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Lot 169
Two early/mid 20th Century doll, one with ceramic head and jointed arms covering a short pink dress; the other with cellulose painted head, real hair and hand made costume with a cloth body; together with a small modern Steiff teddy bear in original box (style PB55 no.104 of 2003) with original certificate and presentation box.
Lot 113
Linda Brunker (b.1966) FLOW, 1995. bronze; (no. 2 from an edition of 5) signed with intials, dated and numbered Acquired directly from the artist by the present owner. 'Linda Brunker New York', American Irish Historical Society, New York, 9-20 May 1995, and Allied Irish Bank, New York, 23 May - 13 June 1995. Linda Brunker has been a full-time sculptor since graduating from NCAD in 1988. She has developed her own innovative style of bronze casting. She has had many solo shows in Dublin, New York and Los Angeles and has completed private and public commissions worldwide. Public commissions include Voyager, a large female figure made from a filigree of bronze elements from the sea which overlooks the Pacific Ocean at the Montage Hotel in Laguna Beach, California, The Wishing Hand at the Department of Education, Marlborough Square, Dublin, and Two For Joy, Garda Síochána, Bray, Co. Wicklow.From her studios in Southern California and Dublin she makes sculptures on all scales from monumental corporate and public sculptures to small tabletop pieces in bronze or stone. Her sculptures are predominantly based on the human form. She typically incorporates elements taken from nature such as leaves, feathers or shells to create images “composed into flowing shapes which echo the rhythms of wind, fire and water.”"In Linda Brunker’s elegant sculptures, masses of natural forms, from leaves to starfish, bear the imprint of human, usually female, heads and bodies. They are emblematic of the structural patterns that connect not just living things but all forms on all scales, from microscopic to cosmic. The work is technically impeccable and often ingenious......" Aidan Dunne, The Irish Times, 1996. 51.50 by 20.50in. (130.8 by 52.1cm)
Lot 106
Oz Magazine (1971) 31-36. 31: Bob Dylan montage by Ed Belchamber, Gilbert Shelton 4 page war/space parody comic strip. The Female Eunuch by Germaine Greer. 32: Batman, Daredevil, Iron Man in the Radicalization of the Superheroes. Brian Bolland graphic comic strip from Mick Jagger's film, Performance. 33: Norman Lindsay cover, 'There Once was a Shepherdess' 3 pg comic strip. 34: Oz trial reported, Robert Crumb strip. 35: Special Pig Issue: Oz trial due to start. Schoolkids issue on cover. Dan Pearce graphic. 36: Dream Power cover by Jim Leon with Old Bailey Trial poster of Janis Joplin/Rupert Bear in flagrante delecto. 32 [vg+] balance [fn/vfn-] (6)
Lot 1006
A late 19th century Black Forest carved walnut bench. With bear supports each with glass inset eyes and painted detail. The openwork arched backrest is carved with acanthus leaves and a central bear, 160cm wide. Condition Report. To be used as a guide only. Later metal bracket supports to the underside. Left bear with a crack across his front right paw.
Lot 414
HERMANN (GERMANY) TEDDY BEAR SCHOOL CLASSROOM - in glazed display cabinet (removable glass) 30cm high x 64cm wide x 34cm deep, featuring six Hermann teddy bear pupils, (approx 10cm high) each sat at a traditional wood school desk, one teddy bear Scho ol Master (approx 16cm high), all in a classroom setting with wooden floor boards and school room accessories including blackboard, abacus etc.
Lot 309
British Modernist School Set of eight wall lights and one double light, circa 1950s aluminium domed shades and shaped arms each wall light 75cm long (9). The light fittings bear comparison to those in the auditorium at Colston Hall in Bristol, which was redesigned by the architect J. Nelson Meredith and opened as part of the Festival of Britain celebrations in Bristol in July 1951.
Lot 310
British Modernist School Ceiling light, circa 1950s central stem with eight branches with aluminium domed shades and shaped arms each branch 133cm long. The light fittings bear comparison to those in the auditorium at Colston Hall in Bristol, which was redesigned by the architect J. Nelson Meredith and opened as part of the Festival of Britain celebrations in Bristol in July 1951.
Lot 311
British Modernist School Pair of hanging lights, circa 1950s each with three domed shades 88cm across (2). The light fittings bear comparison to those in the auditorium at Colston Hall in Bristol, which was redesigned by the architect J. Nelson Meredith and opened as part of the Festival of Britain celebrations in Bristol in July 1951.
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