activism. He is a life long socialist and anarchist, and believes in the right to free expression, and access to the arts for all. ViBE, is his alt. This is the name he uses to paint festivals, and capture that freedom of open air dancing, from dawn to dusk to dawn. He draws from life or photographs and uses anything to hand, pencil, pen, or a stick dipped in mud. Art is his life, it’s not what he does, art is how he breathes. Instagram: non.xvi_official
A small collection of jewellery and bijouterie, comprising; a yellow metal stick pin with stylised knot terminal, stamped '15ct', a diamond set stick pin, stamped '15ct', a yellow metal crop bar brooch, stamped '14k', a yellow metal cameo and split seed pearl bar brooch, not stamped, a gold plated heart shaped locket, a gold plated tie slide, an open face pocket watch, a rose metal mounted coin, a daguerreotype, a paste set necklace, a pair of cufflinks and a bone mounted seal (a lot)
A pair of silver cufflinks, together with a 9ct gold mounted cheroot, a stone set yellow metal tassel pendant, an abstract silver pendant, a turquoise set pendant, a large cultured pearl pendant, a silver lip stick holder, a pair of cultured pearl earrings, a silver panda brooch, a large pair of silver clip on earrings and four further pendants and a plated letter opener (a lot)
A small collection of jewellery, comprising; a pair of Italian cameo earrings with a matching pendant mounted in yellow metal stamped '750', a cultured pearl set spray brooch stamped '14k', weight approx 5.7g, an amethyst set cluster pendant stamped '9ct', weight approx 2.2g, a jade set pendant, not stamped, a 9ct gold crucifix pendant, weight approx 0.7g, a diamond set stick pin, not stamped, a cultured pearl necklace, a lady's Benrus yellow metal wristwatch, stamped '14k' and a gilt and stainless steel wristwatch
A small collection of jewellery, comprising; a diamond and green enamel sylised bow brooch fob, stamped '18', weight approx 6g, a 9ct gold split seed pearl bar brooch, a further 9ct gold bar brooch, an untested sapphire set bar brooch stamped '15ct', total weight approx 9g, a stone set stick pin, stamped '15ct', two further stick pins, a 9ct gold crucifix suspended from yellow metal chain, a suite of gilt coin set jewellery and a butterfly wing pendant, together with a Cartier stick pin box
A collection of stick pins and brooches, 19th and early 20th century, comprising: two gold stick pins, one capped with a gold seashell set with a seed pearl, the other topped with the letter H set with rose-cut diamonds, surmounted by a seed pearl, longest 6.2cm; a jabot pin set with rose-cut diamonds and a tooth, dated 29 January 1927; and four bar brooches, including one set with a cabochon star sapphire and rose-cut diamonds; one set with three cabochon moonstones; one centring on a partridge set with rose-cut diamonds and a ruby eye; and one set with a line of pearls, longest 4.5cm, each mounted in silver and gold, pearls untested
A collection of six stick pins, late 19th century, comprising stick pins topped with: a horseshoe in half pearls, pearls untested; a horseshoe in circular-cut garnets; a floral micromosaic; a hardstone cameo depicting a classical woman wearing a tiara; a gold fox head with cabochon ruby eyes; and a colourless paste within a black enamel border, longest stick pin 7.5cm, six cases
Φ Andrew Grima, a superb tourmaline and diamond brooch/pendant, circa 1971, of abstract design set with a large cross-section of a watermelon tourmaline crystal, to a textured 18ct gold mount accented with a line of brilliant-cut diamonds, measuring 6.2 x 6.7cm, signed Grima, maker's mark AG Ltd, British hallmark for London, 1971In September 1971, Andrew Grima launched Rock Revival, an exhibition of 100 new designs built around extraordinary specimens of uncut minerals, at his boutique on Jermyn Street in London. Invites to the exhibition played on the 'Rock' theme, and came in the shape of vinyl records, with a stick of rock candy reading Rock Revival through the cross section. The exhibition was a hit, with buyers including the sculptor Barbara Hepworth, and the intended transfer of the exhibition to Australia was delayed because it sold out so rapidly. Grima's imagination had clearly been captured, however - at short notice he flew to Zurich to source more stones for this Australian leg of the tour, and reportedly designed another entirely new collection at the buffet in Zurich airport, before flying back to London. The bold design of this brooch and its incorporation of such an impressive slice of watermelon tourmaline (which often appears in Grima's jewels), combined with the 1971 date, suggests that this astonishing jewel was made in conjunction with this seminal exhibition, which marked a creative zenith in Grima's extraordinary career.Cf.: William Grant, Andrew Grima: the Father of Modern Jewellery, Suffolk, 2020, p.154-155 for a discussion of Rock Revival, and p.156-163 for a selection of jewels from the exhibition
A collection of three stick pins and four brooches, early 20th century, comprising: three gold stick pins, capped respectively with a sphere set with step-cut rubies and rose-cut diamonds, a dachshund with ruby eyes, and a chick set with rubies and rose-cut diamonds emerging from an egg, longest 7.6cm; a brooch designed as an arrow, set with a natural pearl measuring approximately 7.8mm diameter, and a circular-cut rhodolite garnet, accented with rose-cut diamonds, mounted in gold, length 3.3cm; and three matching bar brooches, set with step-cut rubies, rose-cut diamonds and pearls, each mounted in gold, length 2cm each, pearls untestedA verbal report from GCS states that the pearl in the brooch of arrow-design is natural, saltwater, the remaining pearls untested.
German Third Reich WW2 Kriegsmarine Blockade Runners War badge and stick pin miniature. A very fine die-cast example. Circular chain being broken by a merchant vessel with winged eagle and swastika figurehead. Reverse with distinctive hinged pin with securing hook and bearing raised designer and maker details of FEC. OTTO PLACZEK, BERLIN. AUSF. SCHWERIN, BERLIN. Retains original finish. VGC ... together with its miniature on stickpin. Instituted 1st April 1941 upon the order of Adolf Hitler.
12 German Third Reich various badges etc Oval RAD badge ... RAD WJ badge (lacking fittings) ... 1937 tinnie ... 1935 shooting prize ... VORSTAND ribbon badge ... plastic swastika in circle ... sun helmet decal (one of three pins) ... 1937 tinnie stick pin ... 1935 badge ... Flakartillerie flag plastic tinnie ... 1933 NSBO tinnie ... aluminium wire cap cords (12 items)
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