A George III silver caddy spoon, with scalloped bowl, probably by George Smith, London 1783, and another similar by Richard Crossley, London 1786, three George III silver scallop bowl caddy spoons, incompletely hallmarked with only lion passant and makers marks and two other 18th century white metal caddy spoons (see illustration). CONDITION REPORT: The spoons with makers mark GS (probably George Smith) is in good overall condition commensurate with age and bears a spread eagle engraved armorial to terminal. The spoon marked RC (probably Richard Crossley) has very minor denting to the bowl and the terminal has an engraved dragon pattern armorial. The three incompletely marked scallop bowl spoons all appear to be in good condition and variously bear makers marks for GS (possibly George Smith) RH (possibly Richard Hennell) and HB (possibly Hester Bateman). The remaining two spoons do not bear any form of mark, either hallmark or makers mark and both appear to be in good condition.
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Nine George III silver caddy spoons by Thomas James, displaying various shapes and styles and including a spoon with pierced bowl, all hallmarked for London between 1808 and 1815 (see illustration). CONDITION REPORT: Eight of these James spoons are in good condition commensurate with age. Exhibiting perhaps light surface scuffing throughout. All are clearly hallmarked and bear clear makers marks. The ninth spoon has a slight crease to the terminal but otherwise is a fair example with slight surface wear commensurate with age. The makers mark to this spoon is perhaps slightly rubbed also, this spoon bears a trefid terminal.
A George III silver jockey cap caddy spoon by Thomas Law Sheffield 1811, together with an early 19th century silver plated jockey cap caddy spoon. CONDITION REPORT: The Thomas Law jockey cap spoon is a clean and fair condition example. The hallmark and makers mark are both clearly struck. There is slight rubbing and loss of definition to the peak of the cap and the cap itself is slightly asymmetrical but does appear to be part of the original manufacturing process as opposed to any later damage. The spoon appear to have been measured by soldering triangular portions of the cap together with a central circular boss locking these sections together. There is a very slight gap between the rear two portions of the cap visible when held up to daylight. The gap does appear to be stable with no attempts to repair this. The silver plated example is quite worn to the plating and does not bear any makers marks.
A Victorian cast silver scallop form caddy spoon by Holland, Son & Slater London 1881, a George III silver caddy spoon with interesting figural terminal and scalloped bowl by Sarah John and William Blake, London 1814, a George IV silver shovel form caddy spoon, probably by William Knight II, London 1827, together with three other George III silver caddy spoons and one other 18th century incompletely marked silver caddy spoon. CONDITION REPORT: The Holland Son & Slater scallop spoon is crisply marked and in good condition to the underside but is rather worn with loss of definition to the upper surface of the spoon. The Sarah John and William Blake spoon is in good overall condition with clear hallmarks and makers mark but has slight loss of definition to the terminal. The remaining spoons, four are in good overall condition commensurate with age and bear clear hallmarks and makers marks whilst the remaining spoon, a scallop bowl with pierced and scrolled terminal is in good overall condition but incompletely hallmarked with purely a lion passant mark and a slightly rubbed makers mark which appears to read TH.
A George III silver shovel form caddy spoon by Matthew Linwood, with mother of pearl terminal, Birmingham 1813, a 19th century white metal caddy spoon, a George III silver shovel form caddy spoon by Stephen Adams, London 1792 together with two other silver caddy spoons. CONDITION REPORT: The Matthew Linwood shovel form spoon with mother of pearl terminal is in good condition with a clear hallmark and makers mark. The surface has slight scuffing and wear commensurate with age and use together with an extremely small dent to the front edge of bowl. The shovel form spoon by Stephen Adams is of good gauge and quality, apart from slight surface wear appears to be good example with clear hallmark and makers mark. The two other hallmarked silver spoons are both in good overall condition but do have slightly dull and scuffed surfaces. The shovel form spoon with long mother of pearl terminal (catalogued as white metal) does bear hallmarks but these are right to the inside of the bowl and constitute purely a lion passant mark together with a monarch head. The terminal is free of chips or cracks whilst the shovel bowl is slightly misshaped and to the underside bears oxidised circular label mark which does appear to be removable with cleaning.
A group of seven George III silver caddy spoons by Samuel Pemberton, displaying different shapes and designs and all with filigree bowls, all hallmarked for Birmingham between 1804 and 1809 (see illustration). CONDITION REPORT: Four of these spoons are in good condition, whilst three have solder repairs to the join between terminal and bowl. The damaged three are - oval scalloped bowl with handle at one end, shovel form bowl with leaf engraving and oval bowl with Vetruvian scroll engraving and scrolled terminal. All spoons bear clear hallmarks and makers marks.
A George III silver gilt fiddle pattern caddy spoon, by Samuel Pemberton, with floral embossed bowl and two similar spoons also by Samuel Pemberton embossed with seashells and flowers respectively, all hallmarked for Birmingham 1813. CONDITION REPORT: The silver gilt example has been gilded only to the upper surface of bowl and terminal. The bowl is in good condition and retains the vast majority of the gilding with only some loss to gilding on the raised highlights. The terminal has significant loss to the gilding. This spoon has a clear hallmark and makers mark. The shell bowl spoon has a slightly creased terminal but otherwise is in good condition with legible hallmarks and makers mark. The floral embossed example is slightly dented to rim but does bear clear hallmark and makers mark.
Nine George III silver caddy spoons by Samuel Pemberton, displaying different shapes and designs, all hallmarked for Birmingham between 1800-1822, together with three other white metal caddy spoons by Samuel Pemberton (makers mark but no hallmarks). CONDITION REPORT: This lot is a good cross section of he output of Samuel Pemberton, with the stand out example being the leaf form spoon embossed to centre with a standing Dutch/Scandinavian man bearing a potted plant. This spoon is very slightly creased to terminal and very slightly misshapen to bowl but otherwise is in good condition with a clear hallmark and makers mark. Of the remaining fully hallmarked spoons three (all of oval slipper type shape) have slightly creased terminals, the acorn style spoon has slight denting to the tip of the bowl, the circular bowl spoon with rope twist border and pierced terminal has a solder repair to the terminal as does the scalloped bowl example. The other two remaining fully hallmarked spoons are in good condition. Of the three incompletely hallmarked spoons (catalogued as white metal) but all bearing Samuel Pemberton marks, the oval slipper type spoon has slight creasing to the terminal, (this must be a common fault with this style, since all four in this lot all bear the same problem) whilst the leaf form spoon is in good condition as is the circular bowl leaf embossed example.
Eleven George III and later silver caddy spoons by John Lawrence & Co, displaying various designs and patterns, including one with scalloped bowl and variegated red agate terminal, all hallmarked for Birmingham between 1811-1831 (see illustration). CONDITION REPORT: Six of the spoons in this lot are in good overall condition as follows: Example with red agate handle, bone handles spoon, circular bowl spoon with embossed scrolled motif and engraved S motif, spoon with shaped and leaf engraved bowl and fiddle pattern terminal engraved RR, circular scalloped bowl spoon and oval bowl spoon engraved with leaf motif. These all bear clear hallmarks and makers mark. The remining five spoons have condition issues as follows: shovel form spoon has a split to upper part of bowl together with a resoldered terminal. Circular bowl spoon with a pierced terminal is dented to bowl and has a solder repair to terminal. Scalloped bowl spoon with chequered terminal has a solder repair to terminal. Leaf embossed circular bowl spoon is slightly dented to back edge of bowl. Circular bowl spoon with oval engraved motif to bowl is very slightly dented. All of these spoons bear clear hallmarks and makers marks.
A George III Scottish silver caddy spoon by William Marshall, with scale engraved terminal and scalloped bowl, Edinburgh 1813, together with ten other George III and later Scottish silver caddy spoons. CONDITION REPORT: The William Marshall spoon has a very small dent to the side of bowl but otherwise is in good clean crips condition throughout and to hallmark and makers mark. The remaining nine spoons consist of four that are properly and fully hallmarked as follows: A leaf engraved oval bowl example, possibly by Robert Greig, hallmarked for Edinburgh 1841 and in good overall condition. A plain example with curved bowl and shallow side wings by Robert Gray & Son, hallmarked for Edinburgh 1810 and in fairly good condition but with minor pinhead dent to bowl and of slightly asymmetrical outline (may be due to original manufacture). A fiddle pattern spoon with scalloped bowl hallmarked for Edinburgh 1812 with indistinct makers mark reading IH, this spoon is in good condition. A plain oval bowl spoon with plain terminal engraved with a letter E and hallmarked for Edinburgh 1845 with indistinct makers mark reading CR (possibly Charles Robb), this spoon is in good condition. The remaining six spoons which are incompletely hallmarked are all in good condition and bear makers marks as follow: RG, IP, JO, JO, WM and B.
Eight George IV and William IV silver caddy spoons by Taylor & Perry, displaying different designs and shapes, including an unusual leaf form spoon, all hallmarked for Birmingham between 1826-1833, together with a George III silver and silver gilt caddy spoon with circular leaf embossed bowl by T & ? (mark rubbed), Birmingham 1811. CONDITION REPORT: Three of the Taylor & Perry spoons are in good condition with no apparent damage to mention. These spoons are the fruiting vine embossed example with flared bowl, the engraved leaf form scoop and the fiddle pattern example with fruited fan bowl. All three of these bear clear hallmarks and makers marks. The remaining five Taylor & Perry spoons which exhibit some form of damage as follows: Kings pattern terminal spoon has evidence of repair to join between terminal and bowl. Square pan form spoon is very slightly dented to front edge of bowl. Naturalistically modelled leaf form spoon has an old crack to the left of the central vein to rear of bowl. Fan form bowl spoon is creased to the back edge of the bowl indicating that force has been used to push the spoon down. Shaped edge bowl spoon has a creased terminal. All of these spoons have clear hallmarks and makers marks. The last spoon in this lot is the silver gilt example with circular embossed bowl, this poon has a very slightly misshapen rim but this is minor and the bowl retains the majority of the gilding. The plain silver terminal is hallmarked to reverse but is slightly rubbed to both mark and the makers mark.
Three George III silver caddy spoons by John Thropp or Joseph Taylor, all of leaf design and all hallmarked for Birmingham 1809. CONDITION REPORT: The naturalistically modelled leaf form spoon with chastened centre has a repair to one of the two pierced terminal supports adjoining the bowl. The other two spoons are in good condition, free of issues and all three spoons bear clear hallmarks.
An early Victorian silver caddy spoon by Francis Higgins II, with naturalistically modelled branch terminal, London 1846, together with a fiddle pattern caddy spoon by Robert Wallis with fruit embossed oval crimped bowl, London 1851. CONDITION REPORT: Both spoons are in good condition. The Higgins spoon has a rough edge to the rim of the bowl and the seam between cast handle and bowl is visible. The Robert Wallis spoon has traces of gilding to the bowl and the decoration and definition are all clean and bright. Both spoons bear clear hallmarks and makers marks.
Ten George III and later silver caddy spoons by John Thropp or Joseph Taylor, displaying different patterns and styles, all hallmarked for Birmingham between 1802-1826, together with a George III silver caddy spoon by Wardell & Kempson with seaweed engraving, Birmingham 1809. CONDITION REPORT: The filigree spoon by Thropp or Taylor has a couple of cracked filigree strands but is in good condition. The remaining 9 spoons all are in good overall condition with few minor blemishes and very minor denting in place. All ten spoons bear clear hallmarks and makers marks but have slightly dull and scuffed surfaces. The Wardall & Kempson spoon is in clean bright condition with clear hallmarks and makers marks and bears old retail price label for £375.
Ten George III and later silver caddy spoons by John Thropp or Joseph Taylor, displaying different patterns and styles, all hallmarked for Birmingham between 1799-1828. CONDITION REPORT: Ten spoon by Thropp or Taylor all appear to be in good overall condition, some with minor blemishes or slight misalignments and some with slightly dull and scuffed surfaces. All bear clear hallmarks and makers marks.
Nine George III and later silver shovel form caddy spoons by John Thropp or Joseph Taylor, two with turned ebonised handles, all hallmarked for Birmingham between 1805-1818, together with a caddy spoon by William Pugh with mother of pearl terminal, Birmingham 1809 (see illustration). CONDITION REPORT: The William Pugh spoon with mother of pearl terminal is in good condition with slightly rubbed hallmark but clear makers marks. Of the 9 Thropp or Taylor spoons five appear to be in good condition whilst the other four have issues as follows: shovel handled spoon with loss to gilding to bowl interior. Hollow cylindrical handle shovel form spoon with dented handle. Bone handled shovel formed spoon with solder repair to bowl and star pierced shovel form bowl and ebony handled spoon with creased bowl. All spoons bear clear hallmarks and makers marks.
Four George III and later silver caddy spoons, with scalloped bowls by John Thropp or Joseph Taylor, all hallmarked for Birmingham between 1796-1812, together with five other George III and later silver caddy spoons all with scalloped bowls. CONDITION REPORT: Two of the Thropp or Taylor scalloped spoons are in good condition but both bear slight oxidised marks. The other two spoons by Thropp or Taylor comprise one with fiddle hollow terminal and another with short scrolled terminal engraved with three leaves. The hollow terminal example has a solder repair to the terminal whilst the three leaf spoon has a creased terminal. Of the remaining spoons, one has a crude solder repair across the width of the bowl and two others have slightly creased terminals. The final two spoons, one a 20th century one with scalloped old English terminal, the other George III, both are in good condition.
An early 19th century white metal mounted cowrie shell caddy spoon, with red coral terminal. CONDITION REPORT: This spoon is of good quality and is an attractive example. The rim of the shell bowl has a period (at point of manufacture) repaired patch +/- fingernail size. There is no apparent damage to the coral terminal, both ends are slightly rough to the touch. The white metal mount appears to be silver but does not bear any hallmarks or makers marks, there is no apparent damage to the mounts.
An important pair of George II cast silver decanter labels by Sandelands Drinkwater, of identical figural and fruiting vine design, worded Madeira and Claret, with matching integral chains, incompletely hallmarked with lion passant and makers mark, both inscribed J4. NOTE: Sandelands Drinkwater registered as working from January 1735. CONDITION REPORT: The claret label appears to be in good overall condition with clear definition to the casting and lettering and to the reverse a clear hallmark together with the etched or inscribed J4 as mentioned in the catalogue description. The other label for Madeira is in a similar condition but does bear a significant amount of Sellotape residue it appears which would need to be cleaned off.
A near pair of George II silver labels by Sandelands Drinkwater, of shaped outline, worded Port and Claret, port label possibly later engraved with vine leaves, incompletely hallmarked with lion passant and makers mark only. NOTE: Sandelands Drinkwater registered as working from January 1735. CONDITION REPORT: The Port label bears fruiting vine engraving. This engraving fills the borders well and may possibly be period but could equally be later, it is difficult to be certain. The lettering of the label is clear and well executed. To the edges and to the back there remains traces of Sellotape residue. The marks to the reverse are purely lion passant and makers mark as mentioned in the catalogue description. The chain appears to be plated. The Claret label is of identical shape but does not bear the engraving as the Port label. Again, the marks are purely lion passant and makers mark and in general the surface of this label is slightly scuffed and worn but does not appear to have any major damage. The chain on the Claret label appears to be more white metal and of a silvery colour as opposed to the other chain.
A near pair of 18th century white metal decanter labels, modelled with scrolled leaves and worded Marsala and Sherry, sherry label with monarch head and makers mark S.H. (possibly for Samuel Hennell) (see illustration). CONDITION REPORT: These decanter labels are very similar in terms of design, the only real difference being slight difference in proportions of the cresting and the beading along the lower edges. Neither bear legible UK hallmarks. The Marsala label has clear definition to the lettering and to the design of the label. The white metal chain appears to be in good condition and there are no apparent condition issues to mention. The Sherry label is slightly worn to the lettering particularly on the two R's. To the reverse of the label there are traces of solder to each edge behind the scrolled leaf design. This label is stamped S.H. with a Monarchs head together with a rather indistinct mark which looks like a leopards head. The chain on this label appears to be in good order.
A 19th century Black Forest Cuckoo bracket clock, with two train fusee type movement, with carved case and compete with key and pendulum. Height 39 cm, width 25 cm, depth 19 cm (see illustration). CONDITION REPORT: This clock does not bear a Beha makers mark or indeed any other apparent marks to the back of the movement. The back of the clock case however bears a label for G & P Kuss & Co, Clock and Watchmakers, Newcastle-Upon-Tyne. This clock would appear to have the original rear door. The movement winds on the right hand train when viewed from the front. The left hand train does appear to wind, there is no resistance but clearly some attention is required here. We have not had the movement running. We do have the key and pendulum but not the bell. The case is in generally reasonably good order with no significant losses. As we have not had the movement operating we do not know if the bellows work or the cuckoo itself.
A collection of teddy bear patterns, rolls of mohair, felt, glass eyes, growlers and other teddy bear making accessories.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Four Merrythought limited edition teddy bears, comprising Mount Everest, Titanic, Mr Whoppit and Coronation, all boxed, together with a Diana bear, boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A set of four modern Steiff seasons teddy bears, comprising Spring, Summer, Autumn and Winter, together with a Steiff Replica 1909 bear and a Steiff black bear.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A modern Steiff mohair musical teddy bear with gilt button, amber and black eyes, stitched snout and jointed body with felt pads, height 40cm, together with a modern Merrythought teddy bear, two mid-20th century mohair teddy bears, a soft toy rabbit and a soft toy elephant.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Four modern Merrythought soft toys, comprising Sherlock Holmes, Bonzo, Barton teddy bear and another teddy bear.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chiltern mohair teddy bear with amber and black eyes, stitched snout and jointed body with fabric pads and stitched claws, height 51cm, together with another Chiltern mohair teddy bear with amber and black eyes, stitched snout and jointed body with felt pads and stitched claws, height 59cm (bald patches and wear).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Nine Deans limited edition teddy bears, comprising Frank, Robert, George, Nicholas, JCB, Grandpa Terry, George, Old Blue, Archie and five year bear Snowdrop, all with applied edition labels, eight boxed, together with a Deans Artist Showcase bear Little Bo-Zo, boxed with certificate.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chad Valley mohair teddy bear with celluloid button in right ear, amber and black eyes, stitched snout and jointed body with leather pads and stitched claws, height 45cm, together with nine other soft toys, a Schuco clockwork dog and a Swiss clockwork dancing couple.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A mohair teddy bear with black and white eyes, stitched snout and jointed body with felt pads, height 45cm, together with an American type teddy bear, possibly Harman or Ideal, height 41cm, and two other playworn teddy bears, heights 36cm and 34cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Merrythought mohair teddy bear with large flat ears, amber and black eyes, stitched snout and jointed body with fabric pads and stitched joined claws, height 68cm (some wear).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A mid-20th century Schuco mohair teddy bear with black and white eyes, stitched snout and jointed body with stitched claws, height 50cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A mid-20th century mohair teddy bear with amber and black eyes, vertically stitched nose and jointed body with felt pads, height 34cm. Note: reportedly purchased at Hamleys.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small collection of soft toys, comprising a modern Steiff polar bear, a Steiff hippopotamus, a Hermann limited edition Braunbar bear, boxed, a Gund Classic Pooh bear, boxed, and three further bears, together with a Pelham Puppet Tyrolean Boy, boxed (box lacking window, creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chad Valley mohair teddy bear with amber and black eyes, stitched snout and jointed body with rexine pads, height 35cm, together with a Merrythought mohair teddy bear, height 46cm, and another mohair teddy bear, height 40cm (bald patches and wear).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Johann Wolfgang von Goethe Epigramme Venedig 1790. Bayreuth, The Bear Press 1986. Luxusausgabe der Bear Press. 7. Druck der Bear Press. - Exemplar der Luxusausgabe, auch im Druckvermerk vom Künstler signiert. Breitrandiger Druck in Walbaumschen Schriften auf gelblichem Camber-Sand-Bütten. Den Handeinband fertigte W. G. Kießig, Berlin, das Nachwort stammt von U. Schödlbauer. Die Suite enthält weitere nicht im Buch enthaltene Graphiken. Die Numerierung im Buch unterblieb, der Einband entspricht der normalen Edition de Tete, die Suite kennzeichnet das Buch als Exemplar Nr. I (von X). Einband: Hellbrauner Orig.-Halbmaroquinband mit breiten Lederecken und Marmorpapier-Vorsätzen, Rücken mit reicher Blindprägung; in Schuber. 29 : 19 cm. Suite in Orig.-Karton-Mappe. - ILLUSTRATION: Mit 12 Orig.-Radierungen im Text sowie (in einer separaten Mappe) 1 zusätzlichen, signierten Radierung und einer Extrasuite von 8 signierten und römisch numerierten Radierungen von Wilhelm M. Busch. LITERATUR: Spindler 73,7. - Slg. Dorn 3589. Copy of the deluxe edition with 12 orig. etchings in the text and a suite of 1 signed etching and 8 signed and numbered etchings by Wilhelm M. Busch, imprint of the book also signed by the artist, but not numbered. The suite contains prints partly different from that in the book, the binding corresponds with the normal 'Edition de Tête', the suite is numbered 'I' (of X) as in the deluxe edition. Dieses Objekt wird regel- oder differenzbesteuert angeboten.
TWENTY WADE FIGURES FROM NUMEROUS COLLECTORS FAIRS, comprising from Alton Towers Fairs 1998 'Bears Just Want to Have Fun' and 'Panda Bear Plaque', from Arundel Swap meets 'Arundel Duck 1997', 'Arundel Bunny 1998' and 'Arundel Chick 1999', three limited edition from Birmingham Fairs 'Spaniel 94' no. 0925/1000, 'Grey Haired Rabbit 95' no.0927/1000 and 'Smiling Frog 96' no.0413/1000, all with certificates, two from Collect It Fairs Baby Bear in Pyjamas (Alton Towers Hotel backstamp), and Oops! The Bear, two from Dunstable Fairs Cook Catkins 1998 and Timid Mouse 1996, and eight from Trentham Garden Fairs, two Rufus 97, two sets of pair of Penguins 1999 with certificates and two Puppy Love Sydney 1999 (20) (Condition report:- all boxed, some with written labels on except for Panda plaque, and all appear ok)
LATE 19TH / EARLY 20TH CENTURY CERAMICS ETC, comprising a pair of blue and gilt rimmed plates, hand painted floral sprays to the centres signed L Monet, both bear a blue Sevres backstamp, diameter 26cm, Crown Devon Fieldings blush ivory wares, including a biscuit barrel, jardinieres, strainer with saucer etc, Wiltshire & Robinson cheese dish with cover, pair of majolica style vases, Japanese satsuma footed bowl with cover and a brass twin handled coal bucket (Condition report: some damage to blush ivory items and majolica vases)
A COLLECTION OF WADE ITEMS, comprising three boxed Classical Collection figures for UKI Ceramics Ltd (Polar bear and two Monkies), a boxed limited edition Taurus the Bull (Animal Collection) no 191/350, with certificate, two membership figures (Toad of Toad Hall 2000 with certificate and Cinderella in Rags 2001), five WADE name stands, two badges and a boxed LLedo COLLECT IT! diecast van (14) (Condition report: all apear ok, boxes have written labels on)
SIX BOXES AND LOOSE CERAMICS, GLASS AND HOME WARES, to include a box of largely foreign figurines and animal ornaments, three teapots to include Dudson and Windsor, vases of artificial flowers, a thirty four piece Regency China part tea set, cut and pressed glass drinking glasses, vases and decanters, assorted kitchen wares, carriage, mantel and wall clocks, contemporary or late twentieth century home decor items, a box of mugs, a late twentieth century teddy bear etc (sd) (6 BOXES + LOOSE)
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93488 item(s)/page