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H. SCHEIRING A FINE .375 H&H MAGNUM (RIMLESS) JAEGER PATENT PUSH-FORWARD UNDERLEVER SIDELOCK EJECTOR DOUBLE RIFLE, serial no. 561, dated for 1997, 24 7/8in. nitro barrels with floral and scroll engraved two-stage sight rib, folding open-sight with gold-inlaid sighting detail, ramp-mounted blade foresight, flush rib engraved in script 'H. Scheiring Ferlach', the breech end mounted with a Swarovski 3-12x50 Habicht telescopic sight, serial no. P673857658, in scroll-engraved quickly-detachable mounts, with additional Swarovski 1,25-4x24 Habicht telescopic sight, serial no. P640400135, in scroll engraved quickly-detachable mounts, action incorporating Franz Jaeger 1909 patent 'kippblockverschluss' sprung breechblock, carved fences, manual safety, gold-inlaid cocking-indicators, set front trigger, the action, lockplates and furniture profusely engraved with fine acanthus scrollwork, the lockplates finely engraved in Bulino style with African and North American game scenes, the left with a scene of lionesses attacking Cape buffalo with a lion in the background, the right with a woodland scene of a family of bear to the fore and a moose in the background, the underlever gold-inlaid with a 'CL' monogram,14 3/4in. unchequered highly-figured pistolgrip stock with engraved steel pistolgrip-cap and including 1/2in. rubber recoil pad, unchequered schnabel fore-end with Deeley & Edge patent release catch and ejector / non-ejector selector, weight 8lb. 3oz. (unscoped), 9lb. 10oz. (with 3-12x50 scope) and 9lb. 5oz. (with 1,25-4x24 scope), in its fitted alloy flight case. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act ** Please note this item is subject to 20% VAT on the hammer price.
A GOLDEN PLUSH TEDDY BEAR, plastic eyes, vertically stitched triangular nose, remains of three claws to each paw, well loved condition, with some fur and stuffing loss, remains of label to left foot, stiff jointed body, height approximately 20cm, with a modern Leonardo bear, height approximately 30cm (2)
A SMALL GROUP OF METALWARES, SEWING MACHINE, ETC, comprising a cased Singer hand sewing machine, serial no ED186370, a Canterbury Bears of England pink collectors bear, a pair of Britannia 12x40 binoculars in leather carry case, a 19th century copper kettle and a reproduction warming pan (5)
* ERLEND BROWN (BRITISH b. 1947). UNTITLED oil on panel, signed and titled verso overall size 76cm x 76cm Unframed, as always intended. Note: Erlend Brown was born in 1947 and is a nephew of George Mackay Brown. He attended Stromness Academy then studied at Edinburgh College of Art. He taught art in primary and secondary schools in Orkney for eight years before being appointed as the first curator of the Pier Arts Centre which opened in 1979. He worked there for twelve years, overseeing exhibitions of local and international artists. Since then he has been a full time artist working in Orkney and Zurich, Switzerland. He made drawings for a number of publications by George Mackay Brown: A Portrait of Orkney (1988), the story “Eureka” in The Sea King’s Daughter and Eureka (Balnain Books, 1991) and The Sea and the Tower (Bayeux, 1994). He created four of the fourteen large sails that hung between the pillars of St Magnus Cathedral in 1993 and 2017 forming the installation Sails in St Magnus: Pilgrimage of Earl Rognvald. Created for the 1993 St Magnus Festival, the work was based on the Orkneyinga Saga account of the 12th century voyage of Vikings from Orkney to the Holy Land. The saga relates that after the return from the 3 year voyage the Vikings dried their sails in the loft of the Cathedral. As well as poetry and other literature, Erlend’s work is influenced by the environment and ecology, and explores a variety of materials. Landscapes and seascapes reveal human presence, our constructions and detritus; sails bear the marks of journeys, physical and interior, their accrued memories and symbols. His work has been exhibited in Orkney, Shetland and the Western Isles; Edinburgh and London; the Faroes, Norway, France and Switzerland. At least seven of Erlend Brown's artworks are held in UK public collections.
* RICHARD "TURNERAMON" TURNER ARCA (BRITISH 1930 - 2013), UNTITLED oil on canvas overall size 91cm x 121cm Unframed. Note: Richard Turner was noted post-modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full-scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet-style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.
Paar Fauen mit Bären'Faun rückwärts auf Bär reitend', Royal Copenhagen, 1938, Knud Kyhn (1880 Frederiksberg - 1969 Farum), 1908, Modellnr. 976, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke dhx, monogrammiert, Höhe 19 cm, 1. Wahl, Zustand A; 'Faun mit Bär spielend', Royal Copenhagen, 1957, Christian Thomsen (1860 - 1921), 1905, Modellnr. 648, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke nmx, monogrammiert, Höhe 15,5 cm, 1. Wahl, Zustand ATwo models of fauns with bears'Faun riding backwards on a bear', Royal Copenhagen, 1938, Knud Kyhn (1880 Frederiksberg - 1969 Farum), designed in 1908, model no. 976, porcelain picked out in colours, manufactory mark, painter's mark dhx, monogrammed, height 19 cm, 1st choice, condition A; 'Faun playing with a bear', Royal Copenhagen, 1957, Christian Thomsen (1860 - 1921), designed in 1905, model no. 648, porcelain picked out in colours, manufactory mark, painter's mark nmx, monogrammed, height 15.5 cm, 1st choice, condition A
Konvolut Faunfiguren5-tlg., Royal Copenhagen, alle Entwürfe Christian Thomsen (1860 - 1921),'Faun mit Papagei', 1906, Modellnr. 752, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke hax, monogrammiert, Höhe 17,5 cm, 1. Wahl, Zustand A; 'Faun mit Bär spielend', 1959, Modellnr. 648, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke PAX, monogrammiert, Höhe 15,5 cm, 1. Wahl, Zustand A; 'Faun mit Schlange', 1963, Modellnr. 1712, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke TL, signiert, Höhe 12 cm, 1. Wahl, Zustand A; 'Faun der eine Schildkröte reitet', 1962, Modellnr. 858, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke RL, monogrammiert, Höhe 9 cm, 1. Wahl, Zustand A; 'Faun mit Panflöte', 20. Jh., Modellnr. 1980/1736, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke 159, Höhe 13,5 cm, 2. Wahl, Zustand A/BAssorted lot of faun figures5 items, Royal Copenhagen, all designs by Christian Thomsen (1860 - 1921), 'Faun with a parrot', 1906, model no. 752, white porcelain picked out in colours, manufactory mark, painter's mark hax, monogrammed, height 17.5 cm, 1st choice, condition A; 'Faun playing with a bear', 1959, model no. 648, white porcelain picked out in colours, manufactory mark, painter's mark PAX, monogrammed, height 15.5 cm, 1st choice, condition A; 'Faun with a snake', 1963, model no. 1712, white porcelain picked out in colours, manufactory mark, painter's mark TL, signed, height 12 cm, 1st choice, condition A; 'Faun riding a tortoise', 1962, model no. 858, white porcelain picked out in colours, manufactory mark, painter's mark RL, monogrammed, height 9 cm, 1st choice, condition A; 'Faun with panpipes', 20th C., model no. 1980/1736, white porcelain picked out in colours, manufactory mark, painter's mark 159, height 13.5 cm, 2nd choice, condition A/B
Konvolut Faune mit Tieren4-tlg., Royal Copenhagen, 20. Jh, alle Entwürfe Christian Thomsen (1860 - 1921),'Faun mit Bär spielend', 1905, Modellnr. 648, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke 164, monogrammiert, Höhe 15,5 cm, 1. Wahl, Zustand A; 'Faun auf Säule mit Eidechse', 20. Jh., Modellnr. 1020/433, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke 103, monogrammiert, Höhe 21 cm, 1. Wahl, Zustand A; 'Faun auf Ziege', 20. Jh., 1906, Modellnr. 737, Porzellan, weiß, polychrom staffiert, Manufakturmarke, monogrammiert, Höhe 20 cm, 1. Wahl, Zustand A; 'Faun mit Hase', 1964, Modellnr. 439, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke UK, monogrammiert, Höhe 13,5 cm, 1. Wahl, Zustand CAssorted lot of figures of fauns with animals4 items, Royal Copenhagen, 20th C., all designs by Christian Thomsen (1860 - 1921), 'Faun playing with a bear', 1905, model no. 648, white porcelain picked out in colours, manufactory mark, painter's mark 164, monogrammed, height 15.5 cm, 1st choice, condition A; 'Faun on a column with a lizard', 20th C., model no. 1020/433, white porcelain picked out in colours, manufactory mark, painter's mark 103, monogrammed, height 21 cm, 1st choice, condition A; 'Faun riding a goat', 20th C., 1906, model no. 737, white porcelain picked out in colours, manufactory mark, painter's mark 164, monogrammed, height 20 cm, 1st choice, condition A; 'Faun with a hare', 1964, model no. 439, white porcelain picked out in colours, manufactory mark, painter's mark UK, monogrammed, height 13.5 cm, 1st choice, condition C
'Faun einen Bär neckend'Royal Copenhagen, 1946, Knud Kyhn (1880 Frederiksberg - 1969 Farum), 1910, Modellnr. 1804, Porzellan, weiß, polychrom staffiert, Manufakturmarke, Malermarke fox, monogrammiert, Höhe 19,5 cm, 1. Wahl, Zustand A'Faun playing with a bear'Royal Copenhagen, 1946, Knud Kyhn (1880 Frederiksberg - 1969 Farum), 1910, model no. 1804, white porcelain picked out in colours, manufactory mark, painter's mark fox, monogrammed, height 19.5 cm, 1st choice, condition A
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93488 item(s)/page