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Lot 109
Wooden carousel bear figure with large metal handle on its back, on a custom wooden base with 4 rotating wheels. The bear is intricately carved, showing individual strands of fur. Overall good condition with nice paintwork, some color fading and loss due to age, rust on the metal handle. Height: 95 cm. Width: 50 cm. Depth: 130 cm. Condition: Good. Location: The Netherlands.
Lot 68
Official Coca-Cola Enesco "The Soda Shop Hop" deluxe, multi-action lighted music box. Like new in box - excellent condition - only taken out of the box to photograph. The original box has some visual damage. Plays the tune "Rock Around the Clock". Lights on the wall light up inside the soda shop. The bear behind the counter moves. Two bears move & spin on the dance floor. On the outside a waitress moves with her tray of soda. Another bear holds on & moves with the soda machine lever. The lights flash above the bar and the two lanterns turn on. Amazing details and beautiful vibrant colors. Distributed and marked Enesco #593710 - Dated 1991. Height: 19 cm. Width: 14 cm. Depth: 10 cm. Condition: Excellent. Location: Switzerland, Degersheim. Video link: https://www.youtube.com/watch?v=KgTmKlJ6Zzw
Lot 70
A really neat Enesco Coca-Cola claw machine wind-up music box coin bank. When the music box is wound up and a US 25 cent coin (quarter) is deposited, it plays the tune "Things go better with Coke", the crane moves back and forth, the train goes counter clockwise, the turntable clockwise and a bear and a spinning top both spin around in the corners. This item has been used and unfortunately no longer has its original box, but works well and is in great condition as you can see from the pictures and video. Side doors open for coin retrieval. Manufacutered in 1997 by Enesco Company and originally had $299.99 retail price. Satisfaction guaranteed. Height: 25 cm. Width: 13 cm. Depth: 13 cm. Condition: Very Good. Location: Switzerland, Degersheim. Video link: https://youtube.com/shorts/mfx6zdLy5R4
Lot 255
Steiff mohair Zicky goat kid, circa 1960, Steiff Club miniature elephant no. 9 modelled on an original from the 1920s with bell and finger pull, in box, two Dean`s Rag Book Co. teddy bears comprising Hardy and Hampton, with certificates, Merrythought 'Still Hope' mohair bear WJ14GG limited edition 191/2950 with growler, certificate and box, and three further stuffed animals comprising a nodding example in recumbent position, One of Sam's mohair black bear and seated dog (8)
Lot 286
AN ANTIQUE PRINTED MAP 'CHINA' BY J. WYLD / J. THOMSON, London 1825. Copperplate Original colour. An attractive nineteenth-century map of China with a vignette view of a Chinese village at lower right. The map was published in 'A General Atlas, Containing Maps Illustrating Some Important Periods In Ancient History: And Distinct Maps Of The Several Empires, Kingdoms And States, In The World From Original Drawings, According To The Latest Treaties". James Wyld's maps were engraved by N.R.Hewitt in London and were published by John Thomson & Co. In Edinburgh - the maps bear the imprint of author, engraver and publisher in the lower margin. James Wyld (Senior) was a renowned English mapmaker who went on to become Geographer to His Majesty and was a founder member of the Royal Geographic Society. These maps represent some of his early work andillustrated his skill and the professional respect which it earned.290 by 215mm (11.5 by 8.5 inches).
Lot 246
FOUR BOXED BESWICK BEATRIX POTTER FIGURES, including 'Mrs Rabbit and Peter', 'Flopsy, Mopsy and Cottontail', 'Two gentlemen', and 'Peter and Benjamin picking up onions', together with two boxed Rupert Bear figures including 'Rupert Bear' and Podgy Pig' (6)Comments: all boxed, in good condition, some with certificates
Lot 489
A MASSIVE SILVER-INLAID BRONZE CENSER, SHISOU MARKChina, 17th-18th century. The heavily cast bombe body supported on a spreading foot and rising to a slightly everted rim, the shoulder set with two loop handles, the exterior finely inlaid in silver wire with sinuously coiled dragons dividing capitals in the form of lotus flowers reminiscent of the Old Summer Palace (yuanmingyuan). The base with a silver-inlaid two-character Shisou mark.Provenance: The Mee-Din and Robert W. Moore Collection. Robert W. Moore is a famed California collector of Chinese and Korean art, whose passion began in the 1950s when he served in the US Army and was stationed in Korea. After his return to the United States, he began collecting Korean and later also Chinese works of art, and over the following decades became a very knowledgeable, discerning, and influential collector.Condition: Very good condition with only minor wear and casting irregularities, minuscule nicks, light scratches, the interior with extensive traces of use. Magnificent, natural patina overall.Weight: 2,903 g Dimensions: Width 26.7 cm (across handles)Little is known about the historic figure Shisou. The earliest reference in the Zhongguo meishujia renming cidian ('Dictionary of Chinese Artists') comes from the Luochuang xiaodu and is presumably from the same source as published in Zhongguo yishujia zhenglue ('Brief Introduction of Chinese Artists). Shisou is listed there only as a late Ming dynasty monk without any further biographical information. A number of vessels and sculptures from the seventeenth to the nineteenth century bear his name, sometimes in combination with a hall name, Jinyu tang ('Hall of Prosperity').Auction result comparison:Type: RelatedAuction: Christie's Hong Kong, 6 October 2015, lot 171Price: HKD 62,500 or approx. EUR 9,200 converted and adjusted for inflation at the time of writingDescription: A silver-inlaid bronze tripod censer, late Ming-early QingExpert remark: Compare the closely related silver inlays. Note the form and size (11.5 cm)Auction result comparison:Type: RelatedAuction: Christie's Hong Kong, 12 April 2018, lot 36Price: HKD 62,500 or approx. EUR 8,500 converted and adjusted for inflation at the time of writingDescription: A small silver-inlaid bronze tripod censer, Qing dynasty, 18th-19th centuryExpert remark: Compare the closely related silver inlays. Note the form and size (7.6 cm)石叟款錯銀銅爐中國，十七至十八世紀。造型莊重典雅，厚口平直微敞，垂腹豐腴，兩側置圓耳，耳環上端有一角上翹，圈足。爐身錯銀以卷葉蓮紋的形式描繪了蜿蜒盤繞的龍紋。底座上可見錯銀“石叟“款。 來源: Mee-Din 與Robert W. Moore 中國漆器收藏。Robert W. Moore是加州著名的中國和韓國藝術收藏家，他的收藏熱情始於 1950 年代。當時他在美國軍隊服役並駐紮在韓國。回到美國後，他開始收藏韓國和中國的藝術品，尤其是漆器，在之後幾十年裡，他成為了一位知識淵博、眼光敏銳、影響深遠的收藏家。 品相: 狀況極好，輕微磨損和鑄造瑕疵，微小的刻痕和輕微的劃痕，內部有大量使用痕跡。整體包漿自然。 重量: 2,903 克 尺寸: 寬26.7 厘米 (兩耳之間) 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2015年10月6日，lot 171 價格：HKD 62,500（相當於今日EUR 9,200） 描述：A silver-inlaid bronze tripod censer，late Ming-early Qing 專家評論：比較非常相近的銀鑲嵌。請注意外型和尺寸(11.5厘米)。 拍賣結果比較： 形制：相近拍賣：香港佳士得，2018年4月12日，lot 36 價格：HKD 62,500（相當於今日EUR 8,500） 描述：A small silver-inlaid bronze tripod censer，Qing dynasty，18th-19th century 專家評論：比較非常相近的銀鑲嵌。請注意外型和尺寸(7.6厘米)。
Lot 1
Anniversary Bear - "Clementine", designed and painted by patients on Ward 3 at Sheffield Children's Hospital with artist, Jordanna Farrimond. Bid on the last Little Bear of the Bears of Sheffield sculpture trail which saw 60 big Bears and 100 little Bears take to the streets of Sheffield in 2021 to raise money for Sheffield Children's Hospital. Clementine was painted in November, just after the autumn leaves had fallen, so the children on Ward 3 at Sheffield Children's Hospital decided to use warm autumn colours inspired by the time of year. Artfelt artist Jordnna Farrimond encouraged the children to extend the autumn theme by printing leaves over the top and the children added a bit of 'bling' giving Clementine a gold bracelet. Clementine's white stripes are bandages which the children chose to show that Clementine, like them, was a patient in hospital at the time of painting. Please Note; Viewing, payment and collection arrangements to be made direct with The Children's Hospital Charity. Cheryl Davidson (Head of Community and Events) The Children’s Hospital Charity, Marlborough House, 4 Marlborough Road, Sheffield, S10 1DB Office: 0114 321 2478 Email: cheryl@tchc.org.uk
Lot 125
Whitney (Geoffrey) A Choice of Emblemes, and Other Devises, 2 parts in 1, first edition, collation: *-2*4 3*2 A-Z4 a-f4, lacking final blank, title with woodcut printer's device and typographical border, dedication to Robert Dudley, Earl of Leicester with full-page woodcut coat of arms, title to second part with woodcut bear and the ragged staff enclosed by garter belt, 248 woodcut emblems within woodcut typograhical borders after Plantin, Alciati, Faerno, Sambucus and Junius, each with a Latin caption and with explanatory text in English or Latin, part II with repaired tears to d3&4, touching text, but with no loss and to f1-3, mostly marginal, but touching a few letters of sidenotes and just touching 2 typographical borders, occasional marking or light soiling, but generally a very good copy, nineteenth century brown crushed morocco, gilt, rubbed, [Landwehr, Low Countries, 898; Praz p.535; Green, Alciati, 111; Freeman pp.56-61; STC 25438], 4to (222 x 165 mm.), Leiden, In the House of Christopher Plantin, by Francis Raphelengius, 1586.⁂ The first Emblem Book in English. Dedicated to Robert Dudley, Earl of Leicester (1532? -88), favourite of Elizabeth I. In 1585 Leicester was appointed as commander of the English expedition to the Low Countries to aid the fight against The Duke of Parma, nephew of Philip II of Spain. On arrival Leicester was received with great hope and offered the absolute government of the States-General, which he accepted much to Elizabeth's displeasure. Despite this honour Leicester was not a competent General and the campaign faltered, so much so that in under a year he had left the country and England had offered to make peace with Spain. A 12 plate work was published in 1586 which depicted Leicester's triumphant entry at The Hague (see Landwehr, Splendid Ceremonies, 48 ).The emblems are split into three distinct kinds as Whitney describes in his preface, ' Historicall , as representing the actes of some noble persons, being matter of historie. Naturall, as in expressing the nature of creatures, for example the love of the yonge Storkes.... Morall , pertaining to vertue and instruction of life, which is the chief of the three...'Included is an emblem representing the achievements of Sir Francis Drake.Provenance: Fontaine Walker; John Landwehr (sold his sale, Bloomsbury Auctions, 15th November, 2006; bookplates).
![Wilde (Oscar) [The Works], 15 vol., one of 1000 sets on hand-made paper, original white buckram, some spines discoloured, t.e](https://cdn.globalauctionplatform.com/7f555423-35bb-47ba-900e-af0400c3d8cc/1adca8f0-b2ea-42e4-8662-af07011f132e/468x382.jpg)
Lot 224
Wilde (Oscar) [The Works], 15 vol., one of 1000 sets on hand-made paper, original white buckram, some spines discoloured, t.e.g., others uncut, 8vo, 1908-22.⁂ Included is "For Love of a King" issued in 1922 and often missing from the set. "The Picture of Dorian Gray" has the imprint of Charles Carrington of Paris while the rest bear Methuen and Co.
Lot 261
Durrell (Gerald) My Family and Other Animals, first edition, signed presentation inscription from the author "With thanks for helping our bears" with a drawing of a bear below, ink ownership and gift inscription to endpaper "Elizabeth Maxtone Graham from Patrick Maxtone Graham who started me on all the Durrell Books 1957", original boards, spine sunned with a few splash marks, dust-jacket, price-clipped, light sunning to spine, spine ends and corners a little chipped, light spotting extremities a little toned, a very good copy, 8vo, 1956.⁂ Durrell's classic memoir of his childhood in Greece, rare signed, especially so with such a charming inscription.
Lot 24
A LARGE FULL-TIP RHINOCEROS HORN CUP, 19TH CENTURYChina, late Qing Dynasty. Using the full length of the horn, the intricate openwork carving depicts a lush panoply of squirrels on grapevines. The horn is of a warm golden honey-brown tone. With a massive carved and pierced wood stand, similarly decorated throughout with bunches of grapes on vines. (2)Provenance: Joseph Vallot (16 February 1854 – 11 April 1925). Maître Lair Dubreuil, Commissaire-Priseur, Paris, February 2nd, 1926. Gaston LAZARD (1878-1956), Paris, France. Jane LEVY (1886-1985), wife of the above, Paris France. Thence by descent to the present owner. A copy of an invoice from Maître Lair Dubreuil, dated February 2nd, 1926, confirming the sale of lot 160 "Corne de Rhinoceros Sculpté" to Monsieur Lazard, the grandfather of the present owner, is accompanying this lot. Joseph Vallot (16 February 1854 – 11 April 1925) was a French scientist, astronomer, botanist, geographer, cartographer and alpinist and "one of the founding fathers of scientific research on Mont Blanc". He is known mainly for his fascination with Mont Blanc and his work in funding and constructing a high-altitude observatory below its summit, and for the many years of study and research work that he and his wife conducted both there, and at their base in Chamonix. The observatory and adjacent refuge that he constructed for use by mountain guides and their clients attempting Mont Blanc summit both still bear his name today, despite being rebuilt in modern times. Condition: Excellent condition with some old wear, few natural age cracks, and minor chips or losses to exposed areas. The wood base with natural age cracks, minor chips and losses, and light surface scratches overall. The ensemble with a good, naturally grown patina.Weight: 1,738 g Dimensions: Height 62.2 cm (total), 49.8 cm (the horn cup)Lavishly decorated full-tip cups from this group were generally produced from the 19th century onwards, mainly in Canton where they were fashionable and in high demand, especially from Western collectors. The largest possible horns were selected and carved in an extravagant fashion, as clearly demonstrated by the present cup.Expert's note: A full-tip rhinoceros cup of this magnificent size, still retaining its matching wood base, and as well preserved as the present lot, is extremely rare, because due to their intricate openwork design these cups are prone to damage.Literature comparison: Compare a related rhinoceros cup on loan to the Durham University Oriental Museum, illustrated in Jan Chapman, The Art of Rhinoceros Horn Carving in China, London, 1999, pl. 38. Compare also a related rhinoceros cup, dated to the 19th century, in the collection of the Victoria & Albert Museum, accession number 243-1896.Auction result comparison:Type: Closely relatedAuction: Christie's New York, 15 September 2011, lot 1231Price: USD 314,500 or approx. EUR 405,500 converted and adjusted for inflation at the time of writingDescription: A large full-tip rhinoceros horn cup, 19th centuryExpert remark: Compare the closely related form and manner of carving as well as the similar wood stand. Note the smaller size (55.3 cm) and the different subject.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.十九世紀大型鏤空滿雕犀角杯中國，清末。鏤空雕刻葡萄藤以及活潑的松鼠，葡萄顯得晶瑩剔透。犀角呈溫暖的金蜜色。有一個巨大木架，同樣裝飾著葡萄串。 來源：法國知名私人收藏，在第二次世界大戰之前或之後不久獲得，家族內部的傳承，直到現在的持有者。品相：狀況極佳，有一些磨損，輕微自然老化裂縫，有輕微碎裂。木底座有自然老化裂縫、輕微碎屑以及整體表面輕微劃痕。整體包漿瑩潤。 重量：1,738 克 尺寸：總高62.2 厘米，杯高 49.8 厘米 這樣華麗滿雕的犀角杯是從十九世紀開始生產，主要在廣州流行且需求量很大，尤其是西方收藏家。 專家注釋：如此巨大尺寸的滿雕犀牛杯，仍保留其配套的木底座，並與目前的拍品一樣保存完好，極為罕見。這些杯子由於其複雜的鏤空設計極其容易損壞。 文獻比較： 比較一件相近犀角杯，收藏於Durham 大學Oriental博物館，見Jan Chapman，《The Art of Rhinoceros Horn Carving in China》，倫敦，1999年，頁38。比較一件相近的十九世紀犀角杯，收藏於維多莉亞與亞伯特博物館，編號243-1896。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2011年9月15日，lot 1231 價格：USD 314,500（相當於今日EUR 405,500） 描述：清十九世紀巨型犀角鏤雕花果仙人盃 專家評論：比較非常相近的外型和雕刻風格，以及相似的木底座。請注意尺寸較小(55.3厘米) ，以及不同主題。
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