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Lot 238
MICHAEL HORDERN Voice of Paddington Bear signed 5x3inch black and white photo and handwritten note. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Lot 687
Star Wars. Star Wars-Rogue Planet 1st edition hardback book by Greg Bear. Published in 2000. spine and dust jacket in good condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Lot 356
Four Royal Crown Derby paperweights, Scottish Teddy, School Girl Teddy, Scottish Teddy Frazer and School Boy Teddy, all gold stoppers and boxed; together with three Royal Crown Derby miniature bear groups, Bear Hug, Daddy and George and Coalition, all boxed, (7) Condition ReportAll are in good condition, some of the boxes may not be the correct ones.
Lot 39
A Pair of Diamond Solitaire Earrings, the old cut diamonds in white four claw settings, total estimated diamond weight 0.60 carat approximately, with post fittingsThe earrings are in good condition. They bear no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the diamonds are; colour I/J/K, clarity I1/I2/I3. Gross weight 1.4 grams. CR made 25.11.22.
Lot 202
Robyn Graham Knotty, 2023 Watercolour, acrylic and gesso on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About In paintings ranging from loose representations of nature to entirely abstract, Robyn Graham takes reference from everyday tapestries and the casual adornments of our immediate surroundings. Repetitive compositions bear comparison and act as an invitation to the viewer to reminisce on memories evoked by the physical furnishings or decorative textiles that were once present in their lives. Often overlooked and eventually disregarded the materials that created curtains, tablecloths and bedsheets were ever-present during conversations and relationships, are at the forefront of her work. Both her paintings and drawings a nostalgia for the security and comfort, that these embroidered surroundings once offered. Education BA (Hons) Fine Art, Chelsea College of Art and Design, University of the Arts London, London (2012-2015) Select Exhibitions/Awards In Flower Beds, Hweg, curated by Joe Lyward, 34 Causewayhead, Penzance TR18 2SP, UK (2023) Patterns, Le Cabinet de Curiosités, curated by Paul Trigoust and Frederic Galliano, 33 Rue Auguste Comte, 69002, Lyon, FRANCE (2023) Some kind of delicacy, ok, goodbye gallery, North Acton, London, UK (2022) Les Danses Nocturnes, eastcontemporary, Curated by Agnieszka Fąferek and Julia Korzycka, Entrevaux, FRANCE, 14/07 - 31/10 (2021) Misc. New Painting, London: A Brief Survey, Queensrollahouse Gallery, North Acton, London, UK (2020) Contemporary Paintings and Prints, East Dulwich, 115A Gallery, London, UK (2020) From My Friends (with a little help), vol.2, Houseguest Gallery, Curated by Benjamin Cook, Kentucky, USA (2019) Let Me Know Before You Arrive, Warbling, Bethnal Green, London, UK (2018) Marching Through the Fields, Warbling, East Dulwich, London, UK (2018) LewisPr Annual Exhibition, 1 Place d'Estienne d'Orves, Paris, FRANCE (2016-17) Don't Touch, Brodsgaard, Curated by Julie Brødsgaard Guldbrandsen, Chelsea, London, UK (2016) Clyde&Co Award Exhibition, Clyde&Co, St. Botolph Building, London, UK (2015-16) Undergraduate Summer Show, Chelsea College of Art, London, UK (2015) Between This Wish and That Wish, Konstfack, Stockholm, SWEDEN (2014) Miscellaneous, Pop-up Exhibition, Elephant & Castle, London, UK (2013) Prizes and Nominations The Clyde & Co Art Award Nomination (2015) Kupambana Art Prize Winner (2015) You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 153
A Roman pale aubergine glass hexagonal flask Circa 2nd-4th Century A.D.11.7cm high Footnotes:Provenance: Anonymous sale; Christie's, London, 25 November 1997, lot 76 (part lot). The Nico F. Bijnsdorp Collection (NFB 062b), acquired from the above sale. Published:J. v.d. Groen & H. van Rossum, Romeins Glas uit Particulier Bezit, Utrecht, 2011, p. 108.Exhibited:Thermenmuseum, Heerlen, NL, 'Romeins Glas uit Particulier Bezit', 29 April – 28 August 2011, exhibition no. 200.The moulded cross-hatched design on the underside of the base of this flask may be regarded as either as the glassmaker's mark or that of the merchant who traded its original contents. The colour of this bottle might suggest that it is a later piece, although prismatic square and hexagonal bottles of the 1st-2nd Century A.D. are more likely to bear Latin or Greek inscriptions or decorative motifs on their bases.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 198
* PETER HOWSON OBE (SCOTTISH b. 1958), NIJINSKY limited edition giclee print on canvas number 1/100unframed.overall size 103cm x 69cm Note: Scan of Certificate of Authenticity issued by The Third Step Gallery is available to the buyer. This print has also been authenticated by the Peter Howson studio (June 2023).Note 2: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.See ''Peter Howson'' by Robert Heller page 90. Of Howson's ''Nijinsky'' the art critic Peter Jenkins wrote ''Nijinsky I see as an heroic figure: clumsy yet nimble, his macho prance is a dance of defiance; his leaden, booted feet may hold him down but his head is in the clouds, jaw jutting like a dancing bear, he is a noble beast made an object of derision. We may see something of the tragic predicament of the individual in the twilight of the gods''. Heller describes Howson's ''Nijinsky'' as ''vastly powerful''.
Lot 1562
Large White Plush Teddy Bear, joints to neck, arms and legs, heavy, solidly packed filling, probably wood shavings but not visible, generally in reasonable condition; made to more human proportions than many bears, this bear has a mid 20th century feel and would make an excellent display piece; 28 inches (70cms) high
Lot 1563
Vintage Probably Early Merrythought Teddy Bear, a very attractive golden plush teddy bear with disc joints to neck, arms and legs, clear to light brown glass eyes, and black stitched nose and mouth; the plush in generally very good condition with a small patch of wear to the upper body and some wear to the face; the narrow pads to the front paws, often seen on Merrythought bears, and the ovoid pads to the back paws with some holes showing the wood shaving filling; an attractive bear with a characterful face, 12.5 inches (31.25cms) high; no label
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