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Lot 291

A Japanese silver cigarette box,early 20th century, of rectangular form, the cover inserted with a copper panel decorated with a pavilion by a river in front of Mount Fuji, signed, stamp marked 'Miyamoto sei' and 'jungin' to base,15cm long, and a smaller metal box, the hinged cover similarly decorated,6cm long (3)Provenance: From the Estate of Mrs Althea Lloyd.Condition ReportSilver box - Surface scratches and dents. Wood liner with cracks and losses. Rims tired and loose. Overall 525.1g.Metal box - surface scratches.

Lot 9041

Continental silver plated box depicting Arras, D6.5cm

Lot 9021

Costume jewellery including a turquoise stone set bracelet, Aquarius Design brooch, green stone bangle etc, silver spoon and fork set, coins, cased set of drawing instruments etc in one box

Lot 9051

Oak chrome mounted tantalus, brass cigarette box, Butler silver-plated ladle, Art Nouveau copper crumb tray, brass trivet etc in one box

Lot 9045

Various wine glasses with coloured glass bowls, small silver duck, two silver teaspoons, antimony box etc

Lot 1819

A DIAMOND SET BIRD BROOCH AND A PEARL AND SAPPHIRE CRESCENT BROOCH/PENDANT (2)Featuring a rose cut diamond set partridge with a ruby set eye in silver and gold and mounted on a gold pin, brooch length approx 4.5 cm, gross weight 4.3 grams, with a starburst brooch set with seed pearls and blue sapphires, in 9ct yellow gold, with brooch and pendant fittings, gross weight 5.1 grams, with an old box.CONDITION REPORT - The partridge brooch has one diamond lacking, otherwise in good condition.The starburst brooch in good overall condition and is a modern replica of an Edwaridan piece. Box is worn.

Lot 1770

A VICTORIAN DIAMOND AND ENAMEL BANGLESet with three stars, each set with rose cut diamonds, set in silver, the bangle with an ornate border detail and finished with a royal blue enamel, with a hinge clip clasp, and original fitted case, mounted in yellow gold, gross weight 31 grams, diameter of bangle measures 5.7 x 5 cm.Condition report - Very good condition, enamel in very good condition, diamond stars in very good condition, metal has some minor scratches and tarnish, box in ok condition. 

Lot 1855

A VICTORIAN DIAMOND PENDANT/BROOCHSet with old mine cut diamonds, with a pin and hook fitting and pendant loop, in silver and gold, gross weight 7.9 grams, measures 2.8cm, with a Garrard box.CONDITION REPORT - Very good condition, diamonds of excellent colour and quality, silver is tarnished.

Lot 126

One box of historic British silver and later coinage. One box of historic British silver and later coinage from the reigns of Queen Victoria, King Edward VII, King George V, King George VI and Queen Elizabeth II to include a good selection of Crowns, Halfcrowns and many others together with some coin collection folders and other loose coin sets, in a wide variety of grades (quantity).

Lot 136

One wooden box of assorted British silver and copper coinage (quantity). One wooden box of assorted British silver and copper coinage to include various Queen Victoria silver crowns, 1845 and later and four George III twopences, in a wide variety of grades (quantity).

Lot 8565

Silver jockey's cap caddy spoon Sheffield 1989, miniature silver backed hand mirror Birmingham 1905 Maker Crisford & Norris, silver vesta case, small embossed silver box, silver pencil holder and an engraved propelling pencil (6)

Lot 8577

Pair of silver menu holders of circular form London 1965 Maker S J Rose & Son, Victorian silver decanter label 'Brandy' Birmingham 1881 Maker George Unite, Dutch silver oval box with embossed cover and three silver thimbles (7)

Lot 8543

19th century Dutch silver peppermint box of oval design with embossed hinged cover and engraved body H4.5cm

Lot 8546

Modern engraved silver money clip, engraved silver pencil Birmingham 1902 and a Victorian silver oval pill box (3)

Lot 259

A box of miscellaneous jewellery to include a silver backed hairbrush

Lot 298

TWO FUCHI-GASHIRA (MATCHING HILT COLLARS AND POMMELS)Edo period (1615-1868), 18th and 19th centuryThe first shibuichi migakiji, chiselled and inlaid in gold, shakudo, and copper with instruments and garments for bugaku dance including a daidaiko (big drum), a nomaku (outdoor curtain), a torikabuto (dancer's cap) and a tsuzumi (hand drum), signed Ichinomiya Nagatsune (1722-1787) with a kao; the second copper, chiselled and inlaid in gold, shakudo, silver, and shibuichi depicting a suggestive tengu (long-nosed mountain goblin) mask and box, with signature Yasuchika. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 299

FOUR FUCHI-GASHIRA (MATCHING HILT COLLARS AND POMMELS)Edo period (1615-1868), 18th to 19th centuryThe first three shibuichi; the first deeply undercut and chiselled in relief with gold details depicting waves and spray, signed Omori Teruhide with a kao; the second chiselled and inlaid in shakudo, gold, and silver with a lacquer fubako (letter case) attached to a branch of flowering prunus blossom; the third chiselled and inlaid in shakudo, gold, and copper with branches of chrysanthemum, signed Tsunenao with a kao; with a fitted wood storage box inscribed on the reverse of the lid with an attestation dated 1967 and signed Zaiya (a name used by Torigoe Kazutaro); the fourth gilt copper overlaid with chiselled openwork shakudo, modelled to represent castle buildings and pine trees, the plate shakudo; with a fitted wood storage box. (10).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 300

FOUR FUCHI-GASHIRA (MATCHING HILT COLLARS AND POMMELS)Edo period (1615-1868), 19th centuryThe first shakudo nanako chiselled and inlaid in shibuichi and gold depicting birds of prey in pine trees, signed Yanagawa Naotoki (Haynes 6798) with a kao; with a fitted wood storage box inscribed on the reverse of the lid with an attestation dated 1967 and signed Zaiya (a name used by Torigoe Kazutaro); the second shakudo nanako chiselled and inlaid in gold depicting winged dragons and clouds, signed Yoshioka Buzen (Haynes 8448); with a fitted wood storage box; the third shibuichi ishimeji chiselled and inlaid in gold, silver, and shakudo depicting geese and swallows in flight, signed Masanaga; with a fitted wood storage box; the fourth shakudo nanako chiselled and inlaid in gold depicting auspicious cranes and pines. (11).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 301

FOUR FUCHI-GASHIRA (MATCHING HILT COLLARS AND POMMELS)Edo period (1615-1868), 19th centuryThe first gold nanako, chiselled in relief depicting Nakakuni on horseback playing his flute and Kogo no Tsubone playing the koto, an episode from the thirteenth-century Heike monogatari (Tales of the Taira Clan); with a fitted wood storage box; the second shibuichi migakiji chiselled and inlaid in gold, copper, and shakudo depicting courtiers holding fighting cockerels, signed Tsunenao with a kao; with a fitted wood storage box inscribed with an attestation by Kuwabara Yojiro (Soa) dated October 1918; the third iron, chiselled and inlaid in in gold, copper, and shakudo with a samurai and a servant carrying a matoi (banner), the fourth shibuichi migakiji chiselled and inlaid in gold, silver, and copper depicting Chinese heroes of the Three Kingdoms period, signed Nara Naomasa tsukuru. (10).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 302

FOUR FUCHI-GASHIRA (MATCHING HILT COLLARS AND POMMELS)Edo period (1615-1868), 18th to 19th centuryThe first three shakudo nanako, the first chiselled and inlaid in gold with a basho (banana-leaf) plant; with a fitted wood storage box; the second chiselled and inlaid in copper, silver, and gold with swallows and flowering cherry trees, signed Ishiguro Masatoshi (Haynes 04649) with a kao; the third chiselled and inlaid in high relief of gold, silver, and shakudo with wind-blown peonies, signed Sekijoken gyonen rokujuissai Motozane (Sekijoken Motozane, aged 61) with a kao; the fourth shakudo ishimeji, chiselled and inlaid in gold, copper, and shell with two dragonflies, signed Kita utsusu; the last two each with a fitted wood storage box inscribed on the reverse of the lid with an attestation dated 1967 and signed Zaiya (a name used by Torigoe Kazutaro). (12).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 303

FOUR FUCHI-GASHIRA (MATCHING HILT COLLARS AND POMMELS)Edo period (1615-1868), 18th to 19th centuryAll shakudo nanako; the first chiselled and inlaid in gold, silver, and copper depicting swallows and suisen (narcissi), signed Ishiguro Masamori (Haynes 4225) with kao; with a fitted wood storage box inscribed on the reverse of the lid with an attestation dated 1967 and signed Zaiya (a name used by Torigoe Kazutaro); the second inlaid with eight suigyu (water buffaloes) in gold, silver, shakudo, and shibuichi; the third applied with five shishi (Chinese mythical lions) in gold; with a fitted wood storage box; the fourth applied with fish and weed in gold, shakudo, silver, shibuichi, and copper, signed Iwamoto Ryokan; with a fitted wood storage box. (11).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 304

SASAYAMA ATSUOKI (TOKUOKI, 1813-1891)A Set of Mounts for a Tachi (Slung Sword) Edo period (1615-1868) or Meiji era (1868-1912), 19th centuryComprising a kashira (pommel), fuchi (hilt collar), and ishizuki (end cap); shibuichi chiselled and inlaid with gold and silver depicting waves and spray, signed Sasayama Atsuoki tsukuru (Haynes 9786); with a fitted wood storage box, the reverse of the lid inscribed with an attestation dated 1967 and signed Zaiya (a name used by Torigoe Kazutaro). (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 313

A SET OF KOZUKA (KNIFE HANDLE) AND KOGAI (SKEWER)Edo period (1615-1868), 18th centuryShakudo nanako, the reverses divided by a diagonal line into shakudo and gilt metal with nekogaki ('cat scratches'), the other surfaces gold migakiji, the kozuka and the handle of the kogai with sunk relief and standard relief of gold, silver, and shakudo depicting courtiers and servants gathering wakamatsu (pine saplings) for use as New Year decorations; with a fitted wood storage box. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 314

SEVEN KODOGU (SWORD FITTINGS)Edo period (1615-1868), 18th to 19th centuryThe first a fuchi-gashira (hilt collar and pommel), shakudo nanako inlaid in relief of gold, silver, copper, and shibuichi with a male and female pheasant and grasses, converted into a small box, signed Yoshitaka with a kao (Ishiguro Yoshitaka, circa 1850, Haynes 12141); the second a kozuka (knife handle), copper, chiselled and inlaid in gold and silver with a pilgrim who has just stuck senjafuda (votive stickers) to a torii (shrine entrance), writing the kozuka's signature with a brush, with signature Shozui; the third a tsuba (hand guard), iron, in the form of a Buddhist temple bell, chiselled and inlaid in relief of gold, silver, copper, and shibuichi with two Noh actors, the reverse with a Hannya demon mask and rake, signed Fujiwara Katsunori (circa 1875, Haynes 02858), 9.6cm (3 13/16in) high; the fourth a tsuba, circular, shakudo nanako applied with a gilt rim, both sides chiselled in relief with a net, inlaid in relief of gold, silver, and copper with the fisherman protagonist of the Noh drama Hagoromo (The Feather Robe) wearing the magic garment he has found on Miho no Matsubara beach and looking up two chidori ('wave birds' or plovers), the reverse with clouds and three more birds, with signature Tsu Jinpo, 7.3cm (2 7/8in) high; the fifth a tsuba, aorigata (tapering shape), copper nanako, inlaid in relief gold, silver, shakudo, and copper with gokoku (the 'five grains'), signed Goto Mitsuyoshi with an elaborate kao (Goto Shinjo, 1780-1843, Haynes 08644), 6.1cm (2 3/8in) high; the sixth a tsuba, oval, sentoku with a stippled surface, inlaid in relief of gold, silver, and shakudo with a potted fukujuso (Adonis amurensis, literally 'plant of fortune and longevity') set out on New Year's Day, a shimenawa (sacred rope), and the rising sun, signed Mitsuyoshi with a kao, 6.3cm (2½in) high; the seventh a tsuba, rounded rectangular, shibuichi, chiselled and inlaid with wild chrysanthemums, susuki (plume grass), the crescent moon, and clouds, signed Shuzuiken Kiyoaki (circa 1875, Haynes 03227), 6.5cm (2 9/16in) high. (9).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 315

ISHIGURO KOREYOSHI (ACTIVE MID-19TH CENTURY)A Fuchi-Gashira (Matching Hilt Collar and Pommel) Edo period (1615-1868), mid-19th centuryShibuichi migakiji, chiselled and inlaid in gold, silver, and shakudo with crows perched on a creeper-hung branch by the light of the moon, signed Ishiguro Koreyoshi with a kao in the form of a stylized version of the character horu (carved), with certificate 454791 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword) dated 2 May 2008 identifying this lot as a Hozon Tosogu (Sword Fitting Worthy of Preservation), and a fitted wood storage box. (4).Footnotes:Due to the fact that this artist produced many works in the name of his father Ishiguro Masayoshi, sword fittings signed Koreyoshi are relatively rare.For further information on this lot please visit Bonhams.com

Lot 61

A SILVER KISERUZUTSU (PIPE CASE)Meiji era (1868-1912), late 19th/early 20th centuryCarved all over in relief with turbulent water and breaking waves, the rim and handle mounted with silver; unsigned; with an inscribed silk storage bag and wood storage box. 19.7cm (7 5/8in) long. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 12

A GOLD-LACQUER ROUNDED RECTANGULAR FUBAKO (LETTER BOX)Edo period (1615-1868), 19th centuryThe kabusebuta (overlapping lid) decorated in gold and silver takamaki-e with two minogame (bushy-tailed tortoises) swimming over a stream, all on a rich nashiji ground, two sides of the box with a gilt-metal fitting in the form of a circular roundel carved with a paulownia crest attached with a loose ring handle to accommodate the silk cord; unsigned. 6cm x 24.2cm x 7cm (2 3/8in x 9½in x 2¾in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 127

AN INLAID BRONZE CHARGER AND INLAID SENTOKU KOGO (INCENSE BOX) WITH COVERThe charger by Kumagaya of Kyoto, the kogo by the Inoue Company of Kyoto, Meiji era (1868-1912), late 19th/early 20th centuryThe charger carved and inlaid in gold, silver, and shakudo with a kakejiku (hanging scroll) beside flowering chrysanthemums, the kakejiku depicting two rakan (Buddhist disciples) in a garden blooming with cherry blossoms, irises, and camellias, each holding a bell or gong, a karako (Chinese boy) pulling a potted rose, signed Kyoto Kumagaya tsukuru, 37.2cm (14 5/8in) diam.; the kogo of round form and similarly worked, the cover inlaid in gold, silver, and copper with a butterfly flitting about flowering peonies and daisies, stamped on the underside Dai Nihon Nishikyo Inoue sei, 12.2cm (4 13/16in) diam. (3).For further information on this lot please visit Bonhams.com

Lot 142

MORIGUCHI OF KYOTOA Set of Four Inlaid Iron Small Boxes and Covers on an Integral Circular Base Meiji era (1868-1912), late 19th/early 20th centuryDecorated with gold nunome damascene overlay and silver details in the typical manner of the Komai workshop, comprising three fan-shaped boxes and one cylindrical box nestled within an integral circular detachable base raised on three bracket feet, the cover of the central box with a coiled dragon, and the respective covers of the boxes around it embellished with a different design of (1) a swarm of butterflies, (2) a bird flying among autumnal flowers, and (3) a Chinese style building with a moat and thatched dwellings set within a lakescape, the exterior sides of each box with a matching design of squirrels frolicking among vines and the interior sides of the boxes with gold kiku-mon (chrysanthemum crests) scattered over a silver ground of geometric ornamentation, the base decorated around the side with a narrow band of repeated geometric motifs; inlaid on the base in gold Dai Nihon Kyoto Moriguchi within a silver-inlaid floral circular reserve. 4.6cm x 15.5cm (1¾in x 6 1/16in). (9).For further information on this lot please visit Bonhams.com

Lot 151

SUIHOA Gilt-Bronze Okimono (Table Ornament) Figure of the Samurai Archer Minamoto no Tametomo Meiji era (1868-1912), late 19th/early 20th centuryModelled in a defiant attitude, barefoot, kneeling on one leg, leaning back, with one hand holding a bow (removable) and his left arm taut as he prepares to loosen an arrow (loose), a short sword tucked into his waist, his tunic decorated with cart wheels, signed on the reverse Suiho within a rectangular reserve, with a wood storage box inscribed outside the lid Tametomo no zo, kodo kingin zogan iri (Statue of Tametomo, old bronze inlaid with gold and silver), signed inside the lid Shiho with a seal Shiho. 28.4cm (11 3/16in) high. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 16

KODA SHUETSU (1881-1933)A Black-Lacquer Hexagonal Kogo (Box for Incense Wood) and Cover Showa era (1926-1989), 1928The lustrous black-lacquer ground decorated in gold takamaki-e with two tied bundles of sheaves of rice on the outside of the lid, willow branches and nandina plants on a sparsely sprinkled kinpun ground on the inside of the lid, the interior of the box also liberally applied with kinpun; the rims mounted in silver, signed on the underside of the box in gold lacquer Shuetsu; with a purple silk drawstring storage bag and a wood tomobako storage box inscribed outside the lid Mizuho kogo (Box for incense with a design of fresh ears of rice), inscribed inside the lid Showa tsuchinoe-tatsu aki, Masamichi dai (Autumn 1928, titled by Masamichi), signed underneath the box Maki-eshi Shuetsu with a seal Do. 2.7cm x 9cm (1 1/16in x 3½in). (5).Footnotes:Accompanied by an old receipt dated November 1928 issued by the retailer Kyukyodo (purveyor to the Imperial Household) detailing that the piece was made to commemorate the Showa Emperor's accession to the throne and to celebrate the beginning of his era. An almost identical kogo is in the collection of The National Museum of Modern Art, Kyoto (museum no. LC0070).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 170

SIX DEMONSTRATION VASES SHOWING STAGES OF THE CLOISONNÉ-ENAMELLING PROCESSMeiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryComprising a set of six miniature baluster vases: the first, the sojizukuri (copper core) with drawing, the second with the colour added, fired and showing the shokusen (wires) placement and gluing of the sculpted wires on the body, the third, after firing to fuse the wires, the fourth with the pasted enamels, the fifth showing multiple stage of adding more coloured-enamels and firing, the sixth, the polished, high gloss finished product applied with the silver mounts; with six wood stands and a wood storage box. Each vase: 6.2cm (2 7/16in) high.Footnotes:A similar group of six miniature vases showing the basic processes of cloisonné manufacture is in the Victoria and Albert Museum www.vam.ac.uk/content/articles/j/japanese-cloisonne-manufacture/For further information on this lot please visit Bonhams.com

Lot 173

HATTORI TADASABURO (DIED 1939)A Pair of Fine Cloisonné-Enamel, Moriage, and Musen Baluster Presentation Vases Meiji (1868-1912), Taisho (1912-1926), or Showa (1926-1989) era, early/mid-20th centuryEach vase with a shouldered body and waisted neck, worked in gold wire, decorated with a complementary design of flowering stems of spider chrysanthemum, the large chrysanthemums and buds rendered in moriage ('heaped up') enamels, the white chrysanthemum partially open revealing the yellow stamens within, the numerous overlapping leaves worked in graduated tones of green musen (wireless) enamel, all reserved on a pale grey ground, applied with silver rims and feet, each vase signed in silver wire on the base with the seal Hattori kinsei (Respectfully made by Hattori); each with a wood stand, pierced and carved with paulownia leaves, with a wood storage box inscribed Shippo kabin kikumoyo ittsui (A pair of cloisonné vases with design of chrysanthemums) and a paper slip. Each vase: 36.5cm (14 3/8in) high, each wood stand: 7.4cm x 14.5cm (2 7/8in x 5¾in). (6).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 183

ATTRIBUTED TO HAYASHI KODENJIA Cloisonné-Enamel Rounded Rectangular Footed Box and Cover Meiji era (1868-1912), late 19th/early 20th centuryThe midnight-blue ground delicately worked in gold wire of varying gauge, the en-suite cover decorated with a sparrow perched on a flowering branch of cherry, its head turned, watching two other sparrows flying to its right, the trunk of the tree extending over the sides and on to the front of the box, the interior lined in brocade silk, raised on four bracket feet worked in silver wire with white chrysanthemum heads interwoven among karakusa ('Chinese grasses'); unsigned. 5.5cm x 16.7cm x 9cm (2 1/8in x 6 5/8in x 3½in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 184

ATTRIBUTED TO THE HAYASHI KODENJI WORKSHOP OF NAGOYAA Cloisonné-Enamel Kogo (Incense Box) and Cover Meiji era (1868-1912), late 19th/early 20th centuryFinely worked in silver and gilt wire of varying gauge, the top surface of the cover embellished with a large blue and taupe dragonfly bordered with a band of blooming blue and red half chrysanthemum blossoms, exactly matching the upper rim of the body encircled with an identical band of half chrysanthemums, the lower section of the body with stalks of flowering chrysanthemums above a foot of tight whorl patterns, all reserved on a midnight-blue ground, the interior and base with a mint green enamel ground; unsigned. 5.2cm x 6.5cm (2in x 2½in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 187

A PAIR OF PLIQUE-À-JOUR CLOISONNÉ-ENAMEL MINIATURE SQUAT BALUSTER VASESMeiji era (1868-1912), late 19th/early 20th centuryWorked in silver wire decorated all over with stylised daisies of red, blue, and purple, on a pale green frosted ground, applied with a silver rim and foot, signed on the base Hattori; with a plain wood storage box. Each vase: 5.8cm (2 6/16in) high. (3).Footnotes:Provenance:A European private collection.Purchased at Sotheby's, London, 6 May 2020, lot 72.For further information on this lot please visit Bonhams.com

Lot 193

A CLOISONNÉ-ENAMEL VESSEL AND COVERMeiji era (1868-1912), late 19th/early 20th centuryWorked in silver wire of varying gauge with a continuous scene depicting a shidare yanagi (weeping willow) on the banks of river and two wave-lashed jakago (stone-filled baskets) in the water on a cream ground, the flattened shoulder scattered with maple leaves matching the decoration on the detachable cover, the rims of silver, signed on the base in silver wire with a seal Horin; with a plain wood storage box. 17.8cm (7in) high. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 198

ANDO JUBEI COMPANYA Cloisonné-Enamel Baluster Vase Meiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryWorked in silver wire of varying gauge with tall stalks of blue rindo (Gentiana scabra) in bloom on a beige ground, applied with a silver rim and foot, signed on the base in silver wire with the mark of Ando Jubei, stamped Jungin (Pure silver) on the foot rim, with a separate wood stand and a wood tomobako storage box inscribed outside the lid Gokashi Shippo kabin ikko (A cloisonné vase presented by the Emperor), the interior of the lid with an inscription byfrom the Emperor), the interior of the lid with an inscription recording that in return for 426 textile pieces donated to the Bureau of Drawings and Books of the Imperial Household Ministry on 29 March 1924, the Emperor graciously presented the writer with a cloisonné vase, which he respectfully received in Tokyo from Watanabe Makoto, Director of the Bureau, on 20 April of the same year; signed Kojima Kasuke kinshi (Respectfully recorded by Kojima Kasuke) and with two seals, and dated 25 April 1924. 31cm (12 1/8in) high. (3).Footnotes:Kojima Kasuke was an Osaka-based art dealer.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 23

IMAIZUMI NARIYUKI (SEISHI, ACTIVE CIRCA 1910-1950)A Black-Lacquer Natsume (Tea Caddy) Taisho (1912-1926) or Showa (1926-1989) era, 20th centuryThe lustrous roiro ground decorated in gold, aokin, silver, shell, and polychrome togidashi maki-e with two overlapping peacock tail feathers extending from one side of the cover towards the bottom of the box, other birds' feathers such as pheasant and dove scattered all around on the ground, the inside of the lid embellished in gold takamaki-e with gingko and maple leaves on a nashiji ground, the inside of the box and base also of rich, dense nashiji; the base signed in gold lacquer Seishi saku with a kao; with a wood tomobako storage box inscribed and signed on the outside the lid Hane maki-e natsume (Feather-decorated maki-e tea caddy), Seishi saku with a kao. 8cm x 7.7cm (3 1/8in x 3in). (3).Footnotes:Few facts are known concerning the outstanding and highly versatile lacquer artist Imaizumi Nariyuki but it is thought, judging from the style of his works, that he was active from about 1910 to about 1950; the Irving Gould Collection included a suzuribako with a view of Matsushima contained in a storage box signed by Nariyuki and stating that it had been viewed by the Showa Emperor on a documented visit to Ibaraki Prefecture in November 1946.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 25

MITAMURA JIHO (1886-1979)A Black-Lacquer Natsume (Tea Caddy) Taisho (1912-1926) or Showa (1926-1989) era, 20th centuryEmbellished in gold, silver, and polychrome takamaki-e with spiral whirlpool motifs of different sizes sparsely adorning the cover and body against a lustrous black-lacquer ground, the outer edge of the lid and body with horizontal lines, the inside of the lid and body of red lacquer sprinkled with gold hirame flakes, the inside raised edges limited to two spiral motifs, the inside of the lid lacquered with two cranes in gold and silver hiramaki-e, signed on the base in silver takamaki-e Jiho [...]; with a tomobako wood storage box inscribed Saiko maki-e chaki (Tea caddy with design in colourful maki-e), signed inside the lid Jiho saku (Made by Jiho) with seal Jiho. 8.4cm (3¼in) high. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 28

ATTRIBUTED TO TOSHUA Gold-and-Black-Lacquer Shikishibako (Box for Square Poem Papers) Taisho (1912-1926) or Showa (1926-1989) era, 20th centuryThe exterior of the kabusebuta (overlapping lid) decorated in gold and silver togidashi maki-e with a drum-shaped bridge in the middle foreground, a torii gate at one end and a temple building at the other, partly obscured among the pines, the design extending over the sides of the lid and the box, the inside of the lid and box of rich nashiji; unsigned, with a wood storage box inscribed outside the lid Sumiyoshi maki-e shikishibako (Sumiyoshi maki-e poem-card box), signed inside the lid Maki-eshi Toshu saku (Made by maki-e artist Toshu) with a seal. 2.7cm x 23cm x 26cm (1in x 9in x 10¼in). (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 282

AN IRON TSUBA (HAND GUARD)Edo period (1615-1868), mid-19th centuryThe well-forged iron plate elaborately pierced with a pair of confronted cranes, their heads emerging from the top of the seppadai, the eyes inlaid in silver, copper, and copper alloy, two hitsu (openings for kozuka and kogai), the nakakago-ana (central opening for the blade) with copper sekigane (shims) at top and bottom, with a fitted wood storage box. 8.3cm x 8.2cm (3¼in x 3¼in). (2).Footnotes:Tsuba with this design are associated with a branch—based in Tosa Province on the island of Shikoku—of the nationwide Myochin network of armour and ironwork specialists.For further information on this lot please visit Bonhams.com

Lot 283

FOUR TSUBA (HAND GUARDS)Edo period (1615-1868), 18th and 19th centuryThe first iron, almost circular with two hitsuana, chiselled in relief and with details in gold, depicting a wasp and branches of biwa (loquat), signed Toyosai Kaneyasu (Haynes 2588) with a kao; with a fitted wood storage box inscribed on the reverse of the lid with an attestation signed Genpaku and dated 1994; the second mokko (four-lobed), shakudo migakiji with two hitsuana (both plugged), chiselled in relief with details in gold, silver, and copper depicting Mount Fuji, birds, trees, sailing boats, and mooring posts, signed Yukitsugu; the third oval with one hitsuana, shibuichi migakiji inlaid in high relief of shakudo, gold, silver, and copper, with Jittoku looking at the moon on one side and Kanzan on the reverse, with a gold-inlaid seal Kuzui (Noriyuki); with a fitted wood storage box; the fourth oval with a hammered-up rim, one hitsuana, shibuichi ishimeji chiselled and inlaid in gold with a goose and reeds, signed Buntokusai Sadataka (Haynes 7802) with a kao; with a fitted wood storage box. The smallest: 6.7cm (2 5/8in) high; the largest: 8.6cm (3 3/8in) high. (7).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 285

A SHIBUICHI TSUBA (HAND GUARD)Edo period (1615-1868), mid-19th centuryRounded rectangular, slightly aori form with hammered-up rim, the shibuichi migakiji ground chiselled and inlaid in high-relief copper with gold and silver details depicting a lotus leaf, stem, and seed pod; an egret; and omodaka (arrowhead plant, Sagittaria trifolia), signed Ittoshi Ryuo; with an unassociated four-lobed lacquer box with indented corners and inrobuta (flush-fitting lid), the exterior with dense gold hirame flakes on black lacquer, decorated on the top and sides in gold hiramaki-e and takamaki-e with a plum branch and bamboo, all the other surfaces gold nashiji. The tsuba: 6.8cm x 6.2cm (2 5/8in.x 2½in); the box: 4cm x 9.8cm x 10.4cm (1½in. x 3 7/8in. x 4 1/8in). (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 287

TOSHITSUGUA Tsuba (Hand Guard) Edo period (1615-1868), 19th centuryIron, rounded aori (trapezoid) with one hitsuana, chiselled and with high-relief inlay of silver, gold, and shakudo depicting a bird perched on a mooring post and an egret in the stream below, the reverse with a bridge, signed Toshitsugu; with a wood storage box. 9.9cm (3 7/8in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 290

A DAISHO TSUBA (MATCHING SET OF A LARGE AND A SMALL HAND GUARD)Edo period (1615-1868), late 18th/19th centuryAlmost circular, shakudo nanako, each with two hitsuana, one plugged with shakudo, chiselled and inlaid in gold, silver, and shibuichi each depicting a tiger and bamboo; with a plain wood storage box. The smaller: 6.9cm (2 11/16in) high; the larger: 7.1cm (2 13/16in) high. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 291

THREE TSUBA (HAND GUARDS)Edo period (1615-1868), 18th and 19th centuryThe first iron, circular with two hitsuana, chiselled as two stylized butterflies, signed Echizen no ju Kinai saku, 7.6cm (3in) high; the second almost circular, shibuichi migakiji with a rounded edge, one hitsuana, pierced, chiselled and inlaid with gold, silver, shakudo, and coral with a Koronbo (South Sea Islander) dragging a branch of coral, the moon, and clouds, with signature Shozui, 7cm (2¾in) high; the third shibuichi with two hitsuana, deeply undercut and chiselled with details in gold depicting waves and spray, with signature Omori Teruhide, 7cm (2¾in) high; one with a wood storage box. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 292

EIGHT KOZUKA (KNIFE HANDLES)Edo period (1615-1868), 19th centuryThe first gold, chiselled with cherry blossoms, the reverse with nekogaki ('cat scratches'); the second copper, chiselled and inlaid in gold and silver with a branch of peony, the reverse silver, engraved with butterflies and a stream, signed on the side Goto Mitsuteru (Haynes 5447, but with a different character for teru) with a kao; the third copper nanako, chiselled and inlaid in gold and shibuichi with a colt emerging from a gourd; with a fitted wood storage box; the reverse shakudo migakiji, signed Kanasugi Tomotoshi (Haynes 10124) with a kao; with a fitted wood storage box inscribed on the reverse of the lid with an attestation dated 1967 and signed Zaiya (a name used by Torigoe Kazutaro); the fourth shakudo, partly nanako and partly migakiji, chiselled and inlaid in gold and silver with a suisen (narcissus) plant; the fourth shibuichi, chiselled and inlaid in gold and silver depicting an old pine tree and the crescent moon, signed Shigemitsu saku; the sixth shakudo nanako chiselled and inlaid in gold, silver, and shibuichi depicting swallows and a willow tree, the reverse diagonally divided into gold nekogaki ('cat scratches') and shakudo migakiji; with a fitted wood storage box; the seventh silver, chiselled and inlaid in gold with a dove in a tree, signed Chikushian Toshiteru kizamu (Haynes 10593, dates of 1852 and 1856); with a fitted wood storage box; the eighth shibuichi, chiselled in high relief with gold details depicting a rooster and hen, with signature Yanagawa Naoharu with a kao. (11).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 293

FIVE KOZUKA (KNIFE HANDLES)Edo period (1615-1868), 19th centuryAll shakudo nanako, the first three with gold reverses with nekogaki ('cat scratches'), the first chiselled and inlaid in gold with sparrows and bamboo; the second chiselled and inlaid in gold and silver with autumn flowers; the third chiselled and inlaid in gold with cranes and pines; the fourth with a shakudo migakiji reverse, chiselled and inlaid in gold and silver with birds, a bow, and arrows; the fifth with the reverse detached and secured with two metal pegs, chiselled and inlaid in gold and silver with a sailing boat beneath the moon; three each with a wood storage box. (8).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 294

FIVE KOZUKA (KNIFE HANDLES)Edo period (1615-1868), 19th centuryThe first silver, chiselled with Daruma in meditation beneath an inscription inlaid in pale gold, the reverse engraved and inlaid in copper with a hossu (Buddhist priest's ceremonial whisk) and inlaid with a gold cross beneath diagonal striations; the second shibuichi, the reverse shakudo, engraved with Jurojin, Daikoku, and Ebisu with a bream in a pot, with signature Somin and a kao; with a fitted wood storage box; the third silver, engraved with a courtesan and servant holding an umbrella on the reverse sheltering from a storm blown down by Raijin and Raiden on the obverse, signed Sano Naonobu (Haynes 6742) with a kao; with a fitted wood storage box; the fourth shibuichi chiselled and inlaid in gold, copper, and silver with Kanzan and Jittoku beneath a moon half-obscured by cloud, signed and sealed Yasuyuki (Haynes 11367); with a fitted wood storage box inscribed on the reverse of the lid with an attestation dated 1967 and signed Zaiya (a name used by Torigoe Kazutaro); the fifth shibuichi chiselled and with gold details depicting Shoki subduing an oni. (8).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 295

MORIMITSUA Kozuka (Knife Handle) Meiji era (1868-1912), late 19th/early 20th centuryThe plate gold nanako within a shakudo migakiji frame with a gold nekogaki ('cat scratch') reverse, the plate inlaid in gold, silver, copper, and shakudo depicting a rats' wedding procession, signed [...]sai Morimitsu with a kao; with a plain wood storage box. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 296

FIVE FUCHI (HILT COLLARS)Edo period (1615-1868), 18th to 19th centuryThe first three shakudo nanako, the first chiselled and inlaid in gold, silver, shibuichi, and copper depicting sparrows and a flowering branch, signed Jugakusai Ishiguro Masayoshi (Haynes 4887) with a kao; the second chiselled and inlaid in gold, shibuichi, and copper depicting Kanzan and Jittoku examining a scroll, inlaid with a painter's signature and seal, signed Nara Toshinori (Haynes 10530) with a kao; the third chiselled and inlaid in gold and silver with two karako (Chinese boys) playing a drum and a third figure seated under a tree, signed Yamazaki Ichiga (Haynes 1671) with a kao; the fourth brass or sentoku, chiselled and inlaid in shakudo, shibuichi, copper, and gold with a scholar approaching a lakeside pavilion, signed Nara Toshimitsu saku; the fifth shibuichi, chiselled in relief and with gold details with Futen the Wind God releasing a storm from his bag, signed Oju Kakuta-kun gyonen rokujuhachi Masayoshi (made to the order of Mr Kakuta by Masayoshi, aged 68); the first, third, and fourth each with a fitted wood storage box inscribed on the reverse of the lid with an attestation dated 1967 and signed Zaiya (a name used by Torigoe Kazutaro). (8).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 1959

AN OVAL SILVER JEWELL BOX, the lid repousse with figures, velvet interior on claw feet. Birmingham, 1908.

Lot 722

Jewellery, a 9ct yellow gold gate bracelet (approx. 15.55g) together with some other small items of gold and silver and a selection of costume jewellery (necklaces, earrings, brooches) together with 3 vintage jewellers ring boxes all presented in an inlaid wooden jewellery box (gd) (30+)

Lot 366

A Korean iron and silver inlaid 'dragon' box, 19th century, the dragons heads inlaid with brass tongues, the sides with deer or storks amongst trees, with inner wood cover, 13cm wide x 9cm deep x 8.5cm high, 1252 gramsCondition Report: old wear and some scathes to surface the silver handle on the inner cover presumably a later Japanese replacement Condition Report Disclaimer

Lot 578

A Japanese Gold Lacquer Box with Inner Tray and Stand, of fan shape, the cover decorated in gold takamakie and hiramakie on the kinji ground as a fan with a landscape scene, the struts in silver coloured metal, details in e-nashiji, the sides with rouyndels of peonies, Ho-o birds and other emblems, interspersed with hanabishi diaper, the trsy with birds by a prunus tree in gold takamakie on a kinji ground, the stand shows a butterfly and chrysanthemums over water in togidashi, the whole raised on four cabriole legs, the interiors in rich nashiji, width 23.5cms, Late Edo-Meiji EraCondition Report: Some fading, some wear, a few small dents and chipsCondition Report Disclaimer

Lot 194

* Ubsdell Family. Lieutenant James Eads Ubsdell, Somerset Light Infantry who died of fever on 13 October 1896 at Keila DroochIndia General Service 1895-1902, VR, 1 clasp, Relief of Chitral 1895 (Lt. J.E. Ubsdell, Som.L.Infy), extremely fine, contained in an ebony box which was requested by his mother after his death as a memorial, the lid with a silver plaque with London 1902 hallmark engraved 'In Affectionate Remembrance of my dearly loved son James Eads Ubsdell who died at Drosh, Chitral 13th October 1896 Aged 27 years', silver corners and key plate, the hinged lid enclosing a fitted lift out tray with the personal effects of the recipient including his campaign medal, silver 13th Foot cap badge, belt buckle, silver sovereign case and yellow metal pocket knife each engraved with the initals 'J.E.U.', tunic buttons, Southampton Yacht club enamel badge and other items, the lower section with a large collection of original documents, telegrams, letters including letters from Ubsdell to his family etc including a printed and manuscript letter titled 'circular no 238 Divisional Transport office Late Chitral Relief Force Rawal-Pindi, 19th November 1895' in which the divisional transport officer thanks the transport officers on the conclusion of the operations of the Chitral Relief Force, military educational documents including one for qualifying as a Russian interpretor dated 23 April 1890, a passport signed by the the Marquess of Salisbury, Earl of Salisbury dated 1888 with several Russian stamps, vellum death certificate dated 24 August 1897, a manuscript list of effects sent to his mother including many of the items in this box, a copy letter to his mother from Lt Col A.C. Borton giving condolence, an original telegram inscribed 'regret that he died suddenly fever, thirteenth October Drosh, Colonel Somerset', black and white photographs of Ubsdell's grave stone, plus a large watercolour portrait of Ubsdell painted by T.M. Heaton in 1912, as a tribute commissioned by his mother, Ubsdell seen in full scarlet uniform of the Somerset Light Infantry, period gilt frame, glazed, frame size 78 x 83 cm, a handcoloured photograph of Ubsdell in Eton uniform, presented in a gilt metal frame with Eton Register, a humerous drawing of Ubsdell by Marcel Pil 1893, in a period carved wood frame, frame size 22 x 17 cm and other items, a good original family archiveQTY: (1)NOTE:Captain James Eads Ubsdell, Somerset Light Infantry (1868-1896), was born in Southampton and educated at Eton. He served with the regiment in India and was a transport officer during the Relief of Chitral in 1895. Ubsdell died of fever at Drosh, India on 13 October 1896. His headstone at Drosh Cantonment is inscribed 'In memory of Captain James Eads Ubsdell, The Prince Alberts Somersetshire Light Infantry, who died at Killa Drosh whilst employed as Transport Officer 13th October 1896, aged 28 years. Deeply mourned by his parents and brother officers'. See lot 195 for Lieutenant Colonel Thurlow Richardson Ubsdell (brother).

Lot 195

* Ubsdell Family: Lieutenant Colonel Thurlow Richardson Ubsdell, DSO, Royal Horse ArtilleryDistinguished Service Order, G.R.V., silver gilt and enamelQueen's South Africa 1899-1902, 4 clasps, Cape Colony, Orange Free State, Transvaal, South Africa 1901 (Lieut T.R. Ubsdell, R.F.A.), 1914 Star and Bar (Capt:T.R. Ubsdell, R.F.A.)British War and Victory Medals (Major T.R. Ubsdell) with MID oakleaves1935 Jubilee MedalFrance. Légion d’honneur, good very fine or better, lacquered with dress miniature awards and cases of issueSilver desk stand presented to Ubsdell from the officers R.A. mess Rawal Pindi April 29th 1909 (and so inscribed), with two silver top ink bottles with the initials T.R.U., the stand 27 cm long, approximately 747g together with a box containing hundreds of letters from Lt Col Thurlow Richardson Ubsdell from the Western Front circa 1914 onwards, a large scrap album compiled by Ubsdell which covers his personal life and career in the army and at home, many photographs, including Ubsdell wearing his QSA medal, another of the 13th Battery receiving their medals at Nowgong, India, original documents such as commission certificate dated 21 May 1900 (2nd Lieutenant), mentioned in despatches certificates etc, Secret blue report No4 titled 'Report on the Armed Forces of Germany and the work the Effective Sub-Commission of Control', the cover inscribed 'T.R. Ubsdell', two folders full of documents titled 'Political Parties in Germany', and 'Revolution of March 12/13th 1920' with a typed report for the Berlin Revolution on 13 March 1920, together with another group of medals to his son Major Edward Thurlow Hope Ubsdell, Somerset Light Infantry, killed on active service in a motoring accident in Germany, 10 November 19451939-1945 Star, Burma Star, Defence and War Medals, extremely fine and lacquered, both groups presented in a modern display frame, glazed, frame size, 49 x 35 cm QTY: (1)NOTE:D.S.O. London Gazette 1 January 1918M.I.D. London Gazette 14 January 191530 November 19157 November 191713 November 1919Lieutenant Colonel Thurlow Richardson Ubsdell (1872-1955) was born in New York, America, he was the son of John Ubsdell who had emigrated to America in the late 1850s and was President of the Great Lakes Engineering Company, River Rouge (considered an outstanding naval architect and marine engineer), the family moved back to England in the 1870s and resided in Southampton, Ubsdell was educated at Rugby School and Jesus College, Cambridge before being commissioned in the Royal Artillery in May 1900, he served in the Boer War from 1901 with the 13th Battalion and was present at the Delhi Durbar on 1 January 1903, an original programme of the Durbar plus order of service is included with the lot, Ubsdell relinquished his commission in 1912 with the rank as Captain, he re-engaged for service at the outbreak of WWI and served on the Western Front with the 6th Division Royal Artillery from September 1914 until the end of the war, he was mentioned in despatches four times plus awarded the DSO.In 1918 Ubsdell was appointed Summary Court Officer in Cologne, during this time, he tried over 5000 Germans and presided over a special court to try Spartacists charged with inciting Mutiny in the British Army and with a plot to murder General Plumer and other British Officers.Between 1918-1920 he joined the "British Effectives' Sub-Commission of the Control Commission or the Disarmament of Germany in Berlin as AAG and subsequently was President of the Berlin District Commission of Control for the Execution of the Military clauses of the Peace Treaty (Treaty of Versailles) and the Disbandment of the German Army, there are several pages of black and white photographs relating to General Foch accepting the German request for armistice, with relevant newspaper cuttings. Ubsdell served during WWII with the Home Guard from 3 June 1940 to 1 October 1942 (a certificate from George VI is included along with original ARP paperwork and photographs).On 10 November 1945 his son Edward was killed in a jeep accident whilst serving in Germany, the album included in this lot has several black and white photographs of Edward and his family, a newspaper cutting reporting on the death, roll of honour plus a photograph of his grave.A wonderful and comprehensive family archive.See lot 194.

Lot 162

A miscellaneous collection of silver boxes, including a tortoiseshell lidded box, various circular boxes, ovoid example, another with engine turned lid and silver gilt interior and others, 70g

Lot 19

A 19th century leather jewel case, for a necklace, with velvet interior, together with a blue gilt tooled cufflink box, a collection of turquoise beads, a bag of metal finings, silver and gold (need to be tested) 40g and a set of four mother of pearl and enamel buttons, other items (a parcel)

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