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Lot 60
A collection of seven white metal chased child's rattles with composition teething rings, some in the form of Easter eggs, cat figure, and a teddy bear, a pair of Sheffield silver sugar nips and a pair of London Victorian silver sugar nips, a pair of Epns mother of pearl handled butter forks, a white metal butter fork and a sterling silver teaspoon (a lot)
Lot 10
Five Teddy Bears:- Alresford Crafts 1970's Rabbit (original clothes, label on bottom) and another Alresford Crafts bear (label on bottom), an Artist Bear by Thread Bears Limited Edition 3 of 3, mohair, glass eyes, fully jointed 24", a Tehidy Bears mohair bear, glass eyes 16" (label on back seam), and a Maureen's Ragamuffin bear, fully jointed 25", glass eyes, original clothes (label on bottom)
Lot 21
Six Teddy Bears:-Charnwood Bears Artist Bear Limited Edition 1/1 10" mohair, fully jointed, (label), another similar 14/25 fully jointed, mohair (label), Big Softies bears 20", mohair fully jointed 20" (label) and a similar 10". A Little Folk Limited Edition 1796/2000, fully jointed, plastic eyes, plush 22" (label) and an Artist Bear by Barbara Ann Bears (Alistair), mohair, fully jointed, glass eyes (label)
Lot 29
Five Teddy Bears:- Canterbury Bears (Jonathon) 21", fully jointed (label), another similar 133/500 21" mohair, growler (working), fully jointed (label), another similar 22", fully jointed (label), an Artist Bear by Ruben Bears Limited Edition 1/1, 21" mohair, Fully jointed, glass eyes (label) and An English Teddy Bear Co 1998, 11" mohair, fully jointed, (label)
Lot 179
A bear baiting advertising jar and cover, modelled as a large bear clutching a snarling dog between its forepaws, chained to a grassy base, a titled banner to one side inscribed Bears Grease, the head lifting as a cover, 29cm.Bear's grease was a popular treatment for male hair loss from the mid 17th century.
Lot 1025
Possibly by Steiff, the small Bear with black boot button eyes and stitched nose and mouth, the standing Bear mounted on metal wheels. 18.5cms high, approx 22cms long. *CR: The Bear is a little threadbare, otherwise in reasonable condition. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 1050
Including a large Teddy Bear 'Michael', CB114817, and with its name label (55cms high). Also with 'Mr Jingles', CB 173591, and Rhubarb & Crumble (1613 of 7000 made), with name labels and joined together. (4). *CR: Good condition. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 947
A small album with various Great Britain cards, St Ives, Bear Family Hotel (Military), Fishing Fleet Falmouth, Fowey, Bodenick, Lands End, Post Office Yatton Keynell, Sherborne Pageant, Burford Pageant, Aldeburgh (including life boat), Southwold, Chippenham etc. Also with a larger album with GB and foreign cards, Lacock, Bath, Stonehenge, Smedley's Hydropathic Establishment Matlock, and many more, and some loose cards. *CR: Mixed condition. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 951
A rare biscuit tin in the form of a pram, with a lithographed lid showing a baby holding a teddy bear, stamped underneath 'Huntley & Palmers Biscuits, Reading & London', 20cms long. Also with a Chubb money box, modelled on the Queens Dolls House, 11cms across. (2). *CR: See online images. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 954
A standing figure of a dancing Bear, with a ring through its nose and chain attached, with a clockwork mechanism which moves the head and legs (11.5cms high, 14cms long). Also with a clockwork model of a Kangaroo, the mechanism moving both legs (16cms high, 25cms long). Both working. *CR: Both working and with keys. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 96
Coat of arms; Spain, second half of the 17th century.Carved and polychromed wood.It shows damage caused by xylophages and flaws in the carving.Provenance: Private Collection of Luis García Berlanga.Measurements: 61,5 x 47 x 4 cm.Heraldic designs became widespread among the European nobility in the 12th century. Hereditary and systematic heraldry had been developed at the beginning of the 13th century. Exactly who had the right to bear arms, by law or social convention, although this law varied to some extent between countries. The earliest heraldic designs were personal, used by individual nobles, who could also alter their chosen design, although coats of arms became hereditary in the late 12th century, in England by King Richard I during the Third Crusade (1189-1192). In the late medieval period, the use of heraldic coats of arms spread to the clergy, to cities as civic identifiers, and to royal-authorised organisations such as universities and commercial enterprises. The term coat of arms originally refers to the surcoat with heraldic designs worn by combatants, especially in the knightly tournament, in Old French cote a armer. Although there is no common and predictable generalised regulation, heraldry has remained constant throughout Europe, where tradition alone has governed the design and use of arms.
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