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Lot 191

'Smokey' a fine Pedigree teddy bear 1960s, with beige synthetic plush, orange and black plastic eyes, pronounced muzzle with black stitched nose and mouth, swivel head, jointed limbs with white Dralon pads, growler, label in neck seam, original yellow ribbon, gold foiled and black card swing tag, in original box with cellophane window --19in. (48cm.) high (box a little crushed) - this bear was lot 25 in Grandma's Teddy Bear Museum auction in these rooms on the 9th September 2020

Lot 359

A rare Steiff white mohair centre-seam teddy bear circa 1908, with black boot button eyes, pronounced clipped muzzle, brown stitched nose and claws, central seam down middle of swivel head, jointed elongated limbs with felt pads, card lined feet, hump, inoperative squeaker and underscored FF button in ear --24 ½in. (62.5cm.) high (repair to left ankle, hole in top of nose, bald spot behind left ear, general wear and thinning, some damage to pads)

Lot 72

A Steiff yellow tagged Bobby Musical Teddy Bear, black with guitar, in original box, 1993 (slight damage to box)

Lot 229

'Goldie' an early Steiff teddy bear with blank button circa 1905, with apricot golden mohair, boot button eyes, pronounced muzzle, replaced black stitched nose and mouth, swivel head, elongated limbs, remains of probably five stitched claws, hump and inoperative squeaker --15 ½in. (39.5cm.) high (pads replaced, balding to head and front, general wear, fading to front and repaired patch to tip of muzzle) - this bear was lot 328 in Grandma's Teddy Bear Museum auction in these rooms on the 9th September 2020

Lot 152

A Chiltern blue mohair teddy bear 1930s, with black stitched nose, mouth and claws going slightly onto pads, swivel head, jointed limbs with brown cloth pads and slight hump --12 ¾in. (32.5cm.) high (balding and wear, missing eyes); a pin-jointed wool plush panda with leather pads (worn); and a faux astrakhan black and white lamb

Lot 316

Seven European teddy bears, a Russian clockwork bear with brown artsilk plush and original Cossack outfit -- 9 ¼in. (23.5cm.) high; a SAF with label in ear (damaged arm); a Hermann-type teddy bear; a large pink synthetic plus teddy; a black synthetic plush bear and two others (wear and some repairs and damage)

Lot 160

Three British teddy bears, a pink artificial silk plush teddy bear with swivel head and jointed limbs --12in. (30cm.) high (wear, pads recovered and missing eyes); a worn 1930s Chiltern teddy bear; another mohair bear; a British brown and black mohair terrier (missing eye); and a home-made cloth elephant

Lot 66

A Steiff limited edition Olivier B Bommel Bear, exclusive for Holland, 1906 of 3000, in original box with certificate, 1998

Lot 500

Various small collectable items, two glass cracker charms of foxes heads; a similar bear, cat and frog; a seated porcelain Mickey Mouse and another with missing foot; a Britains lead Dopey; and other items - The Ethel May de Wolf Collection

Lot 213

'Tripple' a Bing Tripple Trapple walking bear circa 1910, with remains of brown mohair, black boot button eyes, black stitched nose and mouth, tinplate legs with wheels and pull-a-long walking mechanism --11 ½in. (29cm.) high (completely bald, missing ears, damage and staining to leg mohair) - this bear was lot 242 in Grandma's Teddy Bear Museum auction in these rooms on the 9th September 2020

Lot 318

Three post-war British teddy bears, a large Dean's Rag Book Co. jointed teddy bear with blonde mohair and brown and black plastic eyes --27 ½in. (70cm.) high (balding and wear); a Pedigree bear; another; and a fully-jointed kangaroo skin Billy Bluegum koala (balding)

Lot 222

'Boots' an early German teddy bear 1910-20, with blonde mohair, black boot button eyes, small pronounced muzzle, black stitched nose, mouth and claws, swivel head, jointed limbs with felt pads, hump, inoperative growler and recent sailor's jacket --19 ½in. (49.5cm.) high (small bald spot to temple, some damage to pads and slight general wear) - this bear was lot 270 in Grandma's Teddy Bear Museum auction in these rooms on the 9th September 2020

Lot 70

A small Micha Bears teddy bear cuddling two puppies, a small The Bear Basket panda --4 ½in. (11.5cm.) high; a Hermann panda; a Theresa Young miniature bear; a Steiff Club Gift Bear, 1997/98; and a miniature Hermann

Lot 158

Two British teddy bears, an Invicta teddy bear with beige wool plush, orange and black glass eyes, brown stitched nose and mouth, swivel head and jointed limbs with painted cloth pads --13 ½in. (34.5cm.) high; a post-war British teddy bear (some wear); an A.A. Milne 'When we were very young' 8th edition; and The Rupert Story Book

Lot 219

'Karin' a rare orange mohair Bing teddy bear 1920s, with clear and black glass eyes with brown backs, pronounced clipped muzzle, black stitched nose, mouth and claws, swivel head, jointed elongated limbs with felt pads and seam down back of leg, hump, growler and pink striped pyjamas --19 ½in. (49.5cm.) high (holes in muzzle, left wrist and ears, very bald arms and other balding, wear and thinning, other damage and three pads recovered) - this bear was lot 256 in Grandma's Teddy Bear Museum auction in these rooms on the 9th September 2020

Lot 334

A fine Farnell teddy bear 1910s-20s, with blonde mohair, black boot button eyes, pronounced clipped muzzle, black stitched nose, mouth , webbed hand claws and feet claws, swivel head, jointed elongated limbs with cloth pads, hump and inoperative growler --14 ¾in. (37.5cm.) high (very slight thinning and slight stain to muzzle)

Lot 153

Two Merrythought teddy bears, a unusual yellow artificial silk plush seated teddy bear with white artsilk ear lining, muzzle and bellow, black stitched nose, mouth and claws, swivel head, jointed limbs with yellow pads and printed label on leg --7in. (18cm.) high (missing eyes, slight wear and matting); and a traditional golden mohair teddy bear with swivel head, jointed limbs and printed label on foot --22in. (56cm.) high (missing eyes, pads recovered and slight general wear): and a musical teddy bear (mechanism not working and wear)

Lot 205

'Farrant' a large Farnell teddy bear late 1930s, with golden mohair, orange and black glass eyes, pronounced clipped muzzle, black stitched nose, mouth and claws, swivel head, jointed limbs with neatly replaced pads, hump and growler --27in. (68.5cm.) high (bald spot to left toe, slight general wear and fading) - this bear was lot 150 in Grandma's Teddy Bear Museum auction in these rooms on the 9th September 2020

Lot 233

'Ludvig' a 1950s Steiff teddy bear, with beige mohair, replaced glass eyes, pronounced muzzle, brown stitched nose, mouth and claws, swivel head, jointed limbs with felt pads, hump, growler and script button with worn yellow cloth tag --13in. (33cm.) high (patches to three pads, slight general wear and thinning) - this bear was lot 344 in Grandma's Teddy Bear Museum auction in these rooms on the 9th September 2020

Lot 111

Irish School (c.1816)William Winter and his familyPen, ink and watercolour Inscribed Oh pary accept this trifling gift/This token I am far from you/Yet I shall love you still/Though cruel fate has parted me/From my dear friends and loves/Yet may I soon return again/No more from you to roam, to the lower edge18.5 x 30cm (7¼ x 11¾ in.)Provenance:Robert Young Antiques, LondonPurchased from the above by the present owner in 2000Literature:Young, R. Folk Art, London, 1999. P.94-5 (illustrated) and also illustrated on the back cover. This portrait of Private William Winter and his family was most probably painted by a professional letter-writer while he was garrisoned in Dublin in February 1816 with the 1st battalion, 48th Regiment of Foot. As the inscription along the lower edge implies he commissioned it as a token of his affection for his family in Gloucestershire and he sent it to them with a letter, dated the 15th January 1816, which accompanies the lot. `Dear Father Worthy' he begins and goes on `I hope you are in receipt of this small gift that I have sent you a Rep(resent)ation of the whole of our family which I ha-got drawn by a friend of mine in Dublin and I hope it will please you all'. Concerned that the picture has been creased in the post he suggests `You must take a warm **** to **** the crumples out of the paper when you open the letter'. Although the letter is indistinct in places it identifies several of the figures including his mother and father and three of his siblings as John, James and Mary. In the letter he regrets `...you could not send me that gift of money, it should have been very(acceptable)'. Intriguingly on the 17th June that year, just over six months after he wrote to his family, he deserted his regiment and by the 12th of July had been detained and committed to imprisonment at Chester. The regiment was soon after commissioned to serve in Sydney, New South Wales. Did he intend to use the money to buy himself out of the army? When it was not forthcoming, was the thought of being on the other side of the world too much for this homesick and affectionate son to bear. Was he left with no option but to desert?  The Pinkers Collection of British, American and European Folk Art This charming collection of folk art takes its name from a diminutive 17th Century cottage on the Kent coast where it has hung and grown in size over the last twenty years. It includes watercolours and oil paintings from the 17th to the early 20th Century. Many are in their original frames and in remarkably fresh condition. Despite its rural location and the provincial subject matter of the works it is a truly international collection and many of the lots have come from some of the most important collectors and dealers in folk art on both sides of the Atlantic including Robert Young, Denzil Grant and Charles Plante in England and David Wheatcroft, Joan Brownstein and Austin Miller in America.Folk Art has been described as 'the unselfconscious creativity of academically untrained artists' (Robert Young, Folk Art, 1999) and it is this quality that gives many of the works an immediacy and playfulness that has chimed with generations of collectors. Some of the pictures, by journeymen artists, artisans or amateurs are provincial reinterpretations of more sophisticated works, such as the early 18th Century Yate family portraits (lot 122). Others have a joyful disregard of accepted ideas of scale, perspective and colouring, giving them a timeless quality which draws parallels with 20th Century artists including Alfred Wallis and John Nash, such as View from La Moinerie (lot 120) and the American School Portrait of a girl (lot 103) has an Outsider Art quality reminiscent of the Art Brut movement founded by Jean Dubuffet. Regardless of their origins this unique and varied collection is the manifestation of the vision and passion of a true collector. Condition Report: The sheet has been laid down although it is starting to become unstuck at the upper left edge. There is discolouration and staining throughout the sheet, including some brown spots. The colour in general is a little down and the ink text to the lower edge of the sheet is starting to fade. There is a heavy horizontal crease (approx 5cm) to the centre of the right edge and a slightly larger yet lighter crease running up vertically from the right of centre lower edge. General handling creases and wear commensurate with age and fragility of the paper. Slight undulation to the sheet under the glazed frame. Unexamined out of glazed frame.Condition Report Disclaimer

Lot 124

JAPANESE WOOD BLOCK & PAINTED SILK PICTURES, a quantity including two wood block prints - late 19th/early 20th Century - depicting warriors on boats and two ladies exchanging a Samurai sword, 35.5 x 24cms and 35.5 x 23.5cms, the silks depicting various chicks amongst flowers and blossom, all bear character markings, 21.5 x 29.5cms Condition Report: right frame edges A/F

Lot 2340A

Steiff William/Catherine Royal wedding bear, All tags and certificates and original embroidered bag. H: 25 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Lot 169

1900-1700 BC. A clay tablet containing a forty-one line extract from a Royal hymn, which claims to be written by En?edu'anna, a daughter of the great king Sargon of Akkad; accompanied by a copy of a typed and signed scholarly note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993, which states: 'Clay Tablet, 102 x 55 mm., with Section of Sumerian Royal Hymn. This tablet is joined from two pieces with a little loss of text at the break and also due to other damage. However, of the 41 lines of cuneiform script which it contains, the majority are complete and legible. The tablet has a 40-line extract from a hymn which claims to be written by En?edu'anna, a daughter of the great king Sargon of Akkad (c. 2235-2279 B.C."). The total composition consists of 153 lines, and this tablet gives lines 40-79. This tablet is Old Babylonian, c. 1900-1700 B,C., and after the extract has a single line giving a date, but only the day of the month remains. En?edu'anna is claimed as author of quite a few Sumerian texts which survive, and though it is always possible that she employed professional scribes to compose the texts, the very personal matter in some of them does give the impression that they do in fact reflect her thoughts. This hymn is usually known today, as it was in the ancient world by the first phrase, Nin-me-sharra, 'Lady of all the cosmic regulations.' It is in fact is (sic) praise of the goddess Inanna. En?edu'anna was appointed by her father to be high priestess of Nanna, moon-god of Ur, and she held that post for a long time, until the reign of her nephew Nar?m-Sîn, but in a rebellion against Nar?m-Sîn Ur was led by a man Lugal-anne, and according to this hymn he deposed En?edu'anna from her office, which is not surprising. Translation [Lady] who makes glad the [reins], lady [who makes rejoice] the heart, Whose anger is not appeased, the daughter of [Sîn,] the great one, Lady who excels over the land, who has [refused] you worship? In the mountain where you worship is withheld, grain is taboo, Its (the mountain's) great gate you have turned to ashes. Its rivers bear blood for you: its people have nothing to drink. It leads to you its army captive, Its troops break up for you of their own accord. Its strong young men [go before you] of their own accord. A storm has taken over[the city's] dancing, The men and domestic animals are driven before you as captives. Over the city of which it was not said, 'The land is yours,' Of which it was not spoken, 'It belongs to the father who begat you,' You have uttered your holy command, [have turned it back from your way], [Have caused] your foot [to be removed] from its animal pens. Its women [do not speak] pleasantly with their husbands, By night they do not confer [in love], [They do not reveal] the holy things of their bodies. Aggressive wild cow, [daughter of Sîn the great one], Lady superior to An, [who has refused your worship?] One of the right cosmic regulations, great lady [of ladies,] Who came forth from the holy womb, [superior to] the mother[who bore you], Extremely wise one, lady of the lands, Life of the abundant peoples, let me [chant] your holy song! Faithful deity, fitted for the cosmic regulations, It is magnificent to speak of you with power! Merciful, truly pure of heart, let me speak of your cosmic regulations. I enter my holy sanctum, I, high priestess, I En?edu'anna, I carry the basket, I sing the hymn, But now [I am put] in the retreat and have to live thus. The light is extinguished, the day is darkened, Shadows come near, the storm covers (everything"). My honeyed mouth speaks confusion, My pleasant disposition has turned to dust. Sîn, what is this Lugal-anne to me? Speak to An that An may release me, You must [say] to An, 'Now!' [that An may release me.] [This woman will despoil the manhood of Lugal]-anne. [Mountain and flood lie at her] feet. [That woman is] exalted, [she will make the city abandon him.] [Month ....], 18th day, [year .....] This is an important new addition to the textual history of this fascinating personal hymn said to have been written by the king's own daughter.' 168 grams, 10.1cm (4"). Ex central London gallery; acquired 2000 from a UK dealer; acquired by them from an Oxford academic, catalogue number c/1178; examined by the late Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s; and accompanied a copy of a typed and unsigned two page scholarly note and translation by the Professor; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10254-166488. [No Reserve] Fair condition, repaired. Excessively rare.

Lot 472

1550-1610 AD. A rapier with a pointed diamond-section double-edged blade, ricasso extending to about 6cm with a stylised maker's mark with evidence of inlay, same maker's mark to the horizontal ring; bent quillons with inlay, an additional reinforcement knuckle bow to the lower part of the hilt, cylindrical pommel. See The Armouries of the Tower of London, Inventory of the armouries, the offensive weapons, London, 1916; Oakeshott, E., The sword in the Age of the Chivalry, Woodbridge, 1964 (1994); Dufty, A.R., European swords and daggers in the Tower of London, London, 1974; this specimen found various parallels with rapiers preserved in the museums around the world, like the ones published by Dufty (1974, plate 21) and preserved in the Tower of London, and (in the shape) with a decorated rapier of Metropolitan Museum (accession number 14.25.1117"). 1.3 kg, 1.01m (39 3/4"). From a private family collection; previously acquired from a collection formed before 1990; thence by descent; accompanied by an academic report by military specialist Dr Raffaele D'Amato The rapier, derived from Oakeshott Type XVIIIe swords, where the ricasso is usually narrower than the blade itself, was the principal civilian sidearm throughout the sixteenth and seventeenth centuries, without excluding its military use. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier was usually characterised by a double-edged blade with an acute point and a complex guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiselled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centres of blade-making, Toledo in Spain and Solingen in Germany. It is generally accepted among historians that the rapier eclipsed the more ungainly methods of fighting – the evidence certainly suggests that for young men the elongated rapier was the weapon of choice. Fine condition.

Lot 493

9th century AD. A bronze trefoil brooch comprising: three radiating flat lobes each with a facing mask of annular eyes, D-shaped headdress and a lentoid mouth with beard, all within a beaded frame; three interstitial radiating raised D-shaped lobes each with a smaller similar face; central disc with segmented rim, three kidney-shaped motifs surrounding a triangle with spiral decoration; pin lugs to the reverse and two pierced lugs for attachment of necklace swags. Cf. Arbman, H., Birka I: Die Gräber, Uppsala, 1940, pl.75, items 1-6. 40 grams, 65mm (2 1/2"). Property of a professional collector; acquired before 1990; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10217-166951. The brooch is an unusually fine example of the type with intriguing masks executed in a very flat style, unlike most examples from e.g. Birka where the ornament is in high-relief and somewhat coarser in execution. The meaning of the masks is at present unknown, but suggestions include figures from mythology (e.g. the god Óðinn) or legend (e.g. Bödvar Bjarki the bear-warrior"). Extremely fine condition. [A video of this lot is available to view on Timeline Auctions website.]

Lot 116

Four LPs by The Ruts including 'Grin And Bear It', 'The Crack', 'Stepping Bondage' and 'Live And Loud'.

Lot 240

BLACK SABBATH AND RAINBOW AUTOGRAPHS. An autograph book with a page bearing signatures in various inks from Ozzy Osbourne, Tony Iommi, Bill Ward. Two loose pages bear signatures from Ritchie Blackmore (on one page), David Keith (on other loose page) and another page still bound to book bears signature from Cozy Powell. First page shows some light staining but otherwise good condition.

Lot 929

BLACK SABBATH - VERTIGO SWIRL LPs. Wicked bundle of 2 x original/early UK pressings of these iconic LPs from Black Sabbath. Titles are Paranoid (original large swirl, 6360 011 1Y//1 & 2Y//1 - VG with surface/scuff marks, nothing of a heavier nature and would likely grade higher with a clean/og swirl British Patent No. inner/VG+ neat condition original 'Big Bear' sleeve, some light creasing around the edges and a note in pen on the inside top left section) and Black Sabbath (small swirl pressing, VO 6, 847 903 VTY, 1Y 1 & 2Y 2 - VG with surface marks/scuffs, nothing heavier and again would clean up likely to a higher grade/no swirl inner/Ex very nicely presented original sleeve, a little edge wear and a few light scuffs on the inside section).

Lot 1012

BLACK SABBATH - LPs. Another ace run of Black Sabbath releases with 12 x LPs plus 1 x 12" (13 releases total). Titles are Vol 4 (UK Swirl og, 6360 071 1Y//1 & 2Y//1 - note G+ record with surface marks and a few feelable scratches/swirl inner/VG some scuffs), Black Sabbath (CLALP 196 RE), Paranoid (original Italian export, 6360 011 swirl label - VG/VG released in stock UK, not big bear sleeve, also with WWA pressing WWA 007), Sabbath Bloody Sabbath (WWA 005), Never Say Die! (PRICE 9), Master Of Reality (Nems NEL 6004), Live Evil (SAB 10), The Eternal Idol (VERH 51), We Sold Our Soul For Rock 'N' Roll (Nems 6641 335), Live At Last (BS 001), Seventh Star (VERH 29) and Headless Cross (12" poster bag, EIRST PB107, ltd edition number 2338). Condition is generally elsewhere VG+ to Ex+.

Lot 1087

ELVIS PRESLEY/R&R - LPs (PLUS SOME 78s AND MAGAZINES). Mainly featuring the King is this cool collection of 25 x LPs plus 11 x 10" (UK) 78s and a selection of 15 x 'Elvis Yours' magazines. Elvis titles include Elvis Presley (original US Indianapolis pressing, LPM-1254, matrix G2 PP 1282-1S & GP PP 1283-1S, with 'NEW ORTHOPHONIC HIGH FIDELITY', 'ELVIS PRESLEY' in small print above spindle hole, Camden NJ address in rim text, green & pink logo box on the front sleeve, track A6 listed as (P.D.) Copyright 1956 and Radio Corporation Of America credit on rear sleeve - G record with numerous surface marks and scuffs with a few light feelable scratches/VG sleeve, with good integrity and strong and vibrant colours still, there are top and bottom seam splits both measuring approx 19cm, this could be repaired with care), Greatest Hits (box set), The Other Sides..., Golden Records Vol 2, I Got Lucky, Flaming Star, A Portrait In Music, Easy Come, Easy Go, Separate Ways, All Shook Up (UK POP 359), Let Me Be Your Teddy Bear (RCA 1013) and Hound Dog (POP 249). Also with Gene Vincent & His Blue Caps - Be-Bop-A-Lulua (CL 14599, hard to find version with Aberbach but no Mecollco on A side), Jackie Wilson - Reet Petite (78), Fats Domino, Danny And The Juniors and The Diamonds 78s. Condition is generally VG to Ex. Complete list available.

Lot 1163

TRAD/ FOLK/ SOUNDTRACK/ JAZZ & MORE - 7" COLLECTION. A super collection of around 300 mixed genre 7" singles. Artists include The Megatrons, Miles Davis, The Dave Brubeck Quartet, Shirley Bassey, Dizzy Gillespie, Donald Byrd, Hagood Hardy, The Second City Sound, The Maori of New Zealand, Ace Cannon, Doris Troy, The Young-Holt Trio, Herbie Mann, Sidney Bechet, Lester Young, The Garden Sisters, Nina Simone, Sarah Vaughan, Janis Ian, Gale Stem, Elias and his Zig Zag Jive Flutes, Frank Sinatra, Sammy Davis Jnr, Peggy Lee, Paddington Bear, The House at Pooh Corner, The Tale Of The Flopsy Bunnies. Condition is generally VG to Ex.

Lot 868

ELVIS PRESLEY + CLASSICAL/ OPERA - 78s. A wonderfully clean collection of around 42 78s. Mostly classical/ opera with a small offering of Elvis Presley. Artist/ titles include Elvis Presley inc Love Me Tender (POP.253), When My Blue Moon Turns To Gold Again (POP.378), Teddy Bear (RCA-1013). Enrico Caruso, Heddle Nash - Judas Maccab/EUS (Handel), Tito Schipa - Creole Song, Frieder Weissmann,Beniamino Gigli - Santa Lucia Luntana.Solenne In Quest'Ora, O Soave Fanciulla, O Del Mio Dolce Ardor. Condition is generally beautiful E to E+

Lot 694

BLACK SABBATH & OZZY OSBOURNE - LPs. Blistering pack of 7 x wicked LPs from Black Sabbath and Ozzy. Titles are Master Of Reality (UK original Vertigo swirl 6360 050 - VG some surface/scuff marks, not heavier/no poster/with swirl inner/VG+ clean condition original embossed envelope sleeve, some light laminate wear), Paranoid (UK original Vertigo large swirl, 6360 011 1Y//1 & 2Y//1 - VG with some surface/scuff marks, not heavier/with swirl inner/VG+ well presented original 'big bear' gatefold sleeve, some light creases around the edges), Heaven And Hell (9102 752 - Ex+/VG+), Live At Last (BS 001 - Ex+/VG+), Never Say Die! (9102 751 - Ex+/with printed inner/VG+), No Rest For The Wicked (462581 1 - VG+ copy) and The Ultimate Sin (462496 1, 'nice price' RE - Ex/VG+).

Lot 115

A GOLD MOHAIR TEDDY BEAR circa 1930s, probably English, with orange glass eyes and a black horizontally stitched nose, on a jointed body with wood wool stuffing and cream felt pads, 58cm high (lacking one ear).

Lot 54

A concrete and mixed material teddy bear sculpture by Canadian artist Ross Bonfanti. Signed and dated to the back. H.33xW.27cm

Lot 55

A concrete and mixed material teddy bear sculpture by Canadian artist Ross Bonfanti. Bear has a tie around its neck with a magnet on for hanging. Signed and dated to the back. H.36cm

Lot 6266

Steiff: A boxed Steiff, Limited Edition teddy bear, Edward bear, Golden green, 33cm, L.E. 857/1500, white tag, 661891; together with an unboxed Classic Teddy bear, 000584, 26cm, yellow tag; and a boxed Steiff, Limited Edition teddy bear, 1904 Replica, 28cm seated, L.E. 627/7000, white tag, 404115. (3)

Lot 6267

Chad Valley: A Chad Valley Musical Bear, measuring approx. 14" height, with working Thorens Swiss movement, Royal Warrant on foot and original tag; together with a Musical Squirrel, measuring approx. 13" height, working; a vintage bear, jointed, well loved, measuring approx. 10" height; and 'Bendy’ Toy Thomasina from the Disney film The Three Lives of Thomasina. A Whiskas cat food promotional item in original unopened packaging. (4)

Lot 6452

Tinplate: A collection of assorted tinplate items to include: Triang Minic clockwork Mother & Pram, boxed. (Baby detached from pram), Vogue clockwork Granny Bear in Rocking Chair, (damaged box), German tinplate Pram with plastic baby, together with another plastic Pram with baby and a spare Mother from the Triang set.

Lot 6265

Steiff: A boxed Steiff, Limited Edition teddy bear, 1902 Replica, 55cm, L.E. 6536/7000, white tag, 404009.

Lot 6271

Hermann: A collection of seven assorted Hermann bears to include: Flower Bears: Daisy 69/500, Blue Bell 178/500, Forget-me-not 142/500, Snow Drop 71/500 and Poppy 135/500; Christmas Rose 151/500; and Yes-No-Bear No. 496. (7)

Lot 6260

Steiff: A boxed Steiff, Limited Edition teddy bear, Dark Green, 32cm, L.E. 1469/2008, white tag, 038365.

Lot 6272

Bears: A collection of fourteen assorted artist teddy bears to include: Cotswold Bear Co., Cappuccino, 71/100; Emmy-Bar; Grisly; A.B.C. Bears Wales; Bear Bits; Canterbury Bears; and others various. (one box)

Lot 6263

Steiff: A boxed Steiff, Limited Edition teddy bear, British Collectors' Teddy Bear 2010, Light blond, 36cm, L.E. 1202/2000, white tag, 663291.

Lot 6264

Steiff: A boxed Steiff, Limited Edition teddy bear, Buddha Bear, 23cm, L.E. 500/2008, white tag, 036521.

Lot 6438

Tinplate: A collection of clockwork animals including: Lustige Urwald-Musik Monkey playing cymbals, working, boxed; Nomura Jolly Guitarist Bear working, boxed (box damage); TPS Japan Monkey basketball player, (copy box); tinplate Clever Monkey, China, boxed; Penguin (Triang) Hoppity the Rabbit, part box, together with an unboxed clockwork monkey playing cymbals. 

Lot 6431

Tinplate: A collection of eleven various tinplate, clockwork animals to include: two Schuco mice, one key; Daiya Toys tortoise; Inakita frog; fish, Made in US Zone, Germany; clockwork bear, possibly Schuco; German clockwork Kangaroo with detached tail; Cockerel; clockwork Cat with Ball, Industria, Argentina; Yone Toys, frog; and Spotted Dog. (11)

Lot 6262

Steiff: A boxed Steiff, Limited Edition teddy bear, Year 2000, Blond, 43cm, L.E. No. 12365, white tag, 670374.

Lot 6270

Hermann: A collection of seven assorted Hermann bears to include: Eliza Doolittle European Edition 077/500; Miniature Festival Bear 2002, Limited Edition 93/100; Fancy Bear 159/250; Jackomo, Biggi Netzel, 94/500; Sonneburg Museum's Bear, European Edition, 57/250; and others. (one box)

Lot 6269A

Merrythought: A mid-20th century Merrythought bear; together with a plush monkey and a camel (3)

Lot 6261

Steiff: A boxed Steiff, Limited Edition teddy bear, British Collector's Teddy Bear 2007, 'Old Black Bear', 40cm, L.E. 2151/3000, white tag, 662508.

Lot 65

BOX OF REPRODUCTION STAFFORDSHIRE WARES INCLUDING TEDDY BEAR AND HIGHLANDER GROUP

Lot 540

* RICHARD "TURNERAMON" TURNER A.R.C.A (BRITISH 1940 - 2013), THE DAUGHTERS OF BABYLON oil on canvas, signed 102cm x 152cm Framed Note: Richard Turner was noted post modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.

Lot 80

Steiff Collectors Club 2002 Teddy Bear (10cm) No Box

Lot 62

Hermann Miniature Blue Teddy Bear (6cm)

Lot 64

Hermann Miniature Pink Teddy Bear (5cm)

Lot 57

Hermann Miniature Burgundy with White Dots Teddy Bear (6cm)

Lot 96

Hermann Limited Edition Mohrchen Teddy Bear (26cm)

Lot 60

Hermann Miniature Cheetah Teddy Bear (5cm)

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