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Doll and teddy Bear Collection ; Steiff Henry 8th teddy bear in regalia and has some mohair fur loss from storage-white tag 663260 with tag ; Pedigree vintage Kate green away Constance Victorian child doll in brown winter coat and bonnet doll boxed unused and a Gotz 1970s African American vinyl doll still boxed in MOD era outfit and 2 further Victoria Plum and Matilda boxed old toy shop vintage boxed dolls ( 5 )
A unique and extremely interesting late 18th century ebonised longcase timepiece with additional counting featureWright, PoultryThe hood with serpentine arched cresting supported on freestanding brass-mounted Doric columns, with gilt-heightened gothic-arched glazed side doors over an elaborately stepped and moulded throat section, the long arched door with gilt-heightened raised moulding over a conforming stepped moulded section to the plain base on shaped apron. The 12-inch one-piece silvered arched dial centred by a Roman chapter ring with matching pierced blued steel hands, wound at VI, surmounted by a series of four subsidiary dials - the furthest to the right-hand side set with two hands simply giving running seconds and the hour in a 24-hour day. The remaining three are directly geared and mark the passing of each individual hour, their dials marked as 100; 1000 and 20,000.The large weight driven movement with plates measuring 21.5cms x 18cms (8.25ins x 7ins) united by four substantial knopped pillars, the large diameter barrel driving a four wheel train terminating in an anchor escapement set to the top right hand side of the plates, directly behind the subsidiary seconds dial, the plain pendulum suspended from a centrally-mounted cock, thereby necessitating a pivotted right-angled linkage to the crutch. Together with the pendulum with steel rectangular-section rod terminating in a brass bob, later crank winder, case key and brass-clad weight. 2.07m (6ft 10ins) highFootnotes:Thomas Wright was born around 1744 and was made Free of the Clockmakers Company in 1770, establishing himself in the Poultry likely at number 13, and moving later to number 6. At some point between 1770 and 1781, he was appointed watch and clockmaker to the King, though how he obtained this distinction is unknown. Around 1781, Thomas Earnshaw approached Wright to finance his patent for a detached spring chronometer escapement, the former having previously had a falling out with his previous financer. After much discussion, it was decided that Wright would file the patent on Earnshaw's behalf, and Earnshaw would recompensate Wright the 100-guinea patent fee, by charging an additional guinea for each of the first 100 chronometers sold. The patent, 1354, was filed by Wright in 1783. It has been claimed, by Earnshaw, that Wright insisted these first 100 chronometers bear the stamp Wright's Patent on the movement. One such chronometer is known which carries this stamp, though the others seem to use T. W. Pt. 34, with the T.W. presumably standing for Thomas Wright. In 1784, Earnshaw developed a bimetallic compensation balance, and the first watch this was used on was signed Thomas Wright in the Poultry, London, No. 2228. Thomas Earnshaw was not the only famous colleague Wright had, as he also worked with Matthew Boulton, of Lunar Society fame, beginning around 1770. Boulton and Wright produced a clock for King George III in 1771; Boulton supplied the gilt bronze and Blue John case, while Wright supplied the movement. It is possible that this is how Wright received his Royal warrant, though why Boulton contacted Wright in the first place is not clear. Although the clock was made for the King, the design was used by Bolton to manufacture at least six other 'King's clocks'. The escapement was originally verge but was replaced with a pin wheel in the 1820's by Benjamin Vulliamy. Wright is known to have had at least one child, George William, who was apprenticed to his father in 1785. Unfortunately, Wright died in 1792 on a visit to Birmingham, possibly to meet with Boulton, and his son does not appear to have been made free. There also does not seem to be a record of a 'George William Wright clockmaker' and it is possible he pursued a different career after his father's death. There is some indication that Wright's shop was taken over by a horologist named Thorp and the shop name became 'Wright & Thorp', though this hasn't been confirmed. Watches from Wright seem to be more prolific than his clocks, though some of Wright's work can be found at the Palace Museum in Peking.There was also a Thomas Wright of Fleet Street working between 1718-1748 as a scientific instrument maker. This Thomas Wright was also Mathematical Instrument Maker to His Royal Highness, George, Prince of Wales and famed as one of the best instrument makers of the day. Whether this was a relation of Thomas', possibly his father, remains unknown.Weaving, A. H. (1991) 'Clocks for the Emperor', Antiquarian Horolgy, Vol. 19 (4), pg. 389.Randall, A. G. (1984) 'An Early Pocket Chronometer by Tomas Earnshaw, signed Robert Tomlin', Antiquarian Horolgy, Vol. 14 (6), pgs. 609-615.Crisford, A. (1976) 'Thomas Wright in the Poultry London No. 2228', Antiquarian Horolgy, Vol. 9 (7), pgs. 785-788.Science Museum Group (2022) Thomas Wright. Available at: https://collection.sciencemuseumgroup.org.uk/people/cp38979/thomas-wrightSotheby's (2005) An important English ormolu musical and quarter chiming table clock, Thomas Wright and, Matthew Boulton, London and Birmingham, circa 1772. Available at: https://www.sothebys.com/en/auctions/ecatalogue/2005/fine-clocks-watches-barometers-mechanical-music-scientific-instruments-l05881/lot.77.htmlHobbins, J. H. (1912) 'The Chronometer: Its History and Use in Navigation', The Horological Journal, Vol. 55 (4), pgs. 57-65.The British Museum (2022) Thomas Wright. Available at: https://www.britishmuseum.org/collection/term/BIOG81737Atkins, C. E. (1931) The Company of Clockmakers: Register of Apprentices 1631-1931, London: The Clockmakers Company.Royal Collection Trust (2022) Mantel Clock. Available at: https://www.rct.uk/collection/30028/mantel-clockThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Extremely fine hand-tooled piece of Ottoman pierced silver with removable plain silver liner and on white metal base. 19th century. Liner with Tughra Mark of the Sultan & Standard Mark. Both pieces also bear the zigzag mark (tremmolier-strich). The flower shaped bowl has eight scallops or lobes to the upper edge and eight pierced panels to the sides of the basket. These have been hand cut using a small saw, a lengthy and laborious process. The holder is shaped like a flower or inverted bell with a milled edge around the base. It sits upon a plain silver knopped stem above a plain stepped foot with a beaded edge all supported by an integral rococo style pedestal stand. Condylis Collection Dimensions: 4.5 in. (H) x 5 in. (W)
Nicely painted with the eight horses on the body and floral motifs on the rim, the plant saucers are decorated with a landscape. The jardinières bear two holes in the bottom and in the centre of all four bases are the apocryphal four-character square marks in overglaze blue of Emperor Qianlong.
In the form of a balustrade column, they are well painted in the qianjiang style with fishermen and other characters in a village landscape on the body, on the neck there are two landscapes in overglaze blue; they bear inscriptions on each side, including Wang Xingli's signature (? ??) and the cyclic date wu shen (??) corresponding to 1908.
AN OAK DRAW LEAF DINING OR CENTRE TABLE17TH CENTURY AND LATER77cm high, 153cm long, 283cm fully extended, 79cm wideProvenance: Private CollectionCondition Report: Marks, scratches and abrasions comensurate with age and useold chips and splits comensurate with age and use. some losses. some old repairs. Some dark staining in areas. Some dark ring marks to the top (see images) Some old use of filler to small gaps between elements of construction. In many areas this has largely been lost due to minor natural movement/ shrinkage to the top. The structure of the table is solid and stands firmly. Some of the older elements bear old worm damage (see images) One foot has a modern block beneath it in order to enable the table to stand more straight. As catalogued, this table incorporates some 17th century timber elements however the table overall as it stands now was likely constructed int he late 19th or early 20th century. The legs look most likely to be basically 17th century in date but bear later applied terminals, and atleast some of the carving to them is of a later date. Some other elements such as the lower stretchers are likely 17th or 18th century in date. The remainder of the table appears to be traditionally constructed using or re-using later timbers. There are some later blocks of timber to the underside of the top to secure elements. Old worm damage to the older elements of the table (see images) . One leg has historically been affected by worm and has a number of fragmentary losses as a result. This is mainly visible fromt he underneath and interior side of the leg. (see images) The leg is of solid structure though overall. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
A SWISS 'BLACK FOREST' BEAR TABLEPROBABLY BRIENZ, FIRST HALF 20TH CENTURYThe top with two hinged tobacco compartments flanking an inset brass bowl89cm high, 46cm wide, 35cm deepCondition Report: The top left recess with a musical box concealed within, triggered by the lifting of the lid. The music box is not working. The bear support has a hinged head enclosing a recess.There are scuffs, knocks and scratches consistent with age and use.There are losses, restorations and observations including: the dark stain worn to reveal underlying paler timber in some areas; the back bear to the top fixed but not snugly, it revolves; knocks from use including the snout of one bear; the musical box not working; one of the feet attached but revolves.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
A SWISS 'BLACK FOREST' BEAR HALL STAND19TH OR EARLY 20TH CENTURYDepicting the mother bear wrapped around the base of the tree, and bear cub playing in the branches, the base incorporating a stick well205cm high, 70cm wide, 54cm deepAn almost identical hall stand sold Christies South Kensington, London, English and Continental Furniture and works of Art, 10th April 2002 Lot 271, £9988.Condition Report: There are scratches, scuffs, cracks and knocks consistent with age and use.Observations include; the staining worn in some places, for example to the snout and other protruding edges; there are cracks visible through the stain including along some sectional construction joints for example to the right arm of the main figure, the back of the main figure; some cracks to the edge of the drip pan area; some staining over some branch sectional joints, it is unclear if these are constructional or possible repairs.There is a sectional joint half way up the trees, though it does not appear to unscrew or lift off, it might be possible to dismantle the stand at this point.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
Taxidermy: A Common or Harbor Seal (Phoca vitulina), circa mid-late 20th century, a young adult head mount looking straight ahead, from the wall 43.5cm, height 25cm.Harbor seals are brown, silvery white, tan, or gray, with distinctive V-shaped nostrils. An adult can attain a length of 1.85 m (6.1 ft) and a mass of up to 168 kg (370 lb). Blubber under the seal's skin helps to maintain body temperature. Females outlive males (30–35 years versus 20–25 years). Harbor seals stick to familiar resting spots or haulout sites, generally rocky areas (although ice, sand, and mud may also be used) where they are protected from adverse weather conditions and predation, near a foraging area. Males may fight over mates under water and on land. Females bear a single pup after a nine-month gestation, which they care for alone. Pups can weigh up to 16 kg (35 lb) and are able to swim and dive within hours of birth. They develop quickly on their mothers' fat-rich milk, and are weaned after four to six weeks.
Taxidermy: A Kodiak Brown Bear (Ursus arctos middendorffi), circa 1917, by Rowland Ward "The Jungle", 167 Piccadilly, London, a young full mount Kodiak Brown bear, looking straight ahead with mouth agape, in upright position with front paws raised and outstretched, mounted upon a painted faux rock base with attached wheels, bear height 159cm, overall height 176cm, bearing rare partial paper trade label to groundwork lower left side.Originally purchased by the vendors family at the Christies auction of The Papalios Family Collection of Natural History and Sporting Trophies, October 12th 1983, Lot 18, catalogued as Kodiak Bear.Bear has suffered fading over the years, structurally sound, teeth good, base in good order, trade label has suffered some damage, 04/10/22
Taxidermy: A North American Black Bear Half Mount (Ursus americanus), circa late 20th century, North America, a wall mounted half body mount, with mouth agape in aggressive pose, both limbs outstretched in front, 74cm from the wall, 78cm highCites Annex B, Appendix IISmall patch of hair missing from right foreleg, small patch of hair missing from top of head (not visible when hung). 24/11/22
A J.K Farnell Teddy bear, English circa 1920, the straw and kapok stuffed golden mohair bear with large brown glass eyes, clipped muzzle and stitched nose and mouth, swivel head and jointed at shoulders and hips, cloth paw pads and wearing leather collar, 19” (48cm) tall, (condition: good but discoloured, pads recovered).
Rare Schuco yes/no Teddy bear with original tag, German 1920s, the golden tipped mohair bear with orange glass eyes, clipped muzzle and black stitched nose and mouth, swivel head and jointed at shoulders and hips, felt paw pads, pink neck ribbon and tail to operate yes/no mechanism, with original paper label to chest and stock label to left wrist, 12” (30cm) tall, (condition: good, some fading to tipped mohair, neck ribbon frayed).
Deans Rag book mouse eared Teddy bear, English circa 1930, the golden mohair bear with orange glass eyes, black stitched nose and mouth, swivel head and jointed at shoulders and hips, felt paw pads, 15 ½”(39cm) tall, (condition: some wear to mohair, stuffing shifted), together with a 1950s Steiff bear on all fours, (good condition), resting Steiff lion, (a/f), tiger, and knitted Golly, 5 items).
White mohair Steiff Teddy bear, German circa 1909, the straw filled bear with black boot button eyes, pointed snout and light brown stitched nose, mouth and claws, swivel head, jointed at shoulders and hips, with elongated arms, large feet and felt paw pads, button to left ear, wearing navy trousers and white shirt, 13” (33cm) tall, (condition: generally good, usual wear to mohair, some holes to left paw pad).
An early English golden mohair Teddy bear, 1920s, the straw filled bear with red painted glass eyes, vertically stitched nose and mouth, swivel head and jointed at the shoulders and hips, with cotton paw pads with card backing to feet and stitched claws, inoperative squeak to stomach, 18” (46cm) tall, (condition: general wear and sparse areas to mohair, ears re-stitched, one claw loose and small tear to one foot pad).
A sweet German golden mohair Teddy bear, possibly Steiff circa 1909, the straw filled bear with black boot button eyes, pointed snout and stitched nose, mouth and claws, swivel head, jointed at shoulders and hips, with elongated arms, large feet and felt paw pads, 9 ½” (24cm) tall, (condition: some bald areas, couple of repairs to feet paw pads).
A small Steiff golden mohair Teddy bear, German circa 1909, the straw filled bear with black boot button eyes, stitched nose, mouth and claws, swivel head, jointed at shoulders and hips, with elongated arms, large feet with felt paw pads, 8 ½” (21.5cm) tall, (condition: some sparse areas mainly to arms).
A small German mohair Teddy bear, possibly Bing circa 1909, the straw filled bear with black boot button eyes, pointed snout and stitched nose, mouth and claws, swivel head, jointed at shoulders and hips, with elongated arms, feet and suede paw pads, 8” (20.5cm) tall, (condition: fair, general wear, some loss to nose, feet pads replaced).
Early English golden mohair Teddy bear, circa 1915, the straw filled bear with black boot button eyes, stitched nose, mouth and claws, swivel head, jointed at shoulders and hips, felt paw pads, 9” (23cm) tall, (condition: some wear but generally good, pads replaced), together with a toy mohair Rabbit with pointed ears and tail, large glass eyes stitched mouth and claws and cotton feet pads, 12” (30.5cm) tall, (condition: some wear, lacks nose and part of mouth), (2 items).
A J.K Farnell golden mohair Teddy bear, English 1920s, the straw and kapok stuffed bear with clear glass eyes, clipped muzzle and stitched nose and mouth and claws having web claws to hands, swivel head and jointed at shoulders and hips, felt paw pads, 21” (53.5cm) tall, (condition: generally good, some sparse areas).
Three English mohair Teddy Bears, 1930s, including a Deans golden mohair bear with orange glass eyes, stitched nose and mouth, swivel head and jointed at shoulders and hips with rexine pads, 11” (28cm) tall, (condition: generally good some wear to pads), together with a small Chad Valley bear with label to foot 10” (25.5cm) tall and another bear with white and red glass eyes, (condition: both play worn), (3 items).
A bright golden mohair Merrythought Teddy bear, 1930s, the kapok filled bear with orange glass eyes, stitched nose, mouth and claws with web stitching to hands, brown felt pads, swivel head and jointed at shoulders and hips, label to right foot, 16” (40.5cm) tall, (condition: generally good but left leg generally bald), together with a 1930s Chilterns Teddy bear with glass eyes, stitched nose and mouth and felt pads, 13” (33cm) tall, (condition: bald and sparse areas especially to head), (2 items).
Three English mohair Teddy Bears, 1950s, including two Chiltern bears with orange glass eyes, stitched shield shaped noses and mouths, swivel head and jointed at shoulders and hips with rexine pads, 15 ¾” (40cm) and 13 ½” (34cm) tall, (condition: bright golden bear in generally good condition, other playworn), together with a mouse-ear type bear, 15” (38cm) tall, (condition: bald areas, pads replaced and Chad Valley label to left foot?), (3 items).
Two Steiff mohair Original Teddy Bears, 1950s, golden bear with brown glass eyes, stitched nose, mouth and claws, swivel head and jointed at shoulders and hips with felt pads, button to left ear, 13” (33cm) tall, (condition: generally good/fair few sparse/bald patches), together with a similar large blonde mohair bear, 16” (41cm) tall, (condition: general wear especially to arms, pads repaired), (2 items).
Two 1920s English mohair Teddy bears, apricot straw stuffed mohair bear with weighted growler (inoperative), red glass eyes, thin horizontally stitched nose and mouth, pinched inserted ears and hump to back, swivel head and jointed at shoulders and hips with felt pads, 16” (41cm) tall, (condition: generally good, sparse area to stomach and other sparse areas, pads replaced and one side of mouth stitching loose), together with a straw stuffed white mohair bear with glass eyes and stitched nose and mouth, cloth pads to feet, 12” (30.5cm) tall, (condition: some general wear, pads replaced), (2 items).
Three British mohair Teddy Bears, 1950s, including an Alpha Farnell bright golden mohair bear with orange glass eyes, stitched nose and mouth, swivel head and jointed at shoulders and hips with rexine pads, remains of label, 16” (41cm) tall, (condition: generally very good, wear to pads), together with a small Chad Valley bear with glass eyes, stitched nose and mouth and velvet pads, 13” (33cm) tall, (condition: good a few sparse areas) and an unjointed mohair bear with glass eyes, felt nose and open mouth operated by squeeze mechanism to stomach, probably Tara Toys, 14” (35.5cm) tall, (condition: good), (3 items).
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93468 item(s)/page