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Lot 106
A quantity of glassware to include three pieces of Mats Jonasson, Sweden crystal glassware to include a Kuala Bear, an Owl and a Squirrel, two cut glass balls, an oyster shell figurine, various Venetian glass animals to include a Dachshund, penguin, peacock, rabbits, a walrus and a dog, with a Denby Pottery figure of a Corgi
Lot 316
A selection of CHARLES DICKENS, published in London by Chapman & Hall, 193 Piccadilly, together with various ornithological book titles CONDITION REPORTS Dickens books bear facsimile signatures, but do not appear to be dated,and have wear, scuffs, dirt, some yellowing and discolouration, some foxing, some stains/damp marks and some pages with tears. All other items, including Iris Murdoch volumes, in used and worn condition, and some with losses, stickers, and inscriptions.
Lot 346
AFTER DAVID SHEPHERD "Guildford Steam Shed Nos. 1, 2 & 3", a set of three signed limited edition colour prints No'd 659/900, 659/900 and 750/900, all signed lower right CONDITION REPORTS Each bear blind stamp and are signed in pencil. Some light general wear, dirt and scuffs. Each bear printed "Solomon & Whitehead" to margin. Size approx 29 x 27cm.
Lot 154
A collection of vintage toys, games and books, to include an O Gauge Hornby Trains No. 1 petrol tank wagon "Esso", three Corgi "Eddie Stobbart Limited Vehicles", mah-jong set, backgammon set, teddy bear, painted wood duck figure, two volumes "Hobbies New Annual", edited by S J Camm, together with a rectangular coffee table with geometric design top, raised on metal frame CONDITION REPORTS All in used and worn conditoin, with some dirt and losses. Hornby with scuffs, dents and rusting. Majong set with damage and losses
Lot 131
PHOTOGRAPHY:1. Cousteau, Jacques: Whales. Abrams, NY, 1988. 1st. edn.(?) dw(not priced). Signed on tipped in glassine page. CONDITION: Light foxing to half title; o/w VG+/Fine;2. Rosing, N: The World Of The Polar Bear. Firefly, 1996. 1st. edn.(?) dw(not priced). Title page inscribed ÊTo LSË and signed. CONDITION: Fine;3. Redford, Robert; Blair, J(photog): The Outlaw Trail. Grosset, NY, 1978. First printing stated, dw($19.95). Inscribed, signed and dated by photographer. CONDITION: Bent in the middle; 4. Mankowitz, G: 50 Years of Rock and Roll Photography. L, Carlton, 2013. 1st. edn. dw(œ30.00). Signed copy. CONDITION: Fine;5. Brassai/ Durrell, Lawrence (intro.): Brassai. Museum of Modern Art, NY, 1968. pb. With two page inscription Êpour Linda..Ë, dated 16 sept 1976, and signed. CONDITION: VG;6. Nicklin, F & L: Face to Face with Dolphins. 2007, dw($16.95). Signed by both. CONDITION: Fine (6)
Lot 159
WILSON, Gahan:Two original art works:1. The Nixon Cabinet (7 characters). Signed original art work. Mounted, framed and glazed, (25 x 18.8cm). CONDITION: VG;2. Large sketch of a Bear,. Signed original art work, backed onto board and shrink wrapped, (61 x 82cm). CONDITION: A little bowed due to wrapping, will straighten once out of the shrink wrap; VG (2)
Lot 195
SIGNED LIMITED EDITIONS:Published by Grayson & Grayson, 1935. All Limited to 285 copies. Signed by the author, in VG+ condition and with dws priced 10/6:1. Greene, Graham: The Bear Fell Free. #187/285;2. Bates, H.E: The Duet. #223/285;3. O'Faolain, Sean: There's a Birdie in the Cage. #200/285;4. Davies, Rhys: One of Norah's Early Days. #208/285. (4)
Lot 251
LOTS 251 TO 347The following books are from the library of John and Griselda Lewis. John Lewis (1912-1996): typographer, illustrator, boat designer and sailor. He wrote extensively on the graphic arts. Among a dozen or more of his books are: Printed Ephemera, Anatomy of Printing and monographs on the artists William Heath Robinson, Rowland Hilder and John Nash. Griselda Lewis (1918-2014) was a writer, designer and ceramics collector. She wrote: A Collector's History of English Pottery, A Picture History of English Pottery and An Introduction to English Pottery.Please note that almost all the books bear the John Lewis Bookplate.HEATH ROBINSON, W: Eighteen works including:1. A Midsummer Night's Dream. L, Constable, 1914, 1st edn., 4to.with 12 tipped-in coloured plates and other illustrations. Original pictorial cloth gilt. CONDITION: Rebacked preserving the original spine; occasional foxing; o/w VG;2. Rabelais. In two volumes. L, GR,1904, original cloth, gilt. CONDITIO
Lot 293
LIMITED EDITIONS:1. Browning (Robert): Pauline: a Fragment of a Confession. L, Richard Clay, 1886, reprint of the original edn. of 1833 edited by Thomas J Wise, large paper copy, limited to 25 copies only, original vellum backed boards. CONDITION: Endpapers browned; o/w VG;2. Woolf, Cecil (ed.): Without Prejudice. L, A Lane, 1963, limited edn. 600 copies. CONDITION: Fine;3954, limited edn. no.1 of 25 (HC) copies for collaborateurs; unsigned and without the signed coloured lithograph. 4to. wrappers. CONDITION: Some foxing; o/w VG;4. Mann, Thomas: Sleep, Sweet Sleep. Privately printed, 1934, limited edn. 60 copies, designed and printed by William E Rudge's Sons. Original cloth and glassine wrapper. CONDITION: Foxing to pp edges, o/w vg;5. Bowden, Paul: Let Beasts Bear Gentle Minds. Newport, T H Saunders, 1971, limited edn., no. 56 of 60 copies. Folio. CONDITION: G+;6. Plus eight others (13)
Lot 2190A
* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), EL TERREMOTO gouache on paper, signed, titled and dated 89 56cm x 77cm Framed and under glass Note: Scottish painter, trained as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.
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