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Lot 2548
Steiff und Hermann.: Limitierte Teddybären. Tlws. noch in Originalschachtel. Schachteln mit Zertifikat. Tlws. mit defektem Kunststoffdeckel. Nicht mehr im Karton fixiert. Kartons mit Lagerspuren. Dabei u.a. Steiff Teddy 60 cm mit roter Schleife, Teddy Rose 1925 Lim. Aufl. von 10000 Ex. Steiff Dickie 1953 Lim. auf 4000 Ex, Teddy Bear 1955 with Neck Mechanism Lim. auf 4000 Ex. Teddy Rose 1925 Lim. auf 8000 Ex. Dazu zwei Hermann Teddies 1 x zur Wiedervereinigung. Steiff kl. Maus u. 2 Kühe Bulli u. Resi. Alterssp. Schöne Sammlung. Dazu 4 orig. Leerkartons. D
Lot 1457
Kipling,R.: Am Ende der Fahrt. Bayreuth, Bear Press 2020. 4°. Mit 13 Rad. v. J.P. Tripp. 65 S. Oldr. mit Metall-Intarsie auf Vdeckel, in Opp.-Schuber. Nr. 24 v. 25 Ex. der Vorzugsausgabe, Druckverm. von Tripp sign., jedoch ohne die zusätzlich beigegebene Radierung der VA (GA 152). Einband anthrazitfarb. Oasenziegenleder.
Lot 7506
A Dutch Nieuwe Kunst carved and painted oak sideboard,Probably Haarlem School, ca. 1900, Netherlands,Decorated overall with carved and painted stylised marsh-marigolds (or kingcups), inlaid fluting and geometric shapes, and pronounced pegs, the rectangular cornice above a monogram 'KW' and a single panelled door, opening to reveal a plain interior with one shelf, flanked by two curved supports, above a buffet with a single drawer and a pair of panelled doors, the plain interior with one shelf, together with three keys monogrammed 'JH'.This piece of furniture is emblematic of the teaching methods implemented in schools of applied arts and drawing in the period 1895-1900, represented at the Haarlemse School voor Kunstnijverheid by teachers such as T.K.L. Sluyterman and M. Duco Crop, and at the Kunstnijverheidsschool Quellinus in Amsterdam by J.B. Heukelom. Around the turn of the century, students in these schools would draw after nature by taking field trips in the surrounding area, and would use method books with stylised renditions of plants and animals. They would learn to translate these forms into a decorative system on a two-dimensional plane, thus arriving at an often symmetrical scheme that could be applied on pieces of furniture, tile panels, metalware, wallpapers and fabrics. In fact, the ornaments used on the panelled doors of the sideboard in this auction bear a striking resemblance to a decorative drawing made by J. van Amstel when he was a student at the above-mentioned school in Haarlem from 1893 onwards. The plant in the drawing is rendered in the same manner as in the decorative scheme of the sideboard, showing the flower heads and leaves 'en profil' (fanning out) and 'en face'.This drawing by Van Amstel is part of the collection of Het Nieuwe Instituut (HNI) Rotterdam, and can be viewed in their online database. Reference: Het Nieuwe Instituut, Rotterdam, School voor Kunstnijverheid, Haarlem / Verzameling (SKHV), inv.nr. SKHV_pf1-34.,164x96x44 cm,,
Lot 105
ITALIAN SCHOOL (18TH CENTURY)THE VEIL OF SAINT VERONICAOil on canvasA papal affidavit to the reverse33 x 26.5cm (12 x 10¼ in.) incl. frame 61 cm highThe Veil of Veronica, also known as the Vernicle, is a Christian relic consisting of a piece of cloth said to bear an image of the face of Jesus produced by other than human means. It became a central icon in the Western Church, and various existing images have been claimed to be the original relic, including one in St. Peter's Basilica where in the 17th century the veil was found hidden in a relic chamber built by Bernini into one of the piers supporting the dome.The story of the image's origin is related to the sixth Station of the Cross, wherein Saint Veronica, encountering Jesus along the Via Dolorosa to Calvary, wipes the blood and sweat from his face with her veil. According to some versions, St. Veronica later travelled to Rome to present the cloth to the Roman Emperor Tiberius. The veil has been said to quench thirst, cure blindness, and even raise the dead.
Lot 14
FOLLOWER OF FRANS SNYDERSA BEAR ATTACKED BY TWO DOGSOil on canvas45 x 60cm (17½ x 23½ in.)Condition Report: The canvas has been heavily relined. Surface dirt and discolouration of the varnish. Some abrasions and surface scratches including one of approx 13 cm running down from the head of the central dog to the lower edge, as well as one in the lower left corner. Paint thinning in areas with the red ground showing through. Paint slightly lifting in the corner upper right. UV reveals scattered retouching. Measurements in frame 61 x 75 cm. Condition Report Disclaimer
Lot 109
A rare Gunpowder Plot related brass ‘Garnets Straw’ box, Henry Garnet was a Jesuit priest who was executed for his complicity in the Gunpowder Plot in 1605, this box dated 1606 commemorates his death in 1606, where a straw husk was recovered from the execution and was said to bear his image, the box is engraved ‘Garnets Straw’ on the hinged lid and ‘50th IESV MARIYIS ANGLIAE MAII 1606 MIRAOVLOSA EFFIGIES R P HENRICI GARNETI’, with a straw in the centre surrounded by IHHS, 10.5cmx6.5cm,
Lot 131
Two character dolls by Rosemary Bradshaw of an Edwardian lady in straw hat, with a Victorian child doll with ‘Teddy Bear’ book in basket, lady 55cm, Note: Rosemary Bradshaw was costumier for the BBC in the 1980’s. She made a series of dolls which were sold in the 1990’s by Rosebery’s in London. These were acquired in that auction by the vendor. (2)
Lot 949
O'Brian (Patrick). Three Bear Witness, 1st edition, London: Secker and Warburg, 1952, a few light spots to endpapers, original cloth, dust jacket, slight toning to rear panel, light spotting to flaps, 8vo, together with The Road to Samarcand, 1st edition, London: Rupert Hart-Davis, 1954, endpapers renewed, original cloth, dust jacket, spine a little faded, a few tiny nicks, 8vo, plus Caesar. The Life Story of a Panda Leopard, by Richard Patrick Russ (i.e. Patrick O'Brian), 1st edition, London & New York: G.P. Putnam's Sons, 1930, illustrations by Harry Rountree, original cloth, 2nd issue dust jacket (with 2/6 price), slight fading to spine, small 4to QTY: (3)
Lot 366
Indian Army Frontier Force Officer uniform Tunic. A good rifle pattern example of beige melton cloth, the cuffs with Austrian knot decoration. To the front, five mohair gimp cord loops with loop and olivette (one absent) fastenings The back is also with cord edging and Austrian knot decoration. The plaited shoulder cords bear Captain’s rank insignia. Quilted cotton lining to the interior with tailors label Harman & Co Rangoon. Small moth holes. PAYMENT BY BANK TRANSFER ONLY
![Bible [English]. The Holy Bible containing the Old Testament and the New, Newly translated out of the originall tongues and w](https://cdn.globalauctionplatform.com/f2d55b0d-bea0-4ba1-96c5-af5f00b8a264/8c059cb8-14ff-4f00-98ba-af5f011e2ff1/468x382.jpg)
Lot 274
Bible [English]. The Holy Bible containing the Old Testament and the New, Newly translated out of the originall tongues and with the former translations diligently compared and revised by his Majesties speciall command. Appointed to be read in churches, London: Printed by John Field, one of His Highness's Printers, 1658, engraved general title incorporating view of London at foot (leaf slightly cropped at head and foot), letterpress New Testament title, text ends on Ddd 12b, occasional light damp stains and toning, bookplate of G. Chapman to upper pastedown, all edges gilt, early 19th-century gilt and blind decorated straight-grain red morocco, 24mo in 12s (10.8 x 6.1 cm) QTY: (1)NOTE:Herbert 664; Darlow & Moule 522.There are two distinct 24mo Bibles of 1658, which both bear J. Field's imprint. It is possible that, while one of these is really Field's production, the other is a foreign or pirated edition. But it is not easy to determine which is the 'genuine', and which the 'spurious' Bible. Text to the 'genuine' edition ends on Zz 12 b, and there is no Apocrypha. The Bible present in this lot is considered to be the 'Spurious' edition in the BM catalogue; though Fry and Lenox call it 'genuine.' It is more correctly printed than Nos 662 and 663; yet it has some of the same mistakes, e.g. Jer. ii. 26, chief for thief. Headline Hh 2 b, Jesaiah. Two varieties occur. This volume is variety A, with the words Appointed... on the general title. In variety B the title lacks the words Appointed... Unlike the other edition, the text in this volume ends on Ddd 12b and there is no Apocrypha (Herbert, Darlow & Moule).
![Chapbook. Captain Ross's Voyage to the North Pole, [London:] James Paul, & Co, Printers, 2 & 3 Monmouth Court, Seven Dials, [](https://cdn.globalauctionplatform.com/f2d55b0d-bea0-4ba1-96c5-af5f00b8a264/7d00cf44-1f21-4e57-a1d2-af5f011ea572/468x382.jpg)
Lot 466
Chapbook. Captain Ross's Voyage to the North Pole, [London:] James Paul, & Co, Printers, 2 & 3 Monmouth Court, Seven Dials, [cover-title], circa 1840, [8]pp., woodcuts throughout, second imprint at end: 'Printed and Sold by J. Catnach, 2 and 3, Monmouth-Court', original pictorial wrappers, stitching broken and corners slightly curled, some minor marks, slim 8voQTY: (1)NOTE:A delightful and very rare chapbook describing Sir James Clark Ross's Second Arctic voyage of 1829 to 1833. No other copies located.James Catnach (1792-1841) was a popular print publisher, specialising in broadsides and ballads. After he retired in 1838 his sister Anne Ryle ran the business with James Paul until the 1850s.The text reproduces a letter addressed by Captain Ross to the Secretary to the Lords Commissioners of the Admiralty, Baffin's Bay, September 1833. This letter had been published in various journals since 1833 but the 11 woodcuts (eight in the text and three on the outer wrappers) all appear to be original. (The woodcut on the upper wrapper is repeated on p. [4].) Most of the woodcuts are captioned: Iceberg, with a view of the Vessel being towed through the Ice; Shooting a Musk Ox at Melville Island; View of the Situation in which the Vessel was placed for nine months in the Winter Harbour; Perilous situation of the vessel; Placing Flag and Board as a Record at Cape Florence; Remarkable appearance of the Sun, Iceberg, Bear, Sea Unicorn [narwhal], &c.; One of our Company pursued by Bear.
Lot 646
Briggs (Raymond). The Snowman, 1st edition, London: Hamish Hamilton, 1978, colour illustrations, previous owner signature, original pictorial boards, folio, together with Rosen (Michael). We're Going on a Bear Hunt, London: Walker Books, 1993 small format reprint, colour illustrations by Helen Oxenbury, original pictorial boards, 8vo, inscribed to colophon "hello! Michael Rosen was here", plus Milne (A.A.) The House at Pooh Corner, 1st edition, London: Methuen, 1928, illustrations by E.H. Shepard, a few small fingermarks and small stains, Head's House Library label to front pastedown, top edge gilt, original salmon cloth gilt, spine faded and rubbed at ends, some fading and small stains to covers, 8vo, with 19 others illustrated including Carnival of Animals, illustrated by Kozo Kakimoto, 1973, The Snowman Pop-Up, 1986, Epaminondas, illustrated by Trina Schart Hyman, 1969, Monkey and the Three Wizards, illustrated by Michael Foreman, 1976, and Momoko and the Pretty Bird, illustrated by Chihiro Iwasaki, 1972 QTY: (22)
Lot 794
* Ross (Tony, 1938-). Horrid Henry, watercolour and ink, depicting Henry standing outside, the head of a teddy bear in one hand and the body in his other, signed to lower margin, mount aperture 21 x 15.6 cm (8 1/4 x 6 1/8 ins), framed and glazed (38.7 x 32.5 cm), together withHorrid Henry, felt tip and coloured pencil, on card, depicting Henry leaping in the air, a mischievous look on his face, signed lower margin, sheet size 25.7 x 20 cm (10 1/8 x 7 7/8 ins), mounted (30.5 x 25.2 cm) QTY: (2)
Lot 880
Greene (Graham). The Bear Fell Free, 1st edition, signed limited edition, London: Grayson & Grayson, 1935, signed by the author to limitation page, lightly spotted (slightly heavier to preliminary and rear leaves), original dark green cloth gilt, dust jacket, one small closed tear to rear panel lower margin, very lightly rubbed to extremities, 8vo, (limited edition, 212 of 250 copies) QTY: (1)NOTE:An excellent copy.
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93468 item(s)/page