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A collection of assorted ephemera, to include; a blue and white ginger jar and cover and carved hardwood stand, a portrait miniature, a brass framed circular wall mirror, assorted coinage, quizzing glasses, a Norah Wellings type doll, a poodle and a golden plush teddy bear along with assorted brass wares (Qty)
A small sword for drum major dating: second quarter of the 19th Century provenance: Kingdom of the Two Sicilies 18th Century blade with writings "VIVA I DIO E IL RE", "VIVA FERDINANDO QUARTO", a lily and floral and geometrical motifs; fine, bronze hilt, quillons ending in bloodhound's heads; quillon block with deer's head and bear, pommel shaped as a lion's head, horn grip with spirals and wire binding. Leather scabbard with brass mounts, engraved with floral motifs. dimensions: length 83 cm.
A very fine wheel lock tschinke dating: 17th Century provenance: Teschen Rifled, octagonal, 9 mm cal. barrel, with slightly bell-mouthed nozzle, provided with rear-sight and foresight; smooth tang; beautiful inner wheel lock, plate engraved with hunting scenes, the wheel cover featuring two-headed eagle, sliding pan cover with the monogram "JN" or "JR", the wheel cover plaque pierced and engraved with a snake, dragon-shaped hammer with long, opening lever; wooden full stock, richly decorated with bone ans mother-of-pearl inlays depicting hares, bloodhounds, bear, dragon, hops and floral motifs; one side featuring a hunter with his bloodhounds fighting against a bear; patchbox, anatomic, iron trigger guard; bone-tipped, wooden ramrod. dimensions: length 117 cm.
An ornate late 19th Century French Brass three piece MANTEL GARNITURE CLOCK SET with five light Candelabra. The clock with masked cream enamelled dial and Arabic numerals fronting an eight day spring driven movement with outside count wheel strike on a bell – bear makers stamp of Japy et Cie – clock 47cms high
A Wooden Rocking Horse: dapple grey with white mane and tail, open mouth with teeth, wooden rocker base with plaque 'Haddon Rockers Makers and Restorers'. Length (inc. base) 110cm, height 103cm approximately. Overall G/VG, rocker seized. Together with a small Chad Valley teddy bear with label to chest, height 22cm, F, missing an eye. (2)
Jurassic-Pleistocene, 203 million years to 11,000 years BP. An unusual group of four teeth from several geologic periods, including two species of extinct bear, an Icythyosaur, and a shark, each in old white card tray with A.B. Cotterill Collection, Wollaton, Nottingham, UK, label. 50 grams total, 20-58mm (3/4 - 2 1/4"). Property of a Welsh fossil collector; acquired on the UK art market. Fine condition. [6, No Reserve]
10 Thriller genre British Quad film posters to include; Brannigan, The Postman Always Rings Twice, Papillon x 2 (one different style), Bear Island, plus Dressed to Kill, The Mirror Cracked, Fire chasers, Planet of the Apes (text only) and Juggernaut. Various conditions, folded all 30 x 40 inch. (10)
Asia. Hondius (Jodocus), Asia recens summa cura demeata Auctore Iud. Hondio, originally published Amsterdam, but this example is a pirated Italian edition, possibly printed in Venice, circa 1642, uncoloured engraved carte-a-figure map on two conjoined sheets, ten costumed figures to the vertical margins, twelve oval vignettes of principal cities to the horizontal margins, old folds, sparse near contemporary ink marginalia, 440 x 560 mm, no text on verso An unrecorded Italian pirated copy of Hondius's map, probably engraved in Venice, perhaps by the little known publisher Stefano Scolari. The paper used in the printing bears the water mark of an anchor in a circle, surmounted by a six pointed star (Heawood 8?) which indicates the paper to be Italian and of the period. The map appeared together with six other similar examples at a Sothebys auction, several of which bore the date 1642, and had numerous vignette views to the borders reversed. On the map of Europe, the Tower of London appears on the left rather than the right of the image, however, this error is not present on the views of Venice, Rome and Constantinople. The map is based on an earlier work by Jodocus Hondius published in 1623.The 1623 printing formed part of a set of maps of the four continents of which Africa and Asia are dated 1623. The title of the Asia map appears in the upper left in a cartouche which is a mirror image of that on Jodocus Hondiuss 1619 map. The imprint is in the cartouche in the upper right. Later states of the map bear the imprint of Johannes Janssonius - as in the present example. (1)
Bizzarri (Pietro). Varia Opuscula, quorum indicem sequens pagina demonstrabit, 2 parts in one, Venice: [Aldine press], 1565, 156ff., printer's woodcut device to title of each part, faint signature to title with slight area of abrasion and consequent small hole, occasional early ink annotation marks to fore-edges, final leaf with few small holes & tipped-down to rear free endpaper at fore-edge, occasional light dampstaining, late 18th/early 19th century vellum gilt, small 8vo Adams B2090; Renouard 198, 15. This volume in 2 parts; the first is preceded by a letter from the author to Queen Elizabeth I of England and contains 5 prose works: De Optimo Principe, De Bello et Pace, Pro Philosophia et Eloquentia, Aemilii Accusatio & Aemilii Defensio, and Oratio Pro L. Virginio. The final 4 works each bear a dedication, to Mary, Queen of Scots, Francis Russell, 2nd Duke of Bedford, Lord William Cecil and Lord William Metlan. The second part consists of two books of poems. (1)
[Lloyd, David]. The Legend of Captain Jones. Relating His Adventure to Sea: His First Landing, and Strange Combat with a Mighty Bear. His Furious Battel with His Six and Thirty Men, against the Army of Eleven Kings, with their Overthrow and Deaths...., 2 parts in one, printed for Humphrey Moseley, 1659, folding engraved plate (dated 1671) between leaf with printed poem to verso and title, purple ink stamp to title verso with some see-through, 8 leaves of publisher's adverts at rear (incomplete at end), lacks [*3 & 4] 'To the Reader' before main text, some worming to lower outer corners throughout and often affecting text, some old dampstaining, close trimmed to foremargin shaving some letters of title and early leaves, 19th-century blind-stamped calf, neatly rebacked, small 8vo Wing L2632. (1)
Chatelain (Jean Baptiste Claude). [Fifty Views of Villages &c. Drawn by the celebrated M. Chatelaine, from the most agreeable Prospects near London], published Robert Sayer, circa 1775, lacking title, fifty uncoloured engraved views, a few leaves trimmed within lower platemark, stab sewn to inner margin, contemporary blue paper wrappers, neatly rebacked paper spine, binding measures 95 x 160 mm Rare. The work consists of small views of churches and villages that surrounded early Georgian London; these include, among others, Chelsea, Battersea, Highgate, Hampstead, Barnes, Kew, and St Pancras. The views were the work of the topographical draughtsman Jean Chatelain (1710-1758), and engraved by James Roberts (1725-1799), most probably Henry's brother. The set was first published by Henry Roberts in around 1750 under the title: 'Fifty small original, and elegant views of the most splendid churches, villages, rural prospects. and masterly pieces of architecture, adjacent to London'. The present example can be dated to around 1775 as eight of the views bear the imprint of Robert Sayer. Sayer and his business partner John Bennett had acquired the plates sometime before 1775, as they appear in their sales catalogue of that year under the title: 'Fifty Views of Villages, &c. from the most agreeable Prospects near London,drawn by the celebrated M. Chatelain, may be had in the following Numbers, for the Amusement of Youth in drawing after Nature. Priced 6d. each'. The catalogue divides the views into eight numbered sections: the first three containing views of villages to the south and west; numbers 4 and 5 villages to the west and north; 6 and 7 north and east; and 8 the south; with the view at the beginning of each section bearing the imprint of Robert Sayer. We are only able to trace four complete examples, which bear the Sayer imprint: The New York Historical Society; the Folger Shakespeare Library; and the Yale Institute of British Art. The present example, without the title page - which would appear to never have been bound in with the present set -conforms to the example in the British Library; both the Folger, and N.Y.H.S. example bear a printed title page; with the Yale example bearing a title in manuscript. Collation:- 1. The South East View of Chelsea Church (imprint of R. Sayer - Fleet Street). 2. The North East View of Chelsea Hospital. 3. The North View of Battersea. 4. The South West View of Battersea Church. 5. The East View of Wandsworth. 6. The South West View of Wandsworth Church. 7. The South View of Chiswick. (imprint of R. Sayer - near Serjeants Inn Fleet Street). 8. A View of Fulham-Bridge and Putney. 9. A View of St. Pauls Chappel Hammersmith. 10. A View of Fulham Church from the Bridge. 11. The North View of Chiswick Church. 12. The South View of Barnes. 13. The West View of Barnes Church. (imprint - R. Sayer - Fleet Street). 14. The North View of Row Hampton. 15. The East View of Mortlake. 16. The North View of Mortlake Church. 17. The East View of Kew and Strand Green. 18. The South West View of Isleworth Church. 19. A View of Ealing. (imprint - R. Sayer - Fleet Street). 20. A View of the Village of Oackington. 21. The View of Kingsbury. 22. The South View of Willsden. 23. The South West View of Willsden Church. 24. The South View of Kensington. 25. The North West View of Paddington Church. (imprint of R. Sayer - near Serjeants Inn Fleet Street). 26. A View of Paddington Church from the Green. 27. The South East View of Kensington Church. 28. A View of St Mary le Bone Church. 29. The South East View of Pancrass Church. 30. The South West View of Pamcras Church and the Wells. 31. The South East View of Hampstead Church. (imprint - R. Sayer - Fleet Street). 32. The South View of the Spaniards near Hampstead. 33. The South East View of Highgate Chappel. 34. The South West View of Highgate Chappel. 35. The North West View of Hornsey Church. 36. The North View of Islington. 37. A View of St Mary's Church Islington. (imprint - R. Sayer - Fleet Street). 38. The South East View of Cambray House. 39. The South West View of Newington Church. 40. The North West View of Newington. 41. The South East View of Tottenham Church. 42. The North West View of Tottenham Church. 43. The South East View of Camberwel Church. (imprint of R. Sayer - near Serjeants Inn Fleet Street. 44. The North West View of Hackney Church. 45. The South West View of Hummerton Church. 46. The South East View of Brook House. 47. The North East View of Newington Church. 48. The South West View of Newington Church. 49. The South East View of Hackney Church. 50. The North East View of Camberwel Church. (1)
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93108 item(s)/page