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Lot 67
From the private collection of a continental ladyAN ENAMEL, RUBY AND DIAMOND NOVELTY BROOCH BY CARLO ILLARIO, CIRCA 1960Designed as a flying toucan bird embellished throughout with red, orange and brown polychrome enamel, the wing pavé-set with brilliant-cut diamonds and a circular-cut ruby cabochon for the eye, within a polished gold frame throughout, in 18K gold, near indistinct Italian assay mark, width 7.3cmIllario’s workshop was able to confirm that this brooch was from their workshop, dating between 1960-1965. They have provided a photo of its mould.Brothers Carlo, Vincenzo and Luigi Illario were a family of goldsmiths from Valenza. They established a jewellery firm in 1920, with each brother taking on their own position. Carlo, who was trained in Paris, headed the production, Vincenzo was a stone setter who also selected the precious gems, and Luigi was head of administration.The brothers worked under their own name, as well as for bigger firms, and were involved with several different jewellery companies. Some of the most renowned goldsmiths in Valenza practised in their workshop, guaranteeing that each product was crafted with exceptional quality.The company brand from 1935 had been 26AL and the business name was under Carlo Illario e Filli. Traditionally, ownership was handed down from father to son and, in 1953, even Luigi's sons, Giovanni and Vittorio, became a part of the family business. From the end of the 1900s, Vittorio and his sons, Pier Luigi and Edoardo, carried on as owners of the company with the 'Illario 1920' logo.In 1996, Giovanni Illario, along with his sons Carlo and Gian Luca, agreed with Vittorio and his sons to set up a new company that would allow them to be more active in the foreign market. This led to a split in Societa Carlo Illario and to the creation of the new Societa Carlo Luca della Quercia which pursues the traditions and spirit of the original company.Their skilled craftsmanship, reputation of excellence and use of innovative goldsmith techniques caught the attention of well-established retailers. Throughout the 20th century, Casa Illario created unique pieces of haute joaillerie for the most famous Italian maisons: Bvlgari, Cusi, Faraone, Fasano, Fecarotta, Settepassi, Ventrella and others. The company's partnership with Bvlgariwas particularly long standing, running from the 1950s through until the 1970s.In this time, Illario made many pieces for Bvlgari, including the now iconic Serpenti watch bracelet. Elizabeth Taylor was a consistent patron, whose personal style and love of dramatic jewels found its home in Illario's creations.Alongside manufacturing for other brands, Illario produced a vibrant assortment of jewellery under their own name. They were known for their fine gemstones and unusual materials, such as polychrome enamel, tortoiseshell and mother of pearl. Striving to stand out, Illario used new techniques in its pieces, such as black rhodium plating to create a contrasted look. The quality of the craftsmanship is clear in all jewels that bear the Illario name, making them highly desirable.Condition Report: The tip of one wing shows some minor enamel deficiency - otherwise normal wear, overall in good conditionDiamonds: bright and well matchedStamped 750 for 18K gold on the reversePartially rubbed Italian assay markIllario’s workshop was able to confirm that this brooch was from their workshop, dating between 1960-1965. They have provided a photo of its mould.Normal signs of wear, overall in good conditionTotal gross weight approx. 25.6gIllario confirmed that the brooch is by their workshop, confirmed date and shared a picture of the mould.
Lot 88A
From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RING, BY CARLO ILLARIOThe central cushion-shaped ruby within a calibré-cut ruby surround and between baguette and tapered baguette-cut diamond shoulders with gold reeded detailing, mounted in 18K gold, diamonds approximately 0.50ct total, Italian registry mark '26AL' for Carlo Illario, ring size M½Brothers Carlo, Vincenzo and Luigi Illario were a family of goldsmiths from Valenza. They established a jewellery firm in 1920, with each brother taking on their own position. Carlo, who was trained in Paris, headed the production, Vincenzo was a stone setter who also selected the precious gems, and Luigi was head of administration.The brothers worked under their own name, as well as for bigger firms, and were involved with several different jewellery companies. Some of the most renowned goldsmiths in Valenza practised in their workshop, guaranteeing that each product was crafted with exceptional quality.The company brand from 1935 had been 26AL and the business name was under Carlo Illario e Filli. Traditionally, ownership was handed down from father to son and, in 1953, even Luigi's sons, Giovanni and Vittorio, became a part of the family business. From the end of the 1900s, Vittorio and his sons, Pier Luigi and Edoardo, carried on as owners of the company with the 'Illario 1920' logo.In 1996, Giovanni Illario, along with his sons Carlo and Gian Luca, agreed with Vittorio and his sons to set up a new company that would allow them to be more active in the foreign market. This led to a split in Societa Carlo Illario and to the creation of the new Societa Carlo Luca della Quercia which pursues the traditions and spirit of the original company.Their skilled craftsmanship, reputation of excellence and use of innovative goldsmith techniques caught the attention of well-established retailers. Throughout the 20th century, Casa Illario created unique pieces of haute joaillerie for the most famous Italian maisons: Bvlgari, Cusi, Faraone, Fasano, Fecarotta, Settepassi, Ventrella and others. The company's partnership with Bvlgariwas particularly long standing, running from the 1950s through until the 1970s.In this time, Illario made many pieces for Bvlgari, including the now iconic Serpenti watch bracelet. Elizabeth Taylor was a consistent patron, whose personal style and love of dramatic jewels found its home in Illario's creations.Alongside manufacturing for other brands, Illario produced a vibrant assortment of jewellery under their own name. They were known for their fine gemstones and unusual materials, such as polychrome enamel, tortoiseshell and mother of pearl. Striving to stand out, Illario used new techniques in its pieces, such as black rhodium plating to create a contrasted look. The quality of the craftsmanship is clear in all jewels that bear the Illario name, making them highly desirable.Condition Report: Ruby: of purplish-red hue, medium to dark tone, good transparencyCalibré-cut rubies: of medium to dark tone, overall well matched in colourDiamonds: unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good conditionTotal gross weight approx. 14.2g
Lot 74141
A William K. Vanderslice & Co. Stag Pattern Coin Silver Covered Sugar Bowl, San Francisco, California, circa 1865Marks: (bear-V&Co.), W.K.VANDERSLICE & CO. S.F.6-1/8 x 8-1/2 x 5-5/8 inches (15.6 x 21.6 x 14.3 cm)594 gramsMonogram: JTW (to body) The covered sugar bowl with two stag handles, die-rolled rim, stag-form finial to stepped and domed cover. HID12701242017
Lot 74085
A Pair of Thomas Harris Silver Covered Seal Boxes,Marks: TH, (anchor)1 x 2-3/4 inches (2.5 x 7.0 cm) (each)113 grams PROVENANCE:Sotheby's, New York, N09247, November 21, 2014, lot 1292. (part)LITERATURE: P. Macquoid, The Plate Collectors Guide, 1908, p. 136D.M. Mitchell, Silversmiths in Elizabethan and Stuart London: Their Lives and Their Marks, 2017, p. 533Cover to each engraved with contemporary coat of arms denoting a fess between three leopard faces in a lozenge, flanked by plumes. A coat of arms in a lozenge form denoted ownership by an unmarried woman or a widow. Thomas Harris was apprenticed to his father and upon becoming free in 1665 registered his hallmark (TH, anchor between, plain shield). His mark appears for a brief period beginning that same year and appearing sporadically until 1670, when its use was discontinued. A maker of primarily sterling ecclesiastical works, these boxes are still in keeping with Harris's oeuvre. Surviving are several secular works which bear his mark, all utilizing both plate and gilding in their craftsmanship. HID12701242017
Lot 551
A selection of Swarovski crystal animal figures and ornaments, including: crystal and gilt metal basket of flowers, in original box; a teddy bear, in box; a typewriter, in box; and other loose Swarovski figures, including: a horse; dolphin; crab; and others; together with other crystal items.
Lot 230
A JAPANESE BRONZE OKIMONO OF A BEAR CUB AND A TIGER MEIJI PERIOD, 19TH CENTURY Both animals realistically modelled, the feline baring its fangs whilst attacking the small bear, the distressed cub lying on its back as it attempts to defend itself, 21.5cm. (2) Provenance: an English private collection, Portsmouth.
Lot 657
Steiff-Teddybär, 1926 Steiff-Bär, um 1926, blondes Mohair, Glasaugen und Buckel, ausdrucksstarkes Gesicht, langgezogenes "f" im Knopf, minimale Reste der Fahne, schwarz-braune Nasenbestickung und Filz-Tatzen, Körper mit Holzwolle. Kopf, Arme und Beine beweglich/Scheibengelenke, Höhe ca. 32 cm. Teils am Körper kleinere Fehlstellen, sonst insgesamt guter Zustand mit Spiel- und Altersspuren. Der in der Januar-2022-Auktion A91 bei uns versteigerte Teddy war 1926 ein Weihnachtsgeschenk. Dem beschenkten Kind ist damals in den Weihnachtstagen der Teddy verloren gegangen, die Eltern kauften den gleichen nochmals und nach einigen Wochen tauchte der erste wieder auf. Nun kommt der zweite zur Versteigerung. Schöne Größe, selten. Zustand: IIA Steiff teddy bear, 1926 Steiff bear, circa 1926, blond mohair, glass eyes and back hump, expressive face, long trailing "f" in the button, minimal remnants of the tag, blackish-brown embroidered nose and felt paws, the body stuffed with excelsior. Head, arms and legs movable/disc joints. Height approx. 32 cm. Partially minor losses to the fabric of the body, otherwise in good condition with overall signs of age and handling. The teddy bear sold in our January 2022 Auction A91 was a Christmas present in 1926. Unfortunately, the child lost the toy and the parents decided to buy the same model a second time. After a few weeks the lost teddy reappeared. Now the second one is offered for sale. Good size, a rare find.Condition: II
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