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RUPERT ANNUAL: facsimile editions of 1939, 1942-44, all vgc, 1942-44 facsimiles in slip-cases + GEORGE PERRY AND ALFRED BESTALL: A BEAR'S LIFE RUPERT, London, Pavilion Books, 1991, original pictorial laminated boards, d/w, vgc + BRIAN STEWART: RUPERT, THE RUPERT BEAR DOSSIER, London, Hawk Books, 1997, 1st edition, fo, original pictorial laminated boards, vgc (6)
Steiff Jolly Golly & Bear 1996 Ltd Edition boxed Collectors set. Limited to 1,500 pieces and made exclusively for Dolly Land Teddy Bear Shop. Fully clothed black felt golly with fur hair and leather shoes together with a blonde mohair jointed teddy with growler and felt pads. Complete with certificate, in near mint condition (only been opened to photograph).
Bedeutendes großes Schreibmöbel des italienischen Historismus – „Scrittoio Nuziale“Höhe: 165 cm.Breite 142 cm.Tiefe: 74 cm. Gefertigt 1891 nach Entwurf von Prof. Enrico Taverna di Torino, Direktor der „Scuola di Incisione sul Corallo“ in Torre del Greco (Neapel).Im Schub des Möbels liegt ein außergewöhnliches Dokument aufbewahrt, in kunstvoller handschriftlicher Typografie auf Pergament verfasst. Darauf sind sämtliche Signaturen der am Werk beteiligten Künstler erfasst. Das exzeptionelle Möbel zeigt zweiteiligen Aufbau. Der Unterbau in Form eines Schreibtisches mit seitlichen Schüben über je vier geraden, nach unten sich leicht verjüngenden Vierkantbeinen, verbunden durch x-förmige, vergoldete Metallverstrebungen im Stil römischer Möbel der Antike. Die Schubfronten mit kräftigem Knauf besetzt, flankiert durch im Relief aufgesetzte Meerweibchen. Seitlich, schräg stehend, plastisch gestaltete geflügelte Sphingen, die den schmalen Schubaufsatz tragen. Die Platte mit ochsenblutrotem Veloursleder belegt. Der mittlere Schub verfügt über eine zurückschiebbare Platte, darin das genannte Dokument. Der Aufsatz, seitlich kaum einziehend, durch schlanke, aus hellem Travertin gefertigte Säulen dreiteilig gegliedert. Die Türen schwarzgrundig gefeldert, mit Schildpattrahmeneinfassungen. In der Mitteltüre großes quadratisches Relieffeld mit Darstellung einer knienden Venus in einer Muschel auf einem Wellenkamm mit Delfin, seitlich Amorknabe. Die hochrechteckigen Seitentürfelder und Felder der Aufsatzseiten in gleicher Weise gearbeitet, jeweils mit den allegorischen Figuren der vier Jahreszeiten mit den jahreszeitlichen Attributen. Im Sockel unterhalb der Türen längsziehende Reliefs, aus mehrfarbigem Stein gefertigt, mit Darstellung eines Amor, der auf einem Hippokampen reitet, während er in Begleitung eines Hundes mit Pfeil und Bogen einen Hirsch verfolgt. Der obere Abschlussfries zeigt im Hochrelief plastische Medaillons sowie Theatermasken, Fantasiedrachen sowie Efeu- und Lorbeerfestons, ebenfalls auf hellem Marmor aufgelegt. Der bekrönende Abschluss mit geradem Gesims, bestückt mit insgesamt sechs gesockelten Steinvasen, die eine mittlere Puttengruppe flankieren. Auf zwei der Vasensockel Aufschrift bezüglich der Preisverleihungen bei den Ausstellungen „Palermo 1891 – MED. D´ORO“ sowie „MED D´ORO – GENOVA 1892“. Der Puttensockel beschriftet „R. Scvola d’Incisione sul Coralli/ Torre del Greco – Napoli“. Es verdient der Erwähnung, dass sämtliche dieser genannten Reliefs sowie das weitere Zierwerk, in unterschiedlichen Gesteinsarten unter Verwendung von Perlmutt, Schildpatt, Koralle und weiteren Materialien geschaffen sind. Das beigefügte Pergament benennt das Möbel „Tipo di Mobilio Artistico in stile Neopompeiano“, ausgeführt durch Vincenzo Palomba und anderen, die im Dokument genannt werden. Somit kann das Möbel als eines der bedeutendsten italienischen musealen Beispiele des Historismus gelten. Das Möbel ist in tadellosem Zustand. A. R.Ausstellungen:Das Möbel wurde auf der „Esposizione Nazionale di Palermo“ 1891 ausgestellt und mit der Goldmedaille ausgezeichnet. (12901169) (11)Important large italian Historicism desk – “Scrittoio Nuziale” Height: 165 cm. Width: 142 cm.Depth: 74 cm.It was constructed in 1891 and is based on a design by Professor Enrico Taverna di Torino, director of the “Scuola di Incisione sul Corallo” in Torre del Greco (Naples).An extraordinary document held in one of the drawers in ornate handwriting on parchment, records all the signatures of the artists involved in creating this desk. Two of the vase bases bear inscriptions relating to the awards at the exhibitions “Palermo 1891 – MED. D´RO” and “MED D´ORO – GENOVA 1892”. The putti base is inscribed “R. Scvola d’Incisione sul Coralli/Torre del Greco – Napoli”. It is worth mentioning that all of these mentioned reliefs, as well as the other ornaments, were created in different types of rock using mother-of-pearl, tortoiseshell, coral and various other materials. The attached parchment names this desk as “Tipo di Mobilio Artistico in stile Neopompeiano”, executed by Vincenzo Palomba and others named in the document. Thus, the desk can be considered as one of the most important Italian historicism examples of museum-quality. It is in perfect condition.Exhibitions:This piece of furniture was exhibited at the “Esposizione Nazionale di Palermo” in 1891 and was awarded the gold medal.Export restrictions outside the EU.
John Cleveley the Elder (Southwark circa 1712-1777 Deptford)The East Indiaman Alfred in three positions off St Helena signed and dated 'J Cleveley Pinx 1772' (lower left)oil on canvas77.5 x 147.3cm (30 1/2 x 58in).Footnotes:The Alfred depicted here was the first of three East Indiamen to bear this name in the Honourable East India Company's fleet. Built in Barnard's Yard at Deptford for George Willson, Esq. and launched on 29 October 1772, her fine lines, elaborate stern carving and impressive armament of 32-guns, including two stern-chasers, were more akin to a Royal Navy frigate than an Indiaman, and she was widely regarded as a particularly handsome vessel. Measured by her builder at 764 tons, she was 110 feet in length with a 36 foot beam and sported a splendid figurehead of the Saxon King Alfred whom many of her contemporaries regarded as the 'Father of the English Navy'.On 29 January 1773 she set sail from the Downs anchorage bound for the EIC's enclave at Bencoolen, on the island of Sumatra, via Saint Helena, under the command of Captain John Lauder. Arriving off Saint Helena on 1 May to take on water and fresh provisions, she reached her destination on 30 September, where she loaded cargo for home and was back in the Downs on 4 February 1775. A second voyage to Bencoolen followed from December 1776 to August 1778, after which her next two voyages were both to China but with several intermediate calls. Returning home for the last time on 20 June 1786, after an unusually lengthy voyage lasting over four years, she was then sold for breaking, her relatively short career probably due to storm damage which rendered her no longer fit for service.Owned throughout her life by Mr. George Willson, it is likely that he commissioned this portrait of the Alfred to commemorate her completion and what would be her first port of call at Saint Helena the following year.The island of Saint Helena in the South Atlantic was discovered by the Portuguese on Saint Helena's Day, 21 May 1502. Afterwards held by the Dutch, the British East India Company briefly settled there in 1651 and even though the island changed hands again during the Anglo-Dutch Wars in the middle of the century, it had reverted to the British Crown by 1673 when, on 12 December that year, Charles II granted it to the East India Company for use as a port of call for their homebound ships. In 1684, the Company instructed Captain Knox to go to Madagascar to 'procure Negrosse (sic) to bring to St. Helena for the Company's Service thare (sic)', these slaves being intended for domestic use in the growing settlement of Saint James (later Jamestown). The position of the island, especially in comparison with the hostile coasts of west and south-west Africa, was also of great strategic importance on the route to India and ships were often required to transport reinforcements to the garrison there. When, for example, the Suffolk was chartered for this purpose in 1749, it was agreed that her owners were to receive 'for all Soldiers and Passengers carried to ye S[ai]d Island £5 a head' as their fee for the charter.Saint Helena's barren appearance when approached from the sea was in marked contrast to the luxuriance of its many deep valleys, the town and anchorage for the Company's ships being situated below Saint James's valley at the northern end of the leeward side of the island. Apart from drinking water and the obvious shelter from the weather, the island regularly supplied ships with beef and lemons (to combat scurvy) whilst in return, the Company provided Saint Helena with grain which would not grow there.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Mary Tourtel: 'The Little Bear and the Ogres', London, Thomas Nelson & Sons Ltd, [1922], 1st edition, 83pp, illustrations throughout, original pictorial boards (slightly worn, lacks backstrip, 15.5 x 15.5cm) by Mary Tourtel. The authors fourth book and the fourth Rupert the Bear book publication. Scarce
Mary Tourtel: 'Margot the Midget and Little Bear's Christmas', London, Thomas Nelson & Sons Ltd, [1922], 1st edition, 68pp, illustrations throughout, original pictorial boards (slightly worn, backstrip with part loss, 15.5 x 15.5cm) by Mary Tourtel. The authors third book and the third Rupert the Bear book publication. Scarce
Mary Tourtel: 'Little Bear and the Fairy Child', London, Thomas Nelson & Sons Ltd, [1922], 1st edition, 71,[1]pp, illustrations throughout, original pictorial boards (worn, rebacked in cloth, 15.5 x 15.5cm) by Mary Tourtel. The authors second book and the second Rupert the Bear book publication. Scarce
Mary Tourtel: 'The Adventures of Rupert the Little Lost Bear', London, Thomas Nelson & Sons Ltd., [1921], 1st edition, 87,[1]pp, illustrations throughout, original pictorial boards (slightly worn, 15.5cm x 15.5cm), by Mary Tourtel. The authors first book, and the first appearance of Rupert the Bear in book form. Scarce
R. JOHN WRIGHT, TAG BEAR, TINKER, 147/500, CIRCA 2003 White mohair, with a brown leather collar and circular name tag, jointed, 9in. (23cm), in original cylinder wood box with certificate Condition Report: Some signs of having been on display out of the box, no noticeable damage, slight signs of storage to box Condition Report Disclaimer
STEIFF, WILLY WONKA TEDDY BEAR, 1019, CIRCA 2016 Limited edition of 1,916, soft beige mohair, grey felt top hat, purple jacket, Roald Dahl stitched on foot pad, button in ear, jointed, 11in. (28cm), in Steiff box with certificate Condition Report: Some signs of having been on display out of the box, signs of storage to box 664939 Condition Report Disclaimer
HERMANN, TEDDY ORIGINAL, HOTEL BOY, 15/50 Soft curled golden mohair, stitched nose, removeable red felt jacket and red felt hat, three jointed, 39in. (100cm) Condition Report: The legs are fixed in a standing position, the bear has minimal wear, some very slight fading to red felt Condition Report Disclaimer
STEIFF, MILLENNIUM, 654701, CIRCA 1999 Limited edition, cream mohair, with circular gilt Millennium medallion, 12in (30cm) STEIFF, 150 YEARS OF MARGARETE STEIFF COMMEMORATIVE BEAR, CIRCA 1997 Limited edition, cream mohair, with oval porcelain medallion, 11in. (28cm) (2) Condition Report: Some signs of having been on display 150 years bear No. 670183 Condition Report Disclaimer
STEIFF, EIFFEL TOWER TEDDY BEAR, EXCLUSIVELY FOR LES GALERIES LAFAYETTE 1998/1999, 00274, CIRCA 1998 Limited edition of 1,500, steel-grey mohair, jointed, embroidered foot, button in ear, 13 1/2in. (35cm), in original box STEIFF, TEDDY BEAR 1909, 02503, CIRCA 1998 Limited edition of 7,000, dark blue mohair, jointed, growler, button in ear, 13 1/2in. (34cm), in original box STEIFF, MILLENNIUM, 03607, CIRCA 1999 Limited edition, dark blond mohair, jointed, growler, button in ear, 17in. (43cm) (3) Condition Report: Some signs of having been on display out of the box, signs of storage to box Eiffel tower bear No. 658044 1909 Teddy bear No. 406508 Millennium No. 670374, no box Condition Report Disclaimer
MERRYTHOUGHT, MILLENNIUM, THREE AMETHYST MOHAIR BEARS, CIRCA 1999 Comprising Millennium Cheeky Bear, 9in (23cm); Millennium Magnet bear; and Millennium Bear, all jointed and in original boxes; together with Merrythought Sean, the dark green mohair seated bear with lucky clover waistcoat and jointed bent legs; and Merrythought, a golden mohair bear, 14in. (36cm) (5) Condition Report: Some signs of having been on display, no noticeable damage, some have biro initials and markings on tags Condition Report Disclaimer
STEIFF, MUSICAL BEAR PHANTOM OF THE OPERA, 00087, CIRCA 2005 Limited edition of 3,000, white and black mohair, black velvet cape, bottom of foot embroidered with musical notes, pressure-operated musical mechanism playing Andrew Lloyd Webber's The Music of the Night, button in ear, 12in. (30cm), in original bag, with certificate Condition Report: Some signs of having been on display out of the bag, signs of storage to bag Condition Report Disclaimer
R. JOHN WRIGHT, TAG BEAR, TOODLES, 147/500, CIRCA 2003 Brown mohair, with a brown leather collar and circular name tag, jointed, 9in. (23cm), in original cylinder wood box with certificate Condition Report: Some signs of having been on display out of the box, no noticeable damage, signs of storage and a couple of splits to the lid part of the box Condition Report Disclaimer
A GROUP OF FOUR TEDDY BEARS Comprising Beanie Bear, Parker, 1/5, blond mohair, jointed, 12in. 30cm; The Vermont Teddy Bear Company, golden fur, with spotted ribbon, jointed, 16in. (40cm); Waifs & Strays, by Teresa Rowe, 01/01, silvery brown fur, jointed, 16in. (40cm); Actually Bears, by Jackie, Peek-A-Boo, 2/5, circa 2003, with silver and cream fur, jointed, 7in. (18cm) (4) Condition Report: Some signs of having been on display, they have biro marks to tags, and some stitched tags have partially come off Condition Report Disclaimer
DEAN'S RAG BOOK COMPANY LTD, THE URI GELLER COLLECTION, FORTUNE TELLER, 32/1111, CIRCA 2001 Black mohair bear with blue lined black velvet cloak, holding a crystal ball, with rock crystal pendant around its neck, the foot signed Uri Geller, jointed, with bent spoon signed Uri Geller, 12 1/2in. (32cm), with original box signed Uri Geller DEAN'S RAG BOOK COMPANY LTD, SELWYN, 71/500, CIRCA 2001 Grey mohair with blue ribbon, jointed, growler, 21in (54cm) (2) Condition Report: Some signs of having been on display, biro initials on tag Condition Report Disclaimer
DEAN'S RAG BOOK COMPANY, A GROUP OF FOUR BEARS Comprising Hamilton, 20/500, blond mohair, jointed, 17in. (43cm); Hardy, No. 2921, limited edition of 2,000, blond mohair, 11in. (28cm), with box; Centenary Year, The Jill Baxter Bear, circa 2003, 79/500, brown and silver tipped mohair, with circular enamelled medallion, 12in. (30cm); Centenary Year, The Janet Clark Bear, circa 2003, 79/500, golden and amber tipped curled mohair, with circular enamelled medallion, 12in. (30cm) Condition Report: Some signs of having been on display Condition Report Disclaimer
STEIFF, PADDINGTON BEAR, 03561 Limited Edition, beige mohair, blue duffel coat, red woollen felt hat, label reading 'Please look after this bear. Thank you', marmalade sandwich, 'P.B.' suitcase, button in ear, jointed, 12 1/2in. (32cm), in original box Condition Report: Some signs of having been on display out of the box, signs of storage to box Condition Report Disclaimer
SOMEWHERE IN TIME, A GOLDEN COLOURED BEAR BY CAROL PODMORE With stitched nose, jointed, 20in. (50cm); together with a Cowslip Bear Company, Snowbear, 1/1, by Christine, cream mohair, jointed, growler, 21 1/2 in. (55cm); and a small Cowslip bear Company bear, jointed, 8in. (20cm) (3) Condition Report: Some signs of having been on display, the small bear has a hole to its tummy and an arm along the seams, some biro initials on tags Condition Report Disclaimer
DEAN'S RAG BOOK COMPANY, A GROUP OF FOUR BEARS Comprising Hargreaves, 47/50, pink and burgundy mohair, jointed, growler, 22 1/2in. (57cm); Pooh Bear, 191/3000, blond mohair, red jacket, jointed, 12in. (30cm); and two Henry, 190 and 953, circa 2003, yellow mohair, with circular enamelled medallion, 10in. (26cm) (4) Condition Report: Some signs of having been on display Condition Report Disclaimer
GUND, KIMBERLY, A GOLDEN COLOURED BEAR STYLE NO. 9677, CIRCA 1997 With stitched nose, jointed, 13 1/2in. (34cm); together with a Russ, Zoe, Mohair Collection, a multi coloured bear, jointed, 12in. (30cm); Russ, Loulou, Mohair Collection, a multi coloured bear, jointed, 6in. (16cm); The English Teddy Bear Company, Pink Champagne bear, limited edition 1/4, jointed, 10 1/2in. (17cm), and a further red and white mohair jointed bear (5) Condition Report: Some signs of having been on display, some biro initials on tags Condition Report Disclaimer
ROONY BEARS, BY ANN HARTWRIGHT, PRECIOUS, A BROWN BEAR Brown mohair, jointed, 19in (48cm); together with Mabledon Rd Bears, Heather, cream and lilac tipped mohair, with a small bag containing two mini bears toys, jointed; 4in. (36cm); and A Character Bear, blond mohair, jointed 10in. (25cm) (3) Condition Report: Some signs of having been on display, no noticeable damage, to bears, tags have biro markings, one inscribed Condition Report Disclaimer
DEANS RAG BOOK COMPANY, THREE BEARS Comprising Centenary Elite Bear, 15/200, circa 2003, blond mohair, jointed, 22 in. (56cm); Specky, 11/500, circa 2002, pink and black mohair, jointed, 15in. (38cm); Jonnie, 75/500, circa 2003, greyed blond mohair, 13 1/2 in. (35cm) Condition Report: Some signs of having been on display, no noticeable damage Condition Report Disclaimer
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93468 item(s)/page