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Lot 715

The Chelsea Pensioner, a small early Steiff teddy bear with brown mohair, black boot button eyes, pronounced muzzle, black stitched nose, mouth and claws, swivel head, jointed elongated limbs with felt pads, hump, inoperative side squeaker, small FF button and red silk long coat with seven military regiments cigarette silks stitched on and a ribbon with brass crown as neck —8½in. (21.5cm.) high (small bald spots to forehead and right check, slight general wear, small holes to pads) — sadly the history of this precious bear is unknown, but he has always worn this silk coat which resembles the Chelsea Pensioner’s, there seems to be no connection between the different regiments on the silks which are generally from the 1st World War.

Lot 716

A rare early Steiff teddy bear, with brown mohair, black boot button eyes, pronounced clipped muzzle, black stitched nose, mouth and claws, swivel head, jointed elongated limbs with felt pads, hump, inoperative growler and FF button with remains of white tag behind, circa 1910 —24in. (61cm.) high (bald spots to inside left leg, some general thinning and wear, missing some nose stitching) — this bear is known as Brunhilda and brown is probably the rarest standard Steiff colour; with 2007 catalogue where he appears as lot 42.

Lot 118

Germany 1941 Military Collaboration Legion French Volunteers against Bolshevism Michel 1 miniature sheet 24.10.19410 Polar Bear Sheet

Lot 148

9ct sapphire claw set yellow gold ring, 3.9gm, ring size M; 9ct sapphire and diamond band ring, 1.2gm; also a novelty 9ct stone set teddy bear pendant, 3.5gm, 32mm (3)

Lot 333

Doll, a teddy bear, silver plate, carved wooden items, a cast brass model of a lady, Carlton ware novelty teapots and other items

Lot 337

A collection of commemorative 50p coins to include a Paddington Bear coin and some Channel Island coins

Lot 436

A hardwood square shaped storage box with metal brackets, together with two contemporary candle centre pieces and a Jane Mason teddy bear print

Lot 263

BLACK SABBATH - PARANOID LP (ORIGINAL UK PRESSING - VERTIGO SWIRL 6360 011). Very tidy original UK pressing of the cracking 1970 LP from Black Sabbath. The record (large Vertigo swirl) is in Ex condition showing a few rather light and minor surface markings, none of which are ever of a heavier nature. 1Y//1 & 2Y//1 matrix endings. Complete with original British patent number swirl inner. The fully laminated gatefold sleeve (no 'Big Bear' credits) is in fantastic Ex+ condition - a top example, there is just some very minor wear to the laminate.

Lot 296

Three Royal Crown Derby paperweights, "Majestic Cat", "Alphabet Bear" and small cat, together with "Treasures of Childhood Fleur" and "Rag doll", "Spotty Clown" and "Striped Clown" (see illustration). CONDITION REPORT: The two clowns and two girls do not have any stoppers. Large cat gold. Bear copper coloured. Small cat gold.

Lot 3

A Japanese carved wood figure of a bear, with salmon in its mouth, late 19th/early 20th century, signed to the underside in Japanese. 36 cm wide, 21.5 cm high.

Lot 328

Four Royal Copenhagen animals, to include a polar bear cub Model No. 729, a small seated rabbit Model No. 4905, a seated pig Model No. 700 and a pair of lambs Model No. 2769, all with factory marks. Tallest 7 cm.

Lot 229

TWO PEARLWARE MUGS, ONE C1770, THE OTHER DATED 1799  the smaller painted in blue with a tablet inscribed BEER  flanked by stylised peonies, diaper border, the other attractively painted in ochre brown with the inscription NEW BEAR INN 1799 framed by husks, 9 and 15.5cm hSmaller mug, descending hairline crack, chip on foot beneath handle, staining of glaze. 1799 mug descending hairline crack, base cracked and stained, a large part broken out and restuck; some old staining of the glaze, no recent or processional restoration

Lot 18

A Gentleman's Lot. This lot includes collapsible tot cup in Morocco leather case, a tortoiseshell eyeglass in a leather pouch, miniature egg containing bowling pins, miniature blue john dish, match box containing a miniature scene of London's Piccadilly Circus, safety razor, walnut pocket watch box approx 18 x 12.5 x 4 cms, a Trench Art paperweight from a 4.5 Howr shell case dated 1916, bronze miniature bear, metal slide rule, Mordan & Co pencil, Platinine pencil with a small quantity of lead and a Terry's miniature spanner set. (14)

Lot 80

A "Pedlar Doll" Teddy Bear; the bear depicted standing holding a tray of sewing accessories. 

Lot 7

A MATCHED PAIR OF CHINESE PORCELAIN ROULEAU VASES, painted in underglaze blue with vignettes of a mother and child beside a lily pond and a father and son in a boat beneath willow and prunus trees, bear four character mark, 10" high (One Illustrated) (Est. plus 21% premium inc. VAT)

Lot 161

A quantity of Royal Doulton, Old Bear and Friends, Border Fine Arts etc.

Lot 300

Taxidermy study of a Newfoundland, leather collar, with brass roundel, bears inscription 'H Cunningham Polar Bear Exhibition'

Lot 1280

925 silver bear pin cushion

Lot 1641

Anita Harris signed Koala bear and Joey H: 14 cm

Lot 126

Five cast soft metal animal form pin cushions comprising a swan with hinged body, 14.5cm, a cat, 4.5cm, an ostrich stamped to base 'Made In Japan', 14cm, a bear, and an owl lacking legs, 6.5cm (5)

Lot 153

Nine pin cushions, comprising four soft metal examples, a kingfisher, 8.5cm., a bear, 8cm., a fox, 6.5cm., a shoe, 9cm., a Jerusalem olive wood vase form pin cushion, 9cm., a jockey cap pin cushion in green and brown silk, 7cm., a leather pumpkin, 2.7cm., a bone disc form example, 4.5cm., and a pierced paper hexagonal needle book, 5cm. (9)

Lot 460

A Georgian silver bodkin case of oval section and tapering, with bright cut engraved decoration, Birmingham 1789 by Samuel Pemberton, 8.2cm It is unusual to find a fully hallmarked example as the duty payable out weighed the value of the object most examples just bear a makers mark

Lot 264

MOTORING INTEREST, car mascot of white metal playful Teddy Bear, 3" height

Lot 272

BEAR CARVING, bear and fish carved wooden group, on stand, 10" height

Lot 409

A Rare Russian Hunting DaggerBy The Zlatoust Arms Factory, Dated 1899With bright nickel-plated single-edged blade (minor areas of rust patination) slightly clipped-back at the point and with a narrow fuller along the back on each side, both sides etched with a griffin and scrolling foliage framing the date above 'Zlatoust' in Russia on one side, and with a sportsman in a landscape aiming his gun at two birds on the other, hilt with ovoidal guard pierced to engage with the retaining clip on the locket and with barrel-shaped quillons engraved with a flower-head on each side, domed etched russet steel pommel-cap, and natural buckhorn grip, in original wooden scabbard covered in black leather with shaped steel locket and chape etched with sporting scenes framed by scrollwork and foliage, the locket including a bear on one side, and with ring for suspension; together with three Caucasian black leather suspension belts and straps for edged weapons, two with nielloed silver mounts, the other with nielloed silver-gilt mounts (4)19.7 cm. blade

Lot 76

Black Forest bear inkwell, height 7.5cm, Black Forest dog inkwell, Antique corkscrew etc

Lot 761

A Santa Claus ornament, a Merrythought Barnardo's Centenary Bear, and another

Lot 476

Straw-filled teddy bear, 37cm, another, and a Vintage toy Terrier

Lot 111

Two 1970s Robinson’s Golliwog boy’s shirts, one by Dauphin, the other by Nayytex; a plastic weighted Zebedee —13in. (33cm.) high; a Semco rubber head Yogi Bear; and a Worzel Gummidge and Aunt Sally doll

Lot 202

A Simon & Halbig for Kammer & Reinhardt child doll, with blonde sleeping eyes, pierced ears, blonde hair wig and jointed composition body —18in. (45.5cm.) high (three damaged fingers); and a post-war Chad Valley teddy bear (worn)

Lot 255

Collection of early 20th century dolls and a small carriage containing wooden bricks, the dolls include an Indian doll, a smaller Indian doll, two dolls in Western outfits, one African style doll and a teddy bear (8)

Lot 385

Taxidermy: A large brown Bear Head, with snarling mouth, label on reverse "The Jungle - Rowland Ward, Piccadily, London," approx. 51cms (20") high. (1)* CITES Applicable

Lot 388

Taxidermy: A rare early model Polar Bear Skin Rug, with head, (some damage) as is, w.a.f. approx. 67" (170cms) long. (1)* CITES Applicable

Lot 451

CHINESE PRUNUS DECORATED PORCELAIN, three items including a 30.5cms H cylindrical vase with flared collar, a 30.5cms H baluster vase, both bear double blue ring marks to the base and a 16cms H ginger jar and cover with underglaze blue four character mark

Lot 428

10th century AD. A Petersen Type R sword, shallow-fullered tapered blade with a width of about 5.6cm at the cross-guard; the point and edges well preserved with traces of battlefield use clearly visible along the length; the tapered fullers are 2.3cm at the cross-guard; a straight lower guard with silver-inlaid Ringerike Style three-strand interlaced bands; short tapering grip, pommel with narrow upper guard and five radiating lobes with bands of braided silver wire between the lobes, continuation of the inlaid silver ornament across pommel and guard. See Wilpert, J., Die Römischen Mosaiken und Malereien der Kirchlichen Bauten vom IV.bis XIII Jahrhundert, Freiburg, IV, 1916; Petersen, J., De Norske Vikingsverd, Oslo, 1919; Bjorn A., Viking Antiquities in England, with a supplement of Viking antiquities on the Continent of Western Europe, Oslo, 1940; Oakeshott, E. Records of the Medieval Sword, Woodbridge, 1991; Peirce, I., Swords of the Viking Age, Suffolk, 2002. 1.4 kg, 91cm overall (35 3/4"). Property of a Suffolk gentleman; acquired before 2000; accompanied by an academic report by specialist Dr Raffaele D'Amato. This sword has good parallels in various similar Viking age specimens. One very similar sword has been published by Petersen (1919, p.141, fig.113) and Peirce (2002, pp.96-97), found at Hedemarken, Norway, and dated also to the 10th century AD, being such typology diffused from 900 onwards (but not unknown before"). Like our specimen, the sword of Hedemarken presents on the guard and pommel interlace decoration, but entirely in copper, like the most swords of this category. Pommels of swords of type III Wheeler, have been found in England: one in Norfolk, currently in the Norwich Castle Museum; another in London, a pommel found in 1868 and currently at the British Museum (Bjorn, 1940, part 4, p.78"). Sometimes the swords of type R show also inscriptions on the blade, like the sword of Hedemarken. The inscription usually reads +ULFBERHT+, recalling the fabrica or workshop where this sword was produced, a Frankish one, located in the territories of the Frankish Kingdoms and then of the Holy Germanic Roman Empire restored by the Ottonians. This workshop was probably located in a region near the modern Solingen, in the Rhineland, beginning its activity in the late 9th century to produce fine blades of steel, like this one, without using the cumbersome and complex technique of pattern welding, that actual lettered inscriptions began to be inscribed upon blades (Oakeshott, 1991, p.5"). Some of the Ulfberht swords have well-made mono-steel blades using good quality high-carbon steel. Some evidence suggests that this steel was a crucible steel. The process for making this steel would have been unknown to northern smiths in the Viking age. The steel could have come through existing trade routes from Middle Eastern or Asian lands, where the process was known. However, the evidence for the blade material being crucible steel in Ulfberht blades is still not solid at this time. It may simply be well-made bloomery steel created using processes known also to Viking smiths. The evidence points more to a production inside Carolingian workshops. Indeed, notwithstanding such swords are classified as 'Viking; and bear Germanic decorations on hilt and guard, we should not forget that they were done in Central European workshops, and acquired by the Norsemen through booty, gifts to their leaders or commercial changes. To the hilts and pommels, the Viking craftsmen added their personal taste and decoration, like the one in Ringerike style. This is the reason why swords of such types are often visible in the hands of the Carolingian and Western Christian warriors in the iconography of 9th-early 11th century, as in the paintings of the Roman Church of Saint Clemens, representing the sacrifice of Abraham, dated to 847-855 AD (Wilpert,1916, pl.213"). The sword is in excellent condition and probably from an excavation. The slim, slightly boat-shaped cross-guard is flared at the ends and both lateral faces are entirely covered with embedded, scrolled and spiralled interlace, picked out in copper, inside the copper lines there is a further decoration with applied silver and the eye-catching effect is further enhanced by a series of small punch holes, especially on the pommel. The pommel and upper guard are decorated in a similar manner. This wonderful pattern in Ringerike style was made on the hilts of such swords by casting and chasing the sides of pommels and guards comprising copper-alloy decorative cross-pieces of interlaced pattern, punching them with minute dots and lines, usually terminating in a circle at each end, or panels of crossed circles along both sides. The cutting edges of our sword are not bearing traces of much honing, however, as in the Hedemarken sword, there are nicks in evidence indicating that this sword was a well-used weapon. Fine condition. A nice example of a well used sword.

Lot 460

Late 14th-early 15th century AD. A long Western European two-handed sword of German origin, the pommel, circular (type H1 or H2), is mounted on a guard and presents a latten inlaid cross within a circle, the cross guard style, curved, corresponding to type 1; the hilt is formed by a hand-and-a-half grip; the blade, tapering sharply, is of hexagonal section, well enough preserved beneath the smooth, richly dark patina of Goethite, with no significant pitting in any part, but the sides of the blade are showing strong corrosion and damage due to the actual use on the battlefield; the shallow fuller is running about one third of the length; beautifully balanced and ready in the hand. See J. Oakeshott, R.E., The Archaeology of the weapons, London,1960; Oakeshott, E., Sword in hand, London, 2001; Oakeshott, E. Records of the Medieval Sword, Woodbridge, 1991. 1.8 kg, 1.33m (52 1/2"). From an important private family collection of arms and armour; acquired on the European art market in the 1980s, and thence by descent; accompanied by an academic report by military specialist Dr Raffaele D'Amato. This sword has good parallels in various similar specimens (Oakeshott, 2001, fig.106), ranging from the second half of 14th century to 1450 AD. The pommel recalls at least two swords preserved in the Philadelphia Museum of Art, one of them presenting also a similar but less curved crossguard (Oakeshott, 1991, pp.161-162"). A third sword in the Philadelphia Museum shows instead a complete identical cross-guard (Oakeshott, 1991, p.164), but a completely different pommel. The blade is very similar to that of a specimen once in the Oakeshott collection, and now in the Nationalmuseet of Copenhagen (Oakeshott, 1991, p.160"). Swords of this type all have the same bladeform, but considerably varied hilts, and examples have been found all over Europe. Many survive; perhaps the finest of them all is one which was found in the River Cam, preserved now in the Fitzwilliam Museum in Cambridge (Oakeshott, 1960, pl.16c"). Another very important specimen, second only to the Cambridge example, with a similar blade but a totally different hilt was, at the times in which Oakeshott wrote his Archaeology of the Weapons, in a famous and very choice private collection in Denmark. This is one which was put in the Hall of Victories at Alexandria, presumably as a trophy, by the Mamluks. There are many such trophies, swords of Italian fashion and of fourteenth-century types, with Arabic inscriptions applied to their blades after being deposited in this Arsenal by the Mamluk Sultans of Egypt. Some were probably acquired as gifts from merchants or embassies from Genoa, Pisa or Venice, but others are undoubtedly the spoils of war, captured from Christian forces based on Cyprus. In 1365 one such force (under Peter of Lusignan, titular King of Jerusalem) made an attack upon Cairo. It was beaten off, and several swords bear witness to Peter's defeat. Type XVII is characterised by being, in first instance, a big 'bastard' sword, with no samples of short-grips. It was a long 'Sword of War'. The flat round/oval pommel appears here as in the most part of the samples of such category (the 75%), and because the pommel shape and decoration, the sword can still be included in the chronological framework of the second half of XIV century, without excluding the first half of XV century. The noteworthy element of this sword is its pommel with the inlaid cross. The presence of the cross suggests the belonging of the weapon to some military order of Chivalry. Considering that the Templars were destroyed at the time in which our sword was made, the main candidates could be the Hospitallers or the Teutonic Knights. Or even, the sword could have belonged to some warrior who decided to take part to the crusade expeditions against the Turks. Blade and handle is well preserved. Most probably our specimen is from a battlefield or a river find. The evolution of the armour, in the western Europe of 14th century, shows an ever-increasing amount of defensive pieces. With an increase in the effective use of archers and foot soldiers beginning early in the XIV century, the largely mail-clad mounted warrior began to show an unprecedented level of vulnerability. In response to this, quite logically, was to augment the typical defences of the early 14th century (a mail suit, iron helm, and early plate defences for the legs) with additional plates of iron on other parts of the body. These plates were strapped over the existing mail, adding protection, in varying amounts, to the upper extremities and the torso. While these changes may have added some level of protection against foot soldiers and arrows, they had the effect of rendering older-style cutting swords ineffective against anyone wealthy enough to afford one of these so-called transitional harnesses (the transition being between basically mail only and full plate harnesses"). The difficulty encountered in wounding someone dressed like this led other weapons to rise in favour, most notably impact weapons like the mace, axe, and war-hammer. This comported in a parallel way the change in the making of the swords, creating types like the XVII, which ranged from 1350 to 1425-1450 circa, with some specimen reaching even the dawn of the 16th century. The sword had to change to retain its effectiveness on the battlefields. To combat the armour of the time, it was necessary to make greater use of the thrust to find vulnerable gaps and joints in an opponent's defences. The flat lenticular cross-sections so popular on earlier swords were not well-suited to the thrust, since they gave the blade a necessary measure of flexibility to aid the cut. The wide tip sections needed for heavy cleaving were also an impediment to thrusting. Different cross-sections and blade profiles, therefore, needed to be developed to give the stiffness and the proper tip shape required for thrusting. This was the combination which gave life to the swords of this typology: swords with a pronounced hexagonal section to add stiffness to the blade, of hand-and-a-half proportions, to take advantage of the extra power and manoeuvrability given by the addition of the second hand to the grip. Fine condition, repaired. Very rare.

Lot 471

14th-15th century AD. An iron long sword of Oakeshott's Type XVII with broad two-edged blade (5.6cm at the shoulder), double fuller extending 38.5cm along each face, wide rectangular-section tang tapering at the upper end, capped with a biconvex octagonal-section pommel; guard with tapering round-section quillons; stamped unidentified maker's mark to one face of the tang, a grid of six squares; the blade shortened to 58cm in length and the end squared. See J Oakeshott, R.E., The Archaeology of the weapons, London, 1960; Oakeshott, E., Sword in hand, London, 2001; cf. Oakeshott, E. Records of the Medieval Sword, Woodbridge, 1991, item XVII.7 for pommel. 1.4 kg, 81cm (32"). Property of a Suffolk collector; formerly acquired on the European art market in the 1990s; accompanied by an academic report by military specialist Dr Raffaele D'Amato.The blade of the sword has been shortened from its expected length of around 75cm and the weapon has been described as an 'executioner's sword' on the basis of its altered profile. This sword belongs to the category which, in the Middle Ages, was referred as 'La Grant Espée d’Allemagne', or 'Great sword of Germany'(Oakeshott, 2001,p.90"). Oakeshott classified this type of swords as swords of type XVII (sub-category 7, 8 or 9"). Our sword is in fact, very similar to a sword recovered from the Lake of Neuchâtel (Oakeshott, 1991, p.165), but more similar to one in the British Museum, with identical pommel of type T2 (Oakeshott, 1960, p.314), the fuller of the blade and the cross-guard. In our specimen the point is missing, probably lost in action or cut deliberately. This suggests the possibility that the original fighting sword was transformed into an executioner's or justice sword, but it is improbable, as all the executioner's swords of late Middle Age have a flat blade without fuller and a round point. Another sword presenting similar characters is the one from Thames (Oakeshott, 1991, p.167), with a long ricasso below the hilt to enable the sword to be used for effective thrusting in close combat, while the left hand could be brought forward to grasp the blade below the cross, in order to shorten the length of the blade. Type XVII (Oakeshott, 1960, pl.16d) was perhaps the most frequently used sword during the period of 1370-1425. Its cross-section is usually hexagonal and very solid, sometimes with a very shallow fuller in its upper half. Many samples survive; perhaps the finest of them all is an example found in the River Cam, now in the Fitzwilliam Museum in Cambridge (Oakeshott, 1960, pl.16c"). Swords of this type all have the same bladeform, but considerably varied hilts, and examples have been found all over Europe. One which comes second only to the Cambridge example, with a similar blade but a different hilt was, in 1960, in a famous and very choice private collection in Denmark. This is the same sword as in the Hall of Victories at Alexandria, presumably a trophy, by the Mamluks. In 1426, the Mamluk Sultan Malik el Asraf Barsabay raided Cyprus, carrying off a number of swords which were duly inscribed, often more than ten years after their capture. Most of the surviving swords are from this time, being dated in the 1430s. Occasionally an actual date (in one instance A.H. 836 = A.D. 1432) was stamped upon them, but more often they bear simply a statement that they are the inalienable property of the Arsenal of Alexandria, together with the name of the Emir in charge of it at the time. As these people held the office only for very brief spells, it is usually possible to date the inscriptions quite accurately by the name. Most probably our specimen is from a battlefield or, most probably a river find. The piece is, notwithstanding the shortened blade, in excellent condition. With the type XVII, used between around 1360-1420, we see a sword designed for no other purpose than cracking into the plates of the armours. Type XVII always has a long hand-and-a-half grip, and a very stout blade of hexagonal section, occasionally with a shallow fuller, and often very heavy and always very rigid. The Type XVII was designed in an attempt to allow the sword some use against the increasingly prevalent plate armour of the period. In many ways, a Type XVII is more of an impact weapon designed to crack armour or provide blunt force trauma than a cutting weapon. The blade is long, stiff, and triangular in profile, with a hexagonal cross section – more of a very long spike with a handle, than a sword. The handle always with a hand-and-a-half grip. The mountings of the swords of type XVII may have lead Oakeshott to refer to such swords as a 'rather boring type'. Most samples seem to fall into two groups: the Sempach family of swords, so called because the two swords in this category belonged to two knights killed at the battle of Sempach, in 1386 AD. These swords possessed scent-stopped pommels of type T2 (like our specimen) but curved cross-guards of stile 1a (Oakeshott, 1960, p.323, fig.9"). Swords of the other group usually have oval pommels, wide, and crosses of either Style 1 or Style 6. A handful of other examples don't fit into either group; these typically have other forms of scent-stopper pommels or other forms of wheel pommels. Our sword seems a melée of different types, what it is perfectly conceivable. Very often, in the modern world, we think that the ancient objects were created in the shape they were discovered in, and that, except for some small modifications, they are preserved now in their original form. This is not correct, especially for the weapons used in battle: they were restored, repaired, details such as cross-guards and pommels were often changed, with later repair or additions, or transformations for different use. Although the sword was mainly the knightly weapon par excellence, its conception and use changed over centuries. During the period concerned here, the sword was a versatile weapon. From the 14th century onwards, the sword began to be used not just as a battlefield weapon, but also as a civilian weapon. Starting in Germany and then Italy, sword masters such as Johannes Liechtenauer (14th century) and Fiore dei Liberi (c. 1340s-1420s) trained students in the use of the sword, not on the battlefield but in the judicial duel against unarmoured and armoured opponents. This too required a sword that could both cut and thrust. Fine condition; blade shortened.

Lot 591

11th century AD. A bronze D-shaped stirrup mount of Williams's Class B with ferrous studs and ledge to the reverse, high-relief interlaced serpent design with head above the lower edge. See Williams, D. Late Saxon Stirrup-Strap Mounts, York, 1997. 37.9 grams, 41mm (1 1/2"). From an old North Country collection; formed between 1970-2000. The mount is not included in Williams's study of Anglo-Scandinavian stirrup mounts, which is now more than twenty years old. However, it is evidently an example of Class B, while lacking the bear-mask and openwork features. Fine condition.

Lot 344

12 unboxed Steiff bears which includes Noel Christmas Bear, Hope, Memories, Hannes, Winnie The Pooh etc, mostly come with certificates (12).

Lot 345

7 boxed Steiff bears; The Steiff Story, Henry VIII, Diana 50th Birthday, Queen Elizabeth Jubilee, Queen Elizabeth Golden Jubilee, Queen Elizabeth Coronation, Prince William,  all bears (apart from The Steiff Story bear) come with certificates and 6 drawstring bags (13).

Lot 346

10 unboxed Merrythought bears which includes Johnny, Christopher Robins Bear, Archie etc, mostly come with certificates (10).

Lot 347

11 unboxed Steiff bears which includes Bear Of The Year 2015, 2016, 2017, Romy x2 etc, mostly come with certificates (11).

Lot 21

A sterling silver whistle with bear head pattern terminal, 3.5ins overall, stamped "925 sterling", and an Edward VII silver chain Albert (gross weight 1.3ozs)

Lot 10

Royal Doulton 'The Winnie-the-Pooh Collection', twenty-three figures including Christopher Robin and Pooh, More it Snows, Piglet and Violets, Summers Day Picnic, Eeyore Loses a Tail, etc, and a Gabrielle limited edition jointed bear with Royal Doulton miniature, all boxed. (Qty: 23)

Lot 193

Brown Forest type carved bear, other objects and small ceramics.

Lot 50

Royal Doulton 'The Paddington Bear Collection' ten figures to include Paddington Bear Gardening, Surfing (x3), Bath-time, Bakes a Cake, etc, all boxed. (Qty: 10)

Lot 84

Fifteen figures, Royal Doulton, Beswick and Royal Albert, including Rupert the Bear, Big Ears and Noddy, Bunnykins and Beatrix Potter characters, al boxed.

Lot 362

Four Boxes Containing Various Ceramic Ornaments, Souvenir Thimbles, Teawares, Dinnerwares, Teawares, Teddy Bear Collection Ornaments, Porcelain Dolls etc

Lot 890

FIVE LIMITED EDITION HALCYON DAYS ENAMEL WHINNIE THE POOH BOXES, to include a boxed Bonbonnieres No 537, a boxed musical box 'You are My Sunshine' No 455/500, 'A Bear and his Honey' No 330/750, 'Tiggers Don't Like Honey' No 660/2500 and 'Just a Smackeral Higher...' No 1127/2500 (5)

Lot 397

A QUANTITY OF ASSORTED TOYS AND GAMES, to include two unmarked golden plush teddy bears, both with some wear and damage, Church Mission Society Loaf Moneybox, Mickey & Pluto tin tray (s.d.), Yogi Bear Xylophone, boxed Merit Driving Test game, boxed Tri-ang Skittles game, boxed Tri-ang Check Lines game, boxed Palitoy Revocopter, boxed Marx Tip the Birdie, boxed Marx Bullseye Pinball game, Airfix Betta Bilda set, etc, contents not checked, boxes damaged (two boxes)

Lot 541

A GABRIELLE DESIGNS PADDINGTON BEAR, red duffle coat, grey hat, blue Dunlop Wellingtons, missing card label from pocket, coat and hat have fading and wear, Gabrielle Designs label to back seam, height approximately 49cm, with a Merrythought for Harrods Monkey, brown nylon fur, cream plush face (some fur loss and wear), cloth ears, hands and feet, label to sole of right foot, height approximately 55cm (2)

Lot 543

A GABRIELLE DESIGNS PADDINGTON BEAR, green duffle coat, faded yellow hat, yellow Dunlop Wellingtons, complete with card label to coat pocket, Gabrielle Designs label to back seam, height approximately 49cm, with two Pedigree Wombles, Orinoco & Wellington, height approximately 28cm, composition doll, nape of neck marked P88/50?, some minor damage and wear, in need of re-stringing, with two boxed Alps plastic clockwork 'Happy Hillbillies' toys

Lot 550

A PEDIGREE GOLDEN PLUSH MOHAIR TEDDY BEAR, plastic eyes, vertical stitched nose, jointed body, original velour pads, no claw, Pedigree 'Made in Ireland' label to seam at top of back, so dates from 1955 or later, height approximately 47cm, woodwool and Kapok filled, some minor fur loss and wear

Lot 551

A LARGE TARA TOYS GOLDEN PLUSH TEDDY BEAR, plastic eyes, vertical stitched nose, jointed body, original brown felt pads, no claws, worn, 'Made in Republic of Ireland' label to top of left foot pad seam, woodwool filled, working growler, some fading, fur loss, wear, repairs and damage, height approximately 83cm

Lot 1043

A LARGE LIMITED EDITION DEANS RAG BOOK CO LTD TEDDY BEAR, 'Marcus' No 65/1500, with growler, fully jointed, height 56cm

Lot 1044

A BOXED SPECIAL EDITION 'PADDINGTON BEAR' TEDDY BEAR, No 240/5000, with certificate, height 38cm

Lot 1109

TWO BOXES OF ASSORTED ITEMS, including an Asquiths Collectors growler bear, a gold painted West Highand white dogs trinket dish, a cold painted bird, various cameras (mostly cased), Primus Magic lantern slides, Caithness 'Double Harlequin' paperweights, enamel USA American football player wall plaque etc

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