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Click here to subscribeSamuel Howitt (Nottinghamshire 1756-1822 London)A polar bear signed 'Howitt' (lower right)watercolour on paper10.8 x 15.7cm (4 1/4 x 6 3/16in).Footnotes:ProvenanceWith J.S. Maas, London (according to a label on the back).Private Collection, UK for at least 20 years.For further information on this lot please visit Bonhams.com
BLACK SABBATH/ OZZY - LPs. A superb pack of 16 LPs by Black Sabbath/ Ozzy. Titles include Headless Cross (EIRSA 1002, printed inner and insert. Record VG/ sleeve VG), Paranoid (6360 011, Large swirl. No Big Bear. Record is Poor condition. Gatefold sleeve VG), S/T (NEL 6002), Sabbath Bloody Sabbath (WWA 005), Sabotage (NEL 6018), Master Of Reality (NEL 6004), Vol4 (NEL 6005), Heaven And Hell (9102 752), The Eternal Idol (VERH 51), Live Evil (SAB 10), Greatest Hits (NEL 6009), Technical Ecstasy (9102 750), Never Say Die (9124 101), Born Again (VERL 8), Live At Last (BS001) & Ozzy Osbourne - Blizzard Of Ozz. Condition is generally VG to Ex.
70s/ 80s - ROCK/ POP - LPs. An extensive selection of around 150 LPs. Artists/ titles include Richard T Bear - The Bear Truth, Rod Stewart/ The Faces - Live: Coast To Coast, The Guess Who, Billy Joel inc 52nd Street. Skyband, Elton John inc Goodbye Yellow Brick Road, Honky Chateau. Robert John, Nick Lowe inc Jesus Of Cool, Labour Of Lust. Alan Price - Between Today And Yesterday. Brother To Brother, Hall & Oates, Supertramp inc Famous Last Words, Breakfast In America. Gary Wright, Steve Forbert, Stephen Bishop, Ronnie Milsap, Exile, Blue, Abba inc Voulez-Vous, Super Trouper. Suzi Quatro, Mac Davis, Billy Swan, Kiki Dee, Captain & Tennille, Tom Johnson, The Nolans, Leo Sayer, Bee Gees, Dr Hook. Condition is generally VG to Ex.
Six assorted contracts for events at the Marquee Club London circa 1960s, all signed either by relevant artist or by management. Contracted artists inc: Aynsley Dunbar, Brian Auger Trinity, Keef Hartley, Atomic Rooster. Two contracts bear original Bryan Morrison Agency compliments cards stapled to contract.
BLACK SABBATH - VERTIGO SWIRL LPs. Rockin' pack of 3 x original/early UK pressings of these classic LPs from Black Sabbath. Titles are Paranoid (to include original large swil 'big bear' credit copy, 6360 011 - note the record is in G+ condition with a number of surface marks and some light feelable scratches/VG solid sleeve with some scuffs and creasing though no splits/rips or tears, also with small swirl UK RE, same cat. - superb glossy Ex+ record/VG no big bear sleeve with noted ringwear/creases) and Black Sabbath (small swirl RE, VO 6, 847 303 VTY - nice Ex record with a couple of light and minor surface marks/Ex some very minor corner wear, otherwise superb).
Two snowboards and a t-shirt, all part of NAD promotional efforts. From the collection of NAD guitarist Rat and in his words: "The White 5150 Board was from MTV BoardAid on Bear Mountain California, a show that I didn’t make but Tank (Manager) grabbed me one of the boards they were handing out. The Blue NED’s board made by the legendary ‘A.’ company was a competition prize that included flights to LA I believe. Brown ‘Gutted’ T-Shirt is associated with this’. Fantastic error on these boards and the artwork is the wrong way around. The Blue should have been the base and the white the top of the board."White 5150 Board - Approx Length - 148cm / Approx Width - 26cmBlue 'A.' Board - Approx Length - 153cm / Approx Width - 25cm
A pair of mahogany hall chairs, c.1770-1775, in the manner of Mayhew and Ince, each oval back painted with a crest, over open arms above a solid seat, raised on fluted tapering legs,63cm wide63cm deep96cm high (2)The crest shown on these chairs, a demi-bear Sable muzzled Or, and the motto 'Festina Lente' are believed to be those of the Barnard Family of Beverley, Yorkshire. It seems likely that these chairs demonstrate an early use of the Barnard crest by Leuyns Boldero Barnard following his inheritance of the estate of his great-uncle Henry Barnard of Beverly, and subsequent change of name and arms in 1769-1770.The estate inherited in 1769 by Leuyens Boldero was at East Hall in Beverley, the house was remodelled in the late 18th century and again almost immediately at the beginning of the 19th century when it was redesigned in the Gothic taste and renamed Cave Castle.The design of the arms of these chairs bears a striking resemblance to a set of four sold by Christie's at the sale Linley Hall, Shropshire: 'Property from The Collection of The Late Sir Jasper & Lady More', March 2016, lot 74.Condition report: Both seats with wear and fading. Slight fading to the backs, but retaining good general colour and patina.Splits, knocks and scratches throughout. One seat split.Some separation to joints, but both generally solid and study.Splits and knocks to veneer and crossbanding. Some loss and minor repair to stringing and crossbanding.
An early 20th century Austrian cold painted bronze figure of a collieUnmarked, 7.5cm high; together with a cold painted bronze of a Dachshund, 8.5cm long; a steel chimney ornament of Col North's champion Fullerton, after C. Morton; two bronze frogs the largest 11cm long; a bronze figure of an ostrich, 10cm high and brass inkwell in the form of a seated bear, with glass eyes, 12cm high (7)For further information on this lot please visit Bonhams.com
* RICHARD "TURNERAMON" TURNER ARCA (BRITISH 1930 - 2013), UNTITLED oil on canvas overall size 91cm x 121cm Unframed. Note: Richard Turner was noted post-modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full-scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet-style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.
A group of six Royal Crown Derby paperweights, all modelled as miniature bears, comprising a pair 'James and Emma', one of an edition exclusively produced for Royal doulton Retail Division and available until the end of 1999, each 1998, no stopper, 6cm high, with certificate, boxed together, 'Posie Bear', one of a special edition for Frearsons of Belper to celebrate their 50th Anniversary, 2004, no stopper, 6cm high, with certificate, boxed, and three Royal commemorative editions each modelled as 'Newspaper Seller Bear', comprising 'Long Live The Queen', 62/1500, 'Queen Elizabeth Crowned At Westminster Abbey 2nd June 1953', 42/250, and 'It's A Prince', 550/1000, each MMXIII, no stopper, 9cm high, with certificate, boxed. (6)
A group of eight Royal Crown Derby paperweights, all modelled as Royal commemorative miniature bears, comprising 'Imari Royal Baby Bear', 43/500, 2012, with certificate, 'Royal Baby Bear Prince George Born 22nd July 2013', 111/450, MMXIII, with certificate, 'Mum & Charlotte' bears, MM, 'Daddy & George' bears, 2000, 'Victoria (Waving)', 1997, 'Edward', 1997, 'Alice (Waving)', 1998, and 'William', 1998, all without stoppers, all approximately 6cm high, all boxed. (8)
A group of six Royal Crown Derby paperweights, all modelled as miniature bears, comprising 'The Mulberry Hall Shopper Bear', special edition for Mulberry Hall (York), 2002, no stopper, 9cm high, with certificate, boxed, 'Newspaper Seller Bear', 'A Bright New Future', limited edition, 42/100, to mark the acquisition of Royal Crown Derby by Steelite International, MMXIII, no stopper, 9cm high, with certificate, boxed, 'Congratulations', MMV, no stopper, 6cm high, boxed, a Christmas cracker bear, MMIII, no stopper, 6cm high, boxed, 'Artist Claude' bear, 2000, no stopper, 9cm high, boxed, and 'Gardener' bear, 2002, no stopper, 9cm high, boxed. (6)
A group of seven Royal Crown Derby paperweights, all modelled as miniature bears, comprising 'Shopping' bear, 2002, no stopper, 9cm high, boxed, 'Been Shopping' bear, 2013, no stopper, 9cm high, boxed, 'Bear Hug', MMI, no stopper, 9cm high, boxed, 'Cook' bear, MMII, no stopper, 9cm high, boxed, 'Christmas Cook Bear', MMXIV, no stopper, 9cm high, boxed, 'Kicking Footballer - Red' and 'Kicking Footballer - Blue' bears, both 2014, no stoppers, 8.5cm high, boxed. (7)
A George III salt-glazed white stoneware 'Bear-baiting' jug, probably Staffordshire, typically modelled sitting on its haunches with outstretched forepaws, the head detachable to form a cup, with button shape eyes and chain attached through the nose, the whole with applied white chips to resemble fur, h.18cmCondition report: With rivet repair to right fore paw.Tongue missing tip.At least one chain link missing.
A Links of London 18ct yellow gold oval link bracelet with 9 charms, to include a star, single stone ring, teddy-bear, caged heart, clutch bag, butterfly, bikini with 27 pink sapphires, and a thumb-print heart, with 8mm wide oval link chain and a ring and toggle clasp, length 203mm, hallmarked 18ct, Edinburgh 2006, sponsor LL
A Steiff vintage teddy-bear, with pale golden mohair, black eyes, black stitched nose, mouth and claws, with felt pads, jointed elongated limbs, and swivel head, steel button in ear, early 20th century, h.35cmCondition report: Blank button.Five stitched claws to right foot and left hand, one missing from right hand.Some stitching missing to left paw.
John Rapkin - a group of eight unframed illustrated folded Victorian maps, most being published by John Tallis for his Illustrated Atlas released to coincide with the Great Exhibition of 1851, all having hand-coloured border outlines, decorative borders, and inset illustrated vignettes, comprising; The World of Mercator's Projection including the Steam Route to the Colonies, Western Hemisphere with illustrations of people and animals, Eastern Hemisphere including the Mail Route to the Colonies, England and Wales with illustrations of London and Newcastle upon Tyne, Asia with illustrations of Tartars and Petra, Europe including illustrations of a Slave Market and Lapland Travellers, South America showing Gold Washing in Brazil and Natives of Chili, and Malay Archipelago or East India Islands with illustrations of Natives of New Guinea and The Bee Bear, each sheet dimensions 27 x 35cm, all folded to the centre as issued (8)
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