BIBLE, In English. The Bible, That is, The holy Scriptures conteined in the Olde and Newe Testament, Translated According to the Ebrew and Greeke, and conferred with the best translations in divers languages. London [i.e. Amsterdam:] Deputies of Christopher Barker, 1599 [but circa 1600's]. 4to (218 x 153mm.) Letterpress title with woodcut vignette, double column Roman types with marginal notes in Roman, numerous woodcut illustrations in the text, tables to rear, colophon at rear leaf Rrr4 dated 1599. (Without Apocrypha, lacking General OT title and the NT title, marginal damp-staining A1-C4 and Aa2-Bb3, soiling to Ll4 and Mm2, corner loss with text slightly affected to Aaa2.) Near contemporary calf (worn). Note: has all of the earliest faults as per Herbert 248, so likely to be one of the earlier editions that bear the '1599' date. Provenance: Elizabeth Moneypenny (ink name inscribed verso last OT leaf). [Herbert 248].Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
We found 93468 price guide item(s) matching your search
There are 93468 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
93468 item(s)/page
A pair of coral flower head earrings, by Clare Murray,with a coral cabochon, spitch set to the centre of five petalled flower head, with screw fittings. Tested as approximately 9ct gold. Maker's mark. 17.30mm diameter, 9.00g (2)Provenance: The Peter and Pat Crofts Collection Condition report: Minor light surface marks.Not all marked.The flower heads test as 18ct gold, the fittings as 9ct gold. The screw fittings bear the maker's mark and are original to the earrings.Coral 7.50mm diameter. Please view additional images.
10th-11th century AD. A large sheet-silver platter with rolled edge and scalloped border to the bowl; rim with three panels of dense niello-filled scrollwork and three roundels each with a gilt quatrefoil; repoussé fluted border with raised knop at the apex of each scallop; central motif of a horseman advancing with horn in his raised hand, gilded with niello outline and incised linear detailing, within a heavy guilloche border with gilded outer ring; enclosing band of heavy niello ornament, a parcel-gilt frieze comprising two horn-bearing riders, two opposed lions, two opposed panthers(?), a goose (or swan?) attacked by a bird of prey, a bowman with recurved bow in one hand and quiver slung horizontally at his waist, a bear advancing towards him. 259 grams, 34.8cm (13 3/4"). Property of a gentleman; acquired on the UK art market in 1999; formerly in a private German collection, since the 1980s; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11008-181735. [No Reserve] Fair condition, restored.
Good collection of stereoscopic cards, various subjects including a quantity of Japanese people, activities, river scenes street scenes. Also Acrobat Bears in Florida, bed of spikes India, Alligator Palm Beach, Chinese Bride and Groom Canton, Sudan Chair Seoul, Diving for coins Java, Bear Hunting Wyoming, Whale Hunting Long Island Beach. Many views and landmarks etc. Publishers include Underwood & Underwood, Keystone View Company,Condition report: Cards are slightly curled. In excess of 250
A 19th century glazed mahogany breakfront bookcase, with moulded cornice with dentil moulding over the string inlaid frieze, the central glazed door with nine glazed panels flanked by further glazed doors with six glass panels, all enclosing the adjustable shelving and raised on shaped bracket feet, 177 cm x 236 cm x 31.5 cm (see illustration). CONDITION REPORT: This bookcase is in a good overall condition with no obvious repairs or damage. The glazed doors do bear evidence of replacement putty and possibly later glazing but the glass panels that are present all appear to be old glass as opposed to modern replacements - you can see a good degree of rippling and minor imperfections to the glass panels. All three of the doors are very slightly warped. There is a minor chip to the cornice at the joint between left-hand bookcase section and central bookcase section. There is also minor surface wear and slight chipping to moulding and other minor imperfections commensurate to age.
Six Wedgwood Clarice Cliff Yoyo vases, various patterns including Conroy, Mondriane, Sliced etc. all boxed (see illustration). CONDITION REPORT: These vases are all in good condition as new and we also have all of the original boxes for these vases. However all of these vases are seconds and bear twin drilled marks to bases.
A pair of Royal Doulton stoneware vases, with moulded decoration glazed in mottled green and cobalt blue, impressed marks to base Nos. 6478, 668 and incised with initials CA. 15.5 cm high. CONDITION REPORT: Both of these vases have minor scratching which is noticeable to the blue grounds. One vase has a more noticeable scratch. Neither vase appears to bear any chipping, damage or restoration.
Eight George III and later silver caddy spoons by John Bettridge, displaying various styles and patterns, all with Birmingham assay marks and hallmarked between the dates 1793-1830, together with one other silver caddy spoon by Cocks & Bettridge with pierced rim, Birmingham 1804 (see illustration). CONDITION REPORT: The spoons in this lot are all in good condition commensurate with age (some of them exhibit minor wear and very minor dents e.g. to the underside terminal of the thistle patterned spoon). Four or them bear engraved initials to terminals. The spoon with Kings pattern style terminal and oval bowl has evidence of solder between the terminal, the bowl but this may be part of the original manufacturing process and not evidence of a repair.
Nine George III silver caddy spoons by Joseph Taylor, displaying different styles and patterns, all with Birmingham assay marks and hallmarked for the years 1794-1798 (see illustration). CONDITION REPORT: Six of the spoons in this lot are in good condition commensurate with age, with one of these spoons bearing engraved initials to terminal. The remaining three spoons all bear very slight denting to them as follows- The oval leaf spoon with engraved veins (as opposed to the other leaf spoon with cast veins) has slight denting to the tip of the leaf, the jockey cap spoon has slight denting to the sides of the brim whilst the remaining spoon which is an oval pierced bowl example has very slight denting to each side of the bowl.
Two late 18th/early 19th century white metal mounted shell caddy spoons, the mount by Matthew Linwood, the fiddle pattern terminals with impressed makers mark but not hallmarked. CONDITION REPORT: These two spoons are both clearly marked for Matthew Linwood but do not bear any other hallmarks. The spoon with cowrie type shell is in good condition with no chips or cracks to the shell bowl and no splitting or damage to the mounts. The terminal is engraved with a single letter S. The whelk type shell pattern spoon as a hairline crack running vertically from the rear edge of the mount. This crack appears to be stable but is present and extends to the base of the bowl. The mount itself appears to be in good condition with a few small minor dents in places but no splitting or repairs are apparent. The terminal is plain with a single engraved thread around the edge.
Eleven George III and later silver caddy spoons by Matthew Linwood, displaying different patterns and styles, all hallmarked for Birmingham and marked for dates 1809-1818 (see illustration). CONDITION REPORT: Six of these spoons are in good condition commensurate with age (slight wear and very minor scuffing apparent in places). The remaining five spoons all have minor condition issues as follows - spoon with engraved tear shaped bowl has a dented tip, spoon with oval engraved bowl of crucifix design is slightly creased to the bowl, spoon with heart shaped bowl has a repair to the join between bowl and terminal, spoon with circular engraved bowl and serpent pattern handle has a slightly misshaped bowl, spoon with circular bowl with concentric rings and laurel wreath also has slightly misshapen bowl. All spoons are clearly hallmarked and seven bear engraved initials.
Three George III silver caddy spoons of similar design, with pierced terminals and scalloped bowls, all incompletely hallmarked with lion passants and makers marks only (see illustration). CONDITION REPORT: These three spoons are good examples, in good condition exhibiting only minor wear commensurate with age and use. As per the catalogue description all spoons bear only lion passant marks together with makers marks and are therefore lacking assay offices and date letters. The makers marks are as follows: WD and GP (unable to trace), W.V in a square shield, which assuming the spoon was assayed in London could be for Walter Brind, and finalyy GS in a scrolled font within a square shield, which again assuming the spoon was assayed in London could be for George Smith or possibly Gabriel Sleath.
Six George III silver caddy spoons, probably by John Lawrence, displaying different patterns and styles, all hallmarked for Birmingham within the years 1809 and 1812 (see illustration). CONDITION REPORT: All of the spoons in this lot bear some slight denting to the edges of the bowls. Some are slightly worse than others although none are very badly damaged. The mother of pearl terminal spoon bears an armorial to the underside of the bowl which is a scrolled capital W with coronet and paw surmount.
A George III silver caddy spoon, with engraved old English terminal, the scalloped bowl with central bead line, probably by Walter Brind or William Burch, sold together with two other George III silver caddy spoons. CONDITION REPORT: The spoon with central bead lined bowl has a small dented area to the end of the terminal. The hallmark and makers mark are all clear. The scalloped bowl spoon is hallmarked for London 1829 and bears makers mark possibly for Jonathan Hayne, the terminal is engraved with initials but not other condition issues. The third spoon is hallmarked for London 1795 and engraved with initials to terminal but does not bear a makers mark. The underside of the bowl is engraved “A token of Henry's brotherly love October 1st 1795”.
A George III silver caddy spoon, with scalloped bowl, probably by George Smith, London 1783, and another similar by Richard Crossley, London 1786, three George III silver scallop bowl caddy spoons, incompletely hallmarked with only lion passant and makers marks and two other 18th century white metal caddy spoons (see illustration). CONDITION REPORT: The spoons with makers mark GS (probably George Smith) is in good overall condition commensurate with age and bears a spread eagle engraved armorial to terminal. The spoon marked RC (probably Richard Crossley) has very minor denting to the bowl and the terminal has an engraved dragon pattern armorial. The three incompletely marked scallop bowl spoons all appear to be in good condition and variously bear makers marks for GS (possibly George Smith) RH (possibly Richard Hennell) and HB (possibly Hester Bateman). The remaining two spoons do not bear any form of mark, either hallmark or makers mark and both appear to be in good condition.
Nine George III silver caddy spoons by Thomas James, displaying various shapes and styles and including a spoon with pierced bowl, all hallmarked for London between 1808 and 1815 (see illustration). CONDITION REPORT: Eight of these James spoons are in good condition commensurate with age. Exhibiting perhaps light surface scuffing throughout. All are clearly hallmarked and bear clear makers marks. The ninth spoon has a slight crease to the terminal but otherwise is a fair example with slight surface wear commensurate with age. The makers mark to this spoon is perhaps slightly rubbed also, this spoon bears a trefid terminal.
A George III silver jockey cap caddy spoon by Thomas Law Sheffield 1811, together with an early 19th century silver plated jockey cap caddy spoon. CONDITION REPORT: The Thomas Law jockey cap spoon is a clean and fair condition example. The hallmark and makers mark are both clearly struck. There is slight rubbing and loss of definition to the peak of the cap and the cap itself is slightly asymmetrical but does appear to be part of the original manufacturing process as opposed to any later damage. The spoon appear to have been measured by soldering triangular portions of the cap together with a central circular boss locking these sections together. There is a very slight gap between the rear two portions of the cap visible when held up to daylight. The gap does appear to be stable with no attempts to repair this. The silver plated example is quite worn to the plating and does not bear any makers marks.
A Victorian cast silver scallop form caddy spoon by Holland, Son & Slater London 1881, a George III silver caddy spoon with interesting figural terminal and scalloped bowl by Sarah John and William Blake, London 1814, a George IV silver shovel form caddy spoon, probably by William Knight II, London 1827, together with three other George III silver caddy spoons and one other 18th century incompletely marked silver caddy spoon. CONDITION REPORT: The Holland Son & Slater scallop spoon is crisply marked and in good condition to the underside but is rather worn with loss of definition to the upper surface of the spoon. The Sarah John and William Blake spoon is in good overall condition with clear hallmarks and makers mark but has slight loss of definition to the terminal. The remaining spoons, four are in good overall condition commensurate with age and bear clear hallmarks and makers marks whilst the remaining spoon, a scallop bowl with pierced and scrolled terminal is in good overall condition but incompletely hallmarked with purely a lion passant mark and a slightly rubbed makers mark which appears to read TH.
A George III silver shovel form caddy spoon by Matthew Linwood, with mother of pearl terminal, Birmingham 1813, a 19th century white metal caddy spoon, a George III silver shovel form caddy spoon by Stephen Adams, London 1792 together with two other silver caddy spoons. CONDITION REPORT: The Matthew Linwood shovel form spoon with mother of pearl terminal is in good condition with a clear hallmark and makers mark. The surface has slight scuffing and wear commensurate with age and use together with an extremely small dent to the front edge of bowl. The shovel form spoon by Stephen Adams is of good gauge and quality, apart from slight surface wear appears to be good example with clear hallmark and makers mark. The two other hallmarked silver spoons are both in good overall condition but do have slightly dull and scuffed surfaces. The shovel form spoon with long mother of pearl terminal (catalogued as white metal) does bear hallmarks but these are right to the inside of the bowl and constitute purely a lion passant mark together with a monarch head. The terminal is free of chips or cracks whilst the shovel bowl is slightly misshaped and to the underside bears oxidised circular label mark which does appear to be removable with cleaning.
A group of seven George III silver caddy spoons by Samuel Pemberton, displaying different shapes and designs and all with filigree bowls, all hallmarked for Birmingham between 1804 and 1809 (see illustration). CONDITION REPORT: Four of these spoons are in good condition, whilst three have solder repairs to the join between terminal and bowl. The damaged three are - oval scalloped bowl with handle at one end, shovel form bowl with leaf engraving and oval bowl with Vetruvian scroll engraving and scrolled terminal. All spoons bear clear hallmarks and makers marks.
A George III silver gilt fiddle pattern caddy spoon, by Samuel Pemberton, with floral embossed bowl and two similar spoons also by Samuel Pemberton embossed with seashells and flowers respectively, all hallmarked for Birmingham 1813. CONDITION REPORT: The silver gilt example has been gilded only to the upper surface of bowl and terminal. The bowl is in good condition and retains the vast majority of the gilding with only some loss to gilding on the raised highlights. The terminal has significant loss to the gilding. This spoon has a clear hallmark and makers mark. The shell bowl spoon has a slightly creased terminal but otherwise is in good condition with legible hallmarks and makers mark. The floral embossed example is slightly dented to rim but does bear clear hallmark and makers mark.
Nine George III silver caddy spoons by Samuel Pemberton, displaying different shapes and designs, all hallmarked for Birmingham between 1800-1822, together with three other white metal caddy spoons by Samuel Pemberton (makers mark but no hallmarks). CONDITION REPORT: This lot is a good cross section of he output of Samuel Pemberton, with the stand out example being the leaf form spoon embossed to centre with a standing Dutch/Scandinavian man bearing a potted plant. This spoon is very slightly creased to terminal and very slightly misshapen to bowl but otherwise is in good condition with a clear hallmark and makers mark. Of the remaining fully hallmarked spoons three (all of oval slipper type shape) have slightly creased terminals, the acorn style spoon has slight denting to the tip of the bowl, the circular bowl spoon with rope twist border and pierced terminal has a solder repair to the terminal as does the scalloped bowl example. The other two remaining fully hallmarked spoons are in good condition. Of the three incompletely hallmarked spoons (catalogued as white metal) but all bearing Samuel Pemberton marks, the oval slipper type spoon has slight creasing to the terminal, (this must be a common fault with this style, since all four in this lot all bear the same problem) whilst the leaf form spoon is in good condition as is the circular bowl leaf embossed example.
Eleven George III and later silver caddy spoons by John Lawrence & Co, displaying various designs and patterns, including one with scalloped bowl and variegated red agate terminal, all hallmarked for Birmingham between 1811-1831 (see illustration). CONDITION REPORT: Six of the spoons in this lot are in good overall condition as follows: Example with red agate handle, bone handles spoon, circular bowl spoon with embossed scrolled motif and engraved S motif, spoon with shaped and leaf engraved bowl and fiddle pattern terminal engraved RR, circular scalloped bowl spoon and oval bowl spoon engraved with leaf motif. These all bear clear hallmarks and makers mark. The remining five spoons have condition issues as follows: shovel form spoon has a split to upper part of bowl together with a resoldered terminal. Circular bowl spoon with a pierced terminal is dented to bowl and has a solder repair to terminal. Scalloped bowl spoon with chequered terminal has a solder repair to terminal. Leaf embossed circular bowl spoon is slightly dented to back edge of bowl. Circular bowl spoon with oval engraved motif to bowl is very slightly dented. All of these spoons bear clear hallmarks and makers marks.
A George III Scottish silver caddy spoon by William Marshall, with scale engraved terminal and scalloped bowl, Edinburgh 1813, together with ten other George III and later Scottish silver caddy spoons. CONDITION REPORT: The William Marshall spoon has a very small dent to the side of bowl but otherwise is in good clean crips condition throughout and to hallmark and makers mark. The remaining nine spoons consist of four that are properly and fully hallmarked as follows: A leaf engraved oval bowl example, possibly by Robert Greig, hallmarked for Edinburgh 1841 and in good overall condition. A plain example with curved bowl and shallow side wings by Robert Gray & Son, hallmarked for Edinburgh 1810 and in fairly good condition but with minor pinhead dent to bowl and of slightly asymmetrical outline (may be due to original manufacture). A fiddle pattern spoon with scalloped bowl hallmarked for Edinburgh 1812 with indistinct makers mark reading IH, this spoon is in good condition. A plain oval bowl spoon with plain terminal engraved with a letter E and hallmarked for Edinburgh 1845 with indistinct makers mark reading CR (possibly Charles Robb), this spoon is in good condition. The remaining six spoons which are incompletely hallmarked are all in good condition and bear makers marks as follow: RG, IP, JO, JO, WM and B.
Eight George IV and William IV silver caddy spoons by Taylor & Perry, displaying different designs and shapes, including an unusual leaf form spoon, all hallmarked for Birmingham between 1826-1833, together with a George III silver and silver gilt caddy spoon with circular leaf embossed bowl by T & ? (mark rubbed), Birmingham 1811. CONDITION REPORT: Three of the Taylor & Perry spoons are in good condition with no apparent damage to mention. These spoons are the fruiting vine embossed example with flared bowl, the engraved leaf form scoop and the fiddle pattern example with fruited fan bowl. All three of these bear clear hallmarks and makers marks. The remaining five Taylor & Perry spoons which exhibit some form of damage as follows: Kings pattern terminal spoon has evidence of repair to join between terminal and bowl. Square pan form spoon is very slightly dented to front edge of bowl. Naturalistically modelled leaf form spoon has an old crack to the left of the central vein to rear of bowl. Fan form bowl spoon is creased to the back edge of the bowl indicating that force has been used to push the spoon down. Shaped edge bowl spoon has a creased terminal. All of these spoons have clear hallmarks and makers marks. The last spoon in this lot is the silver gilt example with circular embossed bowl, this poon has a very slightly misshapen rim but this is minor and the bowl retains the majority of the gilding. The plain silver terminal is hallmarked to reverse but is slightly rubbed to both mark and the makers mark.
Three George III silver caddy spoons by John Thropp or Joseph Taylor, all of leaf design and all hallmarked for Birmingham 1809. CONDITION REPORT: The naturalistically modelled leaf form spoon with chastened centre has a repair to one of the two pierced terminal supports adjoining the bowl. The other two spoons are in good condition, free of issues and all three spoons bear clear hallmarks.
An early Victorian silver caddy spoon by Francis Higgins II, with naturalistically modelled branch terminal, London 1846, together with a fiddle pattern caddy spoon by Robert Wallis with fruit embossed oval crimped bowl, London 1851. CONDITION REPORT: Both spoons are in good condition. The Higgins spoon has a rough edge to the rim of the bowl and the seam between cast handle and bowl is visible. The Robert Wallis spoon has traces of gilding to the bowl and the decoration and definition are all clean and bright. Both spoons bear clear hallmarks and makers marks.
Ten George III and later silver caddy spoons by John Thropp or Joseph Taylor, displaying different patterns and styles, all hallmarked for Birmingham between 1802-1826, together with a George III silver caddy spoon by Wardell & Kempson with seaweed engraving, Birmingham 1809. CONDITION REPORT: The filigree spoon by Thropp or Taylor has a couple of cracked filigree strands but is in good condition. The remaining 9 spoons all are in good overall condition with few minor blemishes and very minor denting in place. All ten spoons bear clear hallmarks and makers marks but have slightly dull and scuffed surfaces. The Wardall & Kempson spoon is in clean bright condition with clear hallmarks and makers marks and bears old retail price label for £375.
Ten George III and later silver caddy spoons by John Thropp or Joseph Taylor, displaying different patterns and styles, all hallmarked for Birmingham between 1799-1828. CONDITION REPORT: Ten spoon by Thropp or Taylor all appear to be in good overall condition, some with minor blemishes or slight misalignments and some with slightly dull and scuffed surfaces. All bear clear hallmarks and makers marks.
Nine George III and later silver shovel form caddy spoons by John Thropp or Joseph Taylor, two with turned ebonised handles, all hallmarked for Birmingham between 1805-1818, together with a caddy spoon by William Pugh with mother of pearl terminal, Birmingham 1809 (see illustration). CONDITION REPORT: The William Pugh spoon with mother of pearl terminal is in good condition with slightly rubbed hallmark but clear makers marks. Of the 9 Thropp or Taylor spoons five appear to be in good condition whilst the other four have issues as follows: shovel handled spoon with loss to gilding to bowl interior. Hollow cylindrical handle shovel form spoon with dented handle. Bone handled shovel formed spoon with solder repair to bowl and star pierced shovel form bowl and ebony handled spoon with creased bowl. All spoons bear clear hallmarks and makers marks.
Four George III and later silver caddy spoons, with scalloped bowls by John Thropp or Joseph Taylor, all hallmarked for Birmingham between 1796-1812, together with five other George III and later silver caddy spoons all with scalloped bowls. CONDITION REPORT: Two of the Thropp or Taylor scalloped spoons are in good condition but both bear slight oxidised marks. The other two spoons by Thropp or Taylor comprise one with fiddle hollow terminal and another with short scrolled terminal engraved with three leaves. The hollow terminal example has a solder repair to the terminal whilst the three leaf spoon has a creased terminal. Of the remaining spoons, one has a crude solder repair across the width of the bowl and two others have slightly creased terminals. The final two spoons, one a 20th century one with scalloped old English terminal, the other George III, both are in good condition.
An early 19th century white metal mounted cowrie shell caddy spoon, with red coral terminal. CONDITION REPORT: This spoon is of good quality and is an attractive example. The rim of the shell bowl has a period (at point of manufacture) repaired patch +/- fingernail size. There is no apparent damage to the coral terminal, both ends are slightly rough to the touch. The white metal mount appears to be silver but does not bear any hallmarks or makers marks, there is no apparent damage to the mounts.
An important pair of George II cast silver decanter labels by Sandelands Drinkwater, of identical figural and fruiting vine design, worded Madeira and Claret, with matching integral chains, incompletely hallmarked with lion passant and makers mark, both inscribed J4. NOTE: Sandelands Drinkwater registered as working from January 1735. CONDITION REPORT: The claret label appears to be in good overall condition with clear definition to the casting and lettering and to the reverse a clear hallmark together with the etched or inscribed J4 as mentioned in the catalogue description. The other label for Madeira is in a similar condition but does bear a significant amount of Sellotape residue it appears which would need to be cleaned off.
Loading...-
93468 item(s)/page