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Lot 673
Vinyl – 13 Folk albums by Martin Carthy, Dave Swarbrick, Richard Thompson and Christy Moore to include : Martin Carthy - Martin Carthy (UK Black Labels 1969), This Is... Martin Carthy: The Bonny Black Hare And Other Songs (UK 1971). Martin Carthy & Dave Swarbrick - Rags, Reels & Airs (UK 1967), Byker Hill (UK 1967), Prince Heathen (UK 1969), Selections (UK Pegasus 1971), Dave Swarbrick And Simon Nicol – Live At The White Bear (UK 1982), Richard Thompson – Henry The Human Fly and Hand Of Kindness. Christy Moore - On The Road (2018 UK Triple album ) Still Sealed. The Spirit Of Freedom (Irish Pressing), Christy Moore ( 1976 Irish Pressing Polydor Records), Voyage. Condition VG+ overall
Lot 437
Vinyl - Prog Rock / Psych / Rock, over 50 mainly original UK pressings early 1970s albums to include: Leigh Stephens (Charisma), Curved Air, T.N.T.H. (French Barclay), Stackridge, Gryphon, Tim Buckley, Flintlock, Graham Cooper, Toe Fat, Dave Carlsen, Detroit, Velvet Glove, Hugh Hooper, Speadeagle, Duffy Power, Neutrons, Brinsley Schwarz, Edward Bear, The Crimson Bridge, Back Door, Quintessence, The Family Dogg, Bill Nelson (original Smile Records private pressing), National Health, Mandalaband, J.J. Jackson’ Dilemma, Charge (Fresh Air), Q 65, Roger Glover, Pot Liquor, Forever More, Earth Opera, Wavemaker, Parchment, Chris Farlowe & The Hill, Gringo, Druid, The Flock, Kevin Coyne, and many others. Condition VG overall with higher examples
Lot 1019
A collection of seven Lladro figures to include: Three polar bears, a young girl in rocking chair, young girl dancing, young girl with hat in hand and a larger figure of three young children and dog. (7)Highest approx. 25cm high.Further Details: One Polar Bear badly damaged and re-glued, slightest damage to overlay floral decoration, broken and re-glued arm to girl with hat.
Lot 1353
A collection of mixed ceramics, mostly commemorative china pieces to include; two busts of Edward VIII (one broken), a Prince Charles mug, a Royal Doulton 1953 loving cup, a three handled tyg 100th birthday of the Queen Mother, along with a large two handled blue ground floral layered designed Bretby vase, and a Polar bear lamp base. (1 box)
Lot 401
Style One, mandolin handle. Black and gold coloration.While serving as lady-in-waiting to both Catherine of Aragon and Anne Boleyn, Jane Seymour (1509 - 1537) attracted the attention of Henry VIII. Two weeks after Anne Boleyn was beheaded, Jane Seymour became the third wife of Henry VIII, and the only one to bear him a male heir.Series: Henry VIII and His Six Wives; Royalty. Royal Doulton backstamp. Artist: Peter GeeIssued: 1986 - 1990Dimensions: 2.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 249
Style One, mandolin handle. Black and gold coloration.While serving as lady-in-waiting to both Catherine of Aragon and Anne Boleyn, Jane Seymour (1509 - 1537) attracted the attention of Henry VIII. Two weeks after Anne Boleyn was beheaded, Jane Seymour became the third wife of Henry VIII, and the only one to bear him a male heir.Series: Henry VIII and His Six Wives; Royalty. Royal Doulton backstamp. Artist: Michael AbberleyIssued: 1979 - 1990Dimensions: 7.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 1
Keith Vaughan (British, 1912-1977)Bather No.1 signed with initials and dated 'KV/59' (upper right)oil pastel and charcoal27.7 x 21.5 cm. (10 7/8 x 8 3/8 in.)Footnotes:ProvenanceWith Bear Lane Gallery, Oxford, October 1960, where acquired byJ. Roose-EvansSale; Sotheby's, London, 13 December 2007, lot 112, where acquired by the present ownerPrivate Collection, U.K.ExhibitedOxford, Bear Lane Gallery, 26 October 1960, cat.no.29 (catalogue untraced)We are grateful to Gerard Hastings and Anthony Hepworth for their assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1011
13 Teile alter Christbaumschmuck H 6,5 - 16 cm. Verschiedene seltene Teile, darunter Gablonzer Schmuck, Watte-Bär, Aladin und Wickelkind aus Glas, Pfeifenputzer-Weihnachtsmann etc Altersspuren, kleine Defekte. 13 parts old Christmas tree ornaments H 6,5 - 16 cm. Various rare parts, including Gablonz ornaments, absorbent cotton bear, Aladdin and wrapped glass child, pipe cleaner Santa Claus etc Signs of age, small defects. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1669
BOSSE, Walter(1904 Wien - 1979 Iserlohn) 7 BronzenBronze schwarz patiniert, teils goldfarben poliert. H maximal 11 cm. Affe mit Korkenzieher am abnehmbaren Kopf. Esel, Hahn und Dackel als Stifthalter. Hand als Schale (Aschenbecher?). Bär und Blüte als Schale Keramiker und Designer, Ausbildung an den Kunstgewerbeschulen Wien und München. BOSSE, Walter(1904 Vienna - 1979 Iserlohn) 7 bronzesBronze black patinated, partly gold polished. H maximum 11 cm. Monkey with corkscrew on removable head. Donkey, rooster and dachshund as pen holders. Hand as a bowl (ashtray?). Bear and flower as bowl Ceramicist and designer, trained at the Kunstgewerbeschulen Vienna and Munich.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2238
Stehende Dame mit HündchenWiener Manufaktur Friedrich Goldscheider. Prägemarke, 1900 bis 1920. Am Sockel bezeichnet "Meier" (Emil Meier oder Johanna Meier-Michel). Modell-Nr. 4002 3 6. Fayence, farbig staffiert. H 31 cm. Elegante Dame des ausgehenden 19. Jahrhunderts, in gepunktetem Kleid mit seitlich anspringendem kleinen Hund, auf Rundsockel Am Hut, Stand, Schleifenband und Hundekopf restauriert. Literatur : Vgl. Robert E. Dechant / Filipp Goldscheider: Goldscheider - Firmengeschichte und Werkverzeichnis.Stuttgart: Arnoldsche Art Publishers 2008, S. 379. Ergänzender Hinweis: Sowohl die im WVZ aufgeführte "Dame mit Blumenkorb" als auch die "Dame mit Hündchen" tragen die Modell-Nr. 4002. Wahrscheinlich wurde der Modellnummernstempel bei einem der beiden Modelle falsch eingestellt. Das Kunst-Auktionshaus WENDL dankt Herrn Robert E. Dechant für diesen Hinweis. Standing lady with dogViennese manufacture Friedrich Goldscheider. Mint mark, 1900 to 1920. At the base marked "Meier" (Emil Meier or Johanna Meier-Michel). Model no. 4002 3 6. Fayence, colored painted. H 31 cm. Elegant lady of the late 19th century, in dotted dress with sideways jumping small dog, on round base Restored at the hat, stand, ribbon and dog's head. Literature : Cf. Robert E. Dechant / Filipp Goldscheider: Goldscheider - Firmengeschichte und Werkverzeichnis.Stuttgart: Arnoldsche Art Publishers 2008, p. 379. Supplementary note: Both the "Lady with Flower Basket" and the "Lady with Little Dog" listed in the WVZ bear the model number 4002. Probably the model number stamp was set incorrectly on one of the two models. The art auction house WENDL thanks Mr. Robert E. Dechant for this hint. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3063
BärengruppeZsolnay. Stempelmarke, 1. H. 20. Jh. Bezeichnet und datiert. Entwurf: 1911. MARKUP, Bela(1873-1945) Unterglasurbemalung. H 30 cm. Zwei miteinander kämpfende Bären Bear GroupZsolnay. Stamped mark, 1st half 20th c. Inscribed and dated. Design: 1911. MARKUP, Bela(1873-1945) Underglaze painting. H 30 cm. Two bears fighting with each other.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 944
Eisbärenfell und PuppenstubenknabeUngemarkt. Weißes Kunstfell mit Bärenkopf, Glasaugen und aufgerissenem Maul. L 13,5 x 8 cm. Kleiner Ganzbiskuitjunge mit festem Kopf, blauen Glasaugen, blonder Perücke und weißem Filzanzug. L 10 cm Minimale Altersspuren.Polar bear skin and dollhouse boyUnmarket. White faux fur with bear head, glass eyes and mouth ripped open. L 13,5 x 8 cm. Small whole bisque boy with solid head, blue glass eyes, blond wig and white felt suit. L 10 cm Minimal signs of age.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 150
SUFFRAGETTES - HUNGER STRIKE MEDALHunger strike 'Holloway' medal awarded by the WSPU to Ada Wright, in silver and enamel construction, the top bar fitted with a pin and the obverse engraved 'For Valour', the suspension bar engraved 'June 29th 09', two additional striped enamel bars in purple, white and green, engraved on reverse 'Fed by Force 1.3.12' and 'Fed by Force 6 June 1912', the disc 22mm. diameter, engraved 'Holloway' on the obverse and 'Ada Wright' on the reverse surrounded by a design of laurel leaves, ribbon in green, white and purple grosgrain silk, maker's name engraved on reverse of top bar ('Toye 67 Theobalds/ Rd London'), overall 72 x 40mm.; in original purple roan presentation box, lined with green velvet, padded silk inner lid with dedication to Ada Wright printed in gilt, box 55 x 102mm., [1909]; with a copy of Votes for Women, leaflet no.75, the front page featuring a photograph of Ada Wright after being struck by a policeman during the 'Black Friday' Protest of 18 November 1910, 4to (285 x 220mm.), [1910] (3)Footnotes:'A POLICEMAN STRUCK HER WITH ALL HIS FORCE... OVER AND OVER SHE WAS FLUNG TO THE GROUND': THE HUNGER STRIKE MEDAL OF ADA WRIGHT, MILITANT, INDOMITABLE CAMPAIGNER AND CLOSE FRIEND OF THE PANKHURSTS.Ada Cecile Granville Wright (c.1862-1939) is best-known as the diminutive figure shown in one of the iconic suffragette photographs of the era, an image that came to represent the brutality of the police and the tenacity of the protestors. It depicts the fifty-year-old suffragette after being knocked to the ground by a policeman during the 'Black Friday' protests of 18 November 1910, a moment that epitomised the more aggressive approach to the protestors sanctioned by the then Home Secretary Winston Churchill. The photograph was first published on the front page of the Daily Mirror of 19 November and on the front of Votes for Women for 25 November but was suppressed on by the government and the negatives ordered to be destroyed.Ada was fifty years old when that photograph was taken and was a seasoned campaigner. She had been involved in the campaign for women's suffrage and other social causes for several years before joining the National Union of Women's Suffrage in 1905. Inspired by the militant approach of the Pankhursts and Annie Kenney, she joined the WSPU and took part in the deputation from Caxton Hall to the Houses of Parliament in March 1907, which led to her first arrest and imprisonment. She took part in the deputation to the House of Commons on 29 June 1909 (the date engraved on her medal) and was arrested again for breaking the windows at a government office in Whitehall with Sarah Carwin, an act which she said 'required a great deal of moral courage'. Whilst in Holloway prison she broke the windows in her cell and went on hunger strike for six days. She was arrested many times throughout her career for militant activity, not least on the infamous 'Black Friday', and the bars on her medal attest to the hunger strikes she endured whilst imprisoned. In March 1912 she was arrested twice for window smashing and was sentenced to six months at Aylesbury prison. There she went on secret hunger strike and was forcibly fed twice a day for ten days until the WSPU sent direct orders that she should cease, although she resumed it three months later, hence the dates engraved on the enamel bars on our medal: 'Fed by Force 1.3.12' and 'Fed by Force ?6 June 1912'. Her deteriorating health led to a question in the House of Commons from Philip Snowden on the treatment of prisoners and she was subsequently released. Close to the Pankhursts, she was with Emily Davison in the days before her death and was a pallbearer at Emmeline Pankhurst's funeral in 1928. Throughout her life, Ada Wright was also generous donor financially to the cause and a tireless campaigner: 'one of those quiet women whose gentle and calm manner hides a courageous and indomitable nature of unexpected depths' (Diane Atkinson, Rise Up, Women!, 2018, p.564). In her will she divided her estate between several of the suffragette leaders including Flora Drummond and Evie Hamill, sister of Cicely Hamilton, with the majority left to Christabel Pankhurst, to whom she was particularly close. Dating from June 1909, this would appear be an early and unusual variant of the hunger strike medal such as that awarded to Edith Downing (sold in these rooms 23 March 2022, lot 266). Unlike Downing's medal and others which bear the words 'Hunger Strike' on the medallion, ours is engraved with the word 'Holloway' but, other than that, the general format and presentation box are the same. One other example of this particular type is held by the Museum of London (ID.69.5) and was awarded to Theresa Garnett also in 1909. Other so-called 'Holloway medals' such as that awarded to Emmeline Pankhurst in 1908 (now in the parliamentary archives), bear the word 'Holloway' on a silver bar on the ribbon and her cell number on the medallion. It is not known how the medal came to be in the possession of the Verden family, but Phyllis Verden and her mother, both militant suffragettes, worked closely with Janie Terrero of the Pinner branch of the WSPU. Phyllis also worked in the household of Emmeline Pankhurst where she would have met with leading militants of the WSPU. For more on the Verden family and the suffragette movement in Pinner see Thomas MacIver's article, 'Pinner's Suffragette's', London and Middlesex Archaeological Society Transactions, 69, 2018, pp.269-282. In this article a 'Miss Wright' is mentioned as sharing the responsibility for running the branch with Mrs Verden in 1914 but the connection, if any, to Ada Wright is not known. Provenance: Phyllis Pearce (née Verden) of the Pinner WSPU, the present owner's grandmother.For further information on this lot please visit Bonhams.com
Lot 68
BROWNING (ROBERT)Two autograph letters signed ('Robert Browning'), the first to 'Miss Gabriel', beginning '...'How good are you and how unworthy am I'... 'I am more stupid than ungrateful and even (I hope) more reckless than stupid, - for it is hardly my fault that I can so seldom do what I like... however, may Spring be coming, for anything I know, and with it a chance of better fortune...', one page, 8vo (182 x 114mm.), Warwick Crescent, Upper Westbourne Avenue, 23 January [18]66; the second to Lady de Grey ('Dear Lady de Grey'), regretting he is unable to dine with her as he is '...forced to be at Oxford that day...', one page on a bifolium, 8vo (182 x 114mm.), Warwick Crescent, Upper Westbourne Terrace, 18 February [18]68; both affixed to an album leaf with an illustrated envelope addressed to Miss Gabriel, 5 Chester Street, London, S.W. depicting a lion in a cave, and a portrait of Robert Browning cut from a larger photograph by Elliot & Fry (4)Footnotes:'MAY SPRING BE COMING...AND WITH IT A CHANCE OF BETTER FORTUNE'.Both letters come from the collection of clergyman Frederic Daustini Cremer (1848-1927) who was employed by the first Marquess of Ripon, and his wife Henrietta Vyner, to whom the second letter is addressed, from 1871 to 1873. Neither letter is published in The Brownings' Correspondence online. The recipient of the first letter was Virginia Gabriel (1825-1877), a successful singer and composer of over 300 songs, who set several poems by both Robert Browning and Elizabeth Barrett Browning to music. She was particularly successful in the 1860's and '...the person who did most to convince people that women could compose ballads which would bear close comparison with anything similar by men...' (Victorian Web online). The lion depicted on the enclosed envelope may allude to her opéra bouffe entitled The Lion's Mouth, which unfortunately achieved limited acclaim. Provenance: The Rev. Frederic Daustini Cremer (1848-1927); thence by descent to the present owner.For further information on this lot please visit Bonhams.com
Lot 148
SHAW (GEORGE BERNARD) and HAYDEN CHURCHArchive of correspondence, interviews and other material assembled by journalist Charles Hayden Church (1878-1956) during a long association with George Bernard Shaw over some twenty years, comprising:i) Articles and questionnaires, typed by Church and annotated with responses and extensive manuscript amendments by Shaw, giving his opinion on a wide variety of topics such as sex education in schools ('...Sex should not be discussed with children, either by parents or school teachers...'), his vegetarianism ('...I eat cheese, butter and eggs but no flesh, no fowl and no fish... I object to a carnivorous diet not only because I feel instinctively that it is abominable but because it involves a prodigious slavery of men to animals...'), prohibition in the US ('...It may be that life is so miserable in America that people cannot bear it without drugging themselves with alcohol...'), the economic future of England ('...If the Big Ship [Civilisation] goes down, England will go down with it...'), women's success in previously male preserves ('...Why shouldn't they? Miss Johnson did not fly to Australia: a machine did; and she hung on to it and steered it... several women had babies yesterday without any help from a machine. Prove to me that a man has achieved that amazing and arduous feat...'), on longevity ('...we die because we do not know how to live, and kill ourselves by lethal habits...'), suggesting future political programmes ('...I am not God Almighty disguised as GBS... I am advising women to demand the Coupled vote – One Couple One Vote... I advise the whole nation to put before every other reform the invention of an alphabet of at least 42 letters capable of indicating every sound in our speech...'), matrimony ('...a woman's right to motherhood should not be conditional on her taking on a husband...'), adding a scene to the film version of Pygmalion ('...the cinema can afford practically unlimited money...'), artificial insemination ('...raises many questions... I can not forsee what will happen...'), his 91st birthday ('...Birthday! Get out. Go. The man who ever utters the word Birthday in my presence is no friend of mine... Good afternoon. Don't come again...'), an amusing account of faking a séance ('...An evening of miracles followed... After that experience I could not discuss the subject with Oliver Lodge grieving for his lost son, nor with the infatuated author of Sherlock Holmes...'), on the partition of Palestine ('...The Jews and Arabs, backed by local Home Rulers and Imperialists, must fight it out until they are tired of bloodshed and financially bankrupt...'), writing ('...A slosher using ready made phrases and ideas and never stopping to think can write several thousand words a day... I can write the dialogue of a long play easily within two months if I stick at it... the stage business is pure drudgery...'), on Shakespeare ('...a volcano from whom plays burst like lava. I am by comparison a tidy old maid...'), inspiration ('...I can sit down without an idea in my head except that I must write a play; and a play comes. A good play too...'), and much else; with a typed article signed and dated ('G. Bernard Shaw/ 19 May 1933') explaining that his initial sympathies with the Nazi movement were soon expelled by Hitler's 'insanity' over the 'Jewish question': '...an epidemic of a very malignant disease... I appeal to Herr Hitler and Captain Goering to bear in mind that Judophobia is not a part of Fascism, but an incomprehensible excrescence on it... May I add that I am not a Jew? I belong to that still naively anti-Jewish nation, the Irish. The Irish do not know that Jesus Christ was a Jew. Probably ninety nine per cent of the Nazis are equally ignorant...', comments in red and black ink and pencil, c.70 pages, 4to and 8vo, [1930's/40's]ii) Autograph and typed letters, memos, and postcards signed ('G. Bernard Shaw', 'G.B.S.'), to Hayden Church, some marked 'Private', with typed letters from Hayden Church to George Bernard Shaw, returned with Shaw's responses, and three from his secretaries, with additional fragments, Shaw's comments mostly written in red ink, c.25 items on various subjects, including an early letter warning Church not to bother his wife ('...Do not exploit Ayot St Lawrence and Mrs Shaw any further... unless you want to have an implacable enemy always at my elbow take note to keep on the right side of her... Pardon the hint...'), his play On the Rocks ('...Provisionally you may call it Piffle...'), death ('...I am a member of the Cremation Society... earth burial should be made illegal. As to my ashes I do not care what becomes of them provided they are inseparably mixed with those of my wife...'), Napoleons inability to procreate ('...Something was too short and the seminal jet did not reach the effective place...'), on Elizabeth II ('...constitutional monarchy is one of the professions for which women are specially fitted...'), etc.; with six autograph envelopes, c.30 pages, 4to and 8vo, Ayot St Lawrence, Whitehall Court, SW1 and Malvern Hotel, Malvern, and elsewhere, [11 September 1930 to 4 August 1950 where dated]iii) Group of nine photographs taken by George Bernard Shaw, all but one annotated on reverse by Shaw in ink or pencil ('Ayot St Lawrence/ Shaw's Villa/ called Shaw's Corner', 'Jehanne la Pucelle/ watching for English soldiers/statue by Claire/ Winston', 'Shaw's mulberry tree/ There is another in Malvern but this is his home one', 'Shaw's favourite statue/ of Shakespeare/ 15' high/ bought by him in Frinton/ for twenty three/ shillings'), each with a typed caption by Church attached, 83 x 135mm. and smaller, [no date]iv) Album of press cuttings kept by Hayden Church ('Property of Hayden Church/ Liberal reward to finder'), including letters from John Galsworthy and George Moore, c.48 leaves, red cloth titled 'Scraps' on front board, worn and stained, binding loose, folio (282 x 225mm.), [1913-1917]; with additional loose cuttings of his articles on Shaw from Sunday Despatch, New York Times Magazine, Evening Standard etc., [1929-1947]; and a photograph of Hayden Church and his wife on camels in Egypt at the press opening to Tutankhamun's tomb, 1923; group of articles, writings and press cuttings relating to Church's other work such as 'The Real Annie Oakley' and 'The Strange Case of Dr Minor'; with a copy of George Bernard Shaw: Eight Interviews by Hayden Church selected by Edward Connery Lathem, The Perpetua Press, 2002, limited edition of 500 copies.v) The Plays of Bernard Shaw, 12 vol., inscribed beneath portrait frontispiece in Saint Joan 'G. Bernard Shaw to Hayden Church/ Ayot St. Lawrence 20th October 1945', publisher's limp blue leather, spines gilt (slightly worn at ends), housed in original hinged box with facsimile signature on lid (this near detached), small 8vo, Constable, 1926Footnotes:'I AM NOT RESPONSIBLE FOR YOUR ASSUMPTIONS. THE INTERVIEW IS AT AN END. GOODBYE': THE ARCHIVE OF GEORGE BERNARD SHAW'S 'FAVORITE INTERVIEWER'.For further information on this lot please visit Bonhams.com
Lot 140
A pair of novelty cufflinks, one modelled as a bull, the other as a bear, with curb-link baton and chain link connections, panels approximately 2.3cm longProvenance: The Barry Lock collectionCondition Report: Animals stamped 14k. Curb link batons unmarked, but acid tested as approximately 18ct gold.Gross weight 20.01g.
Lot 387
Two trays of china to include: Wedgwood of Etruria & Barlaston Peter Rabbit Beatrix Potter, cups and saucer and pot, a Wedgwood Rupert Bear cup, Hammersley & Co 'Gulliver's Travels' bowl, Stoke on Trent Trade Bros 'Baby's Plate', a tray of Royal Doulton Bunnykins items including; mugs, cups, bowls and 'Colours' book. (2)(B.P. 21% + VAT)
Lot 53
The Edith Reynolds handmade rubber filled 'real skin' miniature horse, together with an early 20th Century panda or teddy bear with moveable arms and legs (possibly a scent bottle). head moves but does not seem to unscrew (2)(B.P. 21% + VAT) Head moves but does not seem to unscrew or pull off.
Lot 372
Three boxes of china to include: various floral teaware; modern Chinese, Old Royal, Old Foley James Kent Ltd, Royal Imperial, Duchess, Queen Anne, Salisbury bone china etc, Price Bros cottage preserve jar, Dutch ceramic house, bedside set and some figures; teddy bear, Thelwell 'Christmas '86 Party Time' and a Leonardo Collection 'Snow Princess' by Christine Howarth etc. (3)(B.P. 21% + VAT)
Lot 1469
Swatch GJ112 Bestione Bear designed by Gabriella Giandelli. The watch is unworn and in original packaging circa 1993Condition Report: Please note that the movement has not been tested for the accuracy of time and may need a service at the buyer's expense.Ewbanks does not guarantee the future working of the movement and we do not guarantee the authenticity of any individual component parts since subsequent repairs and restoration work may have resulted in the replacement of original parts
Lot 1352
A collection of mainly silver jewellery including five rings, three pairs of earrings, two bracelets, a bird necklace with bear, fish, frog and turtle shaped beads, three pairs of earrings, a pendants all in sterling silver, a Pisces pendant stamped 800 and other base metal items Condition Report: 925 Silver gross weight 76.1 grams800 silver gross weight 1 gram
Lot 239
Kultaseppa Salovaara silver bangle bracelet set with rock crystal. Finnish design. With safety chain link. Set with three faceted rock crystals, each Ø approx. 6.5 mm. In good condition. Hallmarks: 925 Finnish assay mark. Maker's mark: polar bear on ice floe for Kultaseppa Salovaara, Turku, Finland. LxW inner size: 6.8 x 5.4 cm. Weight: 11.8 grams.
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