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Lot 267
A CHINESE LIME GREEN-GROUND INCENSE STICK HOLDER QING DYNASTY The cylindrical biscuit body shaped as a section of bamboo carved with figures near a pavilion in a mountainous landscape, a four character mark reading Wang bing Rong Zuo to the base, 10.5cm. Provenance: an English private collection acquired in the 1980s. Ł1500-2500 清雍正 青花壽盤《大明成化年製》
Lot 51
A collection of items to include a silver carved Chinese Cornelian brooch, a tapering oval Cornelian carved and pierced to a silver brooch mount, a Victorian banded agate scalloped edge brooch, a Victorian banded agate stick pin, a pierced floral brooch marked 925, a Victorian gold bar brooch with a central turquoise and seed pearl heart, tested as 9ct gold, and a silver pendant set with a pear shaped onyx plaque on a silver belcher chain
Lot 69
An Art Deco ladies 9ct gold mechanical strap watch, rectangular dial and Arabic numerals, 13.89g, and a ladies 9ct gold Rotary mechanical strap watch, 10.58g, a gold whistle in the form of a boat, tested as approximately 15ct, 1.34g, a T-bar marked 9ct, 1.81g, and a Victorian gold stick pin, tested as approximately 9ct gold
Lot 23
George Bernard O'Neill (1828-1917) Picking Grapes (1898)oil on boardsigned lower left and dated (18)'98 45.70 x 35.20cm (18 x 13.9in)Richard Green Gallery, London (label verso); Private Collection Accomplished and prolific, O'Neill was best known for his highly detailed genre and figure paintings, which typically featured children and animals. Born in Dublin, he exhibited over seventy works at London's Royal Academy, and his paintings survive in more than 16 public collections, e.g. A Deathbed Scene (National Gallery of Ireland, Dublin), and The Foundling (Tate Britain, 1852). His narrative suggests children leaving their game of hoop and stick, to help the old man, so he need not descend from the ladder as he picks grapes. Meticulously depicted, the open gate hints that the girl has wandered into the scene, where the boy already has his basket lined and filled with a vine leaf and grapes. Plants are used symbolically; to represent youth and innocence (the daisy, between the children), and old age (the autumn leaves), soon to be swept aside with the besom that leans up in the foreground. The terrier, representing faithfulness, observes the scene. The leaded fenestration and good clothing, suggest an English rather than Irish setting. Claudia Kinmonth, October 2018
Lot 178
ϒA Chinese ivory brise fan, Canton, first half of the 19th century, carved on one side, with blank oval reserve, each pierced stick intricately carved with a continuous scenes of figures and pagodas, the guard sticks carved with dragon, phoenix and figures, 33.5cm wide open and 19cm high 19世纪早期 象牙山水台阁纹扇 ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 192
ϒA Chinese ivory brise fan, Canton, first quarter of the 19th century, carved on one side, each pierced stick intricately carved with a continuous scenes of figures, pagodas, bridges and animals, 18.5cm high closed and 32.5cm wide open Provenance: From a Private English Collection. 清19世纪早期 象牙镂雕人物图扇 拍品来源：英国私人收藏ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 194
ϒ A Chinese ivory brise fan, Canton, first quarter of the 19th century, carved on one side, each pierced stick intricately carved with a continuous scenes of dragons, phoenix figures and other animals enclosing an oval cartouche inscribed 'Gage d'amour', 18.5cm high closed and 32.5cm wide open Provenance: From a Private English Collection. 清19世纪早期 象牙镂雕龙凤纹扇 拍品来源：英国私人收藏 ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 201
ϒA good Chinese monogrammed ivory 'cockade' fan, circa 1790-1810, delicately carved on one side, comprising fifty-four sticks, the top with open shield escutcheon containing monogrammed letters flanked by two circular landscape cartouches symmetrically spaced around the central circle, all on a ground of figures in boats and pagodas, the tip of each stick with a single upright flowering shrub, the guard sticks carved on both sides with diaper and floral panels, the guard sticks 38cm long; diameter of the fan when fully open, 36cm 约清1790-1810年 象牙镂雕山水台阁图团扇 ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
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