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Lot 248A
A box of various records including 78 rpm Rock n' Roll and other titles, Everly Brothers "Claudette", Paul Anchor "Diana", Perry Como "Magic Moments", Elvis Presley "When My Blue Moon Turns to Gold Again" and "Teddy Bear", Ricky Nelson "It's Late", Little Richard "Long Tall Sally", Lonnie Donnigan "Cumberland Gap" (and others), Frankie Vaughan "The Green Door", together with various 45s, Elvis Presley "Wooden Heart", Adge Cutler "Drink Up Thy Zider", etcApproximately 78RPM x 52 / 45RPM x 14 CONDITION REPORTS Approximately 78RPM x 52 / 45RPM x 14
Lot 7
A modern Community Plate Tarnprufe canteen of cutlery, twelve place settings with fluted and floral embossed decoration in the 1930s Scandinavian manner housed in a birdseye maple case together with a box containing a collection of various childrens books including "The Beano Book 1968" with Biffo Bear in helmet on front cover, "Tiger Annual 1959" etc
Lot 2188
A Late 19th Century Japanese Ivory Brisé Fan, the nineteen inner sticks and two guards lacquered in gold. Both guards feature birds and either a sun or a chrysanthemum, the latter of slightly different design in order to differentiate recto verso. The inner sticks recto/verso bear mirror images of a sweeping design of gnarled boughs and cascading wisteria, birds in flight and perched, in two shades of gold. Contained in a fitted black lacquered fan box, the exterior painted in gold with a formal design of flowers, tied at the bottom with a bow, the central detail being of the sun or flower featuring on the guards. The box interior is lined in ruched cream silk, padded, allowing for the fan and silver embossed loop and leaving space for a large silk tassel (not present). Guard length 10.75 inches or 27.5cm. in very good order, very slight yellowing to the ivory mainly close to areas of dense lacquer design. A little light staining to the box lining. The box clasp holds well, the hinges are in good order, very slight scuffing to box edges.
Lot 424
A late 19th century novelty bronze candle holder modelled as a bear with arms outstretched sitting on a stool balancing on the nose of a seated bear, inscribed to base 'Fratin', height 24.5cm (af).Additional InformationBreak between lower bear's paw and stool. Two of the three stretchers to the stool are missing. Surface dirt. Residue wax to sconces.
Lot 578
A group of eleven 19th century Staffordshire Pratt type pot lids including 'Dr Johnson', 'Pegwell Bay', 'I See You My Boy' etc, also two cylindrical jars (13).Additional InformationBoth pots badly chipped, Shakespeare's with crack to back, sailing boats with chip to rim, bear lid with small chips, rim crack to lid, heavily stained and crazed, Dr Johnson base heavily stained, chip to lid, cracked and crazing, large chip to rectangular lid and base, crazing throughout.
Lot 485
A collection of novelty and other antique and vintage collectables, to include a Victorian 'The Great Exhibition' souvenir sewing compendium in a kingfisher blue velvet fold-out case, with pale green silk lining and full original contents, silk label inside lid 'A Present from the Crystal Palace', 6¾in. (17cm.) high; Vintage tape measure panda bear; Antique French manivelle music box, the brass case with embossed lyre decoration, the top with children playing, the serpentine winding arm with porcelain handle; Vintage enamel figural World globe pencil sharpener; five vintage figural cahous sweet tins, Globe, Rugby ball, Drum, Cash box and fish; child's teddy bear feeding spoon.
Lot 488
An unusual novelty antique Tobacconist teddy bear, Germany, early 20th century, the gold plush covered container fashioned as a teddy bear, having a hinged head with stitched features and bead eyes, opening to reveal striking plate to upper section and storage facility to main body, the legs with hollow area to paws, thus allowing match storage, a rare shop counter display piece, 6½in. (16.5cm.) tall. *Condition: plush a little stained, hinge loose, some rust to tin,overall very good.
Lot 917
Early Colonial American interest Richard Phillips (British, 1681-1741), Portrait of Governor Jonathan Belcher (1682-1757) oil on canvas, inscribed on reverse of canvas "---- Jonathan Belcher of Boston New England. Anno AEtatis Suae [in the year of his age] 34 1/2 R Phillips pinxit 1716", painted in 1716 when Jonathan Belcher was 34 years old, in original early 18th century portrait frame 35¼ x 28¼in. (89.5 x 71.75cm.) * Provenance: By descent from the Chamberlayne family of Stoneythorpe Hall Warwickshire, England. The family had lived there since the 1600s. Thermuthes Chamberlayne married the son of the Governor of Virginia in 1797.** Notes: A significant Colonial portrait of one of the most interesting and influential figures in early American history. Jonathan Belcher became Governor of the Province of New Jersey from 1747 to 1757 and is regarded today as the founder of Princeton University. He was born on 8th January 1682 in Cambridge, Massachusetts, the son of Captain Andrew Belcher and Sarah Gilbert. He descended from the Belcher family of Guilsborough, Northamptonshire. He graduated from Harvard College in 1699 and in 1704 embarked upon a grand tour of Europe, visiting Holland, Germany and England where he met Princess Sophia and the future George II. In 1706 he married his first wife, Mary Partridge, the daughter of a former lieutenant governor of New Hampshire. In 1715 Jonathan Belcher made another trip to England where he defended Massachusetts' charter privileges and helped Governor Samuel Shute in his bid to become Governor of Massachusetts and New Hampshire, which he accomplished in October 1716. It was during Jonathan Belcher's visit to England in 1715/16 that Richard Phillips (1681-1741) painted this portrait. Richard Phillips was born in London in 1681 and, as far as it is known, he lived there until the end of his life in 1741. He was a principally a portrait painter and developed a prestigious client list including politicians and landowners and there are portraits by him in the National Portrait Gallery and Bank of England. Some of his portraits were engraved. A mezzotint of Jonathan Belcher was published in 1734 after a copperplate engraving by the Dutch portrait engraver John Faber the Younger (1684-1756), who was active in London. This was derived from a portrait by Richard Phillips, potentially the present picture. Copies of the mezzotint survive but not the engraving. Belcher ordered the plate to be destroyed and all impressions taken from it. The mezzotint depicts the sitter as Royal Governor of Massachusetts Bay and New Hampshire prior to becoming Governor of New Jersey. Although the coat and background are notably different the head and hand bear a very close resemblance to the portrait offered here. A full length portrait by Richard Phillips is recorded as having been presented to Princeton College by Jonathan Belcher at the time that he donated his extensive library. Sadly, this portrait was destroyed during the American Revolution. The portrait offered here is therefore a very significant discovery as it is the most authentic likeness of an historic figure from America's Colonial past. * Condition: Original strainer. The canvas is unlined but is badly torn in several places, including a horizontal six inch tear to the left of the face and a large puncture in the centre of the coat. The canvas is partly detached from the strainer on the left side. There are four patches on the reverse and old fillings. The surface is very dirty and the varnish has discoloured. There is evidence of paint shrinkage in the dark areas where the artist has mixed bitumen with the pigment.
Lot 547
A chrome plated Bear Honey Company car mascot, by Hawkes & Spinks, Birmingham, on turned ebony plinth, retailers sticker to base 'Ray & Scott Ltd, Guernsey', overall height, 5 ¼in. (13.4cm.), together with a vintage chrome plated galloping horse and jockey mascot. (2) *Condition: both pieces in good condition, no issues found.
Lot 32
Francisco Goya (1746-1828)Fifteen plates from 'Los Caprichos', the Tenth EditionEtchings with aquatint, circa 1799 but printed circa 1918-1928, good impressions on heavy laid paper with watermarks of Goya wearing a cap, each platemark approx. 220 x 154mm (8 5/8 x 6in), sheets approx. 365 x 260mm (14 1/4 x 10 1/4in) (unframed) (15)Provenance:Four plates bear collector's ink stamp verso of Tomás Harris (1908-1964) [L. 4922]Literature:cf. Delteil 38-117; Harris III 10/12⁂ Plates include numbers 6 (x 2), 8, 16, 18, 21, 22, 26, 51, 52, 54, 55, 57, 63, and 66. Harris states 'One hundred and seventy sets of this edition were made between 1918 and 1928. This edition is very well printed and is the best after the fourth. The plates are clean-wiped and the impressions are good.'
Lot 3018
Toys - an Armand Marseille 351/3K bisque head baby doll, sleeping blue eyes, open mouth, painted moulded hair, composite body and limbs, cream christening gown dress, 30cm long; a Chinese plastic doll, No B30/168, 50cm long; a mid 20th century gold plush Teddy Bear, centre seam, vertical stitched nose, pad feet, later eyes, approx 51cm long, (3)
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93488 item(s)/page