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§ Raymond Campbell (British, b. 1956), still life with teddy bear and paint brushes, oil on canvas, signed lower right, 40 x 50cm, framed.Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.
§ Raymond Campbell (British, b. 1956), still life with teddy bear and books on shelves, oil on canvas, signed lower right, 50 x 40cm, framed.Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.
Dame Elisabeth Frink R.A. (British, 1930-1993)The Travellers and the Bear signed and dated 'Frink. 68.' (lower right)pencil, ink and watercolour on paper56 x 76cm (22 1/16 x 29 15/16in).Footnotes:ProvenanceWith Waddington Galleries, London, where acquired byPrivate Collection, U.K.An acute receptor of a variety of cultural references - one need only think of her masterpiece, Paternoster, located in the vicinity of St. Paul's Cathedral, which sharply coalesces the iconography of the Good Shepherd and the history of the place as a cattle market - Frink is not new to this kind of artistic commentary on traditional wisdom. Commonly attributed to Aesophus, the moral of The Bear and the Travellers is that only misfortune tests true friendship. Shortly after having sworn eternal loyalty to his fellow traveller, a man abandons his companion at the sight of a frightening bear. Deserted, all that remains to the betrayed fellow is to pretend to be dead. The beast approaches, gets close to his ear to smell him, and then goes. Having escaped the danger, the unfaithful friend wittily asks 'what did it tell you?' and the man replies 'to choose my friends more carefully.'This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Austin Osman Spare (British, 1886-1956)Man from the Meat Market with Bowtie and Top Hat signed with initials 'AOS' (upper left), dated '1953' (upper right) and indistinctly inscribed (lower left and lower right)chalk on paper40.5 x 35.5cm (15 15/16 x 14in).Footnotes:ProvenanceSale; Christie's, South Kensington, 27 April 1995, lot 160Alan Michael HarrisBetween 1947–1956, Spare became a regular visitor for many of the pubs and taverns in and around his native Kennington. A long-time critic of the margins charged by fine art galleries; Spare approached local landlords to allow him to exhibit his work on the walls of their premises. In this way, the Artist became something of a celebrity among the working-class regulars who enjoyed his good humour. This portrait was possibly exhibited at the White Bear Tavern, Kennington, between 19 November–19 December 1953. In a press photograph we see Spare drinking beer with his little finger raised—a joke at the expense of his well-dressed companion, possibly the auctioneer, Alfred H. Harris, and likely subject of the present lot. We are grateful to Robert Shehu-Ansell for compiling this catalogue entry.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A MATCHED GEORGE III SILVER FOUR PIECE TEA SERVICE, comprised of a teapot, trivet, milk jug and sugar bowl, all of barge shaped form with engraved cartouche, the teapot and stand bears the mark of Charles Alridge, London, 1791, the jug and bowl bear the mark of William Bateman, London, 1821 combined weight 995 grams
'Polar Bear' a Dennis China Works Trial preserve pot and saucer designed by Sally Tuffin, dated 2004, cylindrical jar and cover with polar bear finial, the saucer modelled with eight polar bears, in shades of blue, yellow and turquoise, painted marks and signature, 19cm. diam. 13.5cm. high, (3)
'Polar Bear' a Wedgwood Pottery figure designed by John Skeaping, covered in a matt white glaze, another Wedgwood 'Duiker Standing', and 'Duiker Lying' figures, a 'Bison' figure all designed by John Skeaping and glazed matt white, and a Wedgewood figure of a standing shire horse, printed and impressed marks, Bison figure damaged, 25cm. wide (polar bear), (5)LiteratureMaureen Batkin, Wedgwood Pottery, 1846-1959, Richard Dennis Publications, page 188 these figure designs illustrated.
'Circus' a Clarice Cliff Bizarre entree plate designed by Dame Laura Knight, printed and enamelled with a performing polar bear on hind legs, standing with a ringmaster, to the well, the rim a circus audience, in colours, highlighted in gilt, printed factory mark, first edition and facsimile signature, 22.5cm. diam. LiteratureThirties, Art Council exhibition catalogue, 1979, page 153 cat. no. 4.105 for a comparable plate.
A collection of blue and white transfer printed wares, 19th century and later, to include a Davenport "Bamboo And Peony" pattern meat plate with drain well, 52cm wide, a further Davenport meat plate in the same pattern, 47cm wide, and another 37cm wide, a Staffordshire "Wild Rose" meat plate, 41cm wide, five "Old Willow" meat plates, a quantity of "Old Willow" tea wares, and a Clews's circular plate with raised well depicting a bear hunt (Qty) (at fault)
Postcards, Gloucestershire, a good selection of approx. 165 cards with RPs of George Hotel Birdlip, Northleach, Cold Ashton, Long St Dursley, good animated Moreton-in-Marsh, Vineyard St Winchcombe, High St Winchcombe, The Square Stow-on-the-Wold, Church St Tewkesbury, The Black Bear Tewkesbury, flour mill Tewkesbury, Woodmancote Dursley, Crowcombe Village, Dursley etc. Also many good printed street scenes, villages and scenic views, inc. High St Central Stores and Post Office Chalford etc (mainly gd)
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93468 item(s)/page