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Quantity of various makes: 6 Airfix, Revell, etc model kits, DC 3 Dakota, De Havilland Mosquito FB VI, RMS Titanic etc; 2 puzzles, 4-6-0 Osprey locomotive and Bedford series garden scene; small teddy bear with musical chimes; a boxed Star yacht, and another loose yacht, 1970s Meccano set; a large unmade plastic kit of a Thames Lighter, barge; a military style bugle with cords etc, many boxed, QGC to Mint, some wear.
Favyn André. The theater of honour and knight-hood or a compendious chronicle and historie of the whole Christian world containing the original of all monarches kingdomes and estates with their emperours kings princes and governours the first institution of armes emblazons kings heralds and pursuivants of armes. London: William Jaggard 1623. First edition in English 2 parts in 1 volume folio title-page in red and black with 5 (of 12) engraved plates of arms duplicated in the text of the book numerous woodcut illustrations of orders arms etc. in the text of which the illustration of the Order of the Bear on p. 275 of the second volume and eight coats of arms at the end have been hand coloured modern half calf marbled boards endpapers renewed edges of title-page a little worn wormhole at lower inner margin through a few signatures. Note: Moule 111; STC 10717. First published in Paris in 1620 the work "comprises the most valuable treatise we have in English upon the Foreign orders of knighthood; there are other discussions upon the Ceremonies Combats Precedence &c. equally worth the attention of the antiquary and historian." (Moule). The work has an additional significance in that its execution took place alongside the production of the Shakespeare first folio and therefore plays an important part in studying its production and printing. The Theater was entered in the Stationers' Register on 23 October 1622 but printing probably began in February-March 1622 at the same time as work began on the Shakespeare Folio and that it was finished at the sane time as F1. The Theater shares not only the same format with the First Folio but certain ornaments and rules in particular the "Satyr" ornament. The different states of the types and ornaments in both F1 and the Theater are an important guide to the printing of the First Folio. (see Hinmann Printing and proof-reading of the First Folio Shakespeare p. 36 etc.) For example Peter Blaney (The First Folio) records an F1 page which has picked up a distinct image from the press's tympan of an engraving used in the Theater.
Dumas Alexandre. La tulipe noire. Paris: Baudry [1850]. First edition 3 volumes 8vo. without half-titles and the blanks at the end of volume 2 & 3 contemporary half green calf marbled boards spines decorated gilt in compartments orange and red morocco lettering pieces some minor scuff marks at the joints and corners title of volume 3 discoloured and some patches of discolouration to other titles and elsewhere (3). Note: Carteret I. p. 239; Vicaire Manuel de l'amateur de livres du XIXe sieclè III 389. One of the most famous French writers of the 19th century Dumas is best known for his historical novels such as the The three musketeers The Count of Monte Cristo and The black tulip. Dumas is credited with revitalising the historical novel in France and along with Balzac and Sue pioneering the roman feuilleton or serial novel. In 1850 appeared The Black Tulip a romantic adventure set in the 17th century Holland. In the middle of the political struggle for freedom is Cornelius van Baerle a young man who has devoted himself to tulip-growing. Cornelius is falsely imprisoned for high treason. With the help of Rosa the daughter of a jailer he manages to grow a black tulip. Cornelius wins his freedom and hundred thousand guilders in glittering gold pieces as reward for the tulip. "This tulip" continued the Prince "will therefore bear the name of its producer and figure in the catalogue under the title Tulipa nigra Rosa Barlaensis because of the name Van Baerle which will henceforth be the name of this damsel.".
A set of five George III mahogany Gothick armchairs in the manner of Gillows each with arched top rail above a pierced tracery back above downswept arcaded arms with reeded terminals and supports and upholstered seat standing on slender tapering reeded legs (5) Note These chairs bear a close resemblance to a Gillows design for those commissioned for the Grand Jury Room Shire Hall Lancaster in 1801
'Harry Potter and the Goblet of Fire' first edition, hardback with dust cover; Lewis Caroll 'Alice's Adventures in Wonderland', illustrated Anthony Browne; No.1 Annual Hanna-Barbara's fun fair; nos. 1-36 Yogi Bear comics (circa 1970s); along with 'Dressing Princess Diana' boxed cut-out doll and fifteen outfits (unused) (quantity)
* Caricatures. 'Mrs. Figs Card Party Disturbed', pub. T. Tegg, [c. 1810], early 19th c. hand-col. caricature by R. A. Cruikshank, trimmed to margins, approx. 230 x 325 mm (9 x 12.75 ins), plt. no. not visible, together with 'Admonition and Gratitude', pub. Thomas Tegg, December 1st, 1807, hand-col. caricature after George Moutard Woodward, approx. 240 x 320 mm (9.5 x 12.5 ins), plus 'The Genius of Theatricals bringing John Bull to His Senses!!!', pub. S. W. Fores, January 28th, 1806, hand-col. caricature of Kemble and Mrs. Siddons, trimmed to margins, approx. 240 x 337 mm (9.5 x 13.25 ins), and other similar hand-col. caricatures, including The Ghost of Queen Elizabeth!!, pub. W. Holland, July 20, 1803, John Bull tipping all Nine, pub. S. Williamson, May 28th, 1804, [by Isaac Cruikshank], Selling the Skin before the Bear is caught, pub. S. W. Fores, December 24, 1803 (some marks and old ink inscription to image), The European Mourners: Or, The Emperor's Funeral. With Belleisles's Progress to Captivity, by George Bickham, 1745, etc., various sizes, including five framed and glazed (10)
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93468 item(s)/page