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Lot 404
Steiff British Collectors 1907 Replica Teddy Bear limited edition 00737/3000, brown mohair, growler, having button and tag in left ear, measuring (60cm.), complete with certificate, together with two further modern Steiff bears, both having long golden mohair, yellow tags and buttons in ear, the tallest measuring (50cm.) and three smaller modern Deans bears and another. (7) *Condition: All good, nothing to note.
Lot 208
Hobbes (Thomas). Leviathan, or the Matter, Forme, and Power of a Common-Wealth Ecclesiasticall and Civill, 2nd edition, London [probably Amsterdam]: for Andrew Ckooke [sic], 1651 [i.e. 1678], engraved allegorical title-page, letterpress title-page with woodcut device of a bear grasping sprays of foliage, folding letterpress table, slightly browned, part of front free endpaper torn away, variable damp-staining in top margins, a few leaves damp-stained in lower outer corners, small worm-trail in lower margins of C3-D1 just touching text, another in quires 2N-2R occasional touching a letter, a few other tiny marginal worm-trails, contemporary blind-ruled calf, covers pitted, a few sections of wear, folio (29.1 x 18.6 cm) (Qty: 1)NOTESProvenance: Private Collection, Shropshire. ESTC R13936; Macdonald & Hargreaves 43; Wing H2247; cf. Pforzheimer 491, PMM 138. This second edition was 'a piracy made up of sheets printed by John Redmayne in 1670 and Christoffel Cunradus some time before the end of 1678' (ESTC).
Lot 531
Set of three Red, White and Blue vintage Farnell “Campbell” Bears : Attributed to original British Teddy Bear producer J. K. Farnell. Manufactured 1914-1920 these are also known as Soldier Bears as many were taken to war – given by wives and girlfriends they often feature upturned noses in order to “peer” out of a soldier’s pocket. Fully jointed 3.5” mohair bears with glass eyes, pipe cleaner ears, numbered 386, 387 and 388 with miniature brown leather suitcase. Part of a lot of 398 miniature bears sold by Sotheby's in May 1999 to Leanda Harwood who made 81 red, white and blue sets and added the suitcase, numbered booklets and tags. Originally owned by twins David and Guy Campbell (b. 18th January 1910), bought by their grandmother in Devon where her trophy-adorned house inspired characterful play with these bears.
Lot 532
Vintage Farnell “Campbell” Bear with Red, White and Blue muslin outfit. Attributed to original British Teddy Bear producer J. K. Farnell. Manufactured 1914-1920 these are also known as Soldier Bears as many were taken to war – given by wives and girlfriends they often feature upturned noses in order to “peer” out of a soldier’s pocket. Fully jointed 3.5” threadbare in places mohair bear with black glass eyes, one pipe cleaner ear and red, white and blue muslin outfit. Believed to be part of a collection originally owned by twins David and Guy Campbell (b. 18th January 1910), bought by their grandmother in Devon where her trophy-adorned house inspired characterful play and creative outfits for these bears.
Lot 533
Vintage Farnell “Campbell” Bear with Red, White and Blue muslin outfit and "I'm as happy as a clam at high tide" metal badge. Attributed to original British Teddy Bear producer J. K. Farnell. Manufactured 1914-1920 these are also known as Soldier Bears as many were taken to war – given by wives and girlfriends they often feature upturned noses in order to “peer” out of a soldier’s pocket. Fully jointed 3.5” threadbare in places mohair bear with orange/black glass eyes, no ears and red, white and blue muslin outfit. Believed to be part of a collection originally owned by twins David and Guy Campbell (b. 18th January 1910), bought by their grandmother in Devon where her trophy-adorned house inspired characterful play and creative outfits for these bears.
Lot 534
Vintage Farnell “Campbell” Bear with "Look the other way, please" metal badge. Attributed to original British Teddy Bear producer J. K. Farnell. Manufactured 1914-1920 these are also known as Soldier Bears as many were taken to war – given by wives and girlfriends they often feature upturned noses in order to “peer” out of a soldier’s pocket. Fully jointed 3.5” threadbare in places mohair bear with clear/black glass eyes and no ears. Believed to be part of a collection originally owned by twins David and Guy Campbell (b. 18th January 1910), bought by their grandmother in Devon where her trophy-adorned house inspired characterful play and creative outfits for these bears.
Lot 535
Merrythought Mohair Teddy Bears with growl (7): Alpha Farnell replica turquoise teddy bear, ltd. ed. /750 with label. Tweedie 2005 Open Day bear, with certificate no.87, brown fluffy bear with (part-crushed) box. 18” Blond bear with brown floral ribbon and label. 18” Golden bear with green plaid ribbon. 12” Beige fluffy bear. 14” Golden bear with gold ribbon. 14” Beige bear with gold ribbon and label. (7)
Lot 536
Bosky Bears, Dean's Rag Book Teddy Bears (6) inc. Musical: Bosky Bears, Dean's Rag Book Teddy Bears (7): Dean's Rag Book Mohair Teddy Bears: “The Crooner” plays “What a Wonderful World” 100 year anniversary bear LE 13/120, “Telford Toby” LE 43/50, 16” blonde mohair with green/blue plaid ribbon, Bosky Bears Gladys Rose crimson mohair weighted teddy bear, Best Friends bear by Angela Michelle, plus 2 jointed modern bears (7)
Lot 537
Quantity of Jointed Merrythought Teddy Bears (11): 14” signed golden mohair bear with yellow ribbon, 14” honey plush bear with cerise ribbon both signed on the foot pad by Oliver Holmes, 13” Fleur pink-tipped fur bear, 16” bear “dulce jubilo” to ribbon, 18” two tone bear with gold/brown ribbon, 11” golden mohair bear with red ribbon, 12” large-pawed bear with brown/gingham ribbons, 13” bear with Ironbridge motif to left paw and blue/gold ribbon, 11” honey blonde bear with blue/cream gingham bows and yellow satin pads(x2), similar with blue ribbon. (11)
Lot 538
Quantity of Collectable Merrythought Teddy Bears (12): Merrythought 14" Cheeky olive green and blonde mohair bear with label, 8" Cheeky bear with orange skirt, 14" Cheeky snowman LE 402/1000 with label, 11” Millennium bear signed on the foot pad by Oliver Holmes and Jacqueline Revitt 10/7/99 LE no.114 with its basket, 12” Millennium bear gold with green floral ribbon, 10” Millennium bear with gold ribbon, 10” Millennium bear with drak fur and beige ribbon, 11” Millennium bear in basket signed on the foot pad by Oliver Holmes and Jacqueline Revitt, 10” Bonny Mac Bonza Scottish comic dog character, Harrods 1999 and 2004 bears, “Little Sleepy Head” LE 300/500, 13” Ivy Bear in white linen print bag (2x) 2004 LE no.44 and 129. (14)
Lot 540
Farnell Golden Mohair Vintage 1920s Teddy Bear 13” (or similar Invicta/Twyford) with clear glass eyes with black pupils, brown vertically stitched nose and lips, shaven muzzle, fully jointed, inoperative press squeaker, filled with wood wool, some thinning to mohair otherwise good, original condition.
Lot 541
Vintage stuffed toys: Monkeys, Steiff Fox, Donkey and Bears. Late 1920’s Steiff fox, mohair, jointed with one glass eye, 11” long. German “Hermann” monkey with baby (12” and 5.5”), mohair, jointed with glass eyes. Seated buff-coloured donkey approx 8” long. Miniature 6” brown bear, jointed. All stuffed with wood wool. Also 12” vintage bear made from blonde head and blue body. (6)
Lot 631
Black Forest carved limewood coat rack, surmounted with a bear cub and with three coat hooks, 40cm x 20cm; also a Black Forest carved limewood clock bracket, the shelf supported on the horns of an oryx, further carved with mountain flowers and ferns, the oryx with glass eyes, 28cm x 30cm (2)
Lot 1300
A Mitzi Gaynor pair of ensembles worn on The Donald O'Connor Show, designed by Robert CarltonNBC, 1960. Comprising a mint green chiffon halter dress enhanced with scattered multicolored sequins and clear round hanging beads over a ruched bodice, with two rhinestone and bead brooches clasped over the back criss-cross straps, and a full multi-layered pleated skirt; together with a coral sleeveless dress adorned with scattered rhinestones and dangling clear bugle beads with a partial open back, accompanied by a coral-colored oversized coat with a large button at the top and a large ruffle at the bottom, likely worn to cover Mitzi before she reveals the dazzling and sensual dress underneath while performing, 'I Should Care.' Both dresses bear interior labels inscribed, 'Robert Carlton' and second labels inscribed 'The Workroom / 623 No. La Cienega Blvd. / Los Angeles.' Accompanied by a color photo of Mitzi wearing the coral dress.
Lot 1301
A Mitzi Gaynor pair of Las Vegas stage-worn dresses designed by Robert CarltonComprising a peach sleeveless dress with a fully sequined bodice and triple-layered full skirt trimmed in ostrich feathers, with a silk belted bow at the waist; together with an oyster-colored version of the same dress but without the feathers. Both dresses bear interior labels inscribed, 'Robert Carlton' and second labels inscribed 'The Workroom / 623 No. La Cienega Blvd. / Los Angeles /,' the peach dress of which is also inscribed, 'For / Mitzi Gaynor 4-26-61.' Accompanied by a cream-colored three-layered silk skirt with a silk bow at the waist. The peach version of this stunning design was worn by Mitzi in the opening number of her very first nightclub performance in Las Vegas at the Flamingo Hotel in 1961, an incredible professional triumph for Mitzi which allowed her to display her flair for comedy and singing as well as dancing. Accompanied by 4 photos of Mitzi wearing the dresses in publicity photos and on stage.
Lot 1307
A Mitzi Gaynor pair of ensembles worn on The Ed Sullivan Show, designed by Robert CarltonCBS, 1964. Comprising a full-length oyster-colored spaghetti strap gown with criss-cross back straps, fully beaded with dangling strands of bugle beads and round clear beads, with a moderate leg slit; together with a pink chiffon halter dress featuring scattered clear sequins and paillettes, with a very full skirt supported by a chiffon crinoline and trimmed with large circular tulle embellishments. Both garments bear labels inscribed, 'Ozel / Custom Made Clothes / Beverly Hills.' Mitzi wore both of these ensembles when she headlined (and received top billing) with the Beatles on The Ed Sullivan Show on February 16, 1964, their second live television appearance in America. Mitzi still enjoys sharing the story of how the Beatles asked for her autograph. Because Sullivan had wanted Mitzi on the show for many years, Mitzi's husband Jack Bean negotiated for a full 13 minutes of performance time on the show, something unheard of at that time. Both gowns were also worn in Mitzi's live stage show in 1964. Accompanied by 3 photos of Mitzi wearing the dresses on stage and in publicity portraits and a DVD of the Ed Sullivan program.
Lot 1334
A Mitzi Gaynor pair of stage-worn jumpsuits designed by Bob MackieRed halter-style jumpsuit with asymmetrical stripes of cream, black, orange, and green on the bodice (along with a small stitched hole for Mitzi's microphone), embellished with bugle beads of corresponding colors and with a matching beaded back pocket; together with a brown fully beaded halter jumpsuit with a partially cut-out bodice and back accented by ties. Both costumes bear interior labels inscribed, 'Bob Mackie.' Both costumes were worn by Mitzi during her live stage appearances during the 1970s and reflect that era of bell-bottom pants and bright colorways. Accompanied by 2 photos of Mitzi wearing the jumpsuits in performance.
Lot 1346
A Mitzi Gaynor pair of stage-worn gowns designed by Bob MackieComprising a white spaghetti strap leotard festooned with gold sequins in an asymmetrical striped pattern, with 2 large white sequined floral appliques at the bust and waist, with a long train of gold lamé ruffles, accompanied by a matching wide-brimmed hat of net, sequins, and matching floral appliques; together with a silver one-shoulder gown ornamented with mirrored sequins and silver and clear bugle beads in a wavy pattern, with an asymmetrical skirt of cream-colored ostrich feathers and a matching cape which joins at the shoulder by a large rhinestone brooch. Both costumes bear interior labels inscribed, 'Bob Mackie.' Both gowns were worn in Mitzi's live stage show tour in 1981 and in publicity photographs promoting the tour. Accompanied by 4 photos of Mitzi wearing the costumes and a souvenir program from Mitzi's stage tour.
Lot 1350
A Mitzi Gaynor pair of stage-worn beaded gowns designed by Bob MackieComprising a silver and white mid-length gown with a built-in leotard foundation, completely decorated with silver and white sequins and clear bugle beads with long dangling asymmetrical strands down the legs, with an off-the-shoulder decorative cord adorned with dangling beaded triangles, worn in Mitzi's 1985 stage show tour; together with a similarly designed gold mid-length spaghetti strap gown heavily beaded throughout with gold, yellow, and silver sequins and gold and clear bugle beads, with upper arm dangling beaded embellishments, worn in Mitzi's 1989 Anything Goes tour. Both garments bear interior labels inscribed, 'Bob Mackie.' Accompanied by a photo of Mitzi wearing the silver and white gown.
Lot 543
A large Set of Original Architectural Plans Courtown House, Co. Wexford: A set of over fifty Architectural Drawings of various sizes showing proposed alterations to Courtown House, Co. Wexford, seat of the Stopford family, Earls of Courtown. Some are signed by John Kelly, Gorey, and dated 1864; others bear the London address of the architect William Burn and are dated between 1864 and 1868. There are measured plans and elevations; details of doorways, cornices, staircases, windows, roofs and chimneys. Also a set of "plans for proposed alterations at Seafield [a dower house of the Earls of Courtown] about 1852". Courtown House, built in 1726, was badly damaged in the 1798 rising. It was altered and extended in the 1860s for the 5th Earl of Courtown; the local builder/architect John Kelly appears to have carried out the initial survey, but the ultimate designs were the work of William Burn, Architect, of 6 Stratton St., London - Kelly may have been their builder or clerk of works. The collection also includes two plans for a "proposed house at Saltersford [in Cheshire] for the Earl of Courtown"; plans and elevations of cottages and lodges; plans for Courtown demesne; and a cyclostyled letter of 1862 requesting the Earl's opinion on two proposed railway lines between Woodenbridge and either Carlow or Bagnalstown. The Stopford family played a major role in the affairs of Co. Wexford for over two centuries, both as members of parliament and as landlords; they had a fine humanitarian record during the Famine, and by 1914 their estate consisted of some 23,000 acres. Their seat, Courtown House, was sold in 1947 and demolished circa 1950. Seafield, the dower house, described as "a very fine, large, three-bay, two-storey residence," was partly demolished in 1975 and levelled in 1992. This collection therefore forms an important visual record of two vanished features of Co. Wexford's landscape and heritage. As drawings, as an Archive, w.a.f. (1)
Lot 344
A large wartime teddy bear, early 20th century, unknown maker but in the style of Steiff, hump back, complete with photograph of the owner and pair of clogs.The bear and clogs were given to British soldier Thomas Matthews, who served with the Royal Artillery’s 62nd anti-tank regiment during the Second World War. His unit liberated the Dutch town of Raamsdonksveer in 1944. The bear was a gift from a school teacher he was billeted with after he risked his life to source coal to heat homes and water in the town. The clogs were given to him by a Raamsdonksveer shoemaker grateful for the Allies’ actions. The bear travelled in Mr Matthews’ tank for the duration of the war. He used it as a pillow during the Battle of the Bulge and the teddy was at the Allies’ Berlin Victory parade in 1945. After the war in 1946, the bear was given to Mr Matthews’ son. He has treasured it all his life.
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93468 item(s)/page