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Lot 38
Hardy Bears - June Kendall limited edition mohair bear named Hugh, he's number 2 of only 8 made and is in Mint condition with numbered tag. He is 10 cm tall. June Kendall limited edition mohair bear named Nigella, she's number 2 of only 8 made and is in Mint condition with a numbered tag. She is 10 cm tall (2)
Lot 39
Hardy Bears - June Kendall limited edition Ross Poldark mohair bear number 5 of only 8 made, he is in Mint condition with a numbered tag and is 11 cm tall. June Kendall limited edition Demelza Poldark mohair bear number 5 of only 8 made in Mint condition with numbered tag and is 10 cm tall. (2)
Lot 40
Hardy Bears - June Kendall limited edition bear in a blue cardigan called George, he's number 7 of only 8 made and is in Mint condition with a numbered tag. 8 cm tall. June Kendall limited edition bear in a floral dress called Rose, she's number 5 of only 8 made and is in Mint condition with a numbered tag. 8 cm tall. (2)
Lot 44
Small Bears For A big World - Tina Richardson bear in cloak and mask named Phantom in Mint condition with certificate (h)7 cm. Marie Fuertes bear in a blue dress named Salome in Mint condition with certificate (h) 7 cm . Marie Fuertes bear with a teddy named Fred in Mint condition with certificate (h) 8 cm. (3)
Lot 46
Small Bears For A Big World - Becky Wheeler bear named Winter in Mint condition with certificate (h) 8 cm. Becky Wheeler bear on a skate board named Bart in Mint condition with certificate (h) 12 cm. Becky Wheeler bear with hobby horse named Howdy in Mint condition with certificate (h) 8 cm. (3)
Lot 48
Deb Canham Artist Design - Deb Canham panda named Nihao number 77 of 100 in Mint condition in its box with certificate (h) 8 cm. Deb Canham bear and bunny named Sugar and Spice number 58 of 100 in Mint condition in its box with certificate (h) 8 cm. Deb Canham bear named Dickie Duck number 110 of 200 in Mint condition in its box with certificate (h) 11 cm. (3)
Lot 49
Deb Canham Artist Designs - Deb Canham bear named Cheeky Devil number 103 of 200 in Mint condition in its box with certificate (h) 10 cm. Deb Canham bear named Strawberry number 88 of 200 in Mint condition in its box with certificate (h) 9 cm. Deb Canham dinosaur named Marigold number 58 of 60 in Mint condition in its box with certificate (h) 9 cm. (3)
Lot 50
Deb Canham Artist Designs - A Deb Canham bear named Pims number 67 of 75 in Mint condition in its box with certificate (h) 10 cm. Deb Canham bear named Why number 454 of 1000 in Mint condition in its box with certificate (h) 10 cm. Deb Canham elephant with bear named Tic and Tac number 48 of 100 in Mint condition in its box with certificate (h) 10 cm. (3)
Lot 51
Deb Canham Artist Designs - A Deb Canham bunny named Clover number 78 of 150 in Mint condition in it's box with certificate (h) 12 cm. A Deb Canham bear with an American hat and flag in Mint Condition in it's box (h) 8 cm. A Deb Canham 'Ladybug Fairy' number 152 of 300 in Mint condition with certificate in it's box (h) 6 cm. (3)
Lot 311
Attributed to Liu Haisu (1896-1994) - Sleeping Panda - Chinese ink and watercolour painting on paper of a Panda Bear sleeping. 137cm x 69.5cm. Rolled. Liu Haisu (16 March 1896 – 7 August 1994) was a prominent twentieth-century Chinese painter and a noted art educator. He excelled in Chinese painting and oil painting. He was one of the four pioneers of Chinese modern art who earned the title of "The Four Great Academy Presidents".
Lot 700
Attributed to Sir Winston Churchill, O.M., R.A. (British, 1874-1965) - oil on canvas painting, believed to be of the Cote d'Azur region of Southern France, namely Eze-sue-Mer. Depicting a small village with mountains to the background, with central church building spire and trees to the foreground. Signed to the corner ' WSC ' in black. Framed in a period decorative carved wood frame. Canvas size 37cm x 49cm, total size 53cm x 61cm. Provenance: Originally purchased by the vendor's Father from Lord and Lady Fisher of Kilverstone Hall in the early 1990s, along with some other antiques after a large public auction of the wildlife park had taken place around the same time. This picture was hung in the reading room of Kilverstone Hall. After some research the vendor noted a connection between Kilverstone Hall and Churchill - in that Lord John Fisher (4th Baron)'s father was Lord of The Admiralty under Churchill during the First World War and was known for his disagreements with Churchill, eventually leading to his resignation. NB: The signature, style and subject of the painting all bear resemblances to known Churchill pieces, but buyers are reminded that this is sold strictly as an attribution only and no guarantees are offered nor implied.
Lot 93
A RARE EMBROIDERED BLUE-GROUND DAMASK SILK WOMAN'S INFORMAL OVERCOAT, WAITAO19th centuryFinely embroidered on the front and back in gold-wrapped thread and satin stitch with a continuous scene depicting various officials and court figures paying homage to two elderly officials in a garden scene with elegant pavilions, flowering shrubs and luxurious trees interspersed with fluttering butterflies, cranes and other mythical birds, all on a deep midnight-blue ground, the pale yellow-ground satin collar, edges and cream silk sleevebands meticulously embroidered with continuous scenes depicting 'the Hundred Boys at Play', blue lining. 142cm (55 7/8in) wide x 102cm (40in) long.Footnotes:十九世紀 藍地彩繡人物故事紋馬褂Provenance: Linda Wrigglesworth, London, 1995來源：倫敦Linda Wrigglesworth，1995年Superbly embroidered in wrapped gold and multicoloured threads with elegant designs of court figures and boys at play, the present robe would have been worn by a high-ranking Han Chinese woman. Women of the Han society often paired calf-length garments with pleated paired-apron wraparound silk skirts, a combination that had existed for centuries prior to the establishment of the Qing dynasty. As the present example illustrates, these robes were fastened down the centre front, in Ming style, or with the right-front overlap with a loop-and-toggle-button closure. They were typically worn during celebrations such as New Year, birthdays, seasonal festivals and formal family gatherings. Their colours, cut, imagery and pattern size were deemed appropriate to the age of the wearer and the nature of the occasion they were worn; see J.Vollmer, Imperial Silks. Ch'ing Dynasty Textiles in the Minneapolis Institute of Arts, Minneapolis MS, 2000, p.479.Though unregulated, the designs depicted on Chinese informal garments were often taken from woodcut illustrations of popular novels and testified to the educated tastes and literary sophistication of the wearer. These patterns included figural, floral and emblematic symbols associated with specific Chinese ideas of social and cultural importance. The scenes depicted on the present jacket, for example, underscores wishes for longevity and successful male progeny. The front and back of the garment probably depict the receptions given by General Guo Ziyi 郭子儀 (697-781), a celebrated figure who was credited with saving the Tang dynasty by putting down the An Shi rebellion. On the back of the jacket, the elderly figure wearing a yellow robe and a mandarin hat with a three-eyed peacock feather depicts how the general was later made a prince, and eventually deified in popular culture as a God of Wealth and Happiness, as represented by the standing male figure within a small pavilion on the front. The 'Hundred Boys' theme depicted on the collar, edgings and sleeve bands was a popular theme in woodblock prints, lacquer, porcelain and particularly textiles of Ming and especially Qing dynasty date. Representations of children were popular during the Song dynasty with poets also taking up that theme. The urgent need to secure the patrilinear line within the family made it imperative that wives should bear sons. The 'Hundred Boys' theme refers to a legend about King Zhou Wen Wang, who adopted an abandoned baby and thus increased his already large family of ninety-nine sons to one hundred; see V.Wilson, Chinese Textiles, London, 2005, pp.63-64.Compare with a similarly-shaped, although less ornate, silk informal robe, late 19th century, illustrated by J.Vollmer, Imperial Silks. Ch'ing Dynasty Textiles in the Minneapolis Institute of Arts, vol.1, Minneapolis MA, 2000, p.524-525, no.221. See also an informal midnight-blue coat, 19th century, illustrated in Sous La Griffe Du Dragon. Costumes de Cour de la dynastie de Qing (1644-1911), 2004, Milan, no.35.A related embroidered midnight-blue satin Han Chinese woman's informal overcoat, waitao, third quarter 19th century, was sold at Christie's New York, 19 March 2008, lot 82.For further information on this lot please visit Bonhams.com
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