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Lot 246A
Large quantity of vintage Britains and other metal farm animals, figures, vehicles and accessories to include various farmers, fencing, carts, horses etc plus a few zoo animals to include Polar Bear, play worn, plus a boxed reproduction Comical Theatre of Animals based on the earlier French examples
Lot 543
Victoria and Albert Museum Dept of Circulation - Binder of prints - Selection of unframed mounts of famous works of arts and rare textiles - Leonardo Da Vinci - John Constable, etc, the binder having original receipt to inner front board ' Guernsey, 1956, 25 mounts', each board with attached title of works and ' LENT BY THE VICTORIA AND ALBERT MUSEUM'. comprising - HORSE'S HEAD, from the original drawing by Pisanello (c. 1395-1455); FARMYARD WITH FIGURES IA A LANDSCAPE, pen and Indian ink, Francis Barlow (1626-1702); A BEAR, pen and ink, Sinibaldo Scorza (1589-1702); HORSE LYING DOWN, pen and bistre, Hans Baldung (1470/6-1552); STUDIES OF CATS, pen and ink with touches of wash, over black chalk, Leonardo Da Vinci (1452-1519); STUDY OF CAT, charcoal, T. A. Steinlen (1859-1923); THE ZEBRA OF THE EMPEROR JEHANGIR, Mughal miniature painting, Ustad Mansur (1620); TREES IN LEICESTERSHIRE, pencil, John Constable (1776-1837); IRIS, watercolour, Johann Walther the Elder (worked c.1637-1650); A HARE, water and body colour, Albright Durer (1471-1528); RECUMBENT NUDE, brush, Bernard Meadows; RECUMBENT NUDE, chalk, Ruskin Spear; STANDING NUDE, pencil drawing, Ceri Richards; MOTHER AND CHILD, pen and ink and wash, Francesco Barbieri (1591-1666); MALE NUDE SEEN FROM THE BACK, red chalk, Leonardo Da Vinci (1452-1519); STUDY OF NUDE, pencil, Hilaire Germain Edgar Degas (1834-1917); A MODEL, chalk drawing, Georges-Pierre Seurat (1859-1891); STUDIES OF A MALE NUDE, pencil drawing, Jean-Auguste-Dominique Ingres (1780-1867), together with prints of rare textiles to include Byzantine, 10th century, silk tissue; scarf, silk and gold brocade, Polish, 18th century, etc etc. (quantity) * Fascintating visual view of copies of some of the rarest works by the best artists ever known. ** The prints pasted down to card, mostly very good condition, boards and cover with light wear, stains and broken clasp.
Lot 422
A PAIR OF KO KUTANI FOLDED LETTER SHAPED DISHES Japan, Edo / Tokugawa period Richly adorned in yellow, black, green, blue and aubergine enamels with karashishi and flowers, bearing the mark Fu Ku to the below, both bear three old collector labels to the below H: 3,3 cm - L: 16,5 cm Provenance: Señor Mauro Herlitzka (1871-1960), an Argentinian engineer under the direction of whom the first international flight from Argentina was done, Buenos Aires, Argentina. Exhibition: Exposición de Arte de China y Japón, Museo Nacional de Bellas Artes, Buenos Aires, Argentina, 1936, nrs. 550 and 551 (pictured in the exhibition catalog).
Lot 191
A TABRIZ RUGapproximately 207 x 140cmCondition Report: Some wear commensurate with age and use. Some areas of additional wear (see additional images). Some thin lines of wear. (see images)Some wear visible at the outer edges of the rug. elements of the longer outer edges are turned over.Some fading. No obvious significant repairs although some small neatly executed repairs are possible.The tasselled ends are short and bear losses, some losses encroach partially to the adjacent outermost borders (see images) pale knot heads visible throughoutThe rug would likely benefit from being cleaned. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 26
A GEORGE I WALNUT, ELM, AND FRUITWOOD CROSSBANDED CHEST OF DRAWERS CIRCA 1720 96cm high, 100cm wide, 49cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips, splits and some losses. some old worm damageSome old repairs and lifting to veneers - see images. Backboards have age but possibly old replacements. They bear the expected losses and old filled worm holes. Later tape has been applied to help secure the joins between the backboards. Handles and escutcheons are replaced. Plugged holes are visible to drawer fronts for previous fixtures. Locks vary from one another. No key is present, all locks are open. Feet are replacements.Side panels have possibly been 'ironed', cleaned and re-coloured. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 264
Y AN ANGLO-INDIAN PADOUK AND IVORY INLAID BUREAU CIRCA 1780With chevron stringing throughout, the fall opening to an arrangement of pigeon holes and small drawers, centred by a cupboard door, the drawers and door inlaid with ivory and exotic hardwood parquetry109.5cm high, 108cm wide, 54cm deep Condition Report: Marks, knocks, scratches, and abrasions commensurate with age and use. Old splits, chips and some losses. Some fading to timber overall. Some splits to bottoms of drawers. No key present, all locks are open. Some losses to the chevron banding. Some old repairs with filler used in places (see images). The escutcheon to the fall is possibly a period replacement. The locks and other escutcheons all appear original. The round fixtures to the handles vary from one another but the actual handles appear original (see images). The surface of the handles bear the expected wear. Some darker marks to the top and to the interior of the fall. The backs of the feet with some later supporting blocks and glue residue. Some evidence of old worm to the underside. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 323
A REGENCY MAHOGANY REVOLVING OPEN BOOKCASECIRCA 1815 The three graduated sections revolving independently, the bookcase sections interspersed by sections of false book bindings148cm highFor a pair of bookcases of related form incorporating independently revolving sections, see Sotheby's, London, Collections, 30th April 2015, Lot 936 (£20,000). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some natural fading, old splits, chips and some minor losses (see additional images) some old replaced veneer in small sections. some losses disguised with wax filler and/ or dark stain/ varnish. Some slender elements of the frame are more pale in colour probably due to polishing. Some scuffs, marks and abrasions to the false book bindings. The timber to the top surfaces bear additional scratches to the surface that reveals the surface has been applied with a shellac or varnish. Attention by an experienced restorer/ polisher. The surface may appear quite clean and possibly lacking some depth of colour/ patina, this may be due to old fading and/ or polishing. Please refer to the additional images available for reference to the fact that alternate sections of the bookcase are filled with false book bindings. These are likely additions of later date as would the fillets timber immediately adjacent to them be. The open shelf sections each have one adjustable shelf. The 'real' books shown in the catalogue images are not with this lot and are for illustration purposes only. Please refer to all additional images for visual reference to condition. Condition Report Disclaimer
Lot 332
A REGENCY BLACK PAINTED AND PARCEL GILT SOFA IN THE MANNER OF THOMAS HOPE, CIRCA 181592cm high, 194cm wide, 75cm deep.Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips, splits and some losses. The upholstery with the expected wear, marks and fading overall - see images. Some small tears and areas of fraying. Parcel gilt elements have been re-freshed at some point and bear the expected chips, rubbing and some losses - see images. Black painted surface is later. It bears the expected chips and wear.Slight movement within frame but sofa is structurally solid overall. Later screws to the outsides of the ends and to the back securing the upholstered panels. Some additional knocks and abrasion to the outer corners of the top rail. One of the lion masks at the top of one front leg is lacking. Caned seat is an old replacement and is in generally good order overall. Dowel or screw repairs to the sides of the rear legs where they meet the frieze. The holes have been plugged to help disguise. Glue residue visible to one of the Egyptian female busts to the ends of the arms. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 40
A MATCHED SET OF EIGHT ELM, ASH AND BEECH DINING CHAIRS ATTRIBUTED TO THAMES VALLEY, IN THE MANNER OF SAMUEL PRIOR OF CRICKLEWOOD, FIRST HALF 19TH CENTURY To include two armchairseach approximately 92cm high, 40cm wide, 47cm deepFor a near identical example of chair stamped 'PRIOR' see, Bernard D. Cotton, The English Regional Chair, Antique Collectors' Club, 1990, page 37, plate 7. Condition Report: All with marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Some old worm holes (see images). Both armchairs with re-tipped legs. One armchair with replacement arm. The area of the seat adjacent to where the arm attaches has an old dowel and glue repair from where it has split. One side chair with filler applied to split to top rail. All chairs structurally solid overall. Later loose cushion seat bear the expected minor wear but are in generally good order overall. One loop that secures the cushion seat to the uprights of the chair has become detached from the cushion. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 42
A MAHAL CARPET approximately 273 x 376cmCondition Report: Wear overall. Wear reveal underlying weft in areas throughout. Fringing is short at both ends and has wear, fraying and losses. This wear has encroached into the guard stripe in places at one end. The other end has later thread applied to help secure. Small patch repair to centre of fringing at one end. Longest edges have been re-bound at some point. They have varying shades of madder thread used and bear the expected wear, fraying and some loose threads. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 463
Y A VICTORIAN EBONY AND IVORY INLAID MUSIC CABINETATTRIBUTED TO OWEN JONES, CIRCA 1865The central section with five long vertical divisions for music folios, above a fall-front opening to shelves for sheet music, the shelves with tooled leather edges for Operas, Miscellaneous, Sacred112cm high, 108cm wide, 44.5cm deep Jackson and Graham were one of the leading Victorian cabinet makers of the second half of the nineteenth century and were probably the most important. Their work was of the highest quality, showcasing the most innovative designers of the day and winning many prizes at international exhibitions. Owen Jones and B.J. Talbert designed for the Paris Exhibitions of 1867 and 1878, Jones for the Vienna Exhibition of 1873. Designers at the firm included Alfred Lorimer and Eugene Prinot, Jackson and Graham also made designs by R.W. Edis, C.L. Eastlake and Talbert. Special commissions were undertaken for Queen Victoria, Napoleon III, the Grand Khedive at Cairo and the Royal Palace in Siam. Owen Jones was highly influential in his promotion of formal, stylised pattern, in direct opposition to the popular taste for the flamboyantly naturalistic. Jones also designed entire interiors for important clients, including the connoisseur Alfred Morrison, both at Fonthill and Carlton House Terrace. Amongst Jones's designs for Fonthill was a well documented semi-circular display cabinet in ebony inlaid with ivory for the display of Morrison's collection of Chinese porcelain. The lower door panels of the cabinet all incorporate Morrison's initials in a central ivory inlaid monogram. Jones was also responsible for the decoration and furnishings at The Priory, 21 North Bank, Regent's Park in 1863 for the novelist George Eliot and partner G.H. Lewes. The ivory inlaid monogram incorporating two 'G's to the panel of the present music cabinet bears distinct similarities to the monogram inlaid panels of the display cabinet at Fonthill. It is tempting to speculate that Owen Jones may have designed the present cabinet for George Eliot and G.H.Lewes as part of the new decorative scheme for The Priory, incorporating their first initials in the monogram. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Some small sections of moulding re-stuck and minor old repairs to inlay. Some ivory stringing to the escutcheon lacking. Key present and operates lock. The fabric inlay to the shelves is possibly later. they bear the expected fraying and wear (see images). Mirror plates with some minor depletion and small grey spots. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 54
AN ITALIAN WALNUT AND EBONISED 'MEDAL CABINET'LATE 17TH/EARLY 18TH CENTURY The drawers fronted by bronze medallions depicting Roman Emperors and Empresses58cm high, 105cm wide, 32cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old chips, splits and losses (see images). Later backboard. Two vacant holes to the top from where finials previously sat. One drawer seized closed. Side handles are old replacements, one is lacking its loop. The handles and escutcheons and cherub/scroll mounts to the drawers are old replacements. Lock plates appear original. One lock plate is lacking. No key present, all locks are open. Some evidence of old worm. Brass mount to the central door is a later addition. Some later tacks have been used to help secure the medals. There are some small old holes to the drawer fronts from where the medals were previously fixed in a slightly different position. The medals bear the expected knocks, rubbing and wear. One medal has small hole adjacent to the face. Vacant holes to the underside from where feet previously sat. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 60
A GEORGE II WALNUT AND GILTWOOD WALL MIRROR CIRCA 1745-50 With inscribed paper label to reverse dated 'May 24th 1748' 172cm high, 82cm wideFor a walnut mirror of the period incorporating elaborate carved giltwood elements, see Graham Child, World Mirrors: 1650-1900, Sotheby's Publications, 1990, page 109, figure 120. Condition Report: Marks, scratches and abrasions comensurate with age and useOld chips and splits, some old losses. some old repairs, some re-glued elements. Various old wear and loss to the gilding. Some likely areas of old refreshed gilding but sympathetically. The walnut element with fading overall and with evidence of worm damage (holes) (see additional images) The rear panels appear original but with later stuck down paper that bears various losses. The mirror plates bear expected depletion in the form of grey/ black spotting and some relatively small areas of loss to the silvering. Both mirror plates appear to be of the period. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 65
A ZIEGLER MAHAL CARPETapproximately 534 x 376cmProvenance: Private Collection, GloucestershirePurchased from Rare Carpets Gallery, 496 King's Road, Chelsea, London in 2001Condition Report: Wear overall. Patches of additional wear reveal underlying weft in areas throughout (see images). Section of replacement to one side of the central field adjacent to the border (approx. 96x19cm). Another patch of replacement to central field (approx. 31x25cm). Small section of to one corner. Some additional lines of wear. Fringing is short at both ends. They bear wear, fraying and some losses. Binding to longest edges are slightly untidy with some wear, sections of loss and undulation. Some small sections have been re-bound in grey thread. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 1140
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. Industrial Light & Magic (ILM) castings of Chewbacca and Yoda from George Lucas' Star Wars: Revenge of the Sith. Resin Chewbacca and Yoda busts were gifted to select ILM staff as holiday gifts to celebrate the release of the film. The full-figured bronze-color resin Chewbacca is posed to hold his signature bowcaster. Both busts were sculpted by ILM model maker Richard Miller and bear "R. Miller" on their backs. The unfinished and are in good condition overall. Dimensions (largest): 12" x 5" x 3" (30 cm x 12 cm x 7.5 cm); (smallest): 5" x 5.5" x 3" (12 cm x 14 cm x 7.5 cm) Estimate: $800 - 1,200
Lot 216
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. John Rambo's (Sylvester Stallone) autographed compound bow from Adrian Grunberg's action sequel Rambo: Last Blood. When he discovered that he was going to be attacked at his home by drug kingpin Hugo Martinez (Sergio Peris-Mencheta) and his men, Rambo set a series of traps for the invaders, including one that involved his compound bow. This left-handed black carbon fiber A-handle compound bow is one of five bows provided to the production of the film by Bear Archery. It is affixed with Bear's #3 limbs and a cable connecting the circular idle cam and cam with the bow string. The bow features the inscription "RAMBO V" on the grip and is signed "Sylvester 'Rambo' Stallone" from the limb bolt to the grip in gold-color marker. Included with the lot is a letter of authenticity from the marketing manager for Bear Archery, explaining it was returned to Bear Archery after filming and was signed by Stallone at the marketing manager's request. It exhibits signs of use and wear throughout, including some missing elements on the paneling, but remains in good overall condition. Dimensions: 39" x 15" x 15" (99 cm x 38 cm x 38 cm) Estimate: $6,000 - 8,000
Lot 227
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. Amanda Young's (Shawnee Smith) reverse bear trap from James Wan's horror film Saw. The trap screen-matches to when Young woke up to discover that her head was locked inside a deadly "reverse bear trap" with only 60 seconds to free herself. The only one of its kind created for the first film, as well as the trap famously featured on the promotional posters, this custom-made trap device is constructed almost entirely of metal hand-painted brown to appear rusted. It features mechanical attachments, including gears and springs, as well as a long woven hose on the top, two metal spikes in the mouthpiece, a metal padlock on the side, and gray foam padding on the inside. The black and white clock face is a non-original component added to complete the prop. This reverse bear trap is in excellent overall condition with minimal wear from production, including real hairs caught in connections and remnants of faux blood throughout. Dimensions: 12" x 12" x 12" (30.5 cm x 30.5 cm x 30.5 cm) This lot comes from the collection of renowned special effects artist Tom "Brooklyn" Bellissimo. A letter of authenticity from Bellissimo is included. Estimate: $40,000 - 60,000
Lot 367
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A Ted (Seth MacFarlane) stand-in bear from MacFarlane's comedy film Ted. Bear "stand-ins" gave performers correct eye lines and acted as lighting references for the computer-generated bear added in post-production. This bear features light brown faux fur hand-punched over a metal rod armature with hip and shoulder joints, plastic inserts to maintain the shape, and brown acrylic eyes with black pupils. The bear is mounted by a rod in its back to a black wooden display base with the film's title logo on the front designed to light up with the press of a red button on the base's rear. The bear has been intentionally weathered by production to simulate age, including patches of thinning fur on its stomach. It is in good overall condition with minimal wear from production, including the joints wearing and becoming loose. Dimensions: 14.5" x 12.5" x 24.75" (37 cm x 31.75 cm x 63 cm) Contains electronics; see electronics notice in the Buyer's Guide. Estimate: $8,000 - 10,000
Lot 890
This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. An oversized Power Coin from Bryan Spicer's big screen adaptation of the hit children's television series Mighty Morphin' Power Rangers: The Movie. Ninjetti animal spirits emitting from a colossal Power Coin granted the rangers the Great Power. Originally acquired from 20th Century Fox, this resin coin is hand-painted gold with a matte finish and carved with Falcon, Crane, Frog, Ape, Wolf, and Bear images. It is in fair overall condition with paint flaking, cracks, and deterioration to the unfinished reverse from production use and age. Dimensions: 90" x 90" x 8" (228.75 cm x 228.75 cm x 20.5 cm) Stored off-site; see notice in the Buyer's Guide. Special shipping required; see notice in the Buyer's Guide. Estimate: $1,500 - 2,500
Lot 50
Six mid 19th century German Silver Dinner Forks, Modified Kings pattern with fluted stems and foliate terminals, from the Royal Prussian Collection, each cast and chased with raised WR monogram with Royal Prussian Crown above for Emperor Wilhelm I. The reverse stamped with Gothic W and crown above and 15 Loth (937/1000), Sy & Wagner, Berlin. Also marked with Berlin Bear L and one other mark. All at approximately 22ozs.
Lot 51
Six mid 19th Century German Silver Dinner Forks, Modified Kings pattern with fluted stems and foliate terminals, from the Royal Prussian Collection, each cast and chased with raised WR monogram with Royal Prussian Crown above for Emperor Wilhelm I. The reverse stamped with Gothic W and crown above and 15 Loth (937/1000), Sy & Wagner, Berlin. Also marked with Berlin Bear L and one other mark. All at approximately 22ozs.
Lot 52
Six mid 19th Century German Silver Dinner Forks, Modified Kings pattern with fluted stems and foliate terminals, from the Royal Prussian Collection, each cast and chased with raised WR monogram with Royal Prussian Crown above for Emperor Wilhelm I. The reverse stamped with Gothic W and crown above and 15 Loth (937/1000), Sy & Wagner, Berlin. Also marked with Berlin Bear L and one other mark. All at approximately 22ozs.
Lot 257
Pop Art - - Mel Ramos. (1935 Sacramento, Kalifornien - 2018 Oakland, Kalifornien). Browned bear. 1970. Farblithographie auf Arches Velin. 62,5 x 51 cm (75,7 x 57 cm). Signiert, datiert und nummeriert. - Wohlerhalten. Eines von 125 Exemplaren. - Erschienen bei Richard Feigen Graphics/New York (mit dem Trockenstempel). Colour lithograph on Arches wove paper. Signed, dated and numbered. - In good condition. - One of 125 copies. - Published by Richard Feigen Graphics/New York (with the dry stamp).
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93488 item(s)/page