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A Garniture of Three Porcelain Pot Pourri Vases, Covers and Inner Cover, bears Jiaqing reign marks, in ironstone style, of baluster form with dragon handles, painted in famille rose enamels with mythical beasts amongst foliage on a gilt ground, bear six-character reign marks40cm and 33cm highCentre with with some heavy glaze pitting to the main body, notably to the rim.One side vase with a large section of loss to the inner rim of the main cover. Inner cover with two minor flat chips to the underside. The other with a hair crack to the rim and a firing flaw under the foot.No restoration.
the central raised round brilliant cut diamond within a border of smaller round brilliant cut diamonds, in white claw settings, total estimated diamond weight 1.90 carat approximately, with post fittingsmeasure 1.1cm diameterThe earrings are in good condition. They bear no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 3.8 grams. CR made 23.08.22.
the bowl flattened tapering cylindrical and on three wirework ball feet, with spatulate handle, overall with vari-colour enamel flowers and foliage on a white ground, the centre similarly decorated and heightened with a bird, within beaded border, the handle with a winged horse13.3cm wide over handleSotheby Parke Bernet, New York, 10 December 1974, lot 201.Christie's, New York, 21 October 2003, lot 141.In 17th century Russia the work of goldsmiths was, to some extent, organised by the 'silver row' and the Oruzheynaya palate. The former was a term coined due to the fact that the silversmithing trade was set up in a row on the marketplace. These were the only areas where silver could be sold and applied to both Moscow and further afield. The Oruzheynaya palate was connected to the armoury of the Moscow Grand Dukes. Outside of Moscow various workshops were also set up, including at Solvychegodsk, where the Strognov family set one up based on the organisation in Moscow, housing specialists and masters (A. von Solodkoff, Russian Gold and Silver, London, 1981, pp. 19-20).Items such as the present charka derive their form from wooden utensils of the countryside. In the early part of the 17th century there were made in plain silver but as the century went on the decoration became richer. Initially enamelled using the cloisonné technique but by the end of the century, especially in Solvychegodsk, the cloisonné was giving way to fields of surface enamel with filigree interruptions (op cit., p. 52). The technique that the masters in Solvychegodsk were to champion, which was to become known as Usolsk enamel, featured 'A ground of white enamel is overlaid over the whole surface, on which exuberant drawings are painted with fine strokes in black, mostly of large tulips, camellias, cornflower, and sunflowers. These are coloured in with liquid enamel in yellow, red, blue and pinkish violet'. Von Solodkoff goes on to describe that besides flowers '... there are also animals and birds which include the swan, the pelican, the lion, the bear, the stag, the fox and the sheep.'The decoration was not limited to charka but was applied to all manner of items, including bowls, see for example one at the British Museum, dated to 1654 (1878,1230.661) and another from the second half of the 17th century (1878,1230.660). Flowers feature heavily on both of those examples as they do on another bowl of the late 17th century (Christie's, London, 23 November 2020, lot 187) and a pair of scent bottles (Rostropovich-Vishnevskaya: The Private Collection, Sotheby's, London, 28 November 2018, lot 3). Marked near the rim with two indistinct marks. There is some loss and restoration to the enamel overall. This is mostly noticeable to the outside rim. There is some further minor cracking to the enamel in places.There is some bruising to the silver border and some small areas where the border is detached from the body.
an oval cut aquamarine suspends a geometric plaque set throughout with eight-cut diamonds, suspending a larger oval cut aquamarine, in white rubbed over and millegrain settings, total estimated diamond weight 1.00 carat approximately, with post fittingsdrop length 5.0cmThe earrings are in good condition with slight nibbles throughout. They bear no hallmark nor stamp but in our opinion would test as gold. The largest aquamarines measure13.77mm x 9.52mm x 6.72mm and 13.83mm x 9.83mm x 6.85mm approximately. The approximate qualities of the diamonds are; colour I/J/K, clarity SI2/I1/I2. Gross weight 10.4 grams. CR made 27.09.22.
pairs of round cut rubies within borders of round brilliant cut diamonds, in yellow claw settings, spaced by a groove motif, total estimated diamond weight 0.50 carat approximately, with post fittings measure 1.4cm by 1.1cmThe earrings are in good condition. They bear no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 5.6 grams. CR made 23.08.22.
A 3½in gauge live steam 4-6-2 ‘Great Bear’ style Pacific Class Locomotive and bogie Tender, well engineered, possibly to a LBSC design, two-cylinder live steam, twin safety valves, axle-driven water pump together with steam injector and tender water pump, comprehensive list of cab fittings, finished in green and black livery, overall good condition, with wooden carry cases, appx. dimensions with tender, 56in (142cm) long x 7in (18cm) wide x 9½in (24cm) high. Please note this lot does not possess a boiler certificate.
Four small Steiff toy animals, including Hedgehog, Lion, Elephant and Leopard, together with six various toy animals, Japanese tinplate clockwork Shoe-Maker bear, Japanese tinplate clockwork Roaring Bear, with box lid, Japanese clockwork tinplate Walking Bear, boxed, KSK Japanese tinplate clockwork Sausage Dog, etc (a lot)
eight yellow lozenges inset with cabochon synthetic ruby, synthetic sapphire and synthetic emerald, suspending cultured pearl drops, with a larger central drop of scroll form similarly set suspending further lozenge-shaped drops, to a woven back chain, the earrings of similar form, with post and clip fittingsnecklace drop length 7.5cm, necklace length 43.2cm, earring length 8.9cmThe pieces are in good condition, with slight damages throughout the gemstones. The necklace fastens with a tongue and box catch. The necklace is stamped 'K22' and in our opinion would test as gold. The earrings bear no hallmark nor stamp. Gross weight 145.6 grams. CR made 26.09.22.
six round brilliant cut diamonds terminate to a pair of round brilliant cut diamonds, surmounting an oval cabochon moonstone, in white claw settings, total estimated diamond weight 0.50 carat approximately, with post fittingslength 2.7cmThe earrings are in good condition with slight abrasion to the surface of the moonstones. They bear no hallmark nor stamp, but in our opinion would test as gold. The approximate qualities of the diamonds are; colour I/J/K, clarity SI2/I1/I2. Gross weight 4.9 grams. CR made 24.08.22.
An 18th Century brass bell weight, marked with a ewer, 'A', a dagger, and 'G' surmounted by a crown, the base stamped 'AB', together with 13 18th Century and later brass weights, to measure pennyweights, drams and scruples, and a bronze cube, all sides of which bear concentric annulets, bell weight 10.5 cm, 904 g,
Something Else Press - - Great Bear Pamphlets. 20 Hefte (alles Erschienene). New York, Something Else Press, 1965-67. 21,5 x 14 cm. Original-Broschuren im privaten Schuber (Umschläge teils minimal fleckig oder in den Rändern minimal gebräunt).Frank 92. - Komplette Reihe der Great Bear Pamphlets mit Texten von Dieter Roth, John Cage, Wolf Vostell, Claes Oldenburg, Robert Filliou, Allan Kaprow, Dick Higgins, George Brecht, Emmett Williams u.a. - Sehr gut erhalten.
Bear Press - - Ball, Hugo. Zauberklänge. 3 Exemplare mit jeweils unterschiedlichem Original-Aquarell von Paul Mersmann. Bayreuth, Bear Press, 2011. 2 Bl. 30 x 20,5 cm. Fadengeheftete Original-Kartonage mit Deckeltitel.Einblattdruck 125. - Jeweils eins von 50 nummerierten und von Mersmann signierten Exemplaren. - Tadellos.
A German BurgonetCirca 1540-50, Probably AugsburgOf bright steel now painted russet brown on the inner surfaces, with one-piece skull embossed with three raised and engrailed combs, made in one with the bluntly-pointed peak and neck-guard and pierced with pairs of holes probably for a fabric covering, the back at the neck with two keyhole-shaped piercings, hinged cheek-pieces each pierced with five holes over the ears, the main edges turned and roped, and with dome-headed lining rivets 28 cm. highFootnotes:ProvenanceThe Mark and Peter Dineley CollectionsFor a related burgonet in the Metropolitan Museum of Art, New York (inv. no. 14.25.556) see Stuart W. Pyhrr, European Helmets, 1450-1650, Treasures from the Reserve Collection, 2000, p. 20, no. 28 (illustrated). The footnote reads 'This burgonet belongs to a series of virtually identical examples having three raised and engrailed combs that were worn by the guards attached to a noble German or Austrian house. Several helmets bear the mark of Augsburg and that of Desiderius Helmschmid (1513-1579), the city's leading armorer in this period (the Metropolitan's burgonet is unmarked). Pairs of holes in the bowl suggest that the surface was covered with fabric, stitched in place, leaving only the tall combs exposed. The forging of a helmet bowl with three tall combs from a single plate of steel required considerable skill...'For further information on this lot please visit Bonhams.com
Detective fiction and other fiction. Thrity-seven works. PATRICIA HIGHSMITH. 'Ripley's Game,' first edition, original cloth, unclipped dj, ex libris with ink stamps etc, Heinemann, 1974; HAMMON INNES. 'Maddon's Rock' 1956, 'Levkas Man' 1971, 'The White South' 1949, 'The Strode Venture' 1965; PATRICIA WENTWORTH. 'The Waterslash' 1953, The Listening Eye'; ARTHUR UPFIELD. 'The Devils Step' 1965, 'The Sands of Windee' 1959, 'Bony and the Mouse' 1959, 'The Will of the Tribe' 1962; 'Man of Two Tribes' 1956; ALISTAR MACLEAN. 'The Guns of Navarone' 1957, 'The Way to Dusty Death' 1973, 'Force 10 from Navarone' 1968, 'Bear Island' 1971; With twenty other works including M. R. D. Meek, Elizabeth Ferrars, Sara Woods, Josephine Tey, Sydney Fowler, John Buchan. (37)
Substantial 19th Century blue glass rolling pin, enamel decorated with depiction of a sailing vessel, The Sailor's Farewell, cartouche inscribed "LOVE AND BE HAPPY", poem "when far at sea remember me and bear me in your mind, let all the world say what they will, speak of me as you find" and a depiction of a compass flanked by two ships inscribed "come box the compass", 76cm wide
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