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Lot 38
Coat of arms of Catalonia, XVI century. In marble. Signed "M.Salas" on the side. Measures: 32 x 23 x 14 cm. Shield of Catalonia represented in relief in a block of marble. On the four bars, a scalloped vegetal line stands out. It is signed "M. Salas". It could come from the facade of a Catalan town hall. It is from the Renaissance period. Given that the configuration of Catalonia does not occur in its current form until the 15th century, a single heraldic symbol was not developed for the entire Catalan territory. In this territory, unlike others of the Crown of Aragon, the Catalan counties and their holders maintained a high degree of political presence, and whose heraldry has endured in the areas in which they extended, as in the case of the arms of the County of Urgel or Ampurias. The heraldry of the Crown granted the permissions so that some cities could bear in some field the four clubs of gules as well as institutions of the crown. This is the case of the Generality of Catalonia, which adopted the coat of arms of the monarch practically from the beginning. However, the cross of Saint George (in silver field, a cross of gules) also began to be used, as the Generality was gaining political weight, since this saint is highly venerated and patron saint of Aragon (and also of Catalonia). This symbol was initially used by the city of Barcelona in its coat of arms as a symbol of the city (which also combined with the arms of the king), and by extension would symbolize the County of Barcelona. Often the representation of the Catalan Generality was made by means of two separate coats of arms, one the royal and the other that of St. George (perhaps consistent with the pacitist doctrine of this governing body), as well as, later, combining them by means of cross quartering. Since this representation coincided with that of its capital city and main county, during the sixteenth and seventeenth centuries territorialized symbols appeared that represented this coat of arms as a symbol of Catalonia as a whole. Other arguments justify this coincidence with the attribution of this sign of the city of Barcelona in some maps and portolanos later reproduced without contrasting.
Lot 449
Bing and Grondahl Three Towers and Royal Copenhagen Trio of Hand Painted Porcelain Animal Figures. Comprises 1/ Kola Bear, Issued 1996 Only, Monogrammed S.A. 3 Inches - 7.5 cms High. 2/ Little White Rabbit, Issued 1999 Only. 3 Inches - 7.5 cms High. 3/ Dormouse - Early Figure, Model No 2644. c.1937 - 1st Issued 1925, Sculpture Knud Kyhn 1880 - 1969. Height 3 Inches - 7.5 cms. All Figures are 1st Quality and Mint Condition.
Lot 452
Royal Copenhagen Trio of Hand Painted Figures. Comprises 1/ Polar Bear with Cubs, Model No 4750. Designer Jeanne Grut, 5 x 6 cms. 1st Quality and Mint Condition. 2/ Ducklings, Model No 516. Artist Erik Nielsen, 3.5 Inches - 8.25 cms In length. 1st Quality and Mint Condition. 2/ Chick Baby, Model No 266, Pre 1923, 2 Inches - 5 cms High. 1st Quality and Mint Condition.
Lot 496
Royal Copenhagen and Bing and Grondahl Fine Quality Collection of Porcelain Polar Bear Figures ( 4 ) Figures In Total. Comprises 1/ Royal Copenhagen Rare and Large White Polar Bear Figure, Model No 320. Early 20th Century, Length 7 Inches - 17.5 cms. 2/ Royal Copenhagen Signed Medium Sized White Polar Bear, Model No 459.3/ Bing and Grondahl Small White Porcelain Polar Bear, Model no 2217-RII, Designed Svend Jespersen. 4.25 Inches - 6.25 cms In length. 4/ Royal Copenhagen Early Small White Glazed Polar Bear, Roaring and Looking up. 4 Inches - 10 cms High. All Figures are 1st Quality and Mint Condition.
Lot 507
Royal Copenhagen Fine Quality Pair of Porcelain Bear Figures ( 2 ) Comprises 1/ Bear Cub Eating, Model No 3014. c.1960's. Designer Knud Kyhn. Height 3.5 Inches - 8.75 cms. 1st Quality and Mint Condition. 2/ Bear Cub, Model No 1124. Sculpture Knud Kyhn. c.1960's. Length 3 Inches - 7.5 cms. 1st Quality and Mint Condition.
Lot 30
A collection of over thirty pieces of Belleek porcelain, including a 140th anniversary vase, 11 by 28cm high, two polar bear figurines, largest 14.5 by 7 by 5.5cm high, Christmas ornaments, as well as three pieces of Donegal porcelain, all with original boxes, as well as five unboxed pieces of Belleek. (q)
Lot 176
A WWI First World War interest Imperial German Empire ' Medal For War Relief Volunteers ' medallion. The obverse with a robed female figure dousing a fire the reverse translating to ' For Helpful Services To Your Fellow Citizens In The Difficult Time Of War In The City Of Berlin ' topped by a laurel wreath and above a Berlin-style heraldic bear. Measures approx 6cm.
Lot 1726
Dolls: two vintage Norah Wellings velveteen dolls, 36cm & 89cm long, both with glass eyes, the larger example with stitched label to foot; together with an old mohair straw filled teddy bear, 42cm long with three claws and leather pads; and a vintage Chad Valley 'Snow White' dwarf, 17.5cm. (4)
Lot 307
Bear Grylls 16x12 overall mounted signature piece includes signed album page and a fantastic colour photo. Edward Michael Bear Grylls OBE (born 7 June 1974) is a British adventurer, writer, television presenter and businessman. Grylls first drew attention after embarking on a number of adventures, and then became widely known for his television series Man vs. Wild (2006-2011). He is also involved in a number of wilderness survival television series in the UK and US, such as Running Wild with Bear Grylls and The Island with Bear Grylls. In July 2009, Grylls was appointed the youngest-ever Chief Scout of the United Kingdom and Overseas Territories at age 35, a post he has held for a second term since 2015. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 1472
A collection of Royal Mail presentation packs, stamp books, strips, etc themed around children's tv programmes, authors, etc. To inlcude Beatrix Potter, Rupert the Bear, Thomas the Tank Engine, The Gruffalo, etc. Fifty three presentation packs, nine books, a quantity of books of stamps and strips.
Lot 9
A collection of twenty games for the Spectrum, to include :Ultimate Play the Game, original box and plastic insertBrian Clough's Football Fortunes, original box and manualStar Reader, original box and manualJungle Maths, original box and manualThe Hobbit, plastic insert and manualHigh Level User Friendly Real Time Games Designer, plastic insert and manualGyron, original box, competition form to win a Porsche 924 and manualThunderbirds, cased with manualJack the Ripper, cased with inlayManchester United, original box and manualRex, cased with inlayLeapfrog, cased with inlayPerils of Bear George, cased with inlaySpectipede, cased with inlayPool, cased with inlayAlien, cased with inlayDynamite Dan, cased with inlaySheer Panic, cased with inlayKP Skips Action Biker : Clumsy Colin, cased with inlayHorizons : Software started pack, cased with inlayTo be sold on behalf on Monkey World, Dorset
Lot 33
Marc Chagall (1887-1985)Printemps au Pré, from Daphnis et Chloé (Mourlot 314; Cramer Books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 12/60 in pencil, printed by Mourlot, published by Tériade, Paris, the full sheet with a deckle edge at right and below, with minor light-staining, the colours still strong and vibrant, in good conditionImage 420 x 640mm. (16 1/2 by 25 1/4in.); Sheet 538 x 756mm. (21 1/4 x 29 3/4in.)Footnotes:Marc Chagall is recognised as one of the leading lithographers of the 20th century. The following collection highlights the artist's fascination with printmaking in Paris from the 1950s to the 1980s and his close collaboration with master printmaker Charles Sorlier and the Mourlot Studios.It was a fascination that mainly came about later in Chagall's career when he had reached the grand aged of 63. After returning to France in 1947, having escaped Nazi-occupied France for the United States six years earlier, he took up printmaking with the aid of both Atelier Mourlot director, Fernand Mourlot, and expert printmaker, Charles Sorlier. Sorlier would become Chagall's most important creative collaborator, assisting him in the Mourlot atelier. Together they would come to create an exceptional body of lithographic work, illustrating Chagall's most recognised and favourite subjects from matrimony, birds, animals and flowers to biblical scenes and the circus. Within this important private collection, assembled over two decades from Northern Germany, is offered a selection of prints from Chagall's first major colour portfolio, Daphnis et Chloé (Lot 33-42). The 42 lithographs that make up the vibrant book are based on the Greek poet, Longus' retelling of Daphnis and Chloé love story. Commissioned by one of the most important art publishers of the 20th Century, Tériade believe Chagall would be perfect at capturing a tale of love over adversity and he was not wrong. After a trip abroad and inspired by the light and landscape of the Greek islands he visited, Chagall returned to Paris with a series of preparatory studies to produce the portfolio with Sorlier. It has since come to be regarded as one of the most important and beautifully illustrated books of the last century – and a highlight of Chagall's storied career. As Chagall and Sorlier's relationship strengthened, Sorlier would evaluate the quality of the lithographs and numbering of the proofs, destroying any excess, after which Chagall would hand sign them. Devoted to the process and insistent upon rigorous standards, Chagall would work and rework the plates and colours until he was completely happy, standing with Sorlier at every step of the process. Sorlier once wrote 'the great integrity he invests in his work...requires that the plate bear my name each time he has not directly participated in the transcription to stone'. For this reason, most of the afterworks are signed by Marc Chagall and in the stone by Charles Sorlier. These so-called afterworks are currently some of the most valuable and sought after works of Chagall's entire artistic oeuvre (Lot 53-54). Such collaborations exemplify the close and harmonious bond between the artist and the master printer.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 9
Heinrich Aldegrever (1502-1555)A Collection of sixty-seven engravings (Bartsch, Hollstein 57-60,71,83-95,206,231) Three portfolios containing engravings of various mythological, religious and ornamental subjects, including the complete set of thirteen Labours of Hercules, 1550, Hannibal fighting Scipio, 1538, Two Genii with the Roman Alphabet, Three Genii with a bear, 1529, The Four Evangelists, 1539, on laid paper, good to very good impressions and several later impressions, mostly trimmed to the platemark or with thread margins, mounted on card, within the cloth and leather-bound portfolios, various conditions Each portfolio 450 x 300mm. (17 3/4 x 11 7/8in.)Footnotes:ProvenanceComte Vladimir Daun, Vienna, 1812-1896 (Lugt 2715) (B.14)G.A.Cardew, London, 1865-1941 (Lugt 1134) (B.16,143,231) Herman Marx, Surrey, d.1948 (Lugt 2816a) (B.16,143,231)Karl Scheffler, Vienna, 1838-1911 (Lugt 1644) (B.17)Kupferstichkabinett, Dresden, 19th Century (Lugt 1618) (B.65)Kupferstichkabinett der Staatlichen Museen, Berlin (Lugt 1606; L.2398) (B.101)KFF.von Nagler, Berlin, 1770-1846 (Lugt 2529) (B.101)For further information on this lot please visit Bonhams.com
Lot 535
GEORGE III SILVER TEA SERVICE,maker George Fenwick, Edinburgh 1810, comprising teapot, sugar bowl and cream jug, each of shaped rectangular form, with shell and gadroon cast rim, the body bright cut with a band of oak leaves and acorns above a heraldic crest, on four ball feet, the teapot 16cm high, 1242g grossCondition report: All pieces bear matching marks, those to the jug and bowl rubbed but legible; teapot lid does not sit entirely flush, a very slight rise; all ball feet have holes; jug with split to spout; teapot handle slightly loose; further knocks, scratches, nicks and usual general wear throughout
Lot 524
* Playing cards and games. Max und Moritz card game, Nuremberg: Franz Schmidt, circa 1940, complete deck of 31 chromolithographed playing cards, comprising 30 numbered cards each with illustration and text, plus an unnumbered pictorial 'Max [und] Moritz' card, and with printed instructions card, pale blue pictorial versos, each 102 x 66mm, contained in original card box (rubbed with a little wear), pictorial label to lid (dust-soiled and toned), ink manuscript ownership name to underside of lid, together with: Monopoly, John Waddington, 1930s, a boxed Monopoly set (without board), comprising paper money (with 'Pat. App. for ...' printed on notes), Community Chest, Chance & title deed cards, wooden houses & hotels, metal tokens (hat, car, ship, iron, thimble, boot), dice, Rules leaflet, Rules for Playing the New Short Game paper slip, and red paper advertising slip, housed in modern box to imitate original box, original pictorial paper label (dust-soiled, rubbed & slightly edge-chipped) adhered to lid, with 'Pat. App. for No. 3796-36' on label, 19.7 x 16.7cm, plus: Lott's Bricks [and] Lott's Tudor Blocks, 3 boxes of artificial bricks plus a box of artificial Tudor-style blocks, two of the boxes of bricks with inserted modern paper slip 'box 1' and 'box 1A', some replacement parts (mainly roofs), with accompanying booklets 'Lott's Tudor Blocks Illustrations of Models' and 'Lott's Bricks Plans and Illustrations' (some damage, loss and repairs), with an early set of 'Pit' playing cards in original card box, comprising the original 7 commodities (including flax and hay), the Bull and Bear cards, rule leaflet, and 'Bull and Bear Edition' instructions slip, also a metal and moulded plastic Fearless Freddie, and a few other game pieces or incomplete games, most early-mid 20th century, plus an 1848 copy of a Swedish book of Psalms (Swenska Psalmboken) in a decorative vellum binding with metal clasps (rubbed and dust-soiled)Qty: (a carton)
Lot 635
* Appleton (Honor. C. 1879-1951). He was very Smart Indeed, pen and ink, depicting a bear in a jacket bowing to a doll sat upon a pile of books with counters and paper bags on the floor, initialled to lower right margin, 13.5 x 14.2cm (5 3/8 x 5 5/8ins), mounted, framed and glazed (32.6 x 32.6cm), Chris Beetles gallery label to versoQty: (1)Footnote: This image appears on page 39 of H.C. Cradock's Josephine is Busy, published in 1918. Exhibited: Chris Beetles. Honor C. Appleton (1879 – 1951) 1990, 159.
Lot 640
* Banbery (Fred, 1913-1999). Paddington with His Paw Raised to his Brow, pencil, 2 pencil drawings on 1 sheet, the first depicting a bear scratching his head with a cup stuck on his foot, the second depicting the head and shoulders of a bear eating, 10.8 x 12.1cm (4 1/4 x 4 3/4ins), mounted, framed and glazed (34.1 x 44cm), Chris Beetles gallery label on versoQty: (1)Footnote: Provenance: From The Estate of Fred Banbery. This was a preliminary drawing for Michael Bond and Paddington Bear, London: Collins, 1972, pg18. Exhibited: Chris Beetles, Fred Banbery and Paddington Bear exhibition 2000.
Lot 677
* Littlewood (Valerie, 20th/21st century). A collection of 18 original black and white illustrations for Lady Daisy, by Dick King-Smith, Puffin, 1992, sheet size approx. 25.5 x 18.3cm (10 x 7 2/8ins), and smaller, most with paper guards, some with minor yellowing tape marks to upper margins, all signed to lower right, plus a copy of the book for which the illustrations were executed, Lady Daisy, published in 1992, together with: Noddy and Friends, unattributed, gouache and watercolour, an original illustration from Toytown Comic, 1970s, depicting various characters from Noddy standing in a circle while Big Ears ties a bonnet to Noddy's head, 14.5 x 19cm (5 6/8 x 7 4/8ins), mounted, framed and glazed (33.1 x 36.8cm), Eunice and Cliff Fox label to verso, White (Doris, 1924-1995). Noddy Chasing his Car, pen, ink and watercolour, an original illustration produced for T.V. Wonderland, depiciting Master Tubby Bear driving off in Noddy's car, Noddy behind cycling to catch him, 8.5 x 14cm (3 3/8 x 5 4/8ins), mounted, framed and glazed (20.8 x 26cm), The Lewes Gallery label and contemporary printed label to versoQty: (21)
Lot 686
* Pinky and Perky, Pinky and Perky in a Rowing Boat, an original illustration, gouache, depicting two pigs in a rowing boat, both leaning back pulling a fishing rod and tin can from the water, 36 x 29.1cm (14 1/8 x 11 4/8ins), mounted (57.5 x 49.5cm) together with: The Smurfs, Smurfs Painting, an original illustration, pen and ink, depicting a street scene with six smurfs painting and maintaining their homes, 29 x 37cm (11 3/8 x 14 4/8ins), mounted (45 x 53.5cm), Profile Studios label to verso, plus The Smurfs, Mixing Potions, an original illustration, pen and ink, depicting Papa Smurf in a room mixing potions, 29.8 x 39.8cm (11 6/7 x 15 5/8ins), mounted (46 x 56cm), Profile Studios label to verso, Harter (Debbie). Bear in a Square, original watercolour, depicting a bear wearing a crown surrounded by other bears all waving flags, 24 x 50.5cm (9 4/8 x 19 7/8ins), mounted, framed and glazed (42.2 x 68.4cm) The Framing Workshop label to verso, Browne (Philippa-Alys). Whales, original watercolour, depicting five whales swimming in the sea, all spurting water, initialled bottom right corner, 20.5 x 26.5cm (8 1/8 x 10 4/8ins), mounted, framed and glazed (32 x 36.8cm), Norwich Art Supplies label to versoQty: (5)Footnote: Jan and Vlasta Dalibor, the creators of Pinky and Perky fled Czechoslovakia after World War II. Vlasta persuaded her husband Jan to make pig puppets – a token of good luck in Czechoslovakia. They were signed up by the BBC after performing in a summer season in Heysham. Pinky wore red and Perky wore blue.
Lot 723
Milne (A.A.). Teddy Bear and other Songs from "When We Were Very Young", London: Methuen, 1926, no. 67 of 100, signed by Milne, Shepard & Fraser-Simson to verso of title page, some marginal dust-soiling & occasional spotting, a couple of closed tears affecting text, some marginal tears with loss, original half cloth binding, title sticker to front board, a couple of faint marks to boards, extremities slightly bumped, 4to, together with: The Hums of Pooh, London: Methuen, 1929, signed by Shepard to title, endpapers toned, original publisher's pictorial boards, boards faintly dust-soiled, 4to with: Songs From Now We Are Six (1927), The King's Breakfast (1953)Qty: (4)
Lot 1053
Memorabilia - Aphex Twin - Original and unique items related to Aphex Twin to include letter of provenance from Rich's girlfriend of the time. Items include original CDR of track written by Rich for his girlfriend Nannou after the loss of her father, the original Aphex Twinopette dress (3 pieces), and an original AFX bear. This lot comes with an accompanying letter for provenance from Nannou
Lot 738
Vinyl & Autographs - Pink Floyd & Members 4 LP's to include Profiles Mason & Fenn (MAF 1), Richard Wright Wet Dream (SHVL 818) and from Pink Floyd A Momentary Lapse Of Reason (EMD 1003) and Delicate Sound Of Thunder (KG 5009). All albums bear various unclear signatures. Sleeves & Vinyl Vg+ overall *
Lot 795
A pair of large Corinthian column silver candlesticks, 19th century (years and maker indistinct), with matched later sconces, loaded, 35 cm. Qty: 2Condition report: Later dipped. Structurally soundIt looks like the sticks have been gilded to cover silver solder repairs to the intersections of the bases on one of the sticks.One drip pan does not bear a hallmark and is not square see the image with ruler.
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