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Lot 2038
Seven items. Four unused costume jewellery timepieces. Three watches. A boxed ONTHEEDGE Rose gold tone watch with batteries * A GABRIELLA VICENGA gold tone watch with blue croc strap * a boxed TEMPTATION FLORAL silver tone and crystal bracelet watch * a PRINCE standing clock in the form of a vintage car in gold tone metal. Three novelty silver tone and crystal keyrings - one mouse, one bear and one cross. 100% of the proceeds of this sale will go to Your Sanctuary Domestic Abuse Charity (www.yoursanctuary.org.uk)Condition Report: New and unusedEwbanks does not guarantee the future working of the watch movement and we do not guarantee the authenticity of any individual component parts since subsequent repairs and restoration work may have resulted in the replacement of original parts
Lot 35
József Rippl-Rónai (Hungarian 1861-1927) Man in a Pointed Hat, probably a Self-Portrait, 1905 signed and dated (upper left), and stamped Látta / Kladta (to reverse of back board), oil on cardboard Dimensions:65.6cm x 49cm (25 7/8in x 19 1/4in) Provenance:ProvenancePrivate Collection, London. It has been suggested that this work could possibly be 'Self-Portrait in a Pointed Hat', which would correspond to a work exhibited by the artist in 1906.The current work bears an exhibition label numbered 431 to the reverse of its backboard, and was possibly exhibited as part of a one-man exhibition in Kaposvár, the artist's home town, in either 1905, 1913 or 1920. Note: ‘The Hungarian Nabi’: József Rippl-Rónai (1861–1927)József Rippl-Rónai’s lifetime work can be seen as an important articulation of a pan-European approach that incorporated elements of Art Nouveau, Fauvism, Expressionism and in particular the Post-Impressionist painters known as Les Nabis. Born in Kaposvár, Hungary in 1861, he studied at the Akademie der Bildenden Künste in Munich in 1884, before moving to Paris in 1887. There he continued his studies under the Hungarian Realist painter Mihaly Munkácsy then living in the French capital. By 1889 Rippl-Rónai made a brief visit to Pont Aven and soon cut ties with his earlier style embracing a new aesthetic buoyed by Paul Gauguin and his circle. He became friends with artists such as Aristide Maillol, Pierre Bonnard and in particular Édouard Vuillard whom he met at the Académie Julian in Paris. He joined the Nabis, whose influence can clearly be felt in his work.Rippl-Rónai returned to Hungary in 1902 and the current work dates from this early period back in his homeland, but continues to bear the impression of the Nabis, with a gentle intimacy and a fondness for decoration. Possibly a self-portrait, the painting is dated to 1905 and communicates his interest in materials and clothing. He believed that not only was the artist’s full body of work of importance, but also his public persona and mode of living, including the way he dressed. Rippl-Rónai’s Post-Impressionist tendencies, including his use of two-dimensional representation and contouring, continues with this portrait, as well as his playful use of a painting within a painting motif, a technique that can be seen in a number of his important works.The artist took part in public life throughout his career, including designing posters and tapestries and contributing to many successful exhibitions both at home and abroad, including those mounted in his home town of Kaposvár. Indeed, the current work bears the remains of a label which suggests an exhibition held there, which might relate to his solo shows of 1905 or 1913. After the World War One, Rippl-Rónai gave up oil painting in favour of pastels and his mastery of this medium reached its pinnacle with a series of portraits of literary friends. Rippl-Rónai’s continuing importance is that he succeeded in remaining a Hungarian artist who was faithful to his historical roots, whilst embracing modern art tendencies from his close associations with French artists linked to Paris at the turn of the century.
Lot 36
József Rippl-Rónai (Hungarian 1861-1927) Portrait of a Young Man Wearing a Cap signed (lower right), pastel on paper Dimensions:43cm x 31.5cm (17in x 12 3/8in) Provenance:ProvenancePrivate Collection, London. Note: ‘The Hungarian Nabi’: József Rippl-Rónai (1861–1927)József Rippl-Rónai’s lifetime work can be seen as an important articulation of a pan-European approach that incorporated elements of Art Nouveau, Fauvism, Expressionism and in particular the Post-Impressionist painters known as Les Nabis. Born in Kaposvár, Hungary in 1861, he studied at the Akademie der Bildenden Künste in Munich in 1884, before moving to Paris in 1887. There he continued his studies under the Hungarian Realist painter Mihaly Munkácsy then living in the French capital. By 1889 Rippl-Rónai made a brief visit to Pont Aven and soon cut ties with his earlier style embracing a new aesthetic buoyed by Paul Gauguin and his circle. He became friends with artists such as Aristide Maillol, Pierre Bonnard and in particular Édouard Vuillard whom he met at the Académie Julian in Paris. He joined the Nabis, whose influence can clearly be felt in his work.Rippl-Rónai returned to Hungary in 1902 and the current work dates from this early period back in his homeland, but continues to bear the impression of the Nabis, with a gentle intimacy and a fondness for decoration. Possibly a self-portrait, the painting is dated to 1905 and communicates his interest in materials and clothing. He believed that not only was the artist’s full body of work of importance, but also his public persona and mode of living, including the way he dressed. Rippl-Rónai’s Post-Impressionist tendencies, including his use of two-dimensional representation and contouring, continues with this portrait, as well as his playful use of a painting within a painting motif, a technique that can be seen in a number of his important works.The artist took part in public life throughout his career, including designing posters and tapestries and contributing to many successful exhibitions both at home and abroad, including those mounted in his home town of Kaposvár. Indeed, the current work bears the remains of a label which suggests an exhibition held there, which might relate to his solo shows of 1905 or 1913. After the World War One, Rippl-Rónai gave up oil painting in favour of pastels and his mastery of this medium reached its pinnacle with a series of portraits of literary friends. Rippl-Rónai’s continuing importance is that he succeeded in remaining a Hungarian artist who was faithful to his historical roots, whilst embracing modern art tendencies from his close associations with French artists linked to Paris at the turn of the century.
![Merrythought Gold Plush Teddy Bear (worn), 51cm high [368780]](https://cdn.globalauctionplatform.com/32b180ac-e12e-45d1-b57a-b08900e42536/64bac76d-56f8-4872-a07f-b0a000a8ca83/468x382.jpg)
Lot 496
Large box of various modelling items including switches, approx. 24 N-gauge electric double lamp standards; a very large collection of various 00-gauge couplings; transfers; Digital Gemini Precision Locomotive Controller – not electrically tested, some plastic boxes containing small items. Do not rely on box descriptions or pictures – contents generally bear no relation.
Lot 493
A variety of modelling items: Model Craft Lineside kits – one each Country Station and Large Goods station; ten Metcalf packets; Kemilway Siphon G kit; Mallard Models GWR 517 class body & chassis kit; nine containers Model Technics Trim Line various colours. All packeted items have been opened, completeness cannot be assured. Eight Hornby-Dublo & two other 00-gauge motors - untested & unknown if they work. Do not rely on box descriptions or pictures – contents generally bear no relation
Lot 167
This Swarovski crystal grizzly bear cub is part of the Rare Encounters group. The grizzly cub has a clear faceted body and a molded crystal head and has a silver-colored metal fish in his mouth. Swarovski etched backstamp. This item has its original box which measures 4.5"H x 3.25"dia. Artist: Heinz TabertshoferIssued: 2001-2006Dimensions: 2.25"L x 1.25"W x 1.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 166
This adorable bear is made from clear faceted crystal and comes with expressive jet-black button eyes. His arms are far apart, and his head is tilted to his left. Swarovski block logo etched backstamp. Artist: Max SchreckIssued: 1981-2004Dimensions: 1.75"L x 1.5"W x 2.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 170
A clear and black crystal figure of a young panda bear munching on a frosted bamboo stalk. Swarovski marking. This item has its original box 5"L x 4.75"W x 4"H. Artist: Heinz TabertshoferIssued: 2008Dimensions: 2.5"L x 2.5"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear. Bamboo leaf restored.
Lot 112
Europe.- World War II.- Vlaanderen (André) L'Europe en Sept 1939, serio-comic map of Europe, lithograph with full original hand-colouring, no. 20 from an edition of 150, signed by the artist, sheet 610 x 860 mm (24 x 33 3/4 in), under glass, minor cockling, minor surface dirt, framed, Leon Burghgraeve, Bruges, 1939; together with an explanatory letterpress text sheet in English, framed (2)⁂ Scarce at auction. Britain is shown depicted as a woman with battleships on leads; France as Marianne, leading her troops into battle; Germany, with a swastika sash, stabbing a female Poland; and Russia as a Cossack holding a hammer and sickle, his arm around a large brown bear.
Lot 8000
Fabergé pair of 14ct gold blue enamel and diamond elephant cufflinks, with bear toggle backs, the reverse stamped HW for workmaster Henrik Wigström and 56 zolotnik, in original fitted boxCondition Report:Approx 22.75gm, enamel good, one diamond missing from a cufflink (not detrimental), head dimensions = 20mm x 18mm, few marks to case
Lot 178
Novelty Shaped Postcards. 1910-22 Cards containing fold-out views, with a stamp applied directly to the card, most sent at the ½d book-post rate, including cards in the shape of a train, car, teddy bear, golliwog, fish, shell, charabanc, horse drawn coach, bathing hut, sailing boat, bathing tent, swan, aeroplane, seaside scenes, lifeboat man, young lady, soldier, clock, post box, donkey, Welsh maid, etc. (31).
Lot 179
Novelty Shaped Postcards. 1909-24 Cards containing fold-out views all with a separate address tag attached by string, virtually all dated 1909-12, sent at the ½d book-post rate, one extraordinary card with a real walnut shell attached containing rolled-up views of Edinburgh tied together with string, other cards in the shape of a roller skate, Norfolk wherry, Cornish pasty, telescope, pie, sailing boat, lifeboat, donkeys, hats, soldiers, stocking, leaf, shoe, baby, fish, medicine bottle, fir cone, policeman, shamrock, fly, ship, rose, golliwog, aeroplane, hands, teddy bear, basket, crab, shells, dog, bathing tent or hut, cooking pot, biscuit, etc., also one unused card with "Lands End" cachet. A fine and unusual collection. (45).
Lot 153
1914 (April 14) Post Office Notice "Surcharges, Introduction of "Postage Due" labels", announcing the issue of four values of postage due stamps on April 20th, no surcharges to be paid on delivery of any letter or parcel on and after that date that does not bear due stamps. Light horizontal fold, otherwise fine, very few examples known of this notice.
Lot 160
§ Humphrey Ocean RA (1951-), a painted Producers' Workshop Studio Door, 1980s, decorated with Jonathan Rowlands' Teddy Bear logo above a line of musical notation, monogrammed HO to the bear's satchel 198 x 75 x 5cm During the 1980s, music producer, Jonathan Rowlands, had a small 24-track basement Studio in Chelsea, but clients often struggled to find the entrance as it was located in an alleyway off the Fulham Road. In a bid to assist with its location, Rowlands decided to have his Teddy Bear logo painted on the door and he asked Ian Drury, who was in the studio at the time, if he knew of any artists who might be able to oblige. Drury had taught at Lewisham Artwork College and recommended Ocean, a former student who had also played bass in his band.
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93468 item(s)/page