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Lot 71
Collection of ten teddy bears by Herman Spielwaren, comprising Little Blue Bell LE 1/50, Queen Mum 100th birthday LE 2/500, Queen Elizabeth II 90th birthday LE 52/500, Titanic Memorial LE 167/250, The Red Baron LE 197/250, Buffalo Bill LE 9/500, Der Struwwelpeter LE 380/500, Artist Bear LE 7/100, White Rabbit LE 66/100, The Brain LE, 398/500, (10),
Lot 452
A 9ct gold top wind open-faced pocket watch, 47mm diameter, with a white enamel dial, black Roman numerals, blued spade hands and subsidiary seconds dial, with gold cuvette, case no. 17176, import hallmark London 1919, 62.78gCondition report: Currently running. No guarantee as to timekeeping or continued running.Crown winds and hands set.Inner dust cover is hallmarked 9ct gold, does not bear any inscription.Some minor scratches to perspex.Some hairline cracks and other marks to dial.Surface marks/scratches to case.A couple of dings to the case back and case sides.
Lot 150
Chipperfield Circus Corgi Toys, 426 Booking Office, 1121 Crane Truck, 1123 Circus Cage (2), one boxed, with three Polar Bear figures, 1130 Horse Transporter with six horses, 487 Parade Vehicle, 503 Giraffe Transporter with two giraffes, GS19 Elephant Cage on Trailer, spare metal Land Rover tilt, F-VG, box P (9)
Lot 261
GERALD BENNEY: a silver and 18 carat gold boxLondon 1965, impressed 'MADE BY GERALD BENNEY LONDON', also incuse number 41, Elongated rectangular form, the hinged cover with a bark-effect textured surface, formed with fourteen gold narrow bands between silver rectangular panels, all within a narrow gold border, the sides with vertical bark-effect textured surface, a smooth silver footed rim, the interior and underside lined with dark-green leather, length 29.7cm, weight 20oz.Footnotes:ProvenanceBonhams, London, Knightsbridge, The Family Reserve Collection of Gerald Benney, 1st December 2010, lot 663.ADRIAN GERALD SALLIS BENNEY CBE RDI (1930 - 2008) Gerald Benney was one of the most outstanding and influential British goldsmiths of the 20th century. During a career spanning more than 50 years, he was the first British craftsman to hold four Royal Warrants simultaneously. As well as designs in silver, in his early years Benney also used other materials to design a range of products including clocks, lamps and prams. His work can be seen in many collections worldwide, including those of the Victoria and Albert Museum and Goldsmiths' Company. Born in Hull, Yorkshire in 1930. His mother, Aileen, was a talented silversmith and his father, Ernest, was Principal of Brighton College of Art. Young Gerald attended Brighton College of Art from 1946-1948, he studied design and craft under the tutelage of Dunstan Pruden. After two years National Service with the Royal Army Service Corps he went to the Royal College of Art to study under Professor Robert Goodden. He excelled and, in 1952, a four-piece tea service and tray secured him the Prince of Wales Scholarship. It was at the RCA that Benney met fellow designers and silversmiths David Mellor and Robert Welch, between them they were to revolutionise Post-war silver design. During his last term at the RCA, Benney found his first workshop at Suffolk House, Whitfield Place off the Tottenham Court Road in London. Early in his career Benney discovered, by accident, the distinctive surface texturing of silver that was to become his signature. He inadvertently used a hammer with a damaged head while producing a cup and liked the effect. This surface texturing soon became known as 'Benney Bark Finish'. The finish was widely imitated and dominated contemporary silver design for almost two decades. Its success was, not only, for its new contemporary look but, also for the practical reasons that it almost eliminated tarnish and fingerprints. In 1963, Benney moved to Beenham House near Reading and it was here that he decided to develop the use of enamel to further embellish his silver objects and designs. He realised that he would need to learn the skills from established artisans. His first steps, in 1968, were to travel to Zurich to find an enameller who worked for the house of Burch Korrodi. By chance, he came across the Norwegian Berger Bergensen who, not only continued to practise the art of enamelling for Burch, but had also worked for Karl Fabergé's great rival Bolin. Bergensen was persuaded to come to Britain and instruct the Benney work force all he knew about enamelling: Alan Evans and Robert Winter became the most notable master enamellers for Benney. Though it took several years to master the craft, the Benney studio refined and mastered the art of enamelling to the extent that they were able to decorate larger surface areas than Fabergé. There is little doubt that they went on to be one of the world's foremost modern enamellers. In 1969, Benney moved his London studio to Falcon Wharf, Bankside where he eventually employed 22 people. Four years later, he moved his workshop to warehouses in Bear Lane, Southwark and, in the same year, The Goldsmith's Hall held a major retrospective of his work. A year later, 1974, Benney received his first Royal Warrant from by Her Majesty The Queen, followed a year later by those of her late Majesty, Queen Elizabeth, The Queen Mother and His Royal Highness The Duke of Edinburgh. In 1980, Benney received an unprecedented fourth Royal Warrant from His Royal Highness The Prince of Wales. It is interesting to note that besides running his own silver studio, Benney held several other design posts, between 1957 – 69 he worked as a consultant designer for Viners. He worked on domestic pieces for production in silver, pewter and stainless steel. Particularly successful were his designs for flatware and cutlery in stainless steel. In 1971, he was awarded Royal Designer for Industry and, from 1974 to 1983, he was Professor of Silversmithing and Jewellery at his alma mater, the Royal College of Art. In 1993, together with his son Simon, Benny opened a shop at 73 Walton Street, Knightsbridge, London and two years later was awarded a CBE.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1033
A Lladro model of a Bassett Hound chasing its tail, 21cm long approx, together with a Lladro vase with relief moulded and painted decoration of birds amongst leaves, 25.5cm tall approx, also together with a Royal Crown Derby paperweight in the imari pattern - Polar Bear Cub Standing, 10cm approx (3)
Lot 1514
Three carved timber figures of dogs including a whippet, 49 cm and smaller, a vintage googly eyed carved timber dog spporting two clothes brushes, 25 cm high, and a large quantity of miscellaneous animal related objects to include bear, cats, dogs, mice etc in carved timber, ceramics, etc (a collection)
Lot 265
Four paintings from an album depicting tradespeople, entertainers and fakirs Punjab, circa 1851-60watercolours on paper, three paintings watermarked Lumsden & Son 1851, margin rules in gold, red and blue, numbered 23, 37, 49 and 58 in lower right corner 185 x 220 mm.(4)Footnotes:The paintings depict: a dervish with a Sikh man smoking a hookah; a man wrestling a bear; an entertainer with performing monkeys; and two men operating a still for alcohol.For other paintings from the same album, see, most recently, the sale in these rooms, Bonhams, Islamic and Indian Art, 11th June 2020, lot 238.For further information on this lot please visit Bonhams.com
Lot 268
A fine album of sixty paintings, depicting rulers (including Maharajahs Ranjit Singh and Duleep Singh), monuments (including the Golden Temple at Amritsar), and a wide range of tradespeople Punjab, perhaps Peshawar, circa 1851-55watercolours on paper, many sheets watermarked Lumsden & Son 1851, margin rules in gold, red and blue, front flyleaf inscribed H. H. Hodg...[?], To his afft. friend, W. Dunlop, January 1st/55, Peshawar, and later inscribed Agnes Grace Slocock, Goldwell, Newbury, contemporary embossed binding with a central panel containing stylised foliage surrounded by a border of stylised floral motifs 235 x 193 mm.Footnotes:ProvenanceA certain W. Dunlop, from 1855.A. G. Slocock, Newbury.Private UK collection.The subjects are as follows, in order:Maharajah Ranjit Singh.Maharajah Duleep Singh.Maharani Jindan Kaur.Maharajah Gulab Singh.Tej Singh.Shere Singh.Dost Muhammad Khan, ruler of Afghanistan.An Afghan ruler, perhaps Sher 'Ali Khan, son of Dost Muhammad Khan.Sher Singh Atariwala.The Golden Temple, Amritsar.The Mausoleum of Jahangir, Lahore.The Golden Mosque, Lahore.The Badhshahi Mosque, Lahore.The tomb of Ranjit Singh.The Mausoleum of Jahangir, Lahore.An archer and a porter.A man wrestling a bear.A ploughman and his wife.A woman churning milk.A weaver and his wife.A sepoy drummer and rifleman.Two sepoys shouldering arms.A seller of vegetables.A woman selling pottery.Two women carrying baskets.Two fakirs holding prayer wheels.A man with his performing monkeys.Three musicians and a nautch girl.Two fakirs smoking hookahs.A man driving an ass, accompanied by his wife carrying a basket.A carpenter and a porter.A doctor with a sick patient.Two fakirs cutting themselves with knives.An akali and his wife and child.A weaver and his apprentice.Two weavers.Two armourers making tulwars.Two men smoking hookahs watching a tradesman with a pestle and mortar.A barber at work.A man tending a distillery, with a solitary drinker.Two butchers.A fakir and his son dressed in tiger skins.A bhishti (water-carrier).Two sellers of textiles.A man with a hookah, and a dervish with his crutch.A man driving a heavily-laden ox.Two men preparing kebabs [?].A man stirring or grinding the contents of a bucket with the help of a blinkered ox.A village waterwheel turned by oxen.A dyer of cloth.A male and female weaver.Two fakirs with self-punishing implements.A cobbler and his wife at work.A female acrobat accompanied by a drummer.A large millstone being turned by oxen.Two men charming a cobra.Two metalworkers [?].A woman carding wool.A male wool-carder and his female assistant.For further information on this lot please visit Bonhams.com
Lot 280
A COLLECTION OF MODERN COPIES OF MILITARY RIFLE BAYONETS, etc, consisting of five identical bayonets with scabbards one of which bears an identifier 'Century Swiss', they bear the following serial numbers, W454021, W438504, W45483, W119408 and W207139 - it is believed these were made for the SIG Stgw, 57 Wegner, a copy of the Sykes Fighting Knife and scabbard, a Machete and scabbard marked 17-9944 1993, an unnamed bayonet and scabbard, a military style knife in scabbard with canvas belt attachment, a bayonet and scabbard marked AK-47 CCCP, hand axe marked Estwing No 2, a Machete in canvas cover marked CL318, a bayonet without sheath similar to that fitted to the FN SLR, three leather frogs marked respectively E Egger Walckirch, J Peter Chur, W Kauz Selzach, all these items are in excellent condition (PURCHASER MUST BE 18 YEARS OR OVER)
Lot 292
A 16 BORE FLINTLOCK REVENUE CUSTOMS SERVICE ISSUE PISTOL CIRCA 1800, fitted with a round flat topped 6 inch barrel which bear no visible proof marks and which is attached to the stock via a single unprotected wedge, its lock is fitted with a looped cock and bears the makers name Barnett, its frizzen spring is fitted with a roller bearing and the lock is attached to the stock with a single bolt inset into a protective cup, the Barnetts were a dynasty of London Gunmakers however Thomas Barnett their founder just prior to 1800 gained a Royal Government contact to make flintlock musketoons and flintlock pistols for the Revenue Customs Service, this pistol is identical to those made at the Tower Arsenal and undoubtedly originates from that contract, it is fitted with a swivel mounted integral ramrod and its walnut stock has a rounded but terminating with a flat brass oval butt plate, its lock fails to hold on either half or full cock and its sliding safety catch is missing
Lot 354
SPORTING INTEREST, a box of framed prints and photographs and twelve framed prints and posters, including boxing, football and horse racing, some music and films interest, many pieces bear signatures (box and loose)Condition: COA with Bombardier Billy Wells Autograph, hand written note in faded ink, Bombardier Billy Wells dated 24-4-15
Lot 533
A Sunderland copper lustre ware mug, early 19th century, the body with relief moulded scrolling polychrome floral motifs, the spur handle with scroll terminal, 8cm high (at fault), with three further copper lustre mugs, each with relief moulded floral motifs against a solid ground, and a silver lustre jug depicting a dancing bear, 10cm high (5) For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
Lot 7
Artist: Morris Berman (American, 1910 - 2002). Title: "Y. A. Tittle Toppled". Medium: Gelatin silver print. Date: Composed 1964. Printed later. Dimensions: Image size: 10 x 8 in. (254 x 203 mm).Lot Note(s): Stamp signed and estate stamped, verso. Very small edition. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Fine condition. Provenance: Morris Berman Estate. Comment(s): Please note that our example is an original gelatin silver photograph printed later by the Morris Berman estate. All photographs of this image should bear photographer and/or estate stamps. If not, they violate copyright laws and are not originals. Photographs by Berman rarely appear on the market. His editions were tightly controlled, sometimes printed only for family and friends and to give as gifts. This iconic photograph, a seminal image that changed the way photographers looked at sports, is the artist's best known work. "Y.A. Tittle Toppled" is the winner of numerous awards, has been included in collections of the best sports photographs of the 20th Century, and now hangs in the National Football League Hall of Fame in Canton, Ohio. Image copyright © Morris Berman Estate, c/o Stanford Auctioneers, Inc. [20755-2-400]
Lot 17
A selection of assorted Crown Derby, comprising three Mikado pattern dessert plates, D21.5cm, a Blue Aves pattern dish, a small Red Aves beaker, a Gold and Red Aves twin handled soup bowl with heraldic border, a small Royal Antoinette pattern plate, small commemorative dish, and a paperweight modelled in the form of a teddy bear (lacking stopper). - Condition Report
Lot 74
Matchbox Models of Yesteryear - 52 boxed Matchbox MOY from Y13-Y19, in woodgrain, straw and red boxes containing several interesting variations. Lot includes Y13 Stutz Bear Cat in Cream and Red with Red Seats and door tops; Cream and Red with cream door tops; Y14 Era - made in China and made in Macau versions; Y15 Packard Victoria gold body and bright red grille; Y16 Mercedes in Blue with grey side panel; Y19 Auburn in cream body with red solid wheels black tyres and similar. Models appear to be in Mint condition in boxes ranging from Good - Mint condition with minor storage wear and tear. (2)
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93108 item(s)/page