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Tuer (Andrew W.). The Follies & Fashions of [our] Grandfathers (1807), embellished with thirty-seven whole-page plates ..., 1 volume in two, London: Field & Tuer, The Leadenhall Press, 1886-87, 37 colour and black & white plates as listed, extra-illustrated with approx. 180 plates, subjects include fashion (approx. 29), sport (approx. 31), satirical, indoor and outdoor scenes, architectural views, furniture, portraits (approx. 47, some full-length), etc., many hand-coloured, plus two newsclippings relating to theatre, the plates frequently relevant to adjacent text, 1st volume with original front cover machine-embroidered fabric title label window mounted to preliminary blank, and original machine-embroidered fabric bookmark present, 2nd volume with original machine-embroidered fabric spine label mounted to preliminary blank, and with 4 leaves of publisher's advertisements at rear, 1 text leaf detached in each volume (that in 2nd volume with loss at gutter), floral linen front endpapers to each volume, top edges gilt, modern red quarter morocco with amateur gilt lettering to spines, extremities rubbed, 4toQty: (2)NOTESLimited edition 52/250, large paper copies signed by author and publisher. Includes works after artists such as Gainsborough, Gillray, Cruikshank, Rowlandson, Opie, Hogarth, and others. The sports depicted (often in satirical form) include fishing, hunting and shooting, boxing (pugilism), bear-baiting, cock- and dog-fighting, and gaming.
Melville (George Wallace). In the Lena Delta. A Narrative of the Search for Lieut.-Commander DeLong and his Companions. Followed by an Account of the Greely Relief Expedition and a Proposed Method of Reaching the North Pole, 1st UK edition, London: Longmans, Green and Co., 1885, 16 plates, 5 folding maps, bookplate (Rossall Library), original blue-grey cloth, spine toned, 8vo, together with: Peary (Robert E.). The North Pole, 1st UK edition, London: Hodder and Stoughton, 1910, numerous plates (halftones and photogravures; all present as called for), folding map, spotting to endpapers and edges, later memorial inscription to front free endpaper, original blue-green cloth gilt, slightly marked, large 8vo, Brown (R. N. Rudmose). Spitsbergen. An Account of Exploration, Hunting, the Mineral Riches and Future Potentialities of an Arctic Archipelago, 1st edition, London: Seeley, Service & Co. Limited, 1920, 16 halftone plates, folding map, spotting to edges, original dark blue pictorial cloth, 8vo, ibid. A Naturalist at the Poles. The Life, Work and Voyages of Dr. W. S. Bruce the Polar Explorer, 1st edition, US issue, Philadelphia: J. B. Lippincott Company, 1924, 24 halftone plates including frontispiece, 2 folding maps, illustrations and map in text, original dark blue pictorial cloth, 8vo, and 10 others, polar travel, original cloth (not collated), including W. G. Burn Murdoch, Modern Whaling and Bear-Hunting, 1st edition, 1917; Markham, The Great Frozen Sea, 3rd edition, 1878; Orleans, Hunters and Hunting in the Arctic, 1st edition in English, 1911, and similarQty: (14)NOTESArctic Bibliography 11239 (Melville, first edition, Boston, 1885), 13230 (Peary), 2331 (Brown, Spitsbergen), 2334 (Brown, A Naturalist, first edition, London, 1923).
A SILVER THREE PIECE CHRISTENING SET, London import marks 1964 (knife), all marked Norway, Sterling, D.A., 1925, the handles cast with a rabbit, fox and bear, spoon and fork 2ozs 3dwts total, knife has steel blade, in original retailer's box (Batty of Manchester) (Est. plus 21% premium inc. VAT)
Karl Ludwig Goetjes (1905-1961), deutscher Maler, beteiligte sich an mehreren großen Kunstausstellungen, wie ''Kunst und Künstler'' in Koblenz 1937 und im gleichen Jahr im Haus der Deutschen Kunst in München, 1938 in der Kunsthalle Düsseldorf in der ''Kunstausstellung Düsseldorf'' sowie 1941 an der Preußischen Akademie der Künste in Berlin. Goetjes war den Großteil seiner Lebzeiten in Thal in Thürigen ansässig. Portrait eines Jungen mit Teddybär, Öl auf Karton, u. li. sign. u. dat. 1937, 70 x 45 cm, ger. 90 x 67 cmKarl Ludwig Goetjes (1905-1961), German painter, participated in several major art exhibitions, such as ''Kunst und Künstler'' in Koblenz in 1937 and in the same year at the Haus der Deutschen Kunst in Munich, at the Kunsthalle Düsseldorf in the ''Kunstausstellung Düsseldorf'' in 1938, and at the Prussian Academy of Arts in Berlin in 1941. Goetjes was a resident of Thal in Thürigen for most of his lifetime. Portrait of a boy with teddy bear, oil on cardboard, signed u. li. and dated 1937, 70 x 45 cm, framed 90 x 67 cm
Chopard Happy Diamonds Brillant-Clipanhänger Großer Bär GG 750/000 mit 9 Brillanten, zus. 0,08 ct TW/Lupenrein, mit bewegl. Kopf, Armen und Beinen, Clip mit SI-Bügel, L. 35 mm, 23,0 gChopard Happy Diamonds brilliant clip pendant Large bear GG 750/000 with 9 brilliant-cutdiamonds, total 0.08 ct TW / flawless, with moveable Head, arms and legs, clip with SI-bracket, length 35 mm, 23.0 g
Paar Leuchter mit Bärenschäften, 19. Jh., Messing. Runder, profilierter Sockel mit Kordel und leicht stilisierter Felsenplinthe. Schäfte als stehende Bären, jeweils eine (herausnehmbare) Fackel tragend. Bären mit geöffneten Schnauzen und Glasaugen. Leichte Patina und Rückstände von Putzmittel, H. 21 cmPair of candlesticks with bear shafts, 19th c., brass. Round, profiled base with cord and slightly stylized rock plinth. Shafts as standing bears, each carrying a (removable) torch. Bears with open snouts and glass eyes. Light patina and residues of cleaning agent, h. 21 cm.
Großer Eisbär, Bing & Gröndahl, Kopenhagen, Marke nach 1950, Entwurf Knud Kyhn, Modellnr. 1857, leicht staffiert in naturalistischen Unterglasurfarben, H. 22 cm, L. 32 cmBig polar bear, Bing & Gröndahl, Copenhagen, mark after 1950, design Knud Kyhn, model no. 1857, lightly painted in naturalistic underglaze colors, h. 22 cm, l. 32 cm
Tollender Eisbär, Royal Copenhagen, Marke nach 1950, 1. W., Entwurf Knud Kyhn, u. mon., Modellnr. 729, naturalistisch staffiert in Unterglasurfarben, L. 11,5 cmTolling polar bear, Royal Copenhagen, mark after 1950, 1st choice, design Knud Kyhn, u. mon., model no. 729, naturalistic painted in underglaze colors, l. 11,5 cm
Drei Scherzkrüge, Kürbis, Stahl und Co und ''Thüringer Porzellan'', mit Deckel und Zinnmontur, polychrom bemalt, H. 16 cm, Berliner Bär, Stahl und Co. und ''Thüringer Porzellan'', mit Deckel und Zinnmontur, polychrom bemalt, H. 23 cm, Feister Mann, Stahl und Co., mit Deckel und Zinnmontur, polychrom bemalt, H. 18 cmThree joke jugs, Pumpkin, Steel and Co. and ''Thuringian Porcelain'', with lid and pewter mount, polychrome painted, h. 16 cm, Berlin Bear, Steel and Co. and ''Thuringian Porcelain'', with lid and pewter mount, polychrome painted, h. 23 cm, Feister Man, Steel and Co. with lid and pewter mount, polychrome painted, h. 18 cm
Acht Scherzkrüge, Sechs Scherzkrüge: Seebär, Katze, Automobilist, Affe u.a., Stahl und Co. u.a., ohne Deckel oder Zinnmontur, polychrom bemalt, H. 12 bis 17 cm, Drei Scherzkrüge Totenköpfe, Stahl und Bohne, polychrom bemalt, H. 12 bis 14 cmEight joke jugs, Six joke jugs: sea bear, cat, automobilist, monkey and others, steel and co. and others, without lid or pewter mount, polychrome painted, h. 12 to 17 cm, Three joke jugs skulls, steel and bean, polychrome painted, h. 12 to 14 cm
A shelf including a Manoah Rhodes & Son Ltd cased fish knives and forks, two other plated cased sets, base metal animal figures, a reproduction bear money box, two limited edition Franklin mint figures by Emily Kaufman titled ''The Lady of the Lake'' and ''Queen Guinevere'', binoculars, Zeiss Ikon cased camera, two silver napkins, faux antler handled knifes and forks etc
Bronze with silver inlayTibet, 15th centuryDimensions: Height 14 cm by 10 cmWeight: 496 gramsBuddha seated with legs crossed on a double reverse lotus throne with beaded rim. Dressed in a flowy robe covering the right shoulder, no jewellery at all. He is touching the earth with his right hand, bhumispharsa mudra and holding a small vessel in his other hand. The Buddha used this gesture when he attained enlightenment under the bodhi tree. His earlobes are elongated and bear stretched-out ear holes, the face is smiling with downcast eyes, a raised urna between the eyebrows. Tiny balls cover the head and ushnisha which is topped by a lotus bud finial.
PUNK / DIY PUNK / POWER POP - 10 UK 1ST PRESSINGS 1978 PUNK, DIY PUNK, POWER POP singles. 1. THE DESPERATE BICYCLES - OCCUPIED TERRITORY ( 1978 UK 1ST PRESSING, REFILL RECORDS) VINYL is EX+++ / NEAR MIMT, THIN P/S is VG / VG+ condition (minor bends, tears opening and age spots). 2. GANG OF FOUR - DAMAGED GOODS (1978 UK 1ST PRESSING, no mention of EMI + DELGA PRESS on P/S, FAST PRODUCT RECORDS), VINYL is EX++/ EX+++, Original P/S is in VG condition (minor tears at opening, split at bottom and age marks). 3. AUTOMATICS - WHEN THE TANKS ROLL OVER POLAND AGAIN (1978 UK 1ST PRESSING, ISLAND RECORDS) VINYL is EX++/ EX+++, P/S is VG/VG+, 4. THE JOOK - WATCH YOUR STEP E.P. (1978, UK 1ST PRESSING, CHISWICK RECORDS), VINYL is MINT- (UNPLAYED), P/S is iEX++/EX+++. 5. THE FRED BANANA COMBO - NO DESTINATION (1978, UK 1ST PRESSING, WARM RECORDS), VINYL is EX+++ / NEAR MINT, P/S is VG+++ / EX. 6. THE NO ENTRY BAND - COLD AND LONELY LIVES E.P. (1978, UK 1ST PRESSING, KUBE ARTS RECORDS) VINYL is EX+++ / NEAR MINT (LOOKS UNPLAYED), P/S is EX / EX+. 7. BULLETS - GIRL ON PAGE 3 (1978 UK 1ST PRESSING, BIG BEAR RECORDS), VINYL is EX++, P/S is VG. 8. SITTING ON THE FENCE - CHINA PLEASE E.P. (1978, UK 1ST PRESSING, BOURBON RECORDS), VINYL is EX++/ EX+++, never came with P/S. + ALTERNATIVE TV - ACTION TIME VISION + STADIUM DOGS - EASY BEAT (1977, 1ST PRIVATE PRESSING).
. NEW WAVE / POWER POP - 6 UK PRIVATE PRESSING NEW WAVE / POWER POP SINGLES from 1980 - 1983. 1. THE DREAM - YOU KNOW I WANT YOU (1982, UK 1ST PRESSING, DREAM RECORDS), The only release by this THE CURE sounding UK group, VINYL is EX+++ / NEAR MINT, P/S is EX+/ EX++. 2. THRUAGLAS DARKLY - MODERN MAN (1981, UK 1ST PRESSING, KINGSWAY MUSIC), VINYL is EX+++/ NEAR MINY, P/S is VG++/VG+++. 3. ROXETTE - GIVING UP THE BEAR (1980, UK 1ST PRESSING, WAG RECORDS), VINYL is EX+++, P/S is VG/VG+. 4. INTERNAL BEAT - BEAT THE RETREAT (1983, UK 1ST PRESSING, INTERNAL BEAT RECORDS), VINYL is MINT-, P/S is EX+ / EX++. 5. STEVE STONE - POOR RELATIONS (1982, UK 1ST PRESSING, MAD HATTER RECORDS), VINYL is MINT- (UNPLAYED), P/S is EX++/ EX+++ . 6. NEVILE ROWE - LOSE IT TO YOU (1981, UK 1ST PRESSING, THE CUE RECORD LABEL), changed his name later to BELOUIS SOME and had some hits in the mid 1980?s !!! VINYL is MINT-, P/S is VG++/VG+++
2 TONE / SKA RARE SINGLES - 10 RARE 1ST PRESSING 2 TONE / SKA 7? singles. 1. THE SPECIAL AKA - GANGSTERS / THE SELECTER - THE SELECTER (1979, UK 1ST PRESSING PAPER LABELS, 2 TONE RECORDS TT 1 /TT 2), VINYL is EX++/ EX+++, ORIGINAL COMPANY SLEEVE EX . 2. MADNESS - THE PRINCE / MADNESS (1979, UK 1ST PRESSING PAPER LABELS, 2 TONE RECORDS, TT 3), VINYL is EX+++ / NEAR MINT, COMPANY SLEEVE EX++. 3. THE BEAT - TEARS OF A CLOWN (1979, UK 1ST PRESSING, PAPER LABELS, 2 TONE RECORDS, TT 6), VINYL is MINT-, COMPANY SLEEVE is EX++. 4. THE BODYSNATCHERS - LET?S DO ROCK STEADY (1980, UK SILVER INJECTION LABELS, 2 TONE RECORDS, CHS TT 9), VINYL is MINT-, COMPANY SLEEVE is EX++. 5. THE BEAT - MIRROR IN THE BATHROOM (1980, UK SILVER INJECTION LABELS, GO FEET RECORDS), VINYL is EX++/ EX+++, COMPANY SLEEVE is VG++. 6. THE BEAT - TOO NICE TO TALK TO (1980, UK 1ST PRESSING, PAPER LABELS, GO FEET RECORDS), VINYL is MINT-, COMPANY SLEEVE is EX++. 7. THE BODYSNATCHERS - LET?S DO ROCK STEADY (1980, DUTCH 1ST PRESSING, CHRYSALIS RECORDS) VINYL is EX+/ EX++ (small writing on one label), P/S is VG/ VG+. 8. THE GANGSTERS - WOLLY BULLY (1980, UK 1ST PRESSING, BIG BEAR RECORDS), VINYL is EX+++ / NEAR MINT, never came in a P/S. 9. MADNESS - TAKE IT OR LEAVE IT, FLEXI (1981, UK 1ST PRESSING FLEXI DISC) FLEXI is in VG+++ condition (1 minor dent). 9. MADNESS - EVENT - TAKE IT OR LEAVE IT (1981, UK 1ST PRESSING SQUARE FLEXI DISC), FLEXI DISC is in EX condition.
Taxidermy: A Monumental Cased Diorama of Australian Marsupials, Animals, Birds & Reptiles, circa 1892, Queensland, Australia, by Rowland Ward '' The Jungle'', 166 Piccadilly, London, a very large cased diorama of various specimens, all mounted within a jungle themed setting of bamboo, tall grasses and reeds, comprising a full family of Kangaroo's, a Koala Bear clinging to a tree branch, Pelican, Black-necked Stork, a Python coiled around a tree branch, two Tawny Frogmouth's, two Laughing Kookaburra's, two Fruit bats, Goanna Lizard, Bearded Dragon, Rainbow Lorikeet, Torresian Imperial Pigeon, set against a pale papered back drop, enclosed within a very large oak framed three-glass floor standing display case, 244cm by 103cm by 213cm, bearing copper shield - ''Queensland, Collected by A.H.P, - A.H.H.P, - J.R.H.P, 1892'', Rowland Ward wax trade stamp to front glass upper left.
A hallmarked silver caddy or salt spoon with Celtic decoration to the handle, in the style of Alexander Ritchie, hallmarked Birmingham 1961, W H Darby & Sons Ltd, weight , together with two Victorian spoons with embossed decoration to the bowl, one with a bear, the other a galleon in sail. (3)
JOHN HARDMAN AND COMPANY - Design for a stained glass window, Presbyterian Church, Buffalo, USA, ink and wash drawing, dated 1910, framed, 27cm x 21cm, frame size 34.5cm x 28cm, also similar design for a Chicago church possibly the Holy Name Cathedral, both bear applied Hardman trade labels and three rolled Hardman stained glass design sketches. (5)
A SWISS BLACK FOREST CARVED LIMEWOOD BEAR NOVELTY INKWELL AND PEN TRAY, C1930, WITH BLACK BOOT BUTTON EYES, 19.5CM L A SIMILAR BUT SLIGHTLY DIFFERENT VERSION OF THIS MODEL IS ILLUSTRATED IN THE 1935 CENTENARY CATALOGUE OF MEIRINGER HOLZFCHNITZEREI; SEE ARENSKI (J) SWISS CARVINGS...1820-1940, 2005, P.170 Good condition
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93488 item(s)/page