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Lot 28
Shilpi Sharma‘Coco the Pandacorn’Acrylic paint on a hollow fibreglass statueMeasures: 229 x 50 x 209cmApprox weight: 57kgThe design represents an adorable panda bear which embodies peace, strength and balance of the opposites. The stylised motif designs are inspired from the nature greens. Pandas enjoy bamboo greens, and play a vital role in the forest’s ecosystem by spreading seeds in their droppings that encourage vegetation growth. Pandas are under threat of being endangered along with habitat loss, so efforts are needed to ensure that they continue to survive and thrive. It emphasizes the importance of conservation and preservation of our beautiful flora and fauna. Let us all protect our environment for the future generations to enjoy.Coco the Pandacorn has spent the summer welcoming guests to Noah’s Ark Zoo Park before returning to auction in pristine condition, finished in a coat of anti-graffiti varnish.Shilpi Sharma is a Worcestershire based visual artist. UK Delivery Charges by postcode can be found here: unicorndelivery.tiiny.site
Lot 46
ejits‘(Don’t Fear) The Reaper’Acrylic paint on a hollow fibreglass statueMeasures: 229 x 50 x 209cmApprox weight: 57kgejits unicorn is a celebration of creativity. There is mixed feeling around whether graffiti is good for our city and Ejits say don’t fear it, embrace it. The Reaper character represents our creativity running deep and the Bear is our inner weirdo waiting to come out and play.This unicorn spent the summer in The Galleries shopping centre and now returns to auction in pristine condition and finished in a coat of anti-graffiti varnish.Ejits is an artist, illustrator and muralist from Bristol in the South West of England.Their work is intended to tap into the big kids in all of us to spark happy nostalgic feelings and a love of colour, character and silliness wherever they occupy space. Whether that’s the sticker stuck to your laptop, the print you've hung on the wall or a building-sized mural. UK Delivery Charges by postcode can be found here: unicorndelivery.tiiny.site
Lot 551
TWO FRENCH CARVED WALNUT GAME TROPHY HEADS LATE 19TH/EARLY 20TH CENTURY Comprising a bear head and a boar head, 16 and 15cm high Together with a a fox head wall plaque inscribed "Hexworthy, Devon" Early 20th century 28cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Hexworthy with rubbing to margins and later drilled suspension hole to top Boar- natural flaw to snout- chips to end of snout and left ear Bear- some rubbing to nosePlease see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 759
An Art Pottery garden or conservatory double bench, late 19th Century, of naturalistic rustic design with triple Gothic arched back, the whole in the form of branches and tree stumps with foliage, green and brown glazes, apparently unmarked, 100cm high, 113cm wide, 58cm deep. Note: the 19th Century Skey Pottery of Tamworth, Staffordshire is noted for its 'rustic' wares, some of which bear a passing similarity to this bench albeit not on such a large scale. It has also been suggested the origin of the piece could be Scotland and made as a special commission or exhibition piece
Lot 107
A GEORGE II OAK AND MARBLE TOPPED SIDE TABLE MID 18TH CENTURY The breche violette top on a crossbanded stained base chalk inscribed indistinctly to the underside 'Esq Harbor' 80cm high, 143cm wide, 68cm deep The magnificent breche violette marble 'slab' top was likely acquired in Italy or France in the early 18th century and brought back to this country where it was placed on its oak frame. At that time the cost of such marble slabs exceeded the cost of the supporting frame by an order of magnitude. This slab features an unusually narrow rebate at its edge, perhaps not broad enough for the frame to bear the enormous weight of the slab, or to provide an overhang over the edge of the frame, as was the custom. Therefore it seems that the frame was designed to support the slab's roughed out underside. The lapidary skill required to enlarge the rebate, to ensure the top would sit snug into its frame was perhaps unavailable at the time of the frame's manufacture, furthermore the risk in subjecting such a valuable slab to cutting may have been deemed too great. In any case, the interest and rarity of the slab far outweighed the design or quality of the frame, which was created as a mere support to raise the slab, the better to be seen in a room setting. The distinctive form of squared off foot of the frame is close in design to the foot design on a set of walnut and parcel gilt chairs, originally made for Houghton Hall, Norfolk and now owned by the Victoria & Albert Museum, and on loan at Houghton Hall (W.17:1,2-2002). The chairs were probably made by Thomas Roberts, Jr, for Sir Robert Walpole in the late 1720s. In Houghton's inventory of 1792, marble slabs were listed separately to the magnificent furnishings of tables, beds, chairs and mirrors. One in the Green Drawing Room was recorded as 'A beautiful large Slab table inlaid with Lapis Lauzulla / valuable'. At that time the frames for such slabs were generally considered functional, not as valued ornamentation. Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The top has a patina of scratches, nibbles, chips, scuffs and some rust marks. There are some chips old and more recent, in particular to the edges and corners, some patches of filler.The underside of the marble top is rough hewn other than a band around the edge under the moulded border and as per the catalogue description this does not correspond to the frieze of the table base - see the catalogue description footnote.The oak table base has a crossbanded frieze and has a dark stain overall, with some small crossbanding veneers missing and with some scratches revealing the underlying paler colour of the oak.There is some evidence of old worm.There are some cracks including to the shaped bracket areas at the top of the legs, the corners and in some places along the grain of the timber.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
Lot 325
WALTER RICHARD SICKERT (BRITISH 1860-1942) SCUOLA DI SAN MARCO (OSPEDALE CIVICO) Oil on canvas 38 x 46cm (14¾ x 18 in.)Painted circa 1895-96. Provenance: Private Collection, Miss Ethel Sands, Lady Thurso Maltzhan Gallery, London (by 1971) Private Collection, Lady Weiss Her estate sale, Christie's, South Kensington, The Manor House, Little Marlow, Buckinghamshire, 15 September 1998, lot 336 Sale, Sotheby's, London, 4 July 2001, lot 11, where purchased by Robert KimeLiterature: Wendy Baron, Sickert, London, 1973, p. 327, no. 141 (dated to c. 1901) Wendy Baron, Sickert Paintings and Drawings, New Haven & London, 2006, p. 220, no. 103.4 (illustrated) The present work was painted in 1895-96, during Sickert's first of many visits to Venice. Arriving in May 1895, he spent prolonged periods in the city until September 1896, taking a studio on the Calle dei Frate, a residence he would return to on all his subsequent trips. Like generations of artists before him, Sickert was fascinated by the historic architecture and shimmering canals. In addition to the very famous and much-illustrated sites such as San Marco or the Rialto Bridge, Sickert also painted numerous views of lesser-known buildings and picturesque backwaters. As Wendy Baron highlights in her book Sickert Paintings & Drawings, the lack of precise dating in Sickert's Venetian works adds to the challenge of understanding the exact chronology of his paintings. Nonetheless, this exploration of recurring themes and places reveals Sickert's deep connection with Venice and his artistic journey in capturing the city's timeless charm.Repetition is a key feature of Sickert's work in general but notably in his views of Venice and Dieppe. In Venice, he painted version after version of the façade and piazza at San Marco, Santa Maria della Salute, the Rialto Bridge and the Scuola di San Marco. His dedication to revisiting the same locations echoes the architectural series of works produced by the Impressionists and, in particular bear comparison with Monet's series of paintings of Rouen cathedral. However, unlike the Impressionists, he was not overly interested in recording the passing of time and light on his subject matter. Sickert's paintings were frequently executed in his studio from drawings and photographs and he showed scant interest in the effect of changing atmospheric conditions. Instead, he used this repetition to explore variations in colour and tone, experimenting with the handling of paint and the different results that might yield. The Scuola Grande di San Marco, with its grand façade, is one of Venice's most significant architectural sites. It dates from the fifteenth century and was designed by Pietro Lombardo , Mauro Codussi , and Bartolomeo Bon . The situation alongside the Ponte del Cavallo on the Rio dei Mendicanti canal provided Sickert with an ideal composition and it became one of his favoured views during his first visit. Sickert produced six paintings of the subject, each showcasing a slightly different artistic technique ranging from intensely bright colouration with strong reflections to the present example, rendered in soft, feathery tones. There is no sharpness to the painterly brushwork and the colours are muted with the use of subtle layering. Condition Report: Not relined. Visible stretcher marks recto. Inspection under UV reveals no obvious evidence of restoration or repair. Otherwise in generally good condition. Condition Report Disclaimer
Lot 562
A collection of comics, annuals and Summer Specials including Rupert the Bear Annual 1952, 1954-56, 1961, Wham Annual 1966, Dennis The Menace 1968 & 1970, Knockout 1958-60, The Beezer 1965, Laramie 1962, The Lone Ranger 1963, Space Family Robinson Lost in Space! 1960, The Topper 1961, 1963, 1967, Stingray 1967, Stingray Summer Special 1965, POW! 1970, Fantastic! 1967, #2 & 41, The Beezer Summer Special, SMASH! Holiday Special, Lion Summer Special, Valiant Summer Special, Bunty for Girls Summer Special, The Victor Summer Special, Dell comics Lawman #1, Maverick 16, Gunsmoke 25, and other titles (qty) Condition Report:Available upon request
Lot 17
Entertainment collection of 20 signed white cards. Signatures such as Bear Grylls, Kirsty Gallacher, Kate Garraway, Trisha Goddard, Muriel Gray, Hughie Green, Sarah Greene, Debbie Greenwood, Darcus Howe, Loyd Grossman, Vanessa Feltz, Alvin Hall, Ed Hall and others. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 18
Entertainment collection of 20 signed white cards. Signatures such as Liz Barker, Jeremy Beadle, Bear Grylls, Wendy Beckett, Tamara Beckwith, Nikki Bedi, Floella Benjamin, Rabbi Lionel Blue, Jim Bowen, Julia Bradbury, Bernard Braden, Melvyn Bragg, Dilly Braimoh and more. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 552
Hardiman Scott Signed Book - Deadly Nature by Hardiman Scott 1985 Hardback Book First Edition with 239 pages Signed by Hardiman Scott on the First page (dedicated) also includes TLS to Leslie Bear (Station Manager - Sizewell Power Station) dated 1985, published by The Bodley Head Ltd London, good condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 57
David Attenborough signed 12x8inch colour nature photo with a polar bear. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 618
Roger De Courcey Signed Black and White Photo approx. size 6 x 4 inches, Courcey (Born 10th December 1944 in London, England) is A British Ventriloquist, best Known for performing with Nookie Bear, He Was Winner of the 1976 New faces televised talent competition Grand Final, good condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 436
STEIFF; a modern reproduction of a 1920s classic teddy bear, in brown mohair, length 34cm, with tag in ear and partial booklet, a Hermann Annual 2004 Bear 'Hermina', limited edition no. of 207, length 33cm, with tags and bow, and a Dean's Ragbook teddy bear 'Bourbon', limited edition no.11/50, black mohair with tags, length 41cm (3).
Lot 463
ROYAL CROWN DERBY; five porcelain paperweights, each decorated in the Imari palette, featuring gold button to the underside, comprising chipmunk, height 10cm, badger, squirrel, dragon, height 11.5cm, length 13cm, and koala bear (5).Condition Report: Very minor rubbing to gilding and very light surface scratches visible, along with minor grubbing to foot rim, otherwise OK.
Lot 465
ROYAL CROWN DERBY; seven porcelain paperweights, each with silver button stopper, comprising 'Catnip Kitten', 'Riverbank Beaver', 'Resting Fox', 'Snowy Owl', Collector's Guild, signed and dated in gold, height 10.5cm, length 13cm, 'Tawny Owl', 'Teddy Bear' 1997 Collector's Guild, height 11.5cm, and chipmunk (7).Condition Report: - The Resting Fox appears to be a second.
Lot 589
SWAROVSKI; nine animal figures, to include rabbit, duck, tortoise, fox, teddy bear, squirrel, swan, walrus and cat, mostly in the correct boxes, some certificate and information booklets and some mirrored bases.Condition Report: - Each figure is in a box, but some titles of the boxes do not correspond with the contents.
Lot 169
Collector's set if a collaboration between Goebel and Steiff. The figurine is the Wonder of Christmas (HUM2015) an authentic 7"H M.I. Hummel with a First Issue Backstamp. The matching mohair bear is a 7"H Limited Edition authentic Steiff. Largest piece measures 6"L x 4"W x 7.25"H. Certificate of Authenticity included. Issued: 1990-1999Manufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.
Lot 170
This Collector's Set is a collaboration between Goebel and Steiff. The figurine is the Little Maestro (HUM826/I) an authentic 5.75"H Hummel figurine with a First Issue Backstamp. The matching mohair Steiff bear is a 5.25"H Limited Edition of 20,000 pieces. Every teddy bear has a consecutively numbered white ear tag and the famous button in ear. Certificate of Authenticity included. Largest piece measures 4.5"L x 3.5"W x 5.5"H. Issued: 2000Edition Number: 02539/20,000 Manufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.
Lot 223
This cuddly bear figurine showcases a crystal-clear faceted head and body and is enhanced by expressive black eyes and nose. This item has its original box which measures 2.5"H x 3.5"dia. Swarovski etched backstamp. Issued: 1981-2004Dimensions: 1"L x 1"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 224
This is the original Kris Bear figurine, part of the When We Were Young theme group, and it holds a special place as the very first piece in the beloved series of Kris Bears. This item has its original box which measures 2.5"H x 3.5"dia. Swarovski etched backstamp. Artist: Martin ZendronIssued: 1993-2001Dimensions: 1.75"L x 1"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear. Missing ribbon.
Lot 99
Includes Bearly Love 1001443 and Honey Bear 2010391; glaze finish white bears. Lladro backstamp. Nao by Lladro backstamp. Largest measures: 6"L x 5"W x 4.75"H. Smallest measures: 2"L x 1.75"W x 2.75"H. Issued: 1983-1999Manufacturer: Lladro/Nao by LladroCountry of Origin: SpainCondition: Age related wear.
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93488 item(s)/page