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Lot 547
Robyn Litchfield Mahinapua, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012. Education 2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art Select Exhibitions/Awards 2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation Darle and the Bear, TinMan Art Statement about AOAP Submitted Artwork Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lot 548
Robyn Litchfield Carew, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012. Education 2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art Select Exhibitions/Awards 2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation Darle and the Bear, TinMan Art Statement about AOAP Submitted Artwork Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lot 549
Robyn Litchfield Tauparikaka, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012. Education 2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art Select Exhibitions/Awards 2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation Darle and the Bear, TinMan Art Statement about AOAP Submitted Artwork Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lot 26
IMPORTANT ANNOUNCEMENT - THE ESTIMATE HAS BEEN REVISED TO £100-£150 A Kimbearly Hunt Kimbearlys Originals artist teddy bear, with signature to foot pad and love locket pendant; and a South African artist bear Sailor Sam, designed by Hi Bear Nation, Sonja Peters with card tag--18in. (46cm.) high
Lot 47
Various soft toys, including Deans' Childs Play teddy bear, blonde mohair --14in.(36cm.) high, Loteni artist bear with golden mohair, swivel head and jointed limbs (moth damage to pads, small bald patch to face); Changelings grey mohair rabbit, fully jointed (balding to arm) and twenty other small items (some moth damage)
Lot 50
An Alpha Farnell teddy bear circa 1930, with dark blonde mohair, clear and black glass eye, pronounced muzzle, black stitched nose and mouth, swivel head, jointed limbs with felt pads, slight hump, inoperative squeaker, blue and white woven label on foot and red knitted romper -11 1/2in. (29cm.) high (missing eye, neck joint needs attention and hole in one foot pad) - this bear belonged to the father of the owner of the previous lot, Angus Hood. It had been presented to him in the 1920/30s as a mascot for when he rode in many Point to Points before WW 2. The bear was given to him by a lady friend. It was packed away carefully until after the war by which time David was too old for him to play with it.
Lot 57
The childhood Farnell teddy bear of Margaret Bailey 1930s, with light golden mohair, stitched eyes, pronounced muzzle, black stitched nose and mouth, swivel head, jointed limbs, rounded hump and green knitted outfit -13 1/2in. (34cm.) high (balding and wear, missing eyes); a photograph of Margaret aged about 2; and a composition doll - Margaret was born on the 6th January 1931 and was given the bear for her third birthday, she was born in Westbourne near Emsworth and remained living there until she died in 2020; with letter of provenance from her niece
Lot 58
A German 1930s teddy bear, with golden mohair, clear and black glass eyes with brown backs, pronounced muzzle, black stitched nose, mouth and claws, swivel head, jointed limbs with felt pads, slight hump, inoperative growler and cord on chest from which label would have hung -16 1/2in. (42cm.) high (dusty and matted, some thinning and thinning to pads)
Lot 59
A 1950s Petz teddy bear, with golden mohair, orange and black glass eyes, pronounced muzzle with black stitched nose, mouth and claws, slotted-in-ears, swivel head, jointed limbs with felt pads, inoperative squeaker and white PETZ button on chest -13in. (33cm.) high (black mark on right leg, general thinning)
Lot 61
An early Steiff centre-seam teddy bear circa 1905, possibly a 35PAB with apricot golden mohair, black boot button nose, pronounced unclipped muzzle, black stitched nose, mouth and claws, swivel head, jointed elongated limbs with felt pads, card lined feet, hump and body with soft stuffing -19 1/2in. (50cm.) high (lacking some stuffing, right eye needs pulling tight, damage to three pads, dusty and minimal wear) - this bear probably would have had a blank button, his nose is unclipped and unshaped of the pre 1906 Steiff bear, likewise he has soft stuffing, unusually he has four claws of the post 1906 bears, so probably a transitional designed bear
Lot 63
A rare Merrythought Bobby Bruin teddy bear circa 1935, with golden mohair, replaced orange and black glass eyes, pronounced muzzle, black stitched nose, mouth, webbed hand claws and feet claws, swivel head, jointed arms with brown felt circular pads, rod jointed posable legs with brown felt card lined pads and inoperative squeaker -22in. (56cm.) high (balding and general wear and thinning, some damage and repairs to feet pads, faded)
Lot 86
Two Merrythought teddy bears, one with golden mohair, orange and black glass eyes, black stitched nose, swivel head and jointed limbs --11in. (28cm.) high (balding and replacement felt pads) and a post-war bear with orange and black glass eyes, black stitched nose, swivel head, jointed limbs, felt pads with printed foot label (wear, eye cracked, patched felt pads)
Lot 90
Three post-war British teddy bears, including a golden wool plush, orange and black glass eyes, black felt nose, fixed neck, rexine pads in teal and floral jacket --13 1/2in. (34cm.) high (slight wear), a golden mohair bear with orange and black glass eyes, swivel head, jointed limbs, painted cloth pads and another musical teddy bear (balding/ holes to arm, bald patch to back)
Lot 97
Five post-war British teddy bears, including a golden mohair bear with orange and black glass eyes, black stitched nose, swivel head, jointed limbs, painted cloth pads, white gown and cream cardigan -- 17in. (44cm.) and four others all with orange and black glass eyes, swivel head and jointed limbs (play worn)
Lot 102
Three post-war Chiltern teddy bears, including a blonde mohair, orange and black plastic eyes, black plastic nose, swivel head and jointed limbs with painted cloth pads --16in.(41cm.) high, a bear with artificial silk golden plush, in a blue and white checked dress with green cardigan (one thinning, the other bald) and another (holes to leg and body)
Lot 103
Two 1920-30s teddy bears, a British bear with clear and black glass eyes with brown painted backs, swivel head, jointed limbs, blue knitted dress and red cloth jacket --14in.(36cm.) high; and a German bear with clear and black glass eyes (wear, patched face, replaced felt pads to German bear)
Lot 117
A 1930s Merrythought teddy bear, with light golden mohair, orange and black glass eyes, pronounced muzzle, black stitched nose, mouth, feet claws and webbed hand claws, swivel head, jointed limbs with felt pads, inoperative squeaker, celluloid covered metal Wishbone button on back and knitted outfit -14in. (35.5cm.) high (faded, general wear and thinning, feet pads recovered and hand pads patched)
Lot 119
A Chad Valley Magna type teddy bear 1930s, with golden mohair, orange and black glass eyes, pronounced muzzle, black stitched nose, mouth and feet flaws, swivel head, jointed limbs with light brown cloth pads, red and white woven label on foot, inoperative squeaker, brown wool trousers and knitted jumper -20 1/2in. (52cm.) high (thinning and wear)
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93488 item(s)/page