HITLER ADOLF: (1889-1945) Fuhrer of the Third Reich 1933-45. An historically important Autograph Manuscript, unsigned, two pages, 4to, n.p. (Munich?) n.d. (February 1925), in German. The holograph notes were prepared by Hitler in advance of a speech (the first following his release from prison) he delivered in Munich's Burgerbraukeller on 27th February 1925. In the upper left corner Hitler has penned the year 1918 followed by the questions 'What had happened?' and 'Just what went wrong', continuing with a diagram separating the political parties 'on the Left "Proletariat"….Marxism….finished for good due to criminality' and 'on the Right "Bourgeoisie"……bourgeois parties….broke down due to cowardice' and also including the 'Volunteer Corps - Nationalist Organisations, Citizens Defending Themselves', the manuscript continuing with other relevant points he intended to deliver within the speech, 'Stick to the facts. Parties reject violence (cowardly). Associations are non-political (stupid. They keep pulling their chestnuts out of the fire). During all this the nation is destroyed, plundered domestically and internationally. Could anything still help? Founding of the NSDAP [National Socialist German Workers' Party, more commonly known as the Nazi Party] Goal. Programme', and to the second page Hitler writes further notes, 'Development. 1919-20-21-22-23. 8th November Result: Inflation. 1924 Parliament. Struggle within the movement. Did anyone care about us? No. My release. December 1924, February 27th 1925. Buttmann. The division is impending. I and Held. I and Rohm. I and Ludendorff. Lies. The old movement……The movement? In a different Germany. Here.' Autograph material of Adolf Hitler is extremely rare in any form, and the present notes are of particular significance in Hitler's rise to power, this particular speech representing a landmark moment in the re-establishing of the Nazi Party and Hitler cementing his position as 'der Fuhrer'. A couple of extremely minor, very small holes at the intersection of a couple of folds, VG'If anyone comes and tries to make conditions to me then I say to him: friend, wait and see what conditions I have to make to you. I am not wooing the masses. After a year you shall judge, my party comrades; if I have not acted correctly, then I shall place my office in your hands again. But until that moment this is the rule: I lead the movement alone, and no one shall set me conditions so long as I personally bear the responsibility. And I once more bear entire responsibility for everything that happens in the movement' (extract from Adolf Hitler's two-hour speech delivered at the Burgerbraukeller, Munich, 27th February 1925)Hitler joined the tiny German workers party in 1919, He quickly became its leader. On 9 November 1923, at the height of the great German inflation (on 20 November, one U.S. dollar was equal to four trillion German marks), Hitler risked a coup. He led his followers through the streets of Munich to the Feldherrnhalle, a war memorial, where waiting police opened fire. Sixteen of Hitler's followers were killed; Hitler himself was arrested, and after a trial that he turned into a political platform, he was sentenced to four years in prison. The party was banned, and its remnants degenerated into squabbling factions. Hitler stood outside the fray, using his time in prison to write Mein Kampf. He was released in December 1924 after serving only nine months of his term, and set about rebuilding the party. The authorities lifted the ban on the Nazi Party on 16 February 1925. Hitler now arranged one of his rhetorical masterpieces: a mass meeting on 27 February to re-establish the party. He chose the same beer hall from which he had launched his abortive revolution fifteen months earlier. Three thousand people packed the hall, and several thousand more were turned away. He entered to the passionate applause of the audience, and gave [a] two hour speech….Its first three-quarters offered nothing that most in the audience had not already heard, and would hear again in Hitler's future speeches. He reviewed Germany's history, claiming that past conservative parties had no contact with the masses, and that leftist parties pretended to address the problems faced by ordinary Germans, but actually served the interests of the Jews who controlled them. He also outlined his views on propaganda. In the last quarter of the speech, he moved to re-establish his control of the party. He claimed absolute authority. Anyone unwilling to obey could go his own way. Hitler 'forgave' those who had made mistakes in his absence, and demanded that there be no criticism of him or the party for a year. The audience responded with enthusiasm. After the speech, Hitler had arranged…..'a piece of pure theatre'. The Nazi leaders who had fought for supremacy while Hitler was in prison all 'mounted the platform and, among emotional scenes, with many standing on chairs and tables and the crowd pressing forward from the back of the hall, shook hands, forgave each other, and swore undying loyalty to the leader'……The speech succeeded. Hitler once again was absolute leader of the party' (from Landmark Speeches of National Socialism, edited by Randall L. Bytwerk, Texas A&M University Press, 2008)
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NICKLAUS JACK: (1940- ) American Golfer. Nicknamed “The Golden Bear”. Widely considered one of the greatest golfers of all time. Nicklaus holds the record of 18 wins in major championships. A very fine colour signed 8 x 12 photograph by Nicklaus, the image showing him on the golf course, in a half-length swing pose. Signed `Best wishes, Jack Nicklaus´, in bold black ink, to a clear area of the image. Very small minor creases to corners, otherwise G to VG
LEOPOLD I: (1790-1865) First King of the Belgians 1831-65. Former German Prince. A fine A.L.S., `Leopold´, with holograph sentence, two pages, large 4to, Brussels, 10th June 1851, to his Majesty the King of the Two Sicilies, in French. The King of the Belgians congratulates Ferdinand II, King of the Two Sicilies, on the occasion of the birth of his son, stating in part `C´est avec la plus vive satisfaction, que j´ai reçu la lettre par laquelle Votre Majesté m´a annoncé l´heureuse délivrance de la Reine, son Epouse bien aimée et la naissance d´un Prince… et qui portera le titre de Comte de Milazzo. Je remercie Votre Majesté d´avoir rendu justice à mes sentiments…´ (Translation : `It is with the greatest satisfaction that I received the letter by which Your Majesty announced to me the happy childbirth of the Queen, Your beloved Spouse and the birth of a Prince... and who will bear the title of Count of Milazzo. I thank Your Majesty for having given justice to my sentiments…´) with blank integral leaf. Accompanied by the original envelope, bearing a red wax seal to the verso, in very fine condition. VG Ferdinand II (1810-1859) King of the Two Sicilies 1830-59. Prince Vincent, Count of Milazzo (1851-1854) Died in childhood.
FONTEYN MARGOT: (1919-1991) English ballerina. Small selection of three signed 8 x 10 photographs of Fonteyn, each of the images depicting her in dance poses, two in embraces with dancer Rudolf Nureyev during one of their ballet performances. Two of the photographs are by Dominic of London and bear his credit stamps to the versos, and the third is by an unidentified photographer. All are signed ('Margot Fonteyn Arias') by Fonteyn in blue or black inks with her name alone to the images. VG, 3
DELACROIX EUGENE : (1798-1863) French Painter. Regarded as the leader of the French Romantic school, he is also considered one of the last old Masters of painting, and one of the few who was ever photographed. Rare A.L.S., `E. Delacroix´, two pages, 8vo, n.p., 2nd April 1862, in French. Delacroix, referring to the death of a friend, states `Jamais sa chaleureuse amitié ne m'a fait défaut dans ma carrière, et j'éprouve plus que jamais combien ses pareils sont rares, je veux dire ceux qui servent leurs amis sans toute sortes de petites restrictions qui ôtent le prix du service…´ (Translation: “His warm friendship never failed me in my career, and I feel more than ever how rare his equals are, I mean those who serve their friends without all sorts of little restrictions that take off the value of the service..”) Delacroix further explains his intention to visit his correspondent if his health permits so, saying `…ma santé est toujours mauvaise l'hiver : mais en m'abstenant des soirées, je peux travailler le jour et cela me fait un peu supporter cette solitude forcé…´ (“…my health is always bad in winter: but by abstaining from evenings, I can work during the day and that makes me bear this forced loneliness a little...”) Uneven left edge with a very small corner crease, otherwise G to VG
BESTALL ALFRED: (1892-1986) British illustrator and writer who submitted Rupert Bear stories for the London Daily Express from 1935-65. A fine, rare original black pen and ink drawing signed by Bestall, on a large 8vo page removed from an autograph album, n.p., n.d. (c.1930s/40s). Bestall has drawn a charming full-length image of Rupert Bear happily walking with a rucksack on his back and wearing his familiar checked trousers and matching scarf. Signed ('A. E. Bestall') by the artist at the foot of his drawing. Some very light, extremely minor age wear and a few very insignificant spots of foxing. VG
DU MAURIER DAPHNE: (1907-1989) English novelist. A good A.L.S., Daphne, four pages, 8vo, Menabilly, Par, Cornwall, 27th December 1945, to Gwenllyan [Davies]. Du Maurier states that it was nice to hear from her friend again and continues to write 'The year has been fairly uneventful for us, living quietly down here, and the ending of the war does not seem to have made much difference, with Boy [her husband, Lieutenant-General Sir Frederick Browning] still in the Far East. He does not talk of coming back yet, and his last letter was full of plans to buy up a Chinese junk in Singapore', further stating 'So glad you liked my play. I never thought it would run a year, but everything seems to be doing well. I agree with you about the scenery! I also thought it “fussy”, and it was not by idea of a library at all, but I felt too diffident to say so! I've just finished a new book, due in the spring, called “The King's General” (dedicated to Boy!) But it's not about his activities in S.E.A.C., but about a very unscrupulous General in 1644! I think you and Reginald would enjoy it, if you can bear historical novels'. One very minor, slight paperclip rust stain to the upper edge of one page, otherwise VG Frederick 'Boy' Browning (1896-1965) British Lieutenant-Colonel of World War II, known as the 'father of the British airborne forces'. Browning served as Chief of Staff of Admiral Lord Louis Mountbatten's South East Asia Command from December 1944 until July 1946.Du Maurier's play The Years Between was performed at London's Wyndham Theatre, opening on 10th January 1945 and starring Nora Swinburne and Clive Brook. The story unfolds in the library/living room of an English country house and became a long-running West End hit, completing 617 performances.The King's General was published in 1946 and was the first novel Du Maurier wrote whilst living at Menabilly. The inspiration for the work came from the discovery of a skeleton whilst renovation work was being carried out at the house. The skeleton was thought to belong to a Cavalier of the Civil War due to its clothing.
Mixed Lot: Childs hallmarked silver circular rattle engraved to the front with a swallow in flight and inscribed verso Rosemary 11-1-51 with composition teething ring together with a George V childs silver rattle/teether in the form of a teddy bear with mother of pearl teething bar and two bell frames (incomplete), 8cm Birmingham 1931 (2)
Beswick model of Alice standing on a grassy mound, 12cm high, a model of Rupert the Bear bearing Daily Express Limited 1981 marks, Royal Doulton model of a hound printed green marks and black HN.103 mark (rear legs cracked and re-stuck), a Johnson Bros. blue ground 1937 Coronation mug, various Wedgwood Peter Rabbit pattern nursery wares, various models of animals including a Midwinter pig, three pottery rabbits and a bear and other items, late 19th century and later, various printed marks
Lladro model of polar bears, the mother with two cubs on an iceberg, a Lladro figure of a girl with a basket of flowers on a grassy mound base, a Nao figure of a girl wearing a white dress (cracked and restored to neck), 21.5cm high and similar figure of a boy with a donkey, various printed and impressed marksCondition ReportPolar bear- residue to back, perhaps glueBoy + donkey - firing error to backNao girl - repaired to head
Koppelsdorf German 1330 A3M doll, four other dolls and a teddy bear in a vintage suitcase Condition ReportAll dolls with surface scratches, marks, scuffs and stains. Some chips and cracks to the limbs on the three largest dolls. Baby head with hairlines. Loose joints on all with wear around joints. Areas of loss to hands and feet. General wear and tear. Biggest doll approx. 50cm tall.
Roosevelt (Theodore) The Wilderness Hunter, 8vo, printed cloth, illus., The Knickerbocker Press, first edition 1893; Millais (J.G.) Newfoundland and Its Untrodden Ways, 4to, gilt cloth, illus. by the Author, 1907; Daunt (Achilles) In the Land of the Moose, The Bear and the Beaver, 8vo, cloth, illus., Thomas Nelson & Sons, nd; Haynes (Bessie Doak and Edgar) The Grisly Bear: Portraits from Life, 8vo, cloth, illus. by Mary Baker, University of Oklahoma Press 1966, with dw; and O'Connor (Jack) The Big-Game Rifle Illustrated, 8vo, cloth, illus., Safari Press, Long Beach, California, 1994, with dw.
VERTIGO SWIRL - ORIGINAL UK LP RARITIES. Killer pack of 3 x classic (original UK pressing) Vertigo swirl LPs. Titles are Black Sabbath - Paranoid (large swirl, 6360 011 - solid VG condition with a surface mark running through side 2, not a heavier feelable scratch/VG no Big Bear sleeve, some creasing and ringwear), Juicy Lucy - Lie Back And Enjoy It (large swirl, 6360 014 - glossy VG condition with some light surface marks, no heavier feelable scratches/VG+ neat condition foldout sleeve with some minor creasing) and Gentle Giant - Three Friends (6360 070 - sharp Ex condition record/VG sleeve with some scuffs). With original swirl inners.
Postcards, a mix of 12 subject cards with performing animals, circus, Gruss Aus etc, inc. Servian Gypsies with performing bears at Wooler (RP), photo of performing bear (poor), 2 Gruss Aus cards for the Rose Festival at Trier on Mosel 1900, and 1897 garden exhibition Hamburg (both from the Frank Staff collection). Also performing dogs, horse, RP of performing horses and magician Chung Ling Soo dodging bullets (mixed condition)
Postcards, Theatre, a good selection of 30 theatre advertising cards, artists include Tom Brown (Arcadians), E Henderson, Buchel, Kinsella, Dudley Hardy, Quinnell etc, 23 cards published by David Allen. Plays include The Morals of Marcus, The Hypocrites, The Earl and the Girl, The Monk and the Woman, The Pearl Girl, The Lady of Ostend, A Chinese Honeymoon, A Scrape of the Pen, Drake, The Bear-Leaders etc (mainly gd)
The Bear Press Christoffel von Grimmelshausen, Der Erste Beernhäuter. Bayreuth, The Bear Press 1996. Zwei Vorzugsausgaben der Bear Press, jeweils Exemplar Nr. 1. 1 von 25 numerierten Exemplaren der Vorzugsausgabe in Leder und mit einem zusätzlichen Holzstich, im Druckvermerk vom Künstler signiert. EINBAND: Kaffeebrauner Orig.-Schweinslederband mit zwei blindgeprägten Vignetten und Kopfsilberschnitt, in Schuber. 26,5 : 17 cm. - ILLUSTRATION: Mit 12 Holzstichen von Karl-Georg Hirsch. Dabei: Apuleius, Amor unnd Psyche. Bayreuth, The Bear Press 1995. Mit 17 Radierungen von Harry Jürgens. Goldgeprägter Orig.-Pergamantband mit Kopfgoldschnitt, in Schuber. 28,5 : 19,5 cm. - 1 von 25 numerierten Exemplaren der Vorzugsausgabe mit einer zusätzlichen Radierung, im Druckvermerk vom Künstler signiert. Two Bear Press de-luxe editions, each no. 1 of 25 numbered copies from the de-luxe edition in leather and with an additional woodcut, printer's note signed by the artist. Coffee orig. pigskin binding with two blind-tooled vignettes and top edge silver, in slipcase. 26.5 : 17 cm. - With 12 woodcuts by Karl-Georg Hirsch. Dieses Objekt wird regel- oder differenzbesteuert angeboten.
A JAPANESE BRONZE OKIMONO CRAB WITH ARTICULATED CLAWS AND LEGS, Meiji period, brown patina, unmarked, with three loose lower limbs on one side and one loose limb to the other, approx. 8cm x 21cm, together with a set of eight Japanese Satsuma pottery Meiji period coffee cups and saucers, each cup and saucer individually painted with birds, bear brown and gilt seal marks to the undersides, one cup has been broken in half and has a glued repair, one saucer has a rim chip to the front (Condition report: Crab and 4 loose limbs, 8 cups and 8 saucers) (Condition report: bronze crab has four loose limbs, a few patches of wear to the patina, specific damage to ceramics mentioned in the description, otherwise they are generally have staining and crazing)
AN 18TH CENTURY WORCESTER PORCELAIN TEA BOWL AND SAUCER PAINTED WITH THE PRUNUS ROOT PATTERN IN UNDERGLAZE BLUE, both pieces bear large crescent marks, tea bowl diameter 7.5cm and saucer diameter 12.2cm (2) (Condition report: the tea bowl has two minute nibbles to the outer edge of the top rim, otherwise in good condition)
The Bear Press - William Beckford. Vathek. Eine orientalische Erzählung. Radierungen von Gottfried Helnwein. Bayreuth 1985. Mit elf farbigen, signierten und nummerierten Radierungen, davon zehn blattgroß. Gelber Originaloasenziegenlederband mit reicher Vergoldung (Helmuth Halbach, Königstein). Im gefütterten Originalschuber.Sechster Druck der Bear Press Wolfram Benda. - Eins von 25 Vorzugsexemplaren auf Torinoko Kozu-Japanpapier mit der zusätzlichen elften Radierung.- Im Druckvermerk vom Künstler signiert. - Gesetzt aus der Baskerville-Antiqua von Kurt Mosebach, gedruckt auf Torinoko Kozu-Japanpapier. - »Vathek« ist das Hauptwerk des englischen Schriftstellers William Beckford (1760-1844), sein »Vathek« beeinflusste Dichter wie Byron, E. A. Poe, Carl Einstein und Gottfried Benn.28,8 : 19,5 cm. [2], 193, [5] Seiten.Spindler 73.6. - Isphording II, 66
The Bear Press - Marcel Schwob. Lebensbilder. Kaltnadelradierungen von Hans Fronius. Bayreuth 1984. Mit acht signierten Kaltnadelradierungen. Originalpergamentband mit Deckel- und Rückenvergoldung (Ernst Ammering, Ried). Im Originalschuber.Fünfter Druck der Bear Press. - Exemplar »e. a.«, wie die 15 der Vorzugsausgabe mit der zusätzlichen achten Radierung (Gesamtauflage 75). - Vom Künstler im Druckvermerk signiert. - Gedruckt auf Torinoko Kozu-Japanpapier. - Die sieben Radierungen wurden auf Chinapapier gedruckt und aufgewalzt. Sie illustrieren die Zwischentitel der sieben Erzählungen »Empedokles«, »Septima«, »Clodia«, »Petronius«, »Gabriel Spenser«, »Kapitän Kid« und »Die Herren Burke und Hare«. - Übertragungen und Nachwort von Ulrich Schödlbauer. - Seltene und frühe Ausgabe der Presse, tadellos erhalten.25,5 : 17,4 cm. 97, [7] Seiten.Spindler 73.5
The Bear Press - Edgar Allan Poe. Schatten. Mit drei bislang unveröffentlichten Holzstichen von Fritz Eichenberg aus dem Jahre 1944. Bayreuth 1987. Mit drei blattgroßen Holzstichen. Anthrazitfarbener Originalkalblederband mit Blindprägung (Werner G. Kießig, Berlin). Im Originalschuber.Neunter Druck der Bear Press Wolfram Benda. - Exemplar 16 von 25 der Vorzugsausgabe mit einem zusätzlichen beigelegten Holzstich (Gesamtauflage 150). - Gedruckt auf Gekko Hodumura-Japanpapier. - Nachwort und Übertragung von Wolfram Benda. - Beiliegend kleiner Korrekturzettel.23,0 : 14,7 cm. 64, [4] Seiten, 1 Holzstich. - Rücken leicht verfärbt.Spindler 73.9
The Bear Press - Simson. Farbholzschnitte und farbige Initialen von Hanns Studer. Bayreuth 1988. Mit sieben ganzseitigen Farbholzschnitten und sieben farbigen Holzschnittinitialen. Weinroter Originalkalblederband mit blindgeprägten Titeln (Werner G. Kießig, Berlin). Im gefütterten Originalschuber mit Kleisterpapierbezug.Zehnter Druck der Bear Press Wolfram Benda. - Exemplar 16 von 25 der Vorzugsausgabe mit dem zusätzlichen Farbholzschnitt (Gesamtauflage 150). - Im Druckvermerk vom Künstler signiert. - Nachwort von Wulf Piper. - Der Text folgt der Luther-Bibel von 1546.26,6 : 17,2 cm. [4], 37, [7] Seiten. - Rücken leicht verfärbt. - Deckel mit wenigen schwachen Schabspuren.
The Bear Press - Joseph Conrad. Jugend. Radierungen von Jan Peter Tripp. Bayreuth 2018. Mit elf Radierungen, neun doppelblattgroß, ein Frontispiz und eine Initiale. Grauer Originalecrasélederband mit einer übermalten Kupferplatte auf dem Vorderdeckel. Rückentitel in Silberprägung, Kopfschnitt mit Graphit eingefärbt, rote Wildseidenspiegel und graue Büttenvorsatzblätter. Im gefütterten Originalschuber.49. Druck der Bear Press Wolfram Benda. - Exemplar II von zwölf der römisch nummerierten Luxusausgabe (Gesamtauflage 120) auf »Torinoko Kozu« und mit der übermalten Kupferplatte auf Vorderdecke sowie der zusätzlichen elften Radierung (Porträt Conrads) als Frontispiz. - Übersetzung und Nachwort von Wolfram Benda. - Makelloses Exemplar.26,9 : 16,6 cm. [8], 95, [9] Seiten.
The Bear Press - William Beckford. Vathek. Eine orientalische Erzählung. Radierungen von Gottfried Helnwein. Bayreuth 1985. Mit zehn Radierungen, davon neun blattgroß, und einer Holzschnittinitiale. Blauer Originalhalblederband mit Rückenvergoldung und Kopfgoldschnitt. Im Originalschuber.Sechster Druck der Bear Press Wolfram Benda. - Exemplar 144 von 170 auf Zerkall-Bütten (Gesamtauflage 200). - Im Druckvermerk vom Künstler signiert. - Seiten- und Fußsteg unbeschnitten. - »Vathek« ist das Hauptwerk des englischen Schriftstellers William Beckford (1760-1844). Wolfram Benda weist in seinem Nachwort auf die Parallelen zwischen dem Leben des reichen Exzentrikers Beckford und dem seines Romanhelden hin. Vathek beeinflusste Dichter wie Byron, E. A. Poe, Carl Einstein und Gottfried Benn.28,8 : 10,5 cm. [4], 193, [7] Seiten. - Rücken etwas verblasst, sonst tadellos.Spindler 73.6. - Vgl. Slg. Achilles 643
The Bear Press - H. C. Artmann. Gesänge der Hämmer. Einband, Farbradierung, Holzschnitte, Initialen und Absatzzeichen von Uwe Bremer. Nachwort von Urs Widmer. Bayreuth 1992. Mit einer doppelblattgroßen Farbradierung und je 14 blattgroßen Holzschnitten und Holzschnittinitialen sowie zahlreichen -absatzzeichen. Hellbrauner Originalmaroquinband mit Negativblindprägung und Kopfschnittvergoldung (Werner G. Kießig, Berlin). Im Originalschuber.15. Druck der Bear Press Wolfram Benda. - Exemplar 113 von 150, davon erschienen 37 als Vorzugsausgaben. - Im Druckvermerk von Verfasser und Künstler signiert. - Auf Zerkall-Bütten. - Jeder der vierzehn Texte wird durch eine in Gold gedruckte Runenleiste verziert. - Einer der außergewöhnlichsten Drucke der sonst klassisch orientierten Presse. - Makellos.28,1 : 19,1 cm. [10], 52, [10] Seiten.Isphording II, 67
Einbände - Lackierter Halblederband mit farbigem Rückentitel, signiert »U Widmann«. - Inhalt: La Rochefoucauld. Maximen und Reflexionen. Bayreuth, The Bear Press 1991. Neunter Sonderdruck der Bear Press Wolfram Benda. - Eins von 350 Exemplaren. - Dekorativer Handeinband des MDE-Buchbinders Ulrich Widmann, Unikat. - Der durchbrochene Rücken aus anthrazitfarbenem Oasenziegenleder lässt die drei Bünde aus gelben Lederstreifen und die roten Heftfäden sichtbar. Der Rückentitel wurde in verschiedenen Farben geprägt, die kaschierten Pappdeckel mit leuchtenden Acrylfarben lackiert. Gelbes Lederkapital. - In einem weißen Velinschuber mit farbig lackierter Banderole.22,4 : 14 cm. 105, [5] Seiten.
Lledo Collection. Model - 99726 Chocolate Collection(Ltd. Edition 1235 of 10,000), Bryant & May "Brymay"(7588 of 12500), 2 x Cargo Kings Trucks(1:76th Scale, Branded - Tuborg and Ducati), Days Gone Triple Pack, 2 x H Samuel Vans, 5 x Dandy and Beano Vehicles - Korky the Cat, Biffo the Bear, Dennis the Menace, Desperate Dan and Winker Watson, 4 x White Box Model Old style Sports Cars - PM101, 102, 103 & 104 and a Walkers Crisp Van. Cargo Kings Trucks and Bryant & May have been displayed showing grime, the others appear clean. Some Beano vehicles appear to be in wrong boxes. Some boxes show storage wear and imperfections
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