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Baby-Rassel und Löffel Silber. Vollplastische Rassel in Gestalt eines Bären mit Beißring aus Kunststoff sowie ein Löffel mit Griff in Form eines Bären. Gest. 800, 925. Gew. zus. ca. 50 g.A German silver baby´s rattle in form of a bear with plastic teether and a spoon. Standard mark 800, 925.Deutsch. 20. Jh.
ROYAL INTEREST: A FINE VICTORIAN SILVER CHALICE, R & S Garrard & Co, London 1863, the trophy with stepped and high domed foot issuing a knopped stem supporting a round bowl with slightly everted rim, presentation inscription for the Royal South Bucks Agricultural Association from HRH The Prince Consort to the Grower of The Best Root Crop 1863, bear the rare Royal cipher of Prince Albert. 30.5cm high, 27 troy ouncesNote: Royal South Bucks Agricultural Association: Established in 1833, in its early days the Association was sponsored by a number of leading South Bucks landowners and well wishers including William IV, Queen Victoria, the Prince of Wales and later, Benjamin Disraeli. Prince Albert was a keen farmer and at his death was President-Elect of the Royal Agricultural Society.View 360 degree spin: https://sarlydro.sirv.com/Spins/A%20May%205th%2022/x03/x03.spinCONDITION REPORTMarks are clear and well struck. Sign to the foot rim. Small flurry of scratches to the foot rim. The cup stands upright and does not rock. In generally very good condition commensurate with age.
SIX KOZUKA (KNIFE HANDLES)Edo period (1615-1868), 17th to 19th centuryThe first brass and gold, with a cicada on the trunk of a tree, the reverse with a Chinese poem on the same subject, signed Ryuchiken Teruyuki; the second shakudo and gold, modelled as a bamboo culm with a rooster in relief; the third shakudo, shibuichi, and gold, with ants crawling on a piece of rotten wood joined by a butterfly dovetail, signed Haruchika (wood tomobako storage box with an attestation by Amiya Soemon dated 1950); the fourth shibuichi ishimeji, shakudo, gold, and silver, modelled in shishiaibori with a bear in a cave, signed Shozui with a kao (wood storage box); the fifth shakudo nanako, with a dragon and tiger, the reverse gold nekogaki, with signatures Teijo saku and Mitsutaka and a kao (origami [certificate] with the signature of Goto Mitsutada bearing a date of 1729; wood tomobako storage box with an attestation by Sato Kanzan dated 1972); the last brass, copper, shakudo, gold, and copper with a crab; the remaining kozuka each with a plain wood storage box. (14).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
UTAGAWA KUNIYOSHI (1797-1861)Edo period (1615-1868), circa 1849An oban tate-e triptych print titled Yoshitsune koshin, Shiten'no shusse kagami no uchi, Kamei Rokuro (Mirror of the Four Successful Retainers of Yoshitsune: Kamei Rokuro) depicting Kamei Rokuro fighting a fierce black bear in the snow, watched by Yoshitsune and his retainers, published by Maruya Tokuzo, with two nanushi censor's seals Kinugasa and Yoshimura; signed Ichiyusai Kuniyoshi ga. The right sheet: 36.2cm x 24.5cm (14¼in x 9 5/8in); the middle sheet: 36.2cm x 24.2cm (14¼in x 9 9/16in); the left sheet: 36.2cm x 24.6cm (14¼in x 9 11/16). (3).For further information on this lot please visit Bonhams.com
A CHINESE PAINTED GREY POTTERY FITTING IN THE FORM OF A BEAR, HAN DYNASTY (206BC-220AD). An unusual item originally purchased as a 'spout in the form of a mythological creature'. The bear was a popular symbol in the Han dynasty and could be found used as a fixings or supports made in bronze, ceramic and jade. 13.5cm height.With a Certificate of Authenticity from B.C.Galleries, E1133, dated July 2004. Provenance: From a private Essex collection. Purchased from B.C. Galleries, Ancient Art & Archaeology Ethnographic Art, Australia 2004.
A PALE GREEN AND RUSSET JADE 'BIRD AND BEAR' GROUP17th centuryThe pale green stone with patches of attractive bright russet skin, carved as a bird with outstretched wings protectively shielding the recumbent lion, wood stand, box. 8cm (3 1/8in) wide (3).Footnotes:十七世紀 青玉雕鷹熊擺件Provenance: Bluett & Sons, Ltd, London (label)An English private collectionBonhams London, 15 May 2014, lot 211A distinguished English private collection來源:倫敦古董商Bluett & Sons Ltd.(標籤)英國私人收藏倫敦邦瀚斯,2014年5月15日,拍品編號211英國顯赫私人收藏The present carving is known as a yingxiong group, since the eagle (ying 鷹) and the bear (xiong 熊) together represent a visual pun for a 'hero', (yingxiong 英雄), perhaps suggesting that the piece would have been appropriate as a gift to someone serving in the military.Yingxiong carvings come in many different interpretations, from the gentle bird pecking the nose of an archaistic beast illustrated in the Compendium of Collections in the Palace Museum: Jade 6, Ming Dynasty, Beijing, 2011, no.261 and the more fearsome creatures illustrated in the Compendium of Collections in the Palace Museum: Jade 9, Qing Dynasty, Beijing, 2011, no.149, to the unusual form of the 'hero vase' featuring two conjoined cylindrical vases flanking an archaistic eagle and bear; see the spinach-green jade example illustrated in the Compendium of Collections in the Palace Museum: Jade 10, Qing Dynasty, Beijing, 2011, no.149.The present carving makes most effective use of the almost triangular pebble, highlighted by patches of deep russet. Instead of depicting the ferocity or stylised archaism frequently associated with the motif, this carving instead offers an intimate picture of two creatures looking at each other in harmony, with the bird spreading in its wings protectively over the crouching docile beast.See a related pale green jade yingxiong group, 17th/18th century, which was sold at Bonhams London, 12 May 2011, lot 62.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
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93468 item(s)/page